Artist

Founded in 1996 by artists Stéphane Claude and Gisèle Trudel, Æ is an artist unit that invites other collaborators to participate on a regular basis. Ælab designates production projects in a more anonymous context, clearly reflecting their focus on an ecological and technological conscience rooted in the arts and sciences. Æ seeks to reintroduce the world of animal/vegetal/minerals into the electronic arts. Æ produces audiovisual essays, performances, web projects, databases, site specific installations, publications, psycho-geographic walks, and audio recordings that are listened to in the dark...

Stéphane Claude is an electronic/electroacoustic musician and audio mastering engineer. His research is concerned with providing a conceptual framework for audio recordings and sound installations.

As an audio consultant, he has participated in the conception, production and integration of high-end and independent surround sound, digital recording and mastering studios in Montreal and abroad. His work is rooted in ecological design based on optimization of conceptual and physical resources.

Since 1992, he has been preoccupied with the presentation of electronic art, by favoring the notion of 'active listening' and has conceived immersive environments as the technical director and/or sound engineer and/or sound designer for OBORO (2000-present), Oral TAC and Volt AA (2001-05), Atelier InSitu Architects (2002), Mutek: Sound, Music and NewTechnology (2000), Momentum theater company (1999), The Media Lounge of The Festival international du nouveau cinema et nouveaux medias (1997-98), La 3e Fenetre (1995), and Champ Libre (1993-95).

Videography

Sparks

2005, 40:00 minutes, colour, English

s11 Tesla and the future

2005, 09:57 minutes, colour, English

s5 Colorado Springs

2005, 05:11 minutes, colour, English

s3 Niagara Falls

2005, 06:20 minutes, colour, English

s8 Wardenclyffe

1999, 09:46 minutes, colour, English

s1 Tesla and his time

1999, 07:45 minutes, colour, English

Critical Writing

DIGITAL SUTURES
by Kristin L. Dowell. CULTURAL ANTHROPOLOGY, 2018, v. 33, no. 2.
Transitions
by James Cullingham. ActiveHistory.ca, Mar 5, 2018. History Department at the University of Saskatchewan and Huron University College, 2018.
Shelley Niro
by Murray Whyte. The Toronto Star, May 21, 2017.
AGO Exhibition Asks Where Canada really Came From
by Brad Wheeler. The Globe and Mail, July 2, 2017.
Kent Monkman
by Robert Everett-Green. The Globe and Mail, Jan 6, 2017. The Globe and Mail, 2017.
Kent Monkman marks Indigenous response to Canada 150 at Toronto Pride
by Kenny Sharpe. The Globe and Mail, June 23, 2017. The Globe and Mail, 2017.
'To Think the Home in Terms of the Factory'
by Elisa Adami and Alex Fletcher. Third Text, Jan 2017, v. 31, no. 1. Routledge, 2017.
Random Acts of Legacy
by Glenn Sumi. NOW, Apr 26, 2016.
Dinh Q. Le
by Denise Tsui. Art AsiaPacific, Jan 2016.
Conflict, Coercion, and Settler Colonialism in Western Canada
by Sean Carleton. Canadian Dimension, Spring 2016, v. 50, no. 2.
Kunstlerhaus Stuttgart
by Travis Jeppesen. Art in America, July 2016, v. 104, no. 6.
Pleasure, Pain, and Politics Ellen Cantor in New York
by Dana Kopel. Art in America, Oct 19, 2016.
The Disquieting Muses
by Leslie Jamison. The White Review, Sept 2016, no. 18.
Ellen Cantor
by Chris McCormack. Art Monthly, June 2016, no. 397.
Breath Taker
by Robert Enright and Meeka Walsh. Border Crossings, Dec 2016, v. 35, no. 4.
Mike MacDonald Digital Garden
by Robin Metcalfe.
Canadian Film Week
by Janet Smith et al. The Georgia Straight, Apr 13, 2016.
We've Met Before
by Amber Christensen.
Ottawa Acknowledges Some Records of Pass System Were Destroyed...
by Joanna Smith. The Toronto Star, Apr 27, 2016.
Prof Hopes Komagata Maru Apology Acknowledges Canada's Former...
by Jim Coyle. The Toronto Star, May 17, 2016.
2016 IMAGES FESTIVAL
by Terence Dick. Akimblog, Apr 21, 2016.
Park Chan-Kyong's Asian Gothic as 'the Most Sublime Hysteria' in...
by Choi Jong-chul. Third Text, 2016, v. 30, no. 5-6. Routledge, 2016.
Reading the Morphology of Ben Rivers's chemical landscapes
by Patrick Tarrant. Moving Image Review & Art Journal, 2016, v. 5, no. 1&2.
Sexual Assault
by Leah Sandals. Canadian Art, Sept 13, 2016. Canadian Art, 2016.
Playing and Dying Between the Real and the Hyperreal
by Laura M F Bertens. Third Text, Mar 2016, v. 30, no. 1-2. Routledge, 2016.
Gil Cardinal
by Michael Enright. Rewind, Jan 21, 2015.
Serious Games: Harun Farocki
by Ming Lin. Art AsiaPacific, Mar/Apr 2015, no. 92.
Hacker, Hoaxer, Whisleblower, Spy, The Many Faces of Anonymous:...
by Gabriella Coleman. Hacker, Hoaxer, Whisleblower, Spy, The Many Faces of Anonymous, Sept 13, 2015.
CABAC: New Moving Image from Scotland
by Luke Collins. Glasgow: LUX Scotland, 2015.
Sara Angelucci, A Mourning Chorus: Exhibition Review
by Magdalena Vasko. The Senses and Society, Apr 2015, v. 10, no. 1.
This Director Edited 400 (Pretty Shitty) Canadian Movies Into One...
by Chris Dart. Vice, July 9, 2015.
Cancon Cinematic Crap Compressed into one Batshit Crazy Film
by Craig Takeuchi. The Georgia Straight, July 13, 2015.
Performing the Document in Francis Alÿs's Re-enactments
by Emily Rose Lyver-Harris. Invisible Culture, Apr 18, 2015, no. 22.
Filmmaker to Receive Award for Work Featuring LGBT Communities
by Annie Pei. nbcnews.com, Dec 11, 2015.
Comedie Concrete
by Stuart Munro. Art AsiaPacific, Apr 2015.
Days Push Off Into Nights
by Amani Vassiliou. Art AsiaPacific, Mar 2015.
Moving Light, Roving Sight
by Marybeth Stock. Art AsiaPacific, Feb 2015.
The Abstractions of Geopolitics
by Joleen Loh. Art AsiaPacific, June 2015.
The Late Style
by Jennifer Field. Art AsiaPacific, Nov 2015.
Dwelling
by Simon Frank. Art AsiaPacific, Oct 2015.
Trespassing Hollywood: Property, Space, and the "Appropriation Film"
by Richard Misek. October, Summer 2015, no. 153.
Hito Steyerl
by Rachel Stevens. Millennium Film Journal, Fall 2015, v. 62. New York City: Millennium Film Workshop, 2015.
Aleesa Cohene
by Leah Turner. Border Crossings, June 2015, v. 34, no. 2.
Emily Vey Duke and Cooper Battersby: Here is Everything
by Anneka Herre. Vdrome, Dec 2015.
Best Canadian Films of All Time: The Canuck Canon Pulls a Fast One
by John Semley. The Globe and Mail, May 29, 2015.
Patty Chang & David Kelley
by Andrew Gurian. Millennium Film Journal, Spring 2015, no. 61.
Video Portraits by Joan Logue
by Harvey Roy Greenberg. Millennium Film Journal, Spring 2015, no. 61.
Cut to Swipe
by Rachel Valinsky. Millennium Film Journal, Spring 2015, no. 61.
For the creative, procrastination can be a work of art
by Russell Smith. The Globe and Mail, Sept 18, 2015.
"Material Girls" Takes up Space at the Dunlop
by Lauren Fournier. Canadian Art, Apr 2, 2015.
Cecelia Condit: "I Have Always Explored the Eerie, Dark Side of...
River's Edge, Aug 4, 2015.
Imperfect Scans
by Nicky Hamlyn. Journal of Visual Art Practice, 2015, v. 14, no. 1. Routledge, 2015.
Saskatchewan Gothic
by Elizabeth Matheson and Dr. Christine Ramsay.
Trips, Crossings, Trudges
by Ruth Burgon. Moving Image Review & Art Journal, 2015, v. 4, no. 1&2.
Laura Mulvery in conversation with Catherine Elwes
by Catherine Elwes and Laura Mulvey. Moving Image Review & Art Journal, 2015.
Malcolm Le Grice No Idea
by Simon Payne. Millennium Film Journal, 2015.
The Singular Voice(s) of Vera Frenkel
by Catherine Elwes. Moving Image Review & Art Journal, Dec 1, 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
Roundtable Discussion
by Nina Danino et al. Moving Image Review & Art Journal, Dec 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
'I Am A Man'
by Rosa Nogués. Moving Image Review & Art Journal, Dec 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
Reading the Strange Case of Woman-as-Appliance
by August Jordan Davis. Third Text, Sept 2015, v. 29, no. 4-5. Routledge, 2015.
Small Monuments
by Naomi Vogt. Third Text, May 2015, v. 29, no. 3. Routledge, 2015.
The Time of Camp, or, Camp as Ruin
by Ricky Varghese. The Word Hoard, Jan 2015, v. 1, no. 3. Arts and Humanities Commons, 2015.
They Made a Day be A Day Here: Prairie Positive
by Alison Cooley. Canadian Art, Jan. 16, 2014.
In Search of Blind Joe Death: The Saga of John Fahey
by Dennis Rozanski. Mojoworkin.com, Feb. 2014.
AIDS: A War on Representation
by Naz Altan. Local Film Cultures, Feb. 2014.
Matthew Noel-Tod
by Nick Warner. Art Monthly, Mar. 2014, no. 374.
Heather & Ivan Morison: Smile All the While
by George Vasey. Art Monthly, Mar. 2014, no. 374.
Paul McCarthy: Black and While Tapes: Everyone Agrees: Meetings...
by Anna Gritz. Art Monthly, Mar. 2014, no. 374.
Seeing the Unseen: An Interview with Public Studio
by Nives Hajdin. C Magazine, Winter 2014.
Investigating the Unexplained: An Interview with Christina Battle
by Clint Enns. C Magazine, Winter 2014.
Post-Medium Condition and Intericonic Art Theory: On the...
by Nina Gerlach. Journal of Art History, 2014, v. 83, no. 1.
Kailey Bryan: Bits & Places Rogue Gallery, Eastern Edge Artist Run...
by Gloria Hickey. C Magazine, Spring 2014, no. 121.
Artists' Walks: The Persistence of Peripateticism
by Michael Vass. C Magazine, Spring 2014, no. 121.
Amalie Atkins, Brian Cauley, Kathryn Ruppert-Dazai and Ellyn...
by Penelope Smart. C Magazine, Spring 2014, no. 121.
Juliana Pivato, Maura Doyle and Laura Taler: bones kneel in company
by Anna Khimasia. C Magazine, Winter 2014, no. 120.
Investigating the Unexplained: An Interview with Christina Battle
by Clint Enns. C Magazine, Winter 2014, no. 120.
Street Philosopher
by Anonymous. Border Crossings, Mar. 2014, v. 33, no. 1.
Vera Frenkel: Protean Sites and Sightings
by Dault Gary Michael. Border Crossings, June 2014, v. 33, no. 2.
Aernout Mik
by Sholem Krishtalka. Border Crossings, June 2014, v. 33, no. 2.
NYFF Projections Filmmaker Jean-Paul Kelly on 'The Innocents' and...
by Brian Brooks. Film Society Lincoln Center, 2014.
Human condition, animated: All That Glows, War of 1812-1814: Then...
by Elissa Barnard. The Chronicle Herald, May 10, 2014.
Willow, Weep for Me: Noa Giniger, Marian Penner Bancroft, and the...
by Kimberly Phillips. C Magazine, Summer 2014, no. 122.
Emily Vey Duke and Shary Boyle's The Illuminations Project: We are...
by Murray Whyte. The Toronto Star, Nov. 1, 2014.
NILBAR GÜRE?
by Berin Golonu. Art in America, Jan 1 Winter, 2014, v. 107, no. 1.
Shary Boyle & Emily Vey Duke's Amazing Story
by Daniella E Sanader. Canadian Art, Nov. 3, 2014.
Akram Zaatari: All is Well
by Amber Berson. C Magazine, Summer 2014, no. 122.
Bloomberg New Contemporaries
by David Trigg. Art Monthly, Jan. 2014, no. 372.
The Captive: John Greyson's time in Egyptian prison
by Jason McBride. Toronto Life, May 2014.
Drink in Vera Frenkel's art homecoming at MOCCA: One of Canada's...
by Murray Whyte. The Toronto Star, Nov. 26, 2014.
Must-see mischief: The fundamental strangeness of Frenkeland at MoCCA
by James Adams. The Globe and Mail, Nov. 28, 2014.
Vera Frenkel at MOCCA / Althea Thauberger at Susan Hobbs
by Terence Dick. Akimblog, Dec. 9, 2014.
New Vistas? Aboriginal animations and digital dreams at the...
by Jennifer Gauthier. Continuum: Journal of Media & Cultural Studies, 2014, v. 28, no. 4.
Eschewing Limitation: Omar Kholeif on Jennifer Chan
by Omar Kholeif. Images Festival, 2014. Toronto: Images Festival, 2014.
V-Tape Founder Shares All
by Clarrie Feinstein. The Newspaper, 2014, v. 37, no. 3.
Where Does It Hurt?: Artspeak, Vancouver
by Sydney Hart. C Magazine, Winter 2014, no. 124.
Interview with Brett Kashmere
by Brett Kashmere. The Magic Bird: The Best of Basketball Art + Design, Dec 8, 2014.
Truth at 24 Frames Per Second and Ball Don't Lie: Brett Kashmere's...
by Adam Nayman. The L Magazine, Dec 31, 2014.
A Past Not Yet Passed: Postmemory in the Work of Mona Hatoum
by Chrisoula Lionis. Social Text, Summer 2014, v. 32, no. 2.
Seeing the Invisible: Maya Deren's Experiments in Cinematic Trance
by Massimiliano Mollona. October, Summer 2014.
You're Not Dead Until You're Forgotten: A Memoir Review
by Jonathan Culp. Spectacular Optical, Sept 10, 2014.
"Out to See Video": EZTV'S Queer Microcinema in West Hollywood
by Julia Bryan-Wilson. Grey Room, Summer 2014, no. 56.
Life of Always a Mirror
by Joo Han. Art AsiaPacific, Dec 2014.
Motion Sketch: Len Lye
by Paul Laster. Art AsiaPacific, Sept/Oct 2014, no. 90.
Translation and Transcription:: A Conversation with Shelagh Keeley
by Ben Portis. Momus, Dec 23, 2014.
A Luminous Moment in the History of: Canadian Underground Exhibition
by Brian Mcilroy. Canadian Journal of Film Studies, May 1, 2014, no. 2.
The automaton in all of us
by David Bering-Porter. Moving Image Review & Art Journal, Dec 2014, v. 3, no. 2.
Home Video Returns
by Alexandra Juhasz and Ted Kerr. Cineaste, 2014, v. 39, no. 3. Cineaste Publishers, 2014.
Until You Get to Know Me
by Kenneth White. Millennium Film Journal, Spring 2013, no. 57.
Nathaniel Mellors
by Ilaria Gianni. Artforum, 2013.
Fahey's A Jolly Good Fellow: In Search of Blind Joe Death Reviewed
by Sean Kitching. The QUIETUS, Feb. 21, 2013.
In the Mosaic: Jewish Identities in Canadian Performance and...
by Carol Zemel. Canadian Theatre Review, Winter 2013, no. 153.
European Television Archives, Collective Memories, And...
by Maeve Connolly. The Velvet Light Trap, Spring 2013, v. 71.
David Askevold: Art Gallery of Nova Scotia
by Gabrielle Moser. Artforum, May 21, 2013.
In Another Time: Nostalgic Pasts and Utopian Futures in Yael...
by Laliv Melamed. Artpapers.org, Jan. 21, 2013, no. 37:01.
Cyclical Time: The Trap
by Gridthiya Gaweewong. Artpapers.org, Jan. 21, 2013, no. 37:01.
Again for Tomorrow: On temporality, lost future and static...
by Jelena Vesic. Artpapers.org, Jan. 21, 2013, no. 37:01.
The Success of Failure
by Anonymous. Border Crossings, Mar. 2013, v. 32, no. 1.
Kelly Richardson
by William V Ganis. Border Crossings, June 2013, v. 32, no. 2.
Bootleg Paratextuality and Digital Temporality: Towards an...
by Paul Benzon. NARRATIVE, Jan. 2013, v. 21, no. 1.
Drone Encounters: Noor Behram, Omer Fast, and Visual Critiques of...
by Matt Delmont. American Quarterly, 2013, v. 65, no. 1.
Elisabeth Belliveu
by Sandra Fraser. Canadian Art, June 2013, v. 30, no. 2.
Beginning and End Games: A Parable in 3D
by Claudia Hart. Cultural Politics, Mar. 2013, v. 9, no. 1.
Portraits and Tactics
by Veronique Leblanc. Canadian Art, Winter 2013, v. 29, no. 4.
Richard Rhodes's Top 3 of 2013: Imagination and Reality
by Richard Rhodes. Canadian Art, Dec. 20, 2013.
John Fahey: the guitarist who was too mysterious for the world
by Sean O'Hagen. The Guardian, Nov. 26, 2013.
My Night with Marina
by Jackson Klie. Carbon Paper, Dec. 2013.
Glitter and Glitch: Undressing the Art of Videofag
by Gabrielle Marceau. Carbon Paper, Mar. 2013.
Making Unsung and Other Tales
by Moze Mossanen. POV, Winter 2013, no. 92.
Museums of Human Bodies
by Hanna Musiol. College Literature: A Journal of Critical Literary Studies, Summer 2013, v. 40, no. 3.
Fahey's A Jolly Good Fellow:: In Search of Blind Joe Death Reviewed
by Sean Kitching. The Quietus, Feb. 21, 2013.
Yam Lau
by Stephen Horne. Border Crossings, 2013, v. 32, no. 1.
Animation Noir
by Anonymous. Border Crossings, 2013, v. 32, no. 2.
Manipulated Surface and Time: Digital Video and the "Film-Video...
by Ji-Hoon Kim. Quarterly Review of Film and Video, 2013, v. 30.
Micro/mutabilite: The Experimental Documentary Short at...
by Federico Windhausen. Millenium Film Journal, Spring 2013, v. 57.
Time Takes Time: James Nares transforms two-and-a-half minutes...
by Chris Chang. Film Comment Magazine, July 2013.
The Electric "Now Indigo Blue": Synthetic Color and Video Synthesis
by Carolyn Kane. The MIT Press, Nov. 4, 2013, v. 46, no. 4.
Isuma: Inuit Video Art by Michael Robert Evans, and: The Fast...
by Kristin G. Congdon. Journal of American Folklore, Summer 2013, v. 126.
Filming with Nature:: A Conversation with Experimental Filmmaker...
by Beatriz Bartolome Herrera and Sophie Cook. Synoptique - An Online Journal of Film and Moving Image Studies, Fall 2013, v. 2.
Marcus Herse
by Patrick Steffen. Flash Art, Sept. 2013.
We are the Primitives of a New Era: An Interview with Aldo...
by Ernesto Menendez-Conde.
Apichatpong Weerasethakul
by Lawrence Chua. New Art Publications, 2013.
Darren Almond:: All things pass
by James Jack. The Japan Times, Jan. 8, 2013.
Tracing Roots of Video Art: Contemporary art museum looks back on...
by Kwon Mee-yoo. The Korea Times, Oct. 7, 2013.
Somewhere there is History: A Conversation with Carlos Motta
by Harry Weil. Afterimage, Sept. 2013, v. 41, no. 2.
Nalini Malani
by Jyoti Dhar. Artasia Pacific, July 2013, no. 84.
Video Art Pioneer Joan Jonas On Her Upcoming Performance Piece,...
by Priscilla Frank. Huffington Post, Mar. 13, 2013.
True Confessions of a Video Art Pioneer: How the Influential...
by Pac Pobric. The Art Newspaper, Dec. 6, 2013.
Art in Stereo: Anri Sala Composes Space with Music
by Roos Van Der Lint. Modern Painters, June 2013.
Out of the Ordinary: Koki Tanaka
by Gabriel Ritter. Art AsiaPacific, Summer 2013, no. 84.
Obscurity and Stillness:: Potentiality in the Moving Image
by Catherine Fowler. Art Journal, 2013.
Defining an Identity in Art
by Sun Shuangjie. Global Times, Dec. 24, 2013.
Love Stories: Mark Boulos interviewed by Jonathan Harris
by Jonathan Harris. Art Monthly, Nov. 2013, no. 371.
Anguish and Enthusiasm: What Do You Do With Your Revolution Once...
by Bob Dickinson. Art Monthly, June 2013, no. 367.
Docu-Art Dilemmas: Francis Frascina on schisms, 'splitting' and...
by Francis Frascina. Art Monthly, Mar. 2013, no. 364.
James Richards
by Omar Kholeif. Art Monthly, Mar. 2013, no. 364.
Canadian pair describe Cairo jail ordeal: Doctor and filmmaker...
by Patrick Kingsley. Guardian Weekly, Oct. 18, 2013, v. 189, no. 19.
Streams, Torrents, and Waves
by Nahed Mansour. South Asian Visual Arts Centre, 2013.
Ultimate Participation Video: Shirley Clarke's Tee Pee Video Space...
by Beth Capper. Art Journal, Spring 2013, v. 72, no. 1.
Idle No More
by T.J. Demos. Camera Austria, 2013, v. 124.
Reversing Time's Arrow in Nam June Paik's Guadalcanal Requiem
by Gabrielle Gopinath. Quarterly Review of Film and Video, 2013, no. 30.
Liquid Assets
by Sukhdev Sandhu. Sight and Sound, May 2013.
Agenda British Columbia: VIEW Keith Wallace
by Keith Wallace. Canadian Art, Fall 2013.
David Askevold
by Daniel Joyce. Canadian Art, Fall 2013.
Assembled in the Light: Louidgi Beltrame and a Fiction of the Modern
by Lisa Steele. Canadian Art, Fall 2013.
The Autobiography of Video: Outline for a Revisionist Account of...
by Ina Blom. Critical Inquiry, Winter 2013, v. 39, no. 2.
The Audiovisual Field in Bruce Nauman's Videos
by Armin Schafer. Osiris, Jan. 2013, v. 28, no. 1.
Building Community through Filming Community: The process behind...
by Shannon Walsh. POV, Winter 2013, no. 92.
Avant-3D: Notes on Experimental Stereoscopic Cinema and its...
by Ray Zone. Public, July Summer 2013, v. 47, no. 24.
David Askevold: Once Upon a Time in the East
by Jane Affleck. C Magazine, Fall 2013, no. 119.
The Success of Failure
by Anonymous. Border Crossings, Mar. 2013, v. 32, no. 1.
Images Festival
by Cotter Sam. C Magazine, Fall 2013, no. 119.
Jordan Wolfson: Raspberry Poser
by Jen Hutton. C Magazine, Summer 2013, no. 118.
Sara Angelucci: Provenance Unknown
by Jennifer Rudder. C Magazine, Fall 2013, no. 119.
Sense and Sensibility: Harvard's Sensory Ethnography Lab
by Adam Nayman. POV, Fall 2013, no. 91.
Upping The Anti:: Documentary, capitalism and liberal consensus in...
by Ezra Winton. POV, Winter 2013, no. 92.
Self2Selfie: George Vasey on self-portraiture and feminist art
by George Vasey. Art Monthly, Nov. 2013, no. 371.
Oberhausen: Flatness - Cinema After the Internet
by Adam Pugh. Art Monthly, June 2013, no. 367.
Rosa Barba:: Subject to Constant Change
by Bob Dickinson. Art Monthly, Apr. 2013, no. 365.
Shaun Gladwell: Cycles of Radical Will
by Paul Carey-Kent. Art Monthly, Apr. 2013, no. 365.
Moral Holiday: Northern Gallery of Contemporary Art Sunderland
by Paul Usherwood. Art Monthly, Jan. 2013, no. 362.
Camille Henrot: A Hunter-Gatherer During a Time of Collective...
by Andrea Picard. Cinema Scope, Fall 2013, v. 15, no. 56.
Video's Migrant Geography: Ursula Biemann's Sahara Chronicle
by T.J. Demos. The Migrant Image: The Art and Politics of Documentary during Global Crisis, 2013. London: Duke University Press, 2013.
Queen West filmmaker, John Greyson, launches 40 episode series on...
by Erin Hatfield. The parkdale-Liberty Villager, Jan. 10, 2013.
Networked Bodies in Cyberspace: Orchestrating the Trans-Subjective...
by April Durham. Art Journal, Sept Fall 2013, v. 72, no. 3.
Part One: Language and Interdisciplinarity: (Re-)contextualizing...
by Karl E. Jirgens. Trans/acting culture, writing, memory: essays in honour of Barbara Godard, 2013. Waterloo: Wilfrid Laurier University Press, 2013.
Patrimonialization and Filiation at the National Film Board of...
by Marion Froger. American Journal of Canadian Studies, 2013.
Shading the Orient
by Lital Khaikin. Guerilla magazine, Dec 11, 2013.
Director Igor Drljaca finds creativity in traumatic events
by Justin Skinner. City Centre Mirror, Jan 29, 2013.
Anonymous in Context: The Politics and Power behind the Mask
by Gabriella Coleman. CIGIonline, Sept 2013, v. 3.
The Voice as Uncanny Index in Susan Hiller's The Last Silent Movie
by Alexandra M. Kokoli. Art Journal, Summer 2013, v. 72, no. 2.
The Making of Labour: The Movie
by Sven Lutticken. Fillip, Mar Spring 2013, no. 18.
Work: Meaning
by Mieke Bal. Thinking in film: the politics of video installations according to Eija-Liisa Ahtila, 2013. Bloomsbury Publishing, 2013.
Transcendence and Transformation: Q+A with Bill Viola
by Camille Hong Xin. Art in America, Feb 13 Winter, 2013.
WikiLeaks and Anonymous Respond to Status Quo Journalism:...
by Christian Christensen. Aljazeera, July 29, 2013.
Performance in Sophie Calle's Prenez soin de vois
by Shirley Jordan. French Cultural Studies, Aug Summer 2013, v. 24, no. 3.
Colonizing the Exhibition Space
by Willem de Rooij and Anna-Sophie Springer. Fillip, Mar Spring 2013, no. 18.
Jamelie Hassan:: At the Center of Marginality
by Amra Ali. Nutka Art, 2013, v. 8, no. 2.
White House: Lida Abdul
by Alexandra Macglip. Art AsiaPacific, 2013, no. 86.
Science Faction: Larissa Sansour
by Kevin Jones. Art AsiaPacific, Nov/Dec 2013, no. 86.
Lost in the Badlands
by Kerrie Welsh.
Embedded Aggression Implied or Enacted
by Grahame Weinbren. Millennium Film Journal, Spring 2013, no. 57.
'Disturbance': an exhibition by Willie Doherty
by Pryle Behrman.
Once More With Feeling
by Catherine Fowler. Moving Image Review & Art Journal, 2013, v. 2, no. 1.
The End of Television
by Steven Ball. Moving Image Review & Art Journal, 2013, v. 2, no. 1.
LUX/ICA Biennial of Moving Images
by Erika Balsom. Moving Image Review & Art Journal, 2013, v. 2, no. 2.
The End of Television
by Steven Ball. Moving Image Review & Art Journal, 2013, v. 2, no. 1.
Television, Outmoded Technologies, and the Work of Lana Lin
by Maeve Connolly. Moving Image Review & Art Journal, 2013, v. 2, no. 2.
Capitalism as Creative Destruction
by Paolo Magagnoli. Third Text, Dec 5, 2013, v. 27, no. 6. Routledge, 2013.
Star Wars
by August Jordan Davis. Third Text, July 2013, v. 27, no. 4. Routledge, 2013.
Site Specificity in the Age of Intermediality (With Thanks to...
by Janine Marchessault. Moving Image Review & Art Journal, Oct 2013, v. 2, no. 2. Intellect Ltd, 2013.
LGBTQ Youth of Color Video Making as Radical Curriculum
by Cindy Cruz. Curriculum Inquiry, Sept 2013.
The Meta-Physics of Data
by Lilly Husbands. Moving Image Review & Art Journal, Oct 2013, v. 2, no. 2. Intellect Ltd, 2013.
'Media is Sensational'
by Duncan White. Moving Image Review & Art Journal, Oct 2013, v. 2, no. 2. Intellect Ltd, 2013.
George Kuchar
by Ed Halter. Artforum, Feb. 2012.
Riding the Wet, Wet Wave: An Interview with A.K. Burns and A.L....
by Anthea Black. No More Potlucks, Jan. 2012, no. 19.
Home Front: Abbas Akhavan and the art of place
by Hadani Ditmaris. Canadian Art, Spring 2012, v. 29, no. 1.
Out in the Cold: Rebecca Belmore on blankets and Aboriginal history
by Lee-Ann Martin. Canadian Art, Spring 2012, v. 29, no. 1.
Jason de Haan and Miruna Dragan
by Jan Peacock. Canadian Art, Spring 2012, v. 29, no. 1.
Portrait of Resistance: The Art and Activism of Carole Condé and...
by Chris Gehman. Fuse, Spring 2012, v. 35, no. 2.
Occupied Space, Here and There: Jayce Salloum, history of the...
by Bart Gazzola. Fuse, Spring 2012, v. 35, no. 2.
A New Native Art
by Marsha Lederman and Rafal Gerzak. The Globe and Mail, Feb. 29, 2012.
Art Attack: Documentary filmmakers struggle to put culture on screens
by Matthew Hays. POV, Spring 2012, no. 85.
State of the Art (World): The 2012 Reel Artists Film Festival
by Adam Nayman. POV, Spring 2012, no. 85.
IDFA's DocLab and the Interatice Documentary
by Melanie Sevcenko. POV, Spring 2012, no. 85.
Queer Women's Performance Symposium
by Laine Newman. Canadian Theatre Review, Winter 2012, v. 149.
Toronto festival spotlights an indigenous new wave that's...
by Guy Dixon. The Globe and Mail, June 24, 2012.
(Re)Circulating Foreign Bodies: Richard Fung's Sea in the Blood
by Katherine Lawless. Feminist Media Studies, 2012, v. 12, no. 1.
The Screen Politics of Architectural Light Projection
by Abigail Susik. Public, 2012, v. 23, no. 45.
"Father of video art" Nam June Paik gets American Art Museum exhibit
by Maura Judkis. Washington Post, Dec. 12, 2012.
Turner Prize goes to video artist Elizabeth Price
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Reifying Desire 5
by Jacobly Satterwhite. Art Papers, Nov. Fall 2012.
Gary Stevens: Now and Again: Southampton City Art Gallery, 14...
by David Trigg. Art Monthly, Dec. 2012, no. 362.
Contemporary Art and Cybernetics: Waves of Cybernetic Discourse...
by Etan J. Ilfeld. Leonardo, 2012, v. 45, no. 1.
The Art of Joseph Grigely Deafness, Conversation, Noise
by Susannah B. Mintz. Journal of Literary & Cultural Disability Studies, 2012, v. 6, no. 1.
The Color of Your Socks: A Year With Pipilotti Rist
by Mike Leggett. Leonardo, 2012, v. 45, no. 3.
I Say I Am: Women's Performance Video from the 1970's
by Maria Troy. Video Data Bank, 2012.
After the New American Cinema: Shirley Clarke's Video Work as...
by Thomas F. Cohen. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Early Video Pioneer: An Interview with Skip Blumberg
by Melanie La Rosa. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Art of Projection (review)
by Wendy Haslem. Cinema Journal, Winter 2012, v. 51, no. 2.
Streaming Alterity
by Steph Rogerson. Border Crossings, May Spring 2012, v. 1, no. 122.
Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson,...
by Anna Watkins Fisher. TDR: The Drama Review, Spring 2012, v. 56, no. 1.
Words of Fire
by Daniel Baird. Canadian Art, Spring 2012, v. 29, no. 1.
Home Fronts
by Hadani Ditmars. Canadian Art, Spring 2012, v. 29, no. 1.
Cinema of Prayoga: Invoking Alternative Dynamics
by Amrit Gangar. Deep Focus Cinema, Winter 2012.
Cinematographic Rigour: A Case of Four Indian Filmmakers
by Amrit Gangar. Cinema of Prayoga (conference website), 2012.
The moving image: Looped, to be Mukt!: The Cinema Prayoga Conscience
by Amrit Gangar. MIRAJ, Moving Image Review & Art Journal, Sept. 20 Fall, 2012, v. 1, no. 2.
Early Video Pioneer: An Interview with Skip Blumberg
by Melanie La Rosa. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
From TVTV to YouTube: A Genealogy of Participatory Practices
by Stephanie Tripp. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Sky Projectors, Portapaks, and Projection Bombing: The Rise of a...
by Abigail Susik. Journal of Film and Video, Summer 2012, v. 64, no. 1-2.
Experimental Screens in the 1960's and 1970's: The Site of Community
by Tess Takahashi. Cinema Journal, Winter 2012, v. 51, no. 2.
Media Burn: What's in a Name
by Tom Weinberg. Journal of Film and Video, 2012, v. 64, no. 1/2.
Guerrilla Television in the Digital Archive
by Sara Chapman. Journal of Film and Video, 2012, v. 64, no. 1/2.
What is Cinema in a Digital Age?: Divergent Definitions from a...
by Peter Kiwitt. Journal of Film and Video, 2012, v. 64, no. 4.
MOUNIRA AL-SOLH: The Ventriloquist's Humor
by Nat Muller. ArtAsiaPacific, Mar. 2012, no. 77.
Monopolies and Maquiladoras: The Resistant Re-encoding of Gaming...
by Claire Taylor. Journal of Iberian and Latin American Research, Dec. 2012, v. 18, no. 2.
The Representations of the Female Body in the Multimedia Works of...
by Jane Lavery and Sarah Bowskill. Bulletin of Latin American Research, 2012, v. 31, no. 1.
The extraction/fusion apparatus: Dayna McLeod's engaged mash-up...
by Anne Golden. Canadian Theatre Review, Winter 2012, no. 149.
In Search of Lost Space: Stan Douglas' Archaeology of Cinematic...
by Noam M. Elcott.
10 To 1: IRAQMEMORIAL.ORG
by Joseph DeLappe. Public Art Dialogue, Sept. 2012, v. 2, no. 2.
Oh, Canada Amalie Atkins
by Leah Taylor. BlackFlash Magazine, Sept. 2012, v. 29, no. 3.
Wassily Kandinsky's Concerning the Spiritual in Art and the video...
by Loren Lerner. Journal of Canadian Art History, Fall 2012, v. 33, no. 2.
Performing Essentialism: Reassessing Barbara Hammer's Films of the...
by Greg Youmans. Camera Obscura, 2012, v. 27, no. 3.
Sculpting Time: An Interview with Michael Snow
by Justin Remes. Millennium Film Journal, Fall 2012.
Bruce Elder's Film Digital Hybrids & Materialist Historiography
by Jihoon Kim. Millennium Film Journal, Fall 2012.
A Time to Gather Stones: Nomadism after War in Susanne Slavick's...
by G. Roger Denson. Cultural Politics, July 2012, v. 8, no. 2.
Asian American Women Artists: Performative Strategies Redefined
by Stacy E. Schultz. Journal of Asian American Studies, Feb. 2012, v. 15, no. 1.
Buses, Babies, Temporary Tattoos: Social Media and Art Collide
by MIchelle Kasprzak. C Magazine, Spring 2012, no. 113.
Sandra Semchuk
by Andrea Kunard. BlackFlash Magazine, Sept. 2012, v. 29, no. 3.
Prying Eyes: Trevor Paglen makes art out of government secrets
by Jonah Weiner. The New Yorker, Oct 22, 2012.
Experimental Geopolitics: Wafaa Bilal's "Domestic Tension"
by Alan Ingram. The Geographical Journal, June 2012, v. 178, no. 2.
Dialogue Across Decades:: BLW and People's Communication Network...
by Chris Hill. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
"VT is Not TV":: The Raindance Reunion in the Digital Age
by Elizabeth Coffman. Journal of Film and Video, 2012, v. 64, no. 1-2.
Pressed into the Service of Canada: Issues in Preserving the...
by Andy Uhrich. The Moving Image, Spring 2012.
Conductor, Choreographer, King of Arms: Questions for Rashaad...
by Carolyn Trench. Transition, 2012, no. 109.
From TVTV to YouTube:: A Genealogy of Participatory Practices
by Stephanie Tripp. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
The Buttons on Pandora's Box:: David Tudor and the Bandoneon
by Jonathan Goldman. American Music, Spring 2012.
Queer Film Classic Series: Cutting-edge books on gay and lesbian...
by Nik Sheehan. POV, Spring 2012, no. 85.
Gender Diasporist: Shawn Syms interviews Tobaron Waxman
by Shawn Syms. C Magazine, Summer 2012.
A Refusal of Images
by Kirsty Robertson. C Magazine, Summer 2012.
Hybrid Hijinks: Oliver Husain's Art of Cinema, Performance,...
by Jon Davies. Canadian Art, Summer 2012.
Viewers' Reactions Part of Art
by Cory Ruf. Times-Colonist, July 2012.
Trust Me: Richard Foreman's Invitation to "Deep Trance Behavior"
by Neal Swettenham. The Drama Review, Fall 2012.
Affect in Deleuze, Hijikata, and Coates:: The Politics of Becoming...
by Laura Cull. Journal of Dramatic Theory and Criticism, Spring 2012.
Two or three things I know about him
by Mark Westmoreland. MIT List Visual Arts Center, 2012.
In War Times: Fictionalizing Iraq
by Roger Luckhurst. Contemporary Literature, Winter 2012, v. 53, no. 4.
Time Out: An exploration of the possibilities for archived...
by Jo Clements. Journal of Media Practice, 2012, v. 13, no. 3.
The Thing About Obomsawin's Indianness: Indigenous Reality and the...
by Bruce Cornellier. Canadian Journal of Film Studies, Fall 2012, v. 21, no. 2.
Cut to the Chase: Brian L. Frye's A reasonable man
by Gregg Biermann and Sarah Markgraf. Millenium Film Journal, Spring 2012, v. 57.
Laure Prouvost: Incorrect Syntax
by Lucy Reynolds. Millenium Film Journal, Fall 2012, v. 56.
Michael Snow: In the Way
by Kenneth White. Millenium Film Journal, Fall 2012, v. 56.
The re-emergence of the film/video loop
by Ronald Green. Millenium Film Journal, Spring 2012, v. 55.
(De)Constructed Memory: The Transformation of Subjective...
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Five Thousand Feet is the Best:: Omer Fast Interviewed by Eyal Weizman
by Eyal Weizman. Photoworks, Oct. Fall 2012.
Queering Palestine: Piercing Eytan Fox's Imagined Bubble with...
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The Ultras: Ronnie Close: Interviewed by Liam Devlin
by Liam Devlin. Photoworks, 2012.
Seamus Harahan: Cold Open
by Adam Pugh. Art Monthly, Oct. 2012, no. 360.
Sung Hwan Kim
by Nicholas Warner. Art Monthly, Oct. 2012, no. 360.
Nooshin Farhid
by Peter Suchin. Art Monthly, July 2012, no. 358.
We Shape Our Image and Thereafter Our Image Shapes Us
by Jacob Korczynski. South Asian Visual Arts Centre, 2012.
The Video Closet: Nollywood's Gay-Themed Movies
by Lindsey Green-Simms and Unoma Azuah. Transition, 2012, no. 107.
What's So Feminist about the Feministische Kunst Internationaal?:...
by Kathleen Wentrack. Frontiers, 2012, v. 33, no. 2.
Road to Somewhere: Ken Lum Now and Then
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Oh, Canada: An American Curator Looks North
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'New Romantics": St. John's The Rooms
by Katie Leamen. Canadian Art, Summer 2012.
Cinema and its Others: Exhibition 5
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Prime Mover: Conceptualism in Motion: Exhibition 2
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Frames of Atrocity: Resistance and Left Melancholy
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Sounding Selves
by Mireille Bourgeois. C Magazine, Winter 2012, no. 116.
Alona Rodeh and the Art of Camouflage
by Robert Enright and Meeka Walsh. Border Crossings, Dec. 2012, v. 31, no. 4.
Wavelengths and Future Projections
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Declining Democracy
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The Present as Enduring Past: Recollecting Through the Works of...
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On Making Art: Paul O'Kane on the act of making and the making of...
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ImagineNative Festival:: Drama out of trauma
by Jason Anderson. The Toronto Star, Oct. 17, 2012.
Metis Rose video released by Duck Lake filmmaker
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Video is a Perceptual Prosthetic: Tom Sherman
by Tom Sherman.
Affect and Exchange
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West Bank Road Atlas
by Kate Steinmann. Fillip, Spring 2012, no. 16.
Queer Film Classics Series
by Davis Glyn. Canadian Journal of Film Studies, Fall 2012, v. 21, no. 2.
The Last Pictures: Interview with Trevor Paglen
by Nato Thompson. E-flux, Sept 17, 2012.
New Media States: Web 2.0 And Embedded Video Practice
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James Richards
by Steve Reinke. ==, 2012, no. 2.
Liquide Commune, Part 1
by Megha Ralapati. Art AsiaPacific, Mar/Apr 2012, no. 77.
Devolution: Michael Joo
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Recycled Cinema as Material Ecology: Raphael Montañez Ortiz's...
by Susan Jarosi. Screen, 2012, v. 53, no. 3.
The Emergence of Steina
by Gerald O'Grady. Millennium Film Journal, Spring 2012, no. 55.
This Story Begins and Ends With Us: Basma Alsharif
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Modern Women: Single Channel
by Colin Perry. MIRAJ, Moving Image Review & Art Journal, 2012, v. 1, no. 1.
"Situações-Limites": the emergence of video art in Brazil in the 1970s
by Nick Finch and Anne-Sophie Dinant. MIRAJ, Moving Image Review & Art Journal, 2012, v. 1, no. 1.
Peter Campus: Opticks
by Catherine Elwes. MIRAJ, Moving Image Review & Art Journal, 2012, v. 1, no. 1.
David Claerbout: The Time that Remains
by Pryle Behrman. MIRAJ, Moving Image Review & Art Journal, 2012, v. 1, no. 1.
Miroslaw Balka: apple T.
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Hiroshima After Iraq
by Alice Haylett Bryan. Moving Image Review & Art Journal, 2012, v. 1, no. 1.
The Film-work Recomposed into Nature
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Hiroshima After Iraq
by Alice Haylett Bryan. Moving Image Review & Art Journal, 2012, v. 1, no. 1.
Pipilotti Rist
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Takahiko Iimura: September - October 2010
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The Film-work Recomposed into Nature
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(untitled)
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7th Liverpool Biennial of Contemporary Art
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From Analogue to Digital Distribution
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Hilary Lloyd
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Anri Sala
by Ken Wilder. Moving Image Review & Art Journal, 2012, v. 1, no. 2. Intellect Ltd, 2012.
Daniel Barrow
by Aaron W. Graham. Side St. Review, Spring 2011, no. 7.
From a Whisper to a Scream: Dana Claxton teaches art and a revised...
by Lynne Bell. Canadian Art, Winter 2011, v. 27, no. 4.
Geoffrey Pugen's vigilante women
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You and Me and Her and Us and Them: A Conversation on Using and...
by Sholem Krishtalka. C Magazine, Spring 2011, no. 109.
Documemories: An anthology celebrates the NFB's Challenge for...
by Matthew Hays. POV, Summer 2011, no. 82.
Report from Rotterdam: Canadian shorts and the dimplicity of history
by Willemien Sanders. POV, Summer 2011, no. 82.
Emily Vey Duke and Cooper Battersby: Jessica Bradley Art + Projects
by Sholem Krishtalka. Canadian Art, Spring 2011.
The Nature of Culture: Sobey Nominee Brendan Fernandes explores...
by Pandora Syperek. Canadian Art, Spring 2011, v. 28, no. 1.
Have we reached The Tipping Point?: The fate of Alberta's tar...
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Realities Old and New: The 23rd Incarnation of the International...
by Melanie Sevcenko. POV, Spring 2011, no. 81.
Open-Source Cinema is Dead
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"Un-home-ly"
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Collaborating on Conceptual Art: An Aesthetics of the Impossible
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Jamelie Hassan
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Crowds in the Sky: Katerina Cizek & Highrise at the NFB
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On the difficulties of "work as play": The video art of Robert Filliou
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Bruce Nauman: Audio/Video Piece for London, Ontario: The Forest...
by Kevin Rodgers. C Magazine, Summer 2011, no. 110.
The Performative Space
by Swapnaa Tamhane. C Magazine, Summer 2011, no. 110.
Hide/Seek: Difference and Desire in American Portraiture: National...
by Steph Rogerson. C Magazine, Summer 2011, no. 110.
Time for Five More Feminist Minutes
by Zoe Druick. POV, Spring 2011, no. 81.
The Virtual Revolution: It's a new version of an old job: telling...
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When the Story Changes: Battle of Wills and Bananas!* are two...
by Maurie Alioff. POV, Spring 2011, no. 81.
The uphill battle for real filmmakers
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Tadasu Takamine shocks us, yet again
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The Pink Indian
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The Work of AA Bronson: A Queer Politic Expressed Through Art
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Daniel Cockburn: You Are Here
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Sell-abrasion of our nations
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Looking for Love in all the Right Places: Deirdre Logue
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Vlogging About Art: The Whitney Video Blog Project
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Borrowed Time: David Velasco on Christian Marclay's The Clock
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Neo-Barbarism
by Vardit Gross. ArtReview, Mar. 2011, no. 48.
My Barbarian: The Night Episode
by Lyra Kilston. ArtReview, Jan. 2011, no. 47.
Girl Talk
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Yael Bartana
by Anthony Downey. ArtReview, Summer 2011, no. 51.
Krzysztof Wodiczko: ...OUT OF HERE: The Veterans Project
by Jonathan T.D. Neil. ArtReview, May 2011, no. 50.
Philippe Parreno
by J.J. Charlesworth. ArtReview, Mar. 2011, no. 48.
The Map is not the Territory: There's more to Middle Eastern and...
by Jim Quilty. ArtReview, Jan. 2011, no. 47.
Guy Ben-Ner
by Oliver Basciano. ArtReview, May 2011, no. 50.
Funny Games: Stuart Comer Talks with John Smith
by Stuart Comer. Artforum, May 2011.
A Life in Words: Melissa Anderson on Clio Barnard's The Arbor
by Melissa Anderson. Artforum, Apr. 2011.
Dayna MacLeod's Feminist Celluloid Fantasies, Queer Revisionary:...
by T.L. Cowan. No More Potlucks, July 2011, no. 16.
The Gaze from the Rearview Mirror: Amir Baradaran's Transient Taxi...
by Dayna McLeod. No More Potlucks, Jan. 2011, no. 13.
Redistributing Life Chances: The Fantastical Homotopias of Chris...
by Lucas Crawford. No More Potlucks, Jan. 2011, no. 13.
Focus on Carolee Schneemann
by Kenneth White. Millenium Film Journal, Fall 2011, no. 54.
The Small Big Picture
by Anonymous. Border Crossings, Mar. 2011, v. 30, no. 1.
Traditional Futures
by David Garneau. Border Crossings, June 2011, v. 30, no. 2.
Self-Inventions: The Photography of Suzy Lake
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The Durable Idiom
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The Story So Far: An Interview With Stephen Andrews
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Kent Monkman
by M J Thompson. Border Crossings, Fall 2011, v. 30, no. 3.
Inuit Modern
by Anna Kovler. Border Crossings, Winter 2011, v. 30, no. 4.
Rabih Mroué: The Inhabitants of Images
by Kenneth Hayes. C Magazine, Spring 2011, no. 109.
The Last Frontier
by Laura Kenins. Canadian Art, Summer 2011, v. 28, no. 2.
KATIE BETHUNE-LEAMEN: OLDER, SADDER, AND ALL IN WHITE THIS TIME:...
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Adel Abdessemed: The Future of Décor
by Matthew Ryan Smith. C Magazine, Spring 2011, no. 109.
"ME CALLING HIM - HIM CALLING ME" - TOM SHERMAN'S RECENT VIDEO WORK
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Perception as Transcendence: Interview with Pawel Wojtasik
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Dara Birnbaum: Technology/Transformation: Wonder Woman: Readings:...
by Anonymous. Canadian Art, Spring 2011, v. 28, no. 1.
Road Warrior: Terrance Houle Riffs on First Nations History
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Making Sense of Early Video Arcades: The Case of Pittsburgh, 1980-1983
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Robert De Niro's Raging Bull: The History of a Performance and a...
by R. Colin Tait. Canadian Journal of Film Studies, Spring 2011, v. 20, no. 1.
Wagnervideo
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Funny Games: Stuart Comer Talks with John Smith
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"Living Letterforms": The Ecological Turn in Contemporary Digital...
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Virtual Commemoration: The Iraqi Memorial Project
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Re-Composing the Digital Present
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After the Digital We Rematierialise: Distance and Violence in the...
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The Irritants of Empire: Rita Raley's Tactical Media
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Digitality and detournement: John Greyson's BDS videos and 14.3...
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At the Site of State Violence: Doris Salcedo's and Julieta...
by Lori Cole. Arizona Journal of Hispanic Cultural Studies, 2011, no. 15.
From First-Wave to Third-Wave Feminist Art in Israel: A Quantum Leap
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The Horror, The Horror
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Man Standing: Zacharias Kunuk brings contemporary relevance to...
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Road Warrior: Terrence Houle rifts on First Nations History
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IMPAKT events presents: Daniel Cockburn
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Making GeoPolitics Otherwise: Artistic Interventions in Global...
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After the artefact: Post-digital photography in our post-media era
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Losing It: Politics of the Other (Medium)
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Old Themes, New Variations: The Work of Kate Gilmore
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From this Body to Yours: Porn, Affect, and Performance Art...
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On lip-sync:: Three Audio-Visual Vignettes from the 1970s
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The Object That Remains
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Eternally Framed
by Oyvind Vagnes. Zaprudered: The Kennedy Assassination Film in Visual Culture, 2011. Austin, TX: University of Texas Press, 2011.
Location and Dislocation: The Media Performances of Valie Export
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Assimilating Video
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True Patriot Love: A landmark show turns 40
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Seven Hours of Daylight: Soft Turns find solace in Sweden
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Words and Pictures, Pictures and Words: Shary Boyle and Emily Vey Duke
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When the time comes, you won't understand the battlefield
by Kristina Lee Podesva and Ryan Trecartin. Fillip, Mar Spring 2011.
Imagining Whiteness in Art
by Joseph Small. University of Notre Dame Electronic Theses & Dissertations, 2011.
The Cinematics of Engagement, the Politics of Resistance:...
by Dean Rader. Engaged Resistance, American Indian Art, Literature, and Film from Alcatraz to NMAI, 2011. Austin: University of Texas Press, 2011.
Celluloid Alexie: Postindianism In Smoke Signals And The Business...
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Julie Andreyev and Simon Overstall: Wait
by Julie Andreyev and Simon Overstall. Leonardo, 2011, v. 44, no. 4.
Walid Raad and the Atlas Group
by Emily Wroczynski. Third Text, Nov Fall 2011, v. 25, no. 6.
Section Yellow
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Gimme (Tax) Shelter: The '70s and '80s Were an Especially Fertile...
by Jason Tannis. Fangoria, Nov 2011, no. 309.
M: Stories of Women: Shelley Niro
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Disobedient Video in France in the 1970's: Video Production by...
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Aida Ruilova
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Talking about kyisha williams' red lips
by Luna Allison. Daily Xtra, Nov 17, 2011. Toronto: Daily Xtra, 2011.
Lung Capacity
by April Steele. Magneta Magazine: A Journal of International Art, Oct 25, 2011. Magenta, 2011.
Through a looking glass and beyond: Media art and museums
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"arrives asking, demanding something of us"
by Janice Hladki. Fierce: Women's Hot Blooded Film/Video, Mar. 2010. Hamilton: McMaster Museum of Art, 2010.
Myths of the Heart: The Film and Video World of Mako Idemitsu
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Geopolitics & The Videos of b.h.Yael
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Spirit in the Blood
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The Ongoing Powers of Dana Claxton
by Jeremy Todd. Fierce: Women's Hot Blooded Film/Video, Mar. 2010. Hamilton: McMaster Museum of Art, 2010.
Shame on Her: Allyson Mitchell
by Julia Bryan-Wilson. Fierce: Women's Hot Blooded Film/Video, Mar. 10, 2010. Hamilton: McMaster Museum of Art, 2010.
Ardent Spaces, Formidable Environments
by Patricia R. Zimmerman. Fierce: Women's Hot Blooded Film/Video, Mar. 2010. Hamilton: McMaster Museum of Art, 2010.
Mooswa, Muskwa, PuskwaMoostoos - Digital Creations with Immemorial...
by Tannis Nielsen. Hamilton Artists Inc., Mar. 6, 2010.
A Bright, Shiny, Fabricated Family Life: Mothers, Sons, and...
by Hiroko Hagiwara.
The Seen and The Unseen
by Akira Tochigi.
Graham Cracklings: Rodney Graham's Conceptual Energy
by Robert Enright. Border Crossings, 2010, v. 29, no. 113.
A Gift of the Self: Performing Risk
by Sandee Moore. Border Crossings, 2010, v. 29, no. 113.
Tales from the Creeped: The Animated Films of Barry Doupe
by Lee Henderson. Border Crossings, 2010, v. 29, no. 113.
Beautiful, Useless Things: the work of Ryoji Ikeda
by Christopher Olson. Border Crossings, 2010, v. 29, no. 113.
Rocky Mountain Rag: Ragnar Kjartansson
by Tatiana Mellema. Canadian Art, Spring 2010, v. 27, no. 1.
War Artist: Althea Thauberger on the Cultural Front Lines
by Deborah Campbell. Canadian Art, Spring 2010, v. 27, no. 1.
Trap and Snare: Omer Fast's 'Nostalgia'
by Brenda Goldstein. Fuse, 2010, v. 33, no. 1.
Pushing Boundaries: "Non-Compliance" Short Experimental Program at...
by Carla Taunton. Fuse, 2010, v. 33, no. 1.
Palestine Represents: 2nd Annual Palestine Film Festival
by Nahed Mansour and Leila Pourtavaf. Fuse, 2010, v. 33, no. 1.
Ryan Trecartin: Data Purge
by Jon Davies. Switch, Spring 2010, no. 3.
Structural Legacies: Lessons in How to Assimilate the 'Seminal'
by Lucy Reynolds. Switch, Spring 2010, no. 3.
Michael Snow: Screen Writing
by Martha Langford. Switch, Spring 2010, no. 3.
Michael Snow's Films 1966-1971
by Elizabeth Legge. Switch, Spring 2010, no. 3.
The Other Night Sky
by Amanda Happe. Switch, Spring 2010, no. 3.
Screen Space
by Gregory Burke and Helena Reckitt. Switch, Spring 2010, no. 3.
"Try to Walk With the Sound of my Footsteps": The Surveillant Body...
by Kirsty Robertson. Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.
Captured and Controlled: Critiquing Surveillance through The Camera
by Sarah E. K. Smith. Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.
Digital Spectrum of the Body
by Caroline Rodrigues. Kika Nicolela works: 2003-2010, 2010. blurb.com, 2010.
Artist Paul Wong Puts a Gay Spin on Macho Cowboys: ART / Catch his...
by Jenn Ruddy. Xtra!, Jan. 21, 2010.
Surveillance in Suburbia: High Vaue Targets
by Judith Parker. Afterimage, 2010, v. 37, no. 6.
Hot Docs programmers find non-fiction gems beyond perimeters
by Adam Nayman. POV, Summer 2010, no. 78.
Cool Jewish Curator of the YouTube Generation: Montréal's Socalled...
by Maurie Alioff. POV, Summer 2010, no. 78.
Disaster Docs: Features, reality TV series, blogs and websites...
by Peter Wintonick. POV, Summer 2010, no. 78.
Maru's Fame
by Lisa Visser. Front, Fall 2010, v. 21, no. 3.
The Lives and Death of Carolee's Cats:Intimate Encounters, Gentle...
by Carla Benzan. C Magazine, Fall 2010, no. 107.
In Conversation: David Han, Samina Mansuri, Sara Graham
by Sky Goodden and Rebecca Carson. One Hour Empire, Summer 2010, no. 3.
Mike Hoolboom In Conversation With Lisa Steele and Kim Tomczak
by Mike Hoolboom. One Hour Empire, Summer 2010, no. 3.
Text messaging, of the old school: High-school thoughts adorn bus...
by Peter Goddard. The Toronto Star, Oct. 30, 2010.
Growing Pains and High Value Targets
by Mike Landry.
Alberta bound: Video recalls western black farms
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Narrative mashups engage viewers: Presentation House Gallery...
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Ways of seeing explored in new exhibit
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Technologies of Intuition:: Geoffrey Pugen's Bridge Kids
by Eli Horwatt. Bridge Kids by Geoffrey Pugen, 2010. Toronto: Gallery TPW, 2010.
Caged Rage
by Zaheen K. No More Potlucks, Nov. 2010, no. 12.
ELEGY: a meditation on mortality: Sandra Vida
by Sandra Vida and Cori Stent. ELEGY: a meditation on mortality, 2010. Calgary: Quickdraw Animation Society, 2010.
Vera Frenkel:Archive Fevers: Galerie SBC, Montreal Oct 2 - Dec 4
by Amy Marshall Furness. Canadian Art, Dec. 2, 2010.
(untitled)
by Marie-Helene Leblanc and Steve Loft. objet indirect object, 2010. Gatineau: Centre de production DAIMON, 2010.
Economies of Faith
by Richard Ibghy and Marilou Lemmens. C Magazine, Winter 2010, no. 108.
Both teams cannot win: Natasha Bissonauth interviews Divya Mehra
by Natasha Bissonauth. C Magazine, Winter 2010, no. 108.
Projections: Music Video
by Saelan Twerdy. C Magazine, Winter 2010, no. 108.
Guy Ben-Ner: Thursday the 12th: Mass MoCA, North Adams, Massachusetts
by Rebecca Weisman. C Magazine, Winter 2010, no. 108.
A Slow and Painful Crawl: the videos of Kent Anderson Butler
by Thomas McGovern. Afterimage, Nov. 2010, v. 38, no. 3.
Video Spa: Krisna Murti's treatment of the senses
by Edwin Jurriens. Bijdragen tot de Taal-, Land-en Volkenkunde, 2010, v. 166, no. 1.
Henderson: Recovering Love is about reclaiming lives
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Motorcycling Through the Pop-Culture Library
by Sam Gould et al. Front, Spring 2010, v. 21, no. 1.
Judy Radul
by Aaron Peck. Canadian Art, Spring 2010, v. 27, no. 1.
Tacita Dean
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The Horror, The Horror
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Queer Eyes: David Velasco on A.K. Burns and A.L. Steiner's...
by David Velasco. Artforum, Nov. 2010.
The Discovery of Slowness: T.J. Demos on the films of Manon de Boer
by T.J. Demos. Artforum, Nov. 2010.
Committed to Memory: Dan Adler on Renee Green
by Dan Adler. Artforum, May 2010.
Claire Hooper
by Ian Hunt. Flash Art, Nov. 2010.
Ryan Trecartin
by Jonathan T.D. Neil. ArtReview, Sept. 2010, no. 43.
Calling the Shots: Are the video artists of the 1990s leading the...
by Laura Allsop. ArtReview, Oct. 2010, no. 44.
Isaac Julien: Ten Thousand Waves
by Mark Rappolt. ArtsReview, Oct. 2010, no. 44.
Doug Fishbone: Elmina
by J.J. Charlesworth. ArtReview, Oct. 2010, no. 44.
Shadowed by Images: Rafael Lozano-Hemmer and the Art of Surveillance
by Kriss Ravetto-Biagioli. Representations, Summer 2010, v. 111, no. 1.
Christian Marclay: The Clock, White Cube Mason's Yard
by Oliver Basciano. ArtReview, Oct. 2010, no. 44.
Marginal Mainstream
by Martin Herbert. ArtReview, Oct. 2010, no. 44.
We Care A Lot
by Mark Rappolt. ArtReview, Oct. 2010, no. 44.
Ming Wong
by Alex Lapp. ArtReview, Apr. 2010, no. 40.
Isaac Julien: Ten Thousand Waves
by Keiko Okamura. Flash Art, Oct. 2010.
Shirin Neshat: Women Without Men
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Sriwhana Spong
by Danae Mossman. Flash Art, Mar. 2010.
Tacita Dean: Slowness' Panegyric
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John Smith: Solo Show
by J.J. Charlesworth. ArtReview, Summer 2010, no. 42.
Lars Laumann: Cinéma Verité
by Aimee Walleston. Flash Art, Oct. 2010.
Dana Claxton and the Graceful Art of Rage
by Dayna McLeod. No More Potlucks, Nov. 2010, no. 12.
Some Say Love: Kim Sheppard's Films
by Lauren Howes. No More Potlucks, May 2010, no. 9.
Auto/Pathographies: Re-constructing Identity through...
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The Tragic Optimist: You, The Living, directed by Roy Andersson
by Robert Enright. Border Crossings, Mar. 2010, no. 113.
Interview with Manon de Boer
by Barbara Dierickx and Rony Vissers. PACKED, 2010.
Pushing Boundaries: "Non Compliance" Short Experimental Program at...
by Carla Taunton. Fuse, Winter 2010, v. 33, no. 1.
Carolee Schneeman
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Isuma: Inuit Art Video
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Operation Atropos
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LA VIE DES AUTRES : UN HOMMAGE A L'ART
by Sophie Bastien. Canadian Journal of Film Studies, Fall 2010, v. 19, no. 2.
Emmanuel Licha
by Anja Bock. Canadian Art, Fall 2010, v. 27, no. 3.
JANET CARDIFF AND GEORGE BURES MILLER: THE MURDER OF CROWS: Art...
by Amy Fung. C Magazine, Summer 2010, no. 106.
Here You Are, Part One, (Stan Douglas, Kevin Romaniuk, Jamie...
by Rachelle Sawatsky. C Magazine, Summer 2010, no. 106.
Ryan Trecartin: Any Ever
by Nadja Sayej. C Magazine, Fall 2010, no. 107.
Kaitlin Till-Landry Interviews Martha Wilson
by Kaitlin Till-Landry. C Magazine, Spring 2010, no. 105.
Touching Animals
by Helena Reckitt. C Magazine, Fall 2010, no. 107.
The 16th Media City: International Festival of Film and Video
by Paul Breschuk. Sense of Cinema, Oct. 11, 2010, no. 56.
Isuma: Inuit Video Art
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Cinema of Prayoga: A Theory Under Construction
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Congo Memories: Isabelle Pauwels's Adventures in History
by Sara Mameni. Canadian Art, Fall 2010, v. 27, no. 3.
Realism and Realistic Representation in the Digital Age
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Astro Dub Morphologies
by Edward George and Anna Piva. Journal of Media Practice, 2010, v. 11, no. 1.
Indigenous women in film and video: Three generations of...
by Jennifer A Machiorlatti. Post Script- Essays in Film and the Humanities, Summer 2010, v. 29, no. 3.
Indigenous (re)memory and resistance: video works by Dana Claxton
by Clara Taunton. Post Script - Essays in Film and Humanities, Summer 2010, v. 29, no. 3.
Claudia Joskowicz: Artists on Artists
by Omer Fast. BOMB, Winter 2010, no. 114.
Structuring Knowledges: Caching Inuit Architecture Through...
by Erin Morton. Post Script - Essays in Film and the Humanities, Summer 2010, v. 29, no. 3.
"A joke's a very serious thing": Subversive Camp Humour in Benny...
by Wendy L. Moir. Carelton University - M.A. Dissertation, 2010.
Riffing on Omeros: The Relevance of Isaac Julien to Cultural...
by Jane Bryce. Small Axe, June 2010, v. 14, no. 2.
Travelling Eye: The Elusive Digital Frame and the Elasticity of...
by Anne Robinson. Journal of Media Practice, 2010, v. 11, no. 3.
Duplicated Replications: The Interventions of Omer Fast
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The Motorization of Video Art: Van McElwee's Liquid Crystal...
by Robert Kohn. Afterimage, May 2010, v. 37, no. 6.
Mika Rottenberg's Productive Bodies
by Hsuan Hsu. Camera Obscura, 2010, v. 25, no. 2.
Meandering Currents
by Richard Fung. South Asian Visual Arts Centre, 2010.
Steve Reinke's Archival Imaginary
by Gavin Butt and Jon Cairns. Critical Quarterly, Oct. 2010, v. 42, no. 3.
Chen Chieh-Jien
by David Frazier. ArtAsianPacific, May 2010, no. 68.
Chronotopic Bodies and the We of Aesthetic Discourse
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An Ephemeral Dialogue with Jamelie Hassan
by Miriam Jordan and Julian J. Haladyn. West Coast Line: A Journal of Contemporary Writing and Criticism, Spring 2010, v. 43, no. 4.
Canadian Artist Spotlight: Ross McLaren
by Eldon Garnet. Images Festival, 2010. Toronto: Images Festival, 2010.
We Are Here, We Could Be Everywhere: Freewaves and the Use Value...
by Kenneth Rogers. Video on the Loose, 2010.
Oliver Husain's Hovering, Alliterative, Epigrammatic Proxies
by Andréa Picard. Cinema Scope, Fall 2010, no. 44.
New Documentary Recounts Bizarre Climate Changes Seen by Inuit Elders
by Guy Dixon. The Globe and Mail, Oct 19, 2010.
Conceptual Art Clarified
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Inside Images: Festival offers a look at the cutting edge of...
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GALLERIES
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private Regina: the poetics of memory
by Christina Strojanova. Splice Magazine, Winter 2009.
John Cage's Secret
by Laura Paolini. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
Unfurnished Pornography for Rent
by Meg Walker. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
Private Video: Autobiographies, Diaries and Families' Stories: How...
by Elena Marcheschi. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
mispon: a celebration of indigenous filmmaking
by Nora Gardner. Splice Magazine, Winter 2009.
Where the Wild Things Are
by Erik Martinson. The Dark Arts: magic + intuition (curatorial incubator 6), 2009. Toronto: Vtape, 2009.
marvelous! ruin! collapse!
by Leigh Fisher. The Dark Arts: magic + intuition (curatorial incubator 6), 2009. Toronto: Vtape, 2009.
Peep Art: Two Canadians and the new surveillance art
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A Spy in the House of History (with apologies to Anais Nin): Nina...
by R.M. Vaughan. Canadian Art, Spring 2009, v. 26, no. 1.
The Lap, the Fur
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Drean Scenes: The Lethbridge artist David Hoffos takes centre stge...
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The Making of Monsters: John Greyson's sublime short, revisited
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Art and the Documentary
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Reel Artists Festival Comes of Age
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Nuit Blanche Toronto 2008 Zone B:: Reflections on Art and Artists...
by Wayne Baerwaldt. POV, Spring 2009, no. 73.
Stan Douglas produces Films That Don't Begin or End - They are in...
by Nancy Lanthier. POV, Spring 2009, no. 73.
Videoworks: Wish We Could Tell: Joana Hadjithomas and Khalil Joreige
by Tess Takahashi. Videoworks: Wish We Could Tell, 2009. Toronto: A Space Gallery, 2009.
What can cinema do?
by Jon Davies. C Magazine, Spring 2009, no. 101.
Those of Us Who Know About These Darkened Rooms, and Go There
by Jacob Korczynski. C Magazine, Spring 2009, no. 101.
PCP: Pop / Conceptual / Psychedelic
by Lars Bang Larsen. C Magazine, Spring 2009, no. 101.
what makes a music video: the video or the music?
by Leah Sandals. The Globe and Mail, May 2, 2009.
FIFA: Triumph of the Art Doc
by Maurie Alioff. POV, Spring 2009, no. 73.
Politics become film: Sundance 20009: Obama's inauguration, Martin...
by Daviyani Saltzman. POV, Summer 2009, no. 74.
Creating and Capturing Reality: The Director Takes Us Behind the...
by Pepita Ferrari. POV, Summer 2009, no. 74.
Before Tomorrow
by Susan G. Cole. NOW, Mar. 26, 2009, v. 28, no. 30.
A pianist and a camera make music of the id
by Gary Michael Dault. The Globe and Mail, Apr. 25, 2009.
Gunilla Josephson Artist-in-Residence: E.V.E. Absolute Matrix
by Sewil Otosed. Gunilla Josephson Artist-in-Residence, Apr. 4, 2009. Toronto: Trinity Square Video, 2009.
The long and the tall of it: Art and Outrage: The Films of Ian Toews
by Gerald Saul. Splice Magazine, Winter 2009.
Paul Wong: Video and Youth
by Rhiannon Bader. Selector Magazine, Spring 2009, no. 1.
Alana Obomsawin: Then and Now
by Alioff Maurie. POV, Summer 2009, no. 74.
Tomorrow hits today: The odds stack up against two unlikely heroes...
by Jason Anderson. EYE WEEKLY, Mar. 26, 2009, v. 18, no. 20.
Chilling Out: Northern Stories are Suddenly Hot
by Susan Cole. NOW, Mar. 26 Spring, 2009, v. 28, no. 30.
Pictures are out - experience is in
by Sarah Milroy. Globe and Mail, Feb. 14, 2009.
Construction Sight: Building the Self on Facebook
by Randall Anderson. Border Crossings, June 2009, v. 28, no. 110.
25th year of Boston LGBT Film Festival is a hit
by Melissa Woods. The Somerville News, May 20, 2009.
Situation Hacker: Wayne Koestenbaum on the art of Ryan Trecartin
by Wayne Koestenbaum. Artforum, Summer 2009, v. 47, no. 10.
Luminato 09: The Show You Won't See: The Koffler Centre was all...
by Susan G. Cole. NOW, June 4, 2009, v. 28, no. 40.
So Much To See: The Films of Mark Lewis
by Nancy Tousley. Canadian Art, Summer 2009, v. 26, no. 2.
John Greyson opera Fig Trees tackles AIDS activism
Mpenzi empowers: Mpenzi Black Women's International Film and Video...
by Susan G. Cole. NOW, Mar. 25, 2009, v. 28, no. 30.
Are we past the age of an aboriginal art show?: Aboriginal art...
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Found Images: Experiments pay off in indie fest
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Closer
by Jim Quilty. Art Review, Apr. 2009, no. 31.
Interview: Marie-Hèléne Cousineau: Chilling Out: Nothern stories...
by Susan Cole. NOW, Mar. 26, 2009, v. 28, no. 30.
Dark Thought: on Darryl Miller's Dark One
by Nora Gardner. Splice Magazine, Summer 2009.
Prairie Poet Accidental Hero: David Geiss' Stubblejumper in the...
by Christina Stojanova. Splice Magazine, Summer 2009.
Sarah Gregg Millman: A fun time is a great time
by Erinn Beth Langille. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Johanna Billing: This is how we walk on the moon
by Brian Kuan Wood. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Jim's Reviews/Jarman: The films of Derek Jarman
by Jim Clark. GLBT Literature, 2009.
Open letter from John Greyson to TIFF
by John Greyson. Greyzone, Aug. 27, 2009.
An open letter on City to City: Tel Aviv
by Cameron Bailey. TIFF - Toronto International Film Festival, Aug. 28, 2009.
The Toronto Declaration: No Celebration of Occupation: An open...
by Udi Aloni et al. Toronto Declaration: No Celebration of Occupation, Sept. 9, 2009.
Gay filmmaker pulls out of TIFF in protest: FILM/Greyson...
by Staff. Xtra!, Aug. 28, 2009.
Tel Aviv program protest to rear head at opening
by Bruce DeMara. The Toronto Star, Sept. 4, 2009.
Group plans presser over TIFF City-to-City program
by Staff. The Globe and Mail, Sept. 5, 2009.
We don't feel like celebrating with Israel this year
by Naomi Klein. The Globe and Mail, Sept. 8, 2009.
TIFF focus on Tel Aviv draws protests: International group of...
by Michael Posner. The Globe and Mail, Sept. 2, 2009.
Pro-Palestinian letter has uncovered debate
by Antonia Zerbisias. The Toronto Star, Sept. 9, 2009.
Enough is enough: The TIFF boycott is an attack on our freedom
by Robert Lantos. The National Post, Sept. 11, 2009.
STARS VS. STARS: Everyone's taking sides on Tel Aviv
by Raju Mudhar. The Toronto Star, Sept. 15, 2009.
Two sides of TIFF debate trade barbs
by Kenyon Wallace. The National Post, Sept. 15, 2009.
Boycotts don't equal censorship: Film-makers should support the...
by Ken Loach et al. The Guardian, Sept. 1, 2009.
The Valerie Project: resounding the forgotten treasure of Czech...
by Alex Molotkow. Musicworks, Summer 2009, no. 104.
One Summer in New Paltz: A Cautionary Tale: Celebrating the...
by S. James Wegg. James Wegg Review, Oct. 14, 2009.
Fun with Mythmaking: What General Idea taught us about Canadian...
by Philip Monk. Canadian Art, Winter 2009, v. 26, no. 4.
Crossing Lines, Building Bridges
by Srimoyee Mitra. Crossing Lines: an Intercultural Dialogue, 2009. Toronto: SAVAC, 2009.
Barns, Brits, and Birthrights: Philip Hoffman's All Fall Down:...
by Scott Mackenzie. POV, Winter 2009, no. 76.
Coming To Terms With Fickle As Poison
by Jeremy Todd. Brunt, Oct. 2009, no. 5.
Ragnar Kjartansson
by Nicholas Brown. Color, Fall 2009, v. 7, no. 4.
Candice Breitz: Same Same
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Collided, Crashed and Assimilated: Mark Lewis makes art with...
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In the Orbit of Nelson Henricks
by Robert Milthorp. Expanded Standard Timeline: Artists and Electronic Media in Calgary, EMMEDIA 1980 Through 2005, 2009. Calgary, Alberta: EMMEDIA, 2009.
Abundant Harvest: The Recordings of Calgary Video Artists and...
by Karen Knights. Expanded Standard Timeline: Artists and Electronic Media in Calgary, EMMEDIA 1980 Through 2005, 2009. Calgary, Alberta: EMMEDIA, 2009.
Elizabeth Klinck and the Art of Archives
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Between Image and Remembrance: The Psychic Residences of Body Missing
by Dot Tuer. Prefix Photo, Spring 2009, no. 19.
Arcs Poetica: The Life and Death of Lightning
by Robert Enright. Border Crossings, June 2009, no. 110.
Projections:: A major survey of projection-based works in Canada,...
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Lynne Marsh
by James D Campbell. Border Crossings, Mar. 2009, no. 109.
Real Vlogs: The Rules and Meanings of Online Personal Videos
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Western? Just the Packaging
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Getting Messy and Complicated with Dana Inkster
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Catching up to the Past Catching up to the Present: A Response to...
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The Importance of Being Divya Mehra
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Black House, Brilliant Film: Forough Farrokhzad's The House is Black
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Video-Resisting Definition
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Between Creation and Publication: The ANARCHIVE Project
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Interview with Ramon Coelho
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Images of Disturbance: Richard Fung in conversation with Amar Kanwar
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Experimental Documentary Questionnaire/Responses
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Isuma: Inuit Video Art by Michael Robert Evans
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If We Can't Get It Together
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Rafael Lozano-Hemmer
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Berlin: Johnen Galerie
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ZIN TAYLOR: THE BAKERY OF BLOK: Jessica Bradley Art + Projects,...
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Mika Rottenberg: Maison Rouge, Paris
by Katie Bethune-Leamen. C Magazine, Fall 2009, no. 103.
Aleesa Cohene: Something Better: YYZ Artist's Outlet, Toronto
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Gareth Long, Second, Third, Fourth: Oakville Galleries, Ontario
by Ryan English. C Magazine, Spring 2009, no. 101.
Lynne Marsh
by David Jagr. Canadian Art, Fall 2009, v. 26, no. 2.
Late Capitalist Pathologies and Redemptions: Emily Vey Duke and...
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The Avant-Garde Archive Online
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Video as art: collecting artists' moving image in academic art...
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"In Between" the Moving Image: Mutant Media:: Essays on Cinema,...
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Colin Campbell
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Au coeur de l'intime
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An Art of Temporality
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TV Against TV: Video Art on Television
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Vulnerabilities and Contingencies in Film and Video Art
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Soft Focus, Sharp Tools
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Possibilities of Redemption: Emily Vey Duke and Cooper Battersby...
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The Radiant Real
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Masterpiece Theatre: Adad Hannah brings the art of the past into...
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Lisa Lipton
by Laura Kenins. Canadian Art, Spring 2009, v. 26, no. 1.
Michal Rovner
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Capturing "Authenticity": Digital Aesthetics in the Post-Studio...
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Whither Film Studies (in a Post-Film Studies World)
by Rick Altman. Cinema Journal, Fall 2009, v. 49, no. 1.
Cory Arcangel: Team Gallery
by Emily Hall. Artforum, Feb. 2009, v. 47, no. 6.
Dan Graham
by Alexander B D Kauffman. Border Crossings, Dec. 2009, v. 28, no. 4.
Walking, Standing, Sitting Like a Duck: Three instances of...
by Carol Becker. Performance Research: A journal of the performing arts, Oct. 2009, v. 13, no. 3.
Inappropriate Bodies: Contemporary Filmmakers Challenging Gender...
by Jaimie Baron. UCLA Center for Study of Women Update Newsletter, 2009.
Materialist Cinema: Workers Leaving the Factory
by Steven Leyden Cochrane. Fuse, Sept. 2009, v. 32, no. 4.
Arnait Video Productions: Women Telling Their Stories
by Sonia Gunderson. Inuit Art Quarterly, Summer 2009, v. 24, no. 2.
Jubal Brown
by Nadja Sayej. ArtUS, 2009, no. 26.
Imagining the Arab World: The Fashioning of the "War on Terror"...
by Maymanah Farhat. Callaloo, Fall 2009, v. 32, no. 4.
Moving Images of Globalization
by T.J. Demos. Grey Room, 2009, v. 37.
Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1...
by Karen Beckman. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Introduction: What Now?: Presenting Reenactment
by Jonathan Kahana. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
New Left-Wing Melancholy: Mark Tribe's "The Port Huron Project"...
by Paige Sarlin. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Koken Ergun: Personal Works of Public Ceremonies
by Ian White. Labyrinth of Memory, Fall 2009.
Pou Rewa: The Liquid Post, Maori Go Digital?
by Maree Mills. Third Text, 2009, v. 23, no. 3.
Moving Pictures: Cinema and Its Obsolescence in Contemporary Art
by Matilde Nardelli. Journal of Visual Culture, 2009, v. 8, no. 3.
Visionary Video: The Archive and the National Center for...
by Phil Wagner. Afterimage, July 2009, v. 37, no. 1.
Rooted in the Experimental: A Conversation with Gary Hill
by Colette Copeland. Afterimage, Nov. 2009, v. 37, no. 3.
Mundane Catastrophes
by Mridu Chandra. South Asian Visual Arts Centre, 2009.
User-Penetrated Content: Fan Video in the Age of Convergence
by Julie Levin Russo. Cinema Journal, Summer 2009, v. 48, no. 4.
On the Nature of Light: The Cinematic Experience as Occult Ritual
by Raymond Salvatore Harmon. PAJ: A Journal of Performance and Art, 2009, v. 31, no. 1.
Staging the Image: Video in Contemporary Performance
by Patricia Milder. PAJ: A Journal of Performance and Art, Sept. 2009, v. 31, no. 3.
(untitled)
On Films and Videos by Deirdre Logue, Shawna Dempsey and Lorri Millan
by Jenny Bisch. Winnipeg Film Group, 2009.
Decapitation and Protestation -Cut, Burn, Stitch and Draw: Mike Parr
by Michael Young. ArtAsianPacific, Mar. 2009, no. 62.
Set Video to Record
by Brian Mertens. ArtAsianPacific, Mar. 2009, no. 62.
Handmade Memories Yeondoo Jung
by Michael Connor. ArtAsianPacific, Mar. 2009, no. 62.
Talking Cure: Raqs Media Collective
by HG Masters. ArtAsianPacific, July 2009.
Solitary Refinement: Guy Ben-ner
by HG Master. ArtAsianPacific, Nov. 2009, no. 66.
From Media to Remediation: Transitions in Early Video Culture
by Kenneth Rogers. Mediated, Jan 31 Winter, 2009.
Impossible Trips Back Home: The Films of Louise Bourque
by Michael Sicinski. Images Festival, 2009. Toronto: Images Festival, 2009.
Capital Implications: the function of labor in the video art of...
by Kenneth Rogers. Social Identities, May 2009, v. 15, no. 3.
Walking the Wall: Global Flaneuse with Local Dilemmas
by Kinga Araya. Wagadu, Fall 2009, v. 7.
To the Power of Three: an interview with Chris Chong Chan Fui
by Andrea Picard. Cinema Scope, 2009, no. 39.
The Archival Fourth Dimension
by Sarah Pierce. Afterall, Nov 23, 2009.
Millennium Survey: Adele Horne
by Horne Adele. Millennium Film Journal, Spring/Summer 2009, no. 51.
Millennium Survey: Richard Fung
by Fung Richard. Millennium Film Journal, Spring/Summer 2009, no. 51.
Don't Look Now
by Chris Chang. Film Comment Magazine, Nov 2009, v. 45, no. 6.
Sara Angelucci
by Kristen Den Hartog. C Magazine, Fall 2009, no. 103.
Chinese Contemporary Video Art
by Pi Li. Third Text, 2009, v. 23, no. 3.
Introduction: Experiments in Documentary
by Lucas Hilderbrand. Millennium Film Journal, 2009, no. 51.
Introduction: Experiments in Documentary
by Lucas Hilderbrand. Millennium Film Journal, Spring/Summer 2009, no. 51.
Introduction: Experiments in Documentary
by Lucas Hilderbrand. Millennium Film Journal, 2009, no. 51.
Queering Sex and Love: Queer Here videos preache free love but...
by Leah Sandals. NOW, Jan. 17, 2008, v. 27, no. 20.
Whose Life Are We Talking About Anyway?: Michael Fernandes' One...
by Christopher Regimbal. Fuse, Jan. Winter 2008, v. 31, no. 1.
Asserting The Right To Sovereingty, Audio-Visually: RED EYE First...
by James Missen. Fuse, Jan. 1 Winter, 2008, v. 31, no. 1.
An Artist Connects the Dots
by Sarah Milroy. The Globe and Mail, Jan. 19, 2008.
Isuma.tv: Indigenous internet TV is extraordinary and free
by Michael Lithgow. Art Threat, Jan. 28, 2008.
Member Focus: Heather Harkins
Workprint, Winter 2008.
Marina Abramovic: Nobody Escapes
by Alanna Heiss and Ingela Lind. P.S.1 Newspaper Special Edition, Winter 2008.
Lynn Hershman Leeson History=Future
by Laura Parnes. P.S.1 Newspaper Special Edition, Winter 2008.
The Cat's Eye View: Carolee Schneeman
by M.M. Serra. P.S.1 Newspaper Special Edition, Winter 2008.
'Hamilton does a very nice Jane-Finch'
by Stephen Cole. The Globe and Mail, Jan. 26, 2008.
To Be Immersed In The Experience of Now
by Earl Miller. C Magazine, Spring 2008, no. 97.
Yam Lau: Scapeland II
by Andy Patton. YYZine, Mar. 2008, v. 8, no. 2.
Christina Battle: Strangers in a Strange Land: Christina Battle's...
by Jon Davies. YYZine, Mar. 2008, v. 8, no. 2.
In Pursuit of The Textbook Authentic: Erin Morton in Conversation...
by Erin Morton. Fuse, Apr. 2008, v. 31, no. 2.
Multiple Channels: Allure of The Raw: California Video
by Holly Willis. Modern Painters, Mar. 2008, v. 20, no. 2.
Multiple Channels: Tapehead: Michael Shamberg
by Michael Shamberg. Modern Painters, Mar. 2008, v. 20, no. 2.
Multiple Channels: Accelerated Vision: Chinese Video's Leap Forward
by Barbara London. Modern Painters, Mar. 2008, v. 20, no. 2.
Multipe Channels: Flipping the Switch: The National Art Museum of...
by Christopher Phillips and Fan Di'an. Modern Painters, Mar. 2008, v. 20, no. 2.
Animating the Void: The Reenactments of Mario Garcia Torres
by Eva Scharrer. Modern Painters, Mar. 2008, v. 20, no. 2.
Francis Alys
by Susan Emerling. Border Crossings, Feb. 2008, v. 27, no. 105.
Observer Participant: Two Sides of the Same Drawing
by Daryl Vocat. Xtra!, Mar. 27, 2008, no. 611.
Revel, riot, radicalize: GB Jone's glamorous fantasies
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Queer View
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Atlas Shreds: NYC video artist Charles Atlas performs a vision...
by Jason Anderson. EYE WEEKLY, Apr. 10, 2008, v. 17, no. 27.
Up Close
by David Balzer. EYE WEEKLY, Apr. 10, 2008, v. 17, no. 27.
Shame & Anxiety: Dangerous drawing room games
by Jon Davies. Xtra!, Mar. 28, 2008, no. 611.
Hey, that art has no boundaries!: Video artist hopes we all 'go...
by Jason Rehel. National Post, Apr. 11, 2008.
Jenn Norton
by Nadja Sayej. Border Crossings, Feb. 2008, v. 27, no. 105.
Bug Eyed: Green Porno directed by Isabella Rossellini and Jody Shapiro
by Robert Enright. Border Crossings, Feb. 2008, v. 27, no. 105.
Weeks's wonder: Czech cult flick gets Espers freak tweak
by Tim Perlich. NOW, Apr. 3, 2008, v. 27, no. 31.
A Strong Crop of Images: The 21st Images Festival expands its...
by Norman Wilner. NOW, Apr. 3, 2008, v. 27, no. 31.
The Art Star's Exploits
by Susan G. Cole. NOW, Apr. 24, 2008, v. 27, no. 34.
Lifelong Dusting, and Learning
by Noreen Shanahan. Our Times, Feb. 2008, v. 27, no. 1.
So You Want to Make Social Change...
by Nora Gardner. Splice Magazine, Spring 2008.
Crying Time Again
by Robert Enright. Border Crossings, May 1 Spring, 2008, v. 27, no. 106.
Visual Art: Lida Abdul
by Christopher Olson. Border Crossings, May 1 Spring, 2008, v. 27, no. 106.
Visual Art: Exponential Future
by Christopher Brayshaw. Border Crossings, May 1 Spring, 2008, v. 27, no. 106.
Stagecraft: Tate Modern takes on performance
by R.M. Vaughan. Canadian Art, June Summer 2008, v. 25, no. 2.
Mediating Indigineity- The Journal of Knud Rasmussen: A Sense of...
by Heather Igloliorte. Fuse, 2008, v. 31, no. 3.
Cat Thinks People Not Living Life to the Full
by Jacob Wren. C Magazine, Spring 2008, no. 98.
Rightfully Yours
by Jon Davies. C Magazine, Spring 2008, no. 98.
Montreal's DHC / Art and the Changing Climate of Art Patronage in...
by Chris Lloyd. C Magazine, Spring 2008, no. 98.
"Signals in the Dark": Reviewing Art in the Shadows of War
by Ashley Johnson. Canadian Art, Mar. 2008.
Rhizome News: Your Computer is a Painting
by Marisa Olson.
Operation Video: The Use of Images As Visual Agents in Struggles...
by Sigrid Adorf. Operational Video: Ein Technik des Nahsehens und ihr spezifische Subjekt: die Videokünsterlin der 1970er Jahre, Mar. 2008. Bielefeld: transcript, 2008.
Bridging the gap between war's myth and reality
by Andrea Carson. The Globe and Mail, Feb. 27, 2008.
AVENUE Questions and Artists: DRAWING ENEMY LINES
by Leah Sandals. National Post, Jan. 17, 2008.
My (Other) Winnipeg: Excerpts From a Phantom Film
by Guy Maddin. Border Crossings, Sept. 2008, v. 27, no. 3.
Deirdre Logue: Beyond Her Usual Limits
by Matthew Hyland. Deirdre Logue: Beyond Her Usual Limits, 2008. Oakville: Oakville Galleries, 2008.
Enduring Messaging: Are microcommunicaions an art form?
by Tom Sherman. Canadian Art, Fall 2008, v. 25, no. 3.
Otherwise Unexplained Fires: Joyce Weiland and the Experimental...
by Anne Low. C Magazine, Fall 2008, no. 99.
Because zombies are people, too.
by Nadja Sayej. The Globe and Mail, Sept. 12, 2008.
Violent signals: Inspired by war in the age of terror, this...
by Jade Colbert. The Varsity, Jan. 17, 2008.
Shadow Play
by Rafay Agha. The Medium, Jan. 21, 2008.
The art on war: The Blackwood and Justina M. Barnicke galleries...
by Andrea Grassi. The Medium, Jan. 14, 2008.
Bad-Boy Artist Still Spewing Anger: Infamous Local artist Jubal...
by Peter Goddard. The Toronto Star, Sept. 18, 2008.
Valery's Ankle: 1972 Canada-Russia Summit Series erodes the...
by Antoine Tedesco. SceneandHeard.ca, June 26, 2008, v. 8, no. 4.
Filmmaker Ponders Hockey Violence
by Brian Kennedy. Inside Hockey, Feb. 23, 2008.
Life and Nothing Else
by Pablo Llorca. Buffer, Apr. 22, 2008.
Manuel Saiz interviewed
by Cecilia Canziani. Parallel Universes, Jan. 2008.
Playing Indian: imagineNative 2008 tells the rest of the world...
by Drew Hayden Taylor. NOW, Oct. 9, 2008, v. 28, no. 6.
Festival Reviews: It's a Banner Year for North America's Premier...
by Norman Wilner and Susan G. Cole. NOW, Oct. 9, 2008, v. 28, no. 6.
Excess Interaction: Artist takes a revealing look at the art of...
by Jason Anderson. EYE WEEKLY, Oct. 9, 2008, v. 17, no. 52.
Exploring Landscape: A Cut & Paste Selection from Lecture Notes
by Lisa Daniels. Exploring Landscape, 2008. Sarnia, Ontario: Gallery Lambton, 2008.
From Dog River to a Palace all his own.
by R.M. Vaughn. The Globe and Mail, Oct. 16, 2008.
Film Reviews: Household Work: More than It Seems
by Ping-Chun Hsiung. Teaching Sociology, Oct. 2008, v. 36, no. 4.
Images In Vague: Queer punks get nostalgic for the 90s. Richard...
by Jason Anderson. EYE WEEKLY, Apr. 3, 2008.
Street Spirit: Representin' the lollipop guild
by Sarah Liss. EYE WEEKLY, Apr. 3, 2008.
A sugar free cinematic revolution
by Bryen Dunn. Fab, Apr. 3, 2008.
Noise and numbers, clocks and codes: Internationally known video...
by Guy Dixon. The Globe and Mail, Apr. 3, 2008.
Blurring the lines, connecting the artists
by Nadia Sayej. The Globe and Mail, Apr. 4, 2008.
Video Essay questions religious apocalypse
by Barbara Shainbaum. Jewish Tribune, Apr. 11, 2008.
Confused by experimental cinema? Get on the bus!: Images Festival...
by Jason Rehel. The Globe and Mail, Apr. 3, 2008.
Artist Battle's pirates: Installation shows most swashbucklers...
by Leah Sandals. NOW, Mar. 27, 2008, v. 27, no. 30.
Barrow of Laughs: The' Peg's Daniel Barrow wants his tales to be...
by Glenn Sumi. NOW, Apr. 10, 2008, v. 27, no. 32.
Christina Battle: Uncharted Histories: Pirates
by David Balzer. EYE WEEKLY, Apr. 3, 2008.
Bruce on Bruce: Iconic Internationalist (and Torontonian)...
by Bruce LaBruce. EYE WEEKLY, Dec. 4, 2008, v. 18, no. 8.
The 21st Images Festival
Our Neighbourhood Magazine, Apr. 10, 2008.
Local Artist Featured at Images
by Erin Hatfield. The Parkdale Liberty Villager, Apr. 4, 2008.
All hail the returning Puritan: Charles Atlas's 1984 scripted doc...
by Susan Walker. The Toronto Star, Apr. 5, 2008.
Festival the antidote to "image glut"
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Made You Look: While feast of moving imagery is many things, it's...
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Influential Filmmaker Found Inspiration in the Music Video
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Flaming Pixels, Cosmic Puke: Ryan Trecartin's A Family Finds...
by Jon Davies. Cinematic Folds: the furling and unfurling of images., 2008. Toronto: Pleasure Dome, 2008.
Shame & Anxiety: Dangerous Drawing-Room Games
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Revel, riot, radicalize
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Images Festival - Toronto
by Gilbert Seah. Cinema Eye, Mar. 24, 2008.
Theater of the Absurd
by David Balzer. Toronto Life, Apr. 2008.
Film about underage porn stars to kick off Toronto's Images Festival
by Cbc.ca. CBC.ca, Mar. 12, 2008.
Must do: if you only do five things this week
by National Post. The National Post, Mar. 29, 2008.
Images Festival 08 Day 7 - Wednesday April 9/08: Hail the New Puritan
by Movie Moxie. Movie Moxie, Apr. 10, 2008.
Me, You and Everyone We Know
torontoist, Mar. 15, 2008.
Images Festival Kicks off with Lollipop Generation Screening at 9pm
Shedoesthecity, Apr. 2, 2008.
Images Festival: Live Images Programme
by tiffreviews. TIFFReviews, Mar. 16, 2008.
Video Art Thinks Big: That's Showbiz: A Medium Breaks the Bonds...
by Holland Cotter. The New York Times, Jan. 6, 2008.
Toying with boundaries of reality and fiction
by Peter Goddard. The Toronto Star, Dec. 18, 2008.
Lollipops and the Future: Two feature films at Images look to lure...
by Jessica Padykula. SceneandHeard.ca, Apr. 7, 2008, v. 8, no. 2.
Weekend of Poison, Planet, and Plants: International Shorts...
by Jessica Padykula. SceneandHeard.ca, Apr. 7, 2008, v. 8, no. 2.
Strategic Approximation: Independent Videographers Revise the...
by Janice Hladki. Feminist Media Studies Journal, Mar. 2008, v. 6, no. 1.
An Interview With Director Leila Sujir
by Sarah Murphy. Canadian Theatre Review, Spring 2008, no. 94.
"Nothing Big. Nothing Small": Allyson Mitchell's Video Autobiography
by Janice Hladki. Ariel, Jan. Spring 2008, v. 39, no. 1-2.
Big city concerns hit silver screen at Regent Park: Festical shows...
by Iain Marlow. The Toronto Star, Nov. 8 Fall, 2008.
An Archivist Maps the Spaces Greed Erased
by Gary Michael Dault. The Globe and Mail, Oct. 18, 2008.
Theatre for Generation Y
by Cecilia Alemani. Mousse, Sept. Fall 2008, no. 15.
Queerly Provocative: Bruce LaBruce fucks up the bourgeoisie
by Jon Davies. Xtra!, Dec. 4 Winter, 2008, no. 624.
Social Justice, Artistic Practice and New Technologies:: Gender...
by Janice Hladki. Atlantis, Spring 2008.
Electronic Color in Experimental Video Art
by Carolyn Lee Kane. Pleasure Dome, 2008. Toronto: Pleasure Dome, 2008.
Sweeter than candy on a stick: The film buffs at Light industry...
by Sharyn Jackson. Time Out New York, Dec. 11, 2008, no. 689.
The Anxiogenic Cinema:: A Consideration of Provocation and...
by Carlos Kase. Cinemate Folds: The furling and unfurling of images., 2008. Toronto: Pleasure Dome, 2008.
Altered Body Maps and the Cinematic Sensorium
by Anna Powell. Cinematic Folds: The Furling and Unfurling of Images, 2008. Toronto: Pleasure Dome, 2008.
The Bloody Matriarch: Interview with Jesika Joy
by John Paul Gilson. Broken Pencil, Summer 2008, no. 39.
Jubal Brown: Shock and Blah
Canadian Art, Oct. 16, 2008.
Jump Into Chow's Visual Pool: Samuel Chow Viewers to Dip Into His...
by Leah Sandals Sandals. NOW, Sept. 4 Fall, 2008, v. 28, no. 1.
Independent means: Ottawa filmmaker Penny McCann takes part in...
by McCarney Lindsay. The Coast, Mar. 27, 2008.
The Enchantments of Richard Fung's Unsettling Landscapes: (after...
by Monika Kim Gagnon. Richard Fung: Landscapes, 2008. Hamilton: McMaster Museum of Art, 2008.
Triple Bill of Triumphs: Powerful videos screen at Scherman
by David Jager. NOW, Sept. 4 Fall, 2008, v. 28, no. 1.
Inside Images: Festival offers a look at cutting edge creativiy
by Padykula Jessica. SceneandHeard.ca, Apr. 7 Spring, 2008, v. 8, no. 2.
Toronto Images Festival
by Jennifer Reeves. Not Dead Yet ( I love 16mm), Apr. 9 Spring, 2008.
VoCA Recommends WACK! Art and the Feminist Revolution, Vancouver
viewoncanadianart.com, Dec. 27, 2008.
Seattle Art Through the Feminist Lens
by Regina Hackett. Art To Go, 2008.
Learning to Talk About Naked Bodies in Art: Sex Educator Meg...
by Kevin Griffin. Vancouver Sun, Oct. 23, 2008.
Feminist Blockbuster Helps Women Make Claims to Their Own Personal...
by Kevin Griffin. Vancouver Sun, Oct. 11, 2008.
In Art News
by Jen Graves. thestranger.com, Oct. 7, 2008.
Auto Emotion: Autobiography, Emotion and Self-Fashioning
by Matthew Hyland. Switch, Summer 2008, no. 1.2.
Candice Breitz: Speaks to Gregory Burke
by Gregory Burke. Switch, Summer 2008, no. 1.2.
From the Archive: Vera Frenkel: ...From the Transit Bar at the...
by Tess Takahashi. Switch, Summer 2008, no. 1.2.
(untitled)
Brunt: Grunt Gallery in Print, 2008. Vancouver: Visible Arts Society: Grunt Gallery, 2008.
In Media Res: Mass Media in Art's Field of Tension
by Raimar Stange. Flash Art, Oct. 2008.
Pipilotti Rist: Cubic Meters
by Klaus Biesenbach. Flash Art, Nov. 2008.
Amar Kanwar: Collecting Evidence
by Martijn van Nieuwenhuyzen. Flash Art, Jan. 2008.
Vanessa Beecroft: Pietra Brettkelly's The Art Star and the...
by Clayton Campbell. Flash Art, Mar. 2008.
Babette Mangolte: Being Right in the Middle of It
by Lina Bertucci. Flash Art, Jan. 2008.
Perspectives: Negotiating the Archive
by Sue Breakell. Tate Papers, Spring 2008.
Robert Morin, Videaste Du Spectacle
by Israel Coté-Fortin. Canadian Journal of Film Studies, Fall 2008, v. 17, no. 2.
Peter Kingstone
by Jon Davies. Canadian Art, Winter 2008, v. 25, no. 4.
The Dad Tapes/The Mom Photographs: Kim Waldron
by Jean-Michel Ross and Mona Filip. C Magazine, Fall 2008, no. 99.
The Spectre and The Sphere
by Leah Turner. C Magazine, Winter 2008, no. 100.
Entre fils de soie, bitume, bergères et Lolitas, une politique...
by Christiane Palmiéri. ETC, 2008, no. 83.
Redressing Invisibility
by Beth Mauldin. Film Quarterly, Fall 2008, v. 62, no. 1.
Carry a Big Shtick
by Rachel Wolff. ARTnews, Sept. 2008, v. 107, no. 8.
Provocation: dead-in-iraq
by Joseph DeLappe. The Drama Review, Spring 2008, v. 52, no. 1.
In Times of Trouble
by Nancy Princenthal. Art in America, June 2008.
New media resistance: Machinima and the avant-garde
by Elijah Horwatt. cineACTION, 2008, no. 73/74.
Bird Watching: An Introduction to Amateur Satellite Spotting
by Kathy Marmor. Leonardo, Aug. 2008, v. 41, no. 4.
Scopic Regime Change: The War of Terror, Visual Culture, and Art...
by David Dart et al. Studies in Art Education, 2008, v. 49, no. 3.
The infinitude of cool Marcel Dzama's Grave New World
by M.J. Thompson. Border Crossings, Aug. 2008, v. 27, no. 3.
Global Humanitarism, Race, and the Spectacle of the African Corpse...
by Heike Harting. Comparative Studies in South Asia, Africa and the Middle East, 2008, v. 28, no. 1.
Looking through Hannah's Eyes: Interview with Donald Goddard
by Tina Takemoto. Art Journal, Summer 2008, v. 67, no. 2.
Sites of Micro-Political
by Dorinda Hulton. PAJ: A Journal of Performance and Art, Sept. 2008, v. 30, no. 3.
"This Guitar Has Seconds to Live": Guitar Drag's Archaeology of...
by Carlos Kase. Discourse, Fall 2008, v. 30, no. 3.
Narrative Skin Repair: Bearing Witness to Representations of Self-Harm
by Angela Failler. ESC: English Studies In Canada, Mar. 2008, v. 34, no. 1.
Multi-Media:: Video Installation Performance (review)
by Jon Foley Sherman. Theatre Journal, Nov. 4, 2008, v. 60.
Performing the State of Exception: Coco Fusco's Operation Atropos...
by Jose Esteban Munoz. TDR: The Drama Review, 2008, v. 52, no. 1.
Media of Now: An Interview with David Hall
by Joanna Heatwole. Afterimage, 2008, v. 36, no. 1.
The idea of a village
by Oliver Husain. Monitor 4, 2008.
Video Presence: Tony Oursler's Media Entities
by Nick Kaye. PAJ: A Journal of Performance and Art, Jan. 2008, v. 30, no. 1.
Corporeal Pedagogy and Contemporary Video Art
by Stephanie Springgay. Art Education, Mar. 2008, v. 61, no. 2.
Books: Mike Hoolboom's Practical Dreamers
by Jon Davies. Daily Xtra, Sept. 24, 2008.
From Screen to Gallery: Cinema, Video and Installation Art Practices
by John G. Hanhardt. American Art, Summer 2008, v. 22, no. 2.
Auto-mnemonic Six Nations: To aid the memory, automatically
by Maria Hupfield. Brunt, Sept. 2008, no. 4.
Patrick Bernatchez: Skol, Montreal
by Jacob Wren. Canadian Art, Fall 2008, v. 25, no. 3.
My Winnipeg (with apologies to Guy Maddin)
by Steve Loft. BlackFlash, 2008, v. 25, no. 2.
Allison Hrabluik: The Poetics of Work
by Diana Sherlock. BlackFlash, 2008, v. 25, no. 2.
Adapting Sufism to Video Art: Bill Viola and the Sacred
by Ziad Elmarsafy. Alif, 2008, no. 28.
Teaching Perception through Video Art
by Dan Nadaner. Art Education, Jan. 2008, v. 61, no. 1.
Mario's Furniture: A Wireless Interactive Video Installation and Game
by Hillary Mushkin and S.E. Barnet. Leonardo, 2008, v. 41, no. 3.
Full Color Video
by Simon Payne. Leonardo, Oct. 2008, v. 41, no. 5.
The Signs of Avant-Garde Cinema in Amateur Nonprofessional Cinema
by Remigijus Venckus. The Spaces of Creation (Kurybos erdves), 2008, no. 9.
The Osmosis of the Symbiotic Man, or the Symbiosis of the: Osmotic Man
by Anne Golden. Images Festival, 2008. Toronto: Images Festival, 2008.
Ho Tam: Season of the Boys
by Mike Hoolboom. Practical Dreamers: Conversations with Movie Artists, 2008. Coach House Books, 2008.
Wayne Yung: My Heart the Travel Agent
by Mike Hoolboom. Practical Dreamers: Conversations with Movie Artists, 2008. Coach House Books, 2008.
Jayce Salloum: From Lebanon to Kelowna
by Mike Hoolboom. Practical Dreamers: Conversations with Movie Artists, 2008. Coach House Books, 2008.
Scene as Space Across Time: Presence, Passage & Transition
by Katy McCormick. BlackFlash, 2008, v. 25, no. 3.
Mining the Home Movie
by Karen L. Ishizuka and Patricia R. Zimmermann. Berkeley: University of California Press, 2008.
Mining the Home Movie
by Karen L. Ishizuka and Patricia R. Zimmermann. Berkeley: University of California Press, 2008.
Cecelia Condit
by Mary Lucier and Cecelia Condit.
Cecelia Condit
by Heidi Howard. The Brooklyn Rail, Oct 2008.
Fascism as Burlesque: The baroque perversity of Miguel Ventura
by Jon Davies. Xtra, Jan. 4 Winter, 2007, no. 579.
Memorable Mexican Video: Vtape brings in fascinating works as a...
by Stephanie Rogerson. Now, Jan. 3, 2007, v. 27, no. 18.
Reinke Rankles: Installation and video artist has habit of putting...
by David Jager. Now, Feb. 7, 2007, v. 26, no. 22.
Poetry in motion PICTURES: WAG exhibit strives to open...
by Morley Walker. Winnipeg Free Press, Jan. 25, 2007.
Now showing on the WAG: City's flagship gallery acts as a movie...
by Abramson Stacey. Uptown, Jan. 25, 2007.
Art stretches bounds of music and video
by Robert Everett Green. The Globe and Mail, Jan. 20, 2007.
Showing off the '80s
by Peter Goddard. The Toronto Star, Feb. 10, 2007.
Beyond Video: Why Is So Much of Today's Video Art Accompanied By...
by Martin Herbert. Art Review:, Feb. 2007, no. 8.
Sue de Beer: Marianne Boesky Gallery
by David Velasco. Artforum, Feb. 2007, v. 45, no. 6.
At The Galleries: Prehistory of the Trailer Park Boys
by Peter Goddard. The Toronto Star, Feb. 24, 2007.
Christian Marclay: Shoot 'Em Up: The Sound of Violence
by Martin Herbert. Art Review:, Feb. 2007.
Joan Jonas at Dia:Beacon
by Gregory Volk. Art in America, Mar. 2007, v. 95, no. 3.
Monitor 3: Contemporary South Asian Short Film + Video
by Unknown. SAVAC, 2007. Toronto: SAVAC, 2007.
Border Crossing: Performance Artist Carolee Schneemann Goes Techno
by Gord McLaughlin. EYE WEEKLY, Mar. 22, 2007.
Culture Crash
by Anon..
Skin Trade: Cockiness, copyright & colour
by Daryl Vocat. Xtra!, Mar. 1, 2007, no. 583.
Deeply unsettled and uncertain: Steve Reinke's ruthless untruths
by Jon Davies. Xtra!, Mar. 1, 2007, no. 583.
The Incredible Lightness of Machines: An interview with Reva Stone
by Robert Enright. Border Crossings, Mar. 2007, v. 26, no. 101.
Beyond Cinema: The Art of Projection Films, Videos, and...
by Rosemary Heather. Border Crossings, Mar. 2007, v. 26, no. 101.
Lori Blondeau and Adrian Stimson
by Lori Weidenhammer. Border Crossings, Mar. 2007, v. 26, no. 101.
Traumatic Landscape
by James MacSwain and Mireille Bourgeois. Traumatic Landscape, 2007. Halifax: The Centre for Art Tapes, 2007.
Youtube for artists: The best places to find video art online
by Mia Fineman. Slate, 2007.
Tender Terror: Carolee Schneemann walks a line
by Bjarke Madsen. NOW, Mar. 28, 2007, v. 26, no. 30.
Bahl throws some curves: Shelly Bahl's socially critical photos...
by David Jager. NOW, Mar. 28, 2007, v. 26, no. 30.
As seen on screen: Art Event: Analogue co-curator Chris...
by Mark Powell. Metro, Mar. 2 Spring, 2007.
Between the Monument and the Ruin: An interview with Lida Abdul
by Candice Hopkins. C Magazine, Spring 2007, no. 93.
Before YouTube: Plunge into the archives of the Video Data Bank
by Ed Halter. Village Voice, Jan. 23, 2007.
The Art of Technology (and the technology of art)
by Anna Feigenbaum. Fuse, Jan. Winter 2007, v. 30, no. 1.
Politics in Aspic: Reflections on the Biennale of Sydney and its...
by Jen Budney. Fuse, Jan. Winter 2007, v. 30, no. 1.
The Witness: Althea Thauberger's Too-Real Video Art
by Heather Rosemary. Canadian Art, Spring 2007, v. 24, no. 1.
Hey, Art Museum, Give Me iPod Eye Candy!
by Momus and Nick Currie. Wired, Apr. 24, 2007.
Video Installation: Characteristics of an Expanding Medium
by Robin Oppenheimer. Afterimage, 2007, v. 34, no. 5.
Eyes on Toronto: Nothing equals our local perspective
by Mike Vokins. Xtra!, May 10, 2007, no. 588.
Sadie Benning: Columbus
by Jennie Klein. Art Papers, May 2007, v. 31, no. 3.
Triste Artique: Amy Taubin on the Films of Zacharias Kunuk
by Amy Taubin. Artforum, Apr. 1, 2007, v. 38, no. 8.
A Rose Has No Teeth: Bruce Nauman in the 1960s
by Pamela M. Lee. Artforum, Apr. 2007, v. 38, no. 8.
Toward a Feminist "Coney Island of the Avant-Garde"
by Melinda Barlow. Afterimage, Jan. 2007, v. 34, no. 4.
Unterspiel: Blackwood Gallery, Mississauga
by Dana Samuel. Canadian Art, Summer 2007, v. 24, no. 2.
Moving Images Stay in the Dark
by Laura Cumming. Guardian Unlimited: Arts Blog, Jan. 10, 2007.
Then + Then Again: Talking with Clive Robertson about artist-run...
by Vera Frenkel. Fuse, July 2007, v. 30, no. 3.
Boundary Blurrer: An Interview with Vera Frenkel
by Robert Enright. Border Crossings, May 2007, v. 26, no. 102.
Annie MacDonell
by Sharon Switzer. Canadian Art, Summer 2007, v. 24, no. 2.
Owen Kydd
by Aaron Peck. Canadian Art, Summer 2007, v. 24, no. 2.
Chronology Through Cartography: Mapping 1970s Feminist Art Globally
by Marsha Meskimmon. Wack!: art and the feminist revolution, 2007. Los Angeles: The Mocha L.A, 2007.
Art and Feminism
by Cornelia Butler. Wack!: art and the feminist revolution, 2007. Los Angeles: The Moca L.A., 2007.
Untitled
by Unknown. Wack!: art and the feminist revolution, 2007. Los Angeles: The Moca L.A., 2007.
The Reel Deal
by Gloria Kim. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
Head Cases
by Heather Richards. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
The Lord of Missed Rules:: An Interview with Michael Snow
by Robert Enright. Border Crossings, Summer 2007, v. 26, no. 102.
Projections: A Survey of Projection-Based Works in Canada, 1964-2007
by Dan Adler. C Magazine, Fall 2007, no. 95.
Reviews: Chih-Chien Wang
by Tatiana Mellema. C Magazine, Fall 2007, no. 95.
Straight to Video: Next-generation video art is now playing at a...
by Tim KcKeough. enRoute, Aug. 2007.
Lynne Marsh, Ballroom
by Stacey Abramson. C Magazine, Fall 2007, no. 95.
Anarchy at documenta
by Allan Antliff. C Magazine, Fall 2007, no. 95.
Jon Sasaki
by Dave Dyment. C Magazine, Fall 2007, no. 95.
The Distance Between: The Political Peregrinations of Fancis Alys
by Martin Herbert. Modern Painters, Mar. 2007.
Pleasure Dome Brochure: Fall 2007
by Unknown. Pleasure Dome, Fall 2007, v. 2.
Interview with Miranda July (Online Exclusives): Performance...
by Eli Horowitz. The Believer, June 2007.
Allison Hrabluik: Diaz Contemporary
by Dan Adler. Artforum, Apr. Spring 2007, v. 38, no. 8.
Youtube for Artists: The best places to find video art online.
by Mia and Fineman. Slate, Mar. 21, 2007.
Night Intervals
by Minh Nguyen. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
"Hitting Below the intellect"
by Sholem Krishtalka. Xtra!, May 10, 2007, no. 588.
Screen Queen: Reprogram
by Rob Salerno. Xtra!, May 10, 2007, no. 588.
Everything in my life, everything in yours
by Erik Martinson. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
Deliver us from truth...: The recent video work of Philip Jonlin Lee
by Lisa Steele. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
Outrageousness: Craig Russell is a real Canadian Idol
by Thom Allison. Xtra!, May 10, 2007, no. 588.
Hogtown to small town: Backcountry queers rekindle our defiant history
by Rob Solerno. Xtra!, May 10, 2007, no. 588.
Documentary Reframed: Process, Politics, Aesthetic
by Maureen Latta.
A State of Uncertainty: Aernout Mik
by Dominic Van Den Boogerd. Art Papers, Sept. 2007, v. 31, no. 5.
Jon Sasaki: Toronto
by Jennifer McMackon. Art Papers, Sept. 2007, v. 31, no. 5.
On Shaky Ground: The Universal Theatre of Vasco Araujo
by Nuno Crespo. Art Papers, Sept. 2007, v. 31, no. 5.
Lexier Plays With Absolutes: Math-based installations dare to...
by Leah Sandals. NOW, Oct. 25 Fall, 2007, v. 27, no. 8.
At the Galleries
by Peter Goddard. The Toronto Star, Dec. 1, 2007.
Praxis, Praxis, Praxis: Richard Fung's active illuminated histories
by Brian McCormick. Gay City News, Jan. 18, 2007.
The Politics of Cool
by Cooper Battersby and Emily Vey Duke. C Magazine, Winter 2007, no. 96.
Family Romance
by Jon Davies. C Magazine, Winter 2007, no. 96.
Woodlot: The 3rd KW/AG Biennial: Kitchener-Waterloo Art Gallery
by Tor Lukasik-Foss. C Magazine, Winter 2007, no. 96.
Testing Testickle: Monkman's Alter Ego Always Provokes
by Leah Sandals. NOW, Nov. 22, 2007, v. 27, no. 12.
Bring It Back: Thinking the Ethno Politics of Identity Again: A...
by Andrea Fatona et al. Fuse, Sept. Fall 2007, v. 30, no. 4.
Small Gauges for Small Cities: An Interview with Alex Rogalski
by Brett Kashmere. Splice Magazine, Summer 2007.
How the Filmpool Saved My Life: A Winnipeg Perspective
by Patrick Lowe. Splice Magazine, Summer 2007.
Artifice and Old Lace: The Green Screen is Film's New Tabula Rasa
by Michael Atkinson. Modern Painters, July 2007.
The Road to Documenta: The European Adventures of Luis Jacob and...
by R. M. Vaughan. Canadian Art, Winter 2007, v. 24, no. 4.
Always Working: The Aesthetic Labours of Kelly Mark
by Rosemary Heather. Canadian Art, Winter 2007, v. 24, no. 4.
Video Art: Keeping it New
What's Up Yukon, Sept. 14, 2007.
Cloudbreaker screens tonight
by Anon. The Chronicle Herald, Nov. 30, 2007.
Mises A L'epreuve (Purgatories)
by Elene Tremblay.
Artists and Models: The Video Data Bank showcases its savings at MOMA
by Tom Beer. Time Out New York, Jan. 25, 2007.
Exhibitions
by Leanne Johnson. Front, Nov. 2007, v. 18, no. 5.
Picture Maker: Stephen Andrews: From the Shadows of Mass Media
by Alexander Nagel. Canadian Art, Winter 2007, v. 24, no. 4.
Edifying Edifice
by Scott McGovern. Edifying Edifice, 2007. Guelph: Ed Video, 2007.
True Confessions: Guelph multimedia artist Dawn Matheson calling...
by Joanne Shuttleworth. Guelph Mercury, Sept. 12, 2007.
By Steve Reinke
by Steve Reinke. Possible Worlds, 2007. Norwich: Aurora, Francis House, 2007.
On Creaturely Life
by Pleasure Dome. Possible Worlds, 2007. Nowich: Aurora, 2007.
Intra Terrestrials
by Adam Pugh. Possible Worlds, 2007. Norwich: Aurora, 2007.
Deimantas Narkevicius: Sucession, Vienna
by Steven Matijcio. Canadian Art, Winter 2007, v. 24, no. 4.
TBA:07: Event Details: The Portland Institute of Contemporary Art
by The Portland Institute of Contemporary Art. PICA.org, Aug. 2007.
Search and Deploy
by Jacob Korczynski. VTape, Sept. 21, 2007. Toronto: vtape, 2007.
Inuit Documentaries and Short Films Now Available
by unknown. Native Journal, Sept. 2007.
Cinq questions a Jeff Barnaby
by Anabelle Nicoud. La Presse, July 22, 2007.
Amar Kanwar: Whitechapel, London
by Christina Bagatavicius. Canadian Art, Winter 2007, v. 24, no. 4.
Kent Monkman: Art Gallery of Hamilton, Hamilton
by Debra Antoncic. Canadian Art, Winter 2007, v. 24, no. 4.
Destiny's Child: Filmmaker Adam Garnet-Jones relives youthful...
by Sean Flinn. The Coast, Nov. 29, 2007.
The Paper Bag Princess: A Interview with Jesika Joy
by Denisa Mertiri. the f word nouveau, Oct. Fall 2007.
MUFF diving: Shaved Barbies, condoms, chickens and more at the...
by Matthew Hays. Montreal Mirror, May 2007, v. 22, no. 47.
Bear Witness
by Ryan Rice. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Small Epics: The Works of Salla Tykka
by Jason St-Laurent. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
It Will Burn Inside Me
by Stefan St-Laurent. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Difference is New Black: Harold Offeh's Videos
by Anna Khimasia. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Then + Then Again
Density
Riding a New Wave
by Harmony Rice. Spirit, Fall 2007, v. 4, no. 2.
Snowy Berlin Warms Kanadiers
by Buck Naomi. The Globe and Mail, Feb. 12, 2007.
Stan Douglas
by Tom Holert. Artforum, Nov. 2007, v. 46, no. 3.
Listening to The Hearing Eye
by Sebastien Cliche. Centre Clark, Mar. Spring 2007.
Documentary Reframed: Process, Politics and Aesthetics
by Maureen Latta. Documentary Reframed, 2007. Saskatoon: Paved Arts, 2007.
Bonnie Sherr Klein
by Caroline Avery. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
The Getty Gets Serious About Video
by Carol Kino. The New York Times, Dec. 9, 2007.
Artist Explores Jewish immigrant experience in poignant exhibition
by Michael Regenstreif. Ottawa Jewish Bulletin, Dec. 3, 2007.
Interview Brett Kashmere
by Nancy Keefe Rhodes. Stylusmagazine.com, May 18, 2007.
The Ground Beneath Her Feet: Fault Lines of Nation and Sensation...
by Olivia Khoo. GLQ: A Journal of Lesbian and Gay Studies, 2007, v. 14, no. 1.
In The Blink of An Eye: Curated by Shawna Dempsey and Lorri...
by Stacey Abramson. C Magazine, Summer 2007, no. 94.
Smash: Reflecting Sex: Video Clips 1976-2002
by Winston Xin. Art Star 3 Video Biennal, 2007. Ottawa: Galerie SAW Gallery, 2007.
The Anxious Images of Deirdre Logue
by Penny McCann. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Aesthetic Libertines
by Philippe Hamelin.
Art that weeps, sings and bleeds: If you're interested in the...
by Sarah Milroy. The Globe and Mail, June 11, 2007.
Nelson Henricks: Map of the City
by Donna Wawzonek. Map Of The City, July 7, 2007. Calgary: Art Gallery of Calgary, 2007.
Digital Event 07: Curators Talk
by Ulysses Castellanos et al.
Not Just a ride from point A to B: L'Art Boat passengers...
by Matthew Chung. The Toronto Star, June 8, 2007.
The Humourously Tragic: An Interview with Jon Sasaki
by James King. Broken Pencil, Spring 2007, no. 36.
The Patterns of Jamie Travis' Film Making
by Mathew Kumar. Broken Pencil, Feb. 2007, no. 34.
Spook it Up!: A Round- Table Discussion on Indie Horror
by Paul Corupe. Broken Pencil, Nov. Fall 2007, no. 37.
Rightfully Yours
by David Balzer. EYE WEEKLY, Dec. 26, 2007.
Issues of access, representation and diversity in the Canadian milieu
by Carol Podedworny. Re-Mediations: Stephen Foster And James Gillespie, 2007. Hamilton: McMaster Museum of Art, 2007.
Unofficial Ambassadors
by Tessa Liem.
Loitering in Cyberspace: Cheryl Sourkes' takes snapshots of the...
by Cheryl Simon. C Magazine, Summer 2007, no. 94.
Marcellvs. L
by Rodrigo Moura. Flash Art, May Spring 2007.
Doug Aiken: Sleepwalkers
by Courtney J. Martin. Flash Art, Mar. 2007.
Beyond Cinema: The Art of Projection: Curated by Stan Douglas,...
by Henrikke Nielsen. C Magazine, Spring 2007, no. 93.
Sonic Hybridity and Visual Dualism in the Work of Sussan Deyhim...
by Ulrike Sieglohr. Music, Sound, and the Moving Image, 2007, v. 1, no. 1.
Jeremy Shaw: Best Minds Part One
by Clint Burnham. C Magazine, 2007.
J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema
by Mitsuyo Wada-Marciano. Canadian Journal of Film Studies, Fall 2007, v. 16, no. 2.
The Indian Film Crews of Challenge For Change: Representation and...
by Michelle Stewart. Canadian Journal of Film Studies, Fall 2007, v. 16, no. 2.
Video Art as a Rising Medium in Iranian Contemporary Art
by Susan Habib and Helia Darabi.
What. Comes. After.: An Introduction to Lin + Lam's "Unidentified...
by Una Chung. Art Journal, Winter 2007, v. 66, no. 4.
Empathy, reviewed work: That's Amore: Max Dean at Projex-Mtl and...
by James D. Campbell. ETC, 2007, no. 80.
Meetings of Past and Present: The Installations of Multimedia...
by Susan Chevlowe. Nashim: A Journal of Jewish Women's Studies & Gender Issues, Fall 2007, no. 14.
The Inspiration of Home
by November Paynter and Koken Ergun. PAJ: A Journal of Performance and Art, Jan. 2007, v. 29, no. 1.
The Witness
by Rosemary Heather. Canadian Art, Spring 2007, v. 24, no. 1.
Bell, Book & Camera
by Vaughan R.M.. Canadian Art, Spring 2007, v. 24, no. 1.
Unsaying Life Stories: The Self-Representational Art of Shirin...
by Aphrodite Desiree Navab. The Journal of Aesthetic Education, Summer 2007, v. 41, no. 2.
Public Domains: Engaging Iraq Through Experimental Digitalities
by Patricia Rodden Zimmermann. Framework: The Journal of Cinema and Media, Fall 2007, v. 48, no. 2.
Gauging Trauma & Empathy
by Claire Eckert. South Asian Visual Arts Centre, 2007.
Hyunki Park: Neo-Metaphysical Video and Conceptual Art
by Robert C. Morgan. PAJ: A Journal of Performance and Art, Sept. 2007, v. 29, no. 3.
No Exit: Video and the Readymade
by David Joselit. October, Winter 2007, no. 119.
Scott Treleaven
by York Lethbridge. C Magazine, Spring 2007, no. 93.
Peter Donebauer, Richard Monkhouse and the Development o the EMS...
by Chris Meigh-Andrews. Leonardo, Oct. 2007, v. 40, no. 5.
Materialist Feminism for the Twenty-first Century: The Video...
by Angela Dimitrakaki. Oxford Art Journal, 2007, v. 30, no. 2.
Borderviews: Back to Nature's Future
Border Crossings, 2007, no. 102.
Crossovers: Jenny Perlin
by Jacob Korczynski. Border Crossings, 2007, no. 102.
Resolutions: Contemporary Video Practices
by Michael Renov and Erika Suderburg. Minnesota: University of Minnesota Press, 2007.
Felix Ensslin on Lulu
by Felix Ensslin. Between Two Deaths, 2007. karlsruhe: ZKM, 2007.
Coming to a screen no where near you: Inuit filmmaker Zacharias...
by Gayle MacDonald. The Globe and Mail, Jan. 25, 2006.
Fung makes us Uncomfortable: Uncomfortable: The art of Christopher...
by Glenn Sumi. Now, Jan. 19, 2006, v. 25, no. 21.
Moving Pictures on the Web:: A travelogue by Joel Maendel
by Joel Maendel. FAVA-Film and Video Arts Society of Alberta, Winter 2006.
Rep Watch Palestine Trilogy
by Kevin Temple. The Globe and Mail, Jan. 6, 2006.
Yael's Potent Palestine Trilogy
by Fran Schechter. Now, Jan. 5, 2006, v. 25, no. 19.
True North, Brave and Free:: Isaac Julien's True North
by Warren Chrichlow. Fuse, Winter 2006, v. 29, no. 1.
Ciao Da Vancouver: Portraits of a City
by Elspeth Sage.
Back For One Night Only!
by Nancy Princenthal. Art in America, Feb. 2006, v. 94, no. 2.
Tragedy at the top of the world: From a traditional Inuit town, a...
by Gayle MacDonald. The Globe and Mail, Mar. 18, 2006.
Crafting, Every Witch Way
by Robert Enright. Border Crossings, Mar. 2006, v. 25, no. 1.
Happenings: Genetic Carnival
by Emily Elsa Hamilton. MAG Mass Art Guide, Apr. Spring 2006.
Exhibit A Weirdy Wonderful: Songs of Praise for the Heart Beyond Cure
by Sarah Milroy. The Globe and Mail, Apr. 14, 2006.
Until Then Then: Eric Deis, Paul Ramirez Jonas, Holly Ward,...
by Andreas Kahre. Front, 2006.
Untitled
by Sarah Milroy. The Globe and Mail, Mar. 15, 2006.
In Review: Alexandre Castonguay
by Debra Antoncic. Canadian Art, Spring 2006, v. 23, no. 1.
From the Mouths of Babies
by Daniella Newman. Film Print, May 2006, v. 26, no. 3.
Red Hot Docs
by Caroline Avery. Film Print, May 2006, v. 26, no. 3.
ALU CINE TING: The 7th AluCine Toronto LATIN @ Media Festival
by Deirdre Swain. Film Print, May 2006, v. 26, no. 3.
Kino=Cool
by Malcolm Fraser. Broken Pencil, May 2006, no. 31.
Arriba Los Homosexuales!: There's Startling Dynamism Down South
by Jon Davies. Xtra!, May 11, 2006, no. 562.
The Discovery of the Electronic Body.: Art and Videos in the 70's
by Marco Meneguzzo. La Scoperta del Corpo Elettronico - Arte e Video Negli Anni 70, 2006. Milan: Silvana Editoriale Spa, 2006.
Channelling Mayhem: Winnipeg cable TV's golden age
by Alison Gillmor. cbc.ca, Apr. 12, 2006.
Weathering the Storm: Christina L. Battle in Conversation With...
by Christina L. Battle. FILMPRINT - The magazine of Independent Filmmakers of Toronto, May 2006, v. 26, no. 3.
Carolee Schneemann and Stan Brakhage
by Robin Laurence. Border Crossings, 2006, no. 98.
Guy maddin's The Brand Upon the Brain: An Autobiography of my house
by Guy Maddin. Border Crossings, 2006, no. 96.
Gunilla Josephson in Coversation with Cameron Bailey: On the...
by Cameron Bailey. Archive Inc., June 24, 2006.
Bloody Intruder Storms AGO: Did Istvan Kantor Enhance or Defile...
by Linda Dawn Hammond. Now, Aug. 10 Summer, 2006, v. 25, no. 50.
Paulette Phillips Fascinations
by Johanna Householder. Sketch, Spring 2006.
Witnesses to History:: New works by B.H Yael and Richard Fung
by Dot Tuer. Sketch, Spring 2006.
On Gods, Grammar and Nonsense: Gary Kibbins' Grammar and...
by Earl Miller. Fuse, 2006, v. 29, no. 3.
The Power of Light: aluCine 7th Toronto Latin@ Media Festival's...
by Richard Fung. Fuse, 2006, v. 29, no. 3.
Gary Kibbins and his Grammar Lessons
by Andrew James Paterson. Grammar & not Grammar, June Summer 2006. YYZ Boooks, 2006.
Andrea Cooper: Oh, Darlin
by Rhonda Corvese. University of Toronto Master of Visual Studies Programme 2006 Graduating Exhibition, 2006.
Tannis Nielsen: Not Forgotten
by Rhonda Corvese. University of Toronto MVS Programme 2006 Graduating Exhibition, 2006.
The Next Big Thing: Supernovas
by Amy Karlinsky. Fuse, 2006, v. 29, no. 3.
An Emergency of Passion
by Daniel Baird. Diane Borsato, Sept. 16, 2006.
Silent Speech
by Susan Walker. The Toronto Star, Sept. 7, 2006.
It is not only Glad Day who benefits
by Linda Feesey. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome and LIFT, 2006.
Between the Lines, Jude Norris: Reading Between the Lines
by Aubrey Reeves. Between the Lines, Jude Norris, 2006. Toronto: Trinity Square Video and imagineNATIVE Festival, 2006.
Love is a battlefield: Pop & politics get a musical makeover
by Daryl Vocat. Xtra, Sept. 28 Fall, 2006, no. 572.
You'd Better Smile When You Say That: Wagon Burner, This! Princess...
by Richard William Hill. Wagon Burner, This! Princess Moonrider That!, 2006. Toronto: A Space Gallery, 2006.
(untitled)
by Unknown. Front, Sept. 2006, no. 4.
Opening Night Films: The Toronto international Film Festival kicks...
by Barrett Hooper. Inside E magazine, Sept. Fall 2006.
Just Say Cut!
by Jon Davis. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
The (fetishistic) cut
by Jean-Paul Kelly. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
Notes on Glad Day
by Sholem Krishtalka. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
Kunuk's silent partner: Norman Cohn grew up in New York. Zacharias...
by Sarah Milroy. The Globe and Mail, Sept. 6, 2006.
Out of Beirut: Living Contradiction
by T. J. Demos. Artforum, Oct. 2006, v. 45, no. 2.
Out of Beirut: Object Lessons
by Lamia Joreige. Artforum, Oct. 2006, v. 45, no. 2.
Out of Beirut: Under the Volcano
by Christine Tohme. Artforum, Oct. 2006, v. 45, no. 2.
Sense and sensibilities: Fado performance gives new meaning to the...
by Stephanie Rogerson. Now, July 20, 2006, v. 25, no. 47.
Kalup Linzy: Rome Gallery
by Philip Auslander. Artforum, Oct. 2006, v. 45, no. 2.
Yael Bartana: Kunstverein
by Nina Montmann. Artforum, Oct. 2006, v. 45, no. 2.
Barry Schwabsky on Keren Cytter
by Barry Schwabsky. Artforum, Oct. 2006, v. 45, no. 2.
Under Your Skin: Gary Indiana on Kiyoshi Kurosawa
by Gary Indiana. Artforum, Oct. 2006, v. 45, no. 2.
3 videos by Farheen Haq
by Farheen Haq. Blackwood Gallery, Jan. 5, 2006.
Blackwood home to controversy
by Daniel Filipe Martins. Medium Online, Jan. 16, 2006.
The Tears of Eros: Laima Kreivyte on Aurora Reinhard
by Laima Kreivyte. Framework: The Finnish Art Review, 2006.
Gareth Long continues to dazzle: Artist Profile: Gareth Long
by Mathew Follwell. Our Neighborhood: Queen St. W., 2006.
Casting Kin: The Animations of Desiree Holman
by Alissa Firth-Eagland. Effigy, Nov. 2006. Toronto: YYZ Artist's Outlet, 2006.
See Reel Asian pics while you can
by Glenn Sumi. Now, Nov. 16, 2006, v. 26, no. 11.
Expanded memories: Bill Viola talks about his philosophy of art
by Martin Gayford. Apollo, Oct. 2006.
Deller delivers: Evocative music and images converge in Jeremy...
by Stephanie Rogerson. Now, Nov. 23, 2006, v. 26, no. 12.
Life at sea: Ho Tam unmoors our preconceptions
by Daryl Vocat. Xtra!, Nov. 23, 2006, no. 576.
Recovery- Romeo Gongara
by Stephanie Rogerson. Romeo Gongara Recovery, 2006. Toronto: Gallery 44 Centre for Contemporary Photography, 2006.
Wholly Human Holman: Desiree Holman's Effigy series promotes...
by Stephanie Rogerson. Now, Nov. 30, 2006, v. 26, no. 13.
Althea Thauberger: Experimentalism is Dead. Long Live the Internet.
by Emily Vey Duke. C Magazine, Fall 2006, no. 91.
Why People Love Cowboys: A Very Partial Review of The American...
by Janna Graham. Fuse, 2006.
Emily Vey Duke and Cooper Battersby in 'Fantasia'
by Jon Davies. Canadian Art, Fall 2006, v. 23, no. 3.
Toronto Video: Challenging forms, channelling change
by Marc Glassman. The State of The Arts: Living with Culture in Toronto, 2006. Toronto: Library and Archives Canada Cataloguing in publication, 2006.
Contemporary Art: Now in Hong Kong, an interactive display by...
by Joyce Hor-Chung Lau.
Stan Douglas Talks About Klatsassin, 2006.: 1000 Words
by Stan Douglas. Artforum, Oct. 2006, v. 45, no. 2.
Ragnar Kjartansson: A restless spirit
by Christian Schoen. List -Icelandic Art News, Jan. 23, 2006, no. 7.
You Tube vs Boob tube
by Bob Garfield. Wired, Dec. 2006, no. 12.
Untitled
Javne Tajne (Public Secrets), 2006. Zagreb: Nakladnici Publishers, 2006.
The secret world of Lonelygirl: How a 19 year-old actress and a...
by Joshua Davis. Wired, Dec. 2006, no. 14.
Read Handed: Caught in the Act: an Anthology of Performance Art by...
by Leah Sandals. Fuse, May 2006, v. 29, no. 2.
One freaky coporate fable: Sandy Amerio's video puts a savvy spin...
by Kevin Temple. NOW, Feb. 16, 2006, v. 25, no. 25.
Toronto needs freakier rich people
by Kevin Temple. The State of the Arts: Living with Culture in Toronto, 2006. Toronto: Coach House Books, 2006.
Cultures clash in mystical north
by Geoff Pevere. The Toronto Star, Sept. 7, 2006.
Kent Monkman's Postindian Diva Warrior:: From Simulacral Historian...
by David McIntosh. Fuse, July 2006, v. 29, no. 3.
Inuit Tale Looks to Make History at World Premiere
by Etan Vlessing. Playback, Sept. 4, 2006.
A Brave Opening Choice as TIFF Kick Off: The Journals Sets the...
by Rick Groen. The Globe and Mail, Sept. 7, 2006.
The Bjork-Barney Enigma Machine
by Randy Kennedy. The New York Times, Apr. 2006.
How Television Saved Video
by Laura Paolini. Les Fleurs Du Mal, Sept. 2006, v. 1, no. 2.
Still Video: Photo Zombified The Video Star
by Robert Lendrum. Les Fleurs Du Mal, Sept. 2006, v. 1, no. 2.
Gravity's Grace
by Carla Garnet. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
Even if the Dead Speak and the Living Listen it is Still Not a...
by Steve Reinke. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
Worlds of Birds and Snow
by Steer Linda. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
Gillian Wearing: Brindley House (Ikon off-site project)
by Maria Walsh. Art Monthly, Oct. Fall 2006, no. 300.
How to Touch the Dead: The Ethical Potential of Sound and Image in...
by Andrea D. Fitzpatrick. The University of Southern California Journal of Film & Television Criticism Spectator Ephemeral Cinema, Invisible Media: Sound and Image at the Edge of Awareness, Fall 2006.
French video changes the bottom line: Amerio at Vtape - Film troubling
by Peter Goddard. The Toronto Star, Jan. 12, 2006.
The New Homosexual Film Festivals
by B. Ruby Rich. GLQ: A Journal of Lesbian and Gay Studies, 2006, v. 12, no. 4.
Queer Eye for the Whitney Bi
by James Panero. The New Criterion, Apr. 2006.
Mary Kavanagh
by Ann Dymond. Border Crossings, June 2006, v. 25, no. 98/No.2.
Wyn Geleynse
by Patrick Mahon. Border Crossings, June 2006, v. 25, no. 98/ No. 2.
Tacita Dean
by Jeffrey Eugenides. Bomb, Spring 2006, no. 95.
Antony
by Charles Atlas. Bomb, Spring 2006, no. 95.
Art university welcomes new president
by Anon. The Toronto Star, June 1, 2006.
Hungarian rhapsodizing: Istvan Kantor's media woks honour...
by Kevin Temple. NOW, June 15, 2006, v. 25, no. 42.
From the Story Circle to Cyberspace: How Technology Transforms the...
by Jennifer LaFontaine. Women and Environments International Magazine, Oct. Fall 2006, no. 72/73.
Pleasure Dome Brochure: Winter 2006
by Unknown. Pleasure Dome, Winter 2006.
Carolee Schneemann: The Implicit Body
by Randall Anderson. Immersion Immersive, 2006.
Immersion as Immanence
by Susie Major. Immersion Immersive, 2006.
Cutting It: Accessible Video Editing
by Chris Meigh-Andrews. A History of Video Art, 2006.
Dream Homes: Far-out ideas for rebooting the 'burbs: Toronto Free...
by Murray Whyte. The Toronto Star, Apr. 23, 2006.
A Question of Defense in Lida Abdul's "Military/Body"
by Sara Raza. Lida Abdul, 2006. Banff: Banff International Curatorial Institute, 2006.
The Overlooked America
by Rodrigo Alonso. Mesh 19, Oct. 2006.
The Island at the Centre of the Earth
by Trinity Square Video.
Duet: Etude for Solitudes: Laiwan
by Nelson Hendricks. YYZine, Spring 2006.
The Lingering Present: Canadian Video Art in its Youth: 1968-1986
by Lisa Steele. Analogue, 2006. Preston: Electronic and Digital Art Unit, 2006.
Video Beginnings: The Early Show: Video from 1969-1979
by Deborah Garwood. PAJ: A Journal of Performance and Art, Sept. 2006, v. 28, no. iss.84 no. 3.
Jesika Joy's erotic gaze: Show offers sex along with...
by Peter Godard. The Toronto Star, Aug. 24, 2006.
Joanna Malinowska at Canada
by David Coggins. Art in America, Oct. 2006, v. 94, no. 9.
Making magic: Queer music videos return with a vengeance
by John Webster. Xtra!, May 11, 2006, no. 562.
Book reviews on What the body cost: desire, history, and...
by Jane Chin Davidson. Signs: Journal of Women in Culture and Society, Spring 2006, v. 31, no. 3.
Bradley McCallum and Jacqueline Tarry
by Nord Wennerstrom. Artforum, Oct. 2006, v. 45, no. 2.
On the Timelessness of Meaning in Gunvor Nelson's Work
by Sue Anne Moody. Evidence, 2006.
The Material and the Mimetic: on the Films by Gunvar Nelson
by John Sundholm. Evidence, 2006.
A Conversation with Gunvor Nelson
by Chloe Stewart. Evidence, 2006.
Video: From Technology to Medium
by Yvonne Spielman. Art Journal, Fall 2006, v. 65, no. 3.
Grayscale Video and the Shift to Color
by Sean Cubitt. Art Journal, Fall 2006, v. 65, no. 3.
Visual strategy in music video
by Farah Wardani. Karbon Artjournal, 2006, no. 7. Jakarta: ruangrupa, 2006.
Atheism
by Maya Khankhoje. Montreal Serai, Oct. 1, 2006.
Claude Closky
by Pascal Beausse. Flash Art, Jan. 2006.
Anri Sala: Long Sorrow and Other Stories
by Stefano Boeri. Flash Art, Mar. 2006.
Kutlug Ataman and Atom Egoyan: ...and the world will be as one
by Gea Politi. Flash Art, May 2006.
Solmaz Shahbazi
by Chus Martinez. Flash Art, July 2006.
Eve Sussman: The Rape of the Sabine Women
by Katerina Gregos. Flash Art, Jan. 2006.
Hot Vlog!
by Danielle Digiacomo. The Independent, Mar. 2006, v. 29, no. 2.
Authenticity, Change and Loss in the Conservation of Time-Based...
by Pip Laurenson. Tate Papers, Fall 2006.
Teenage Kicks
by Randall Anderson. Canadian Art, Winter 2006, v. 23, no. 4.
Darkness Ascends
by Ashley Johnson. Canadian Art, Winter 2006, v. 23, no. 4.
Artist Pick Up:: Contemporary Canadian Video Collection
by Kaori Otake. Canadian Art, Winter 2006, v. 23, no. 3.
Fiction against Reality
by The Rufus Corporation and Jill Conner. PAJ: A Journal of Performance and Art, Jan. 2006, v. 28, no. 1.
A Demo Tape on How to Play Video on the Violin
by Jean Gagnon. Art Journal, Fall 2006, v. 65, no. 3.
Antwerp Diary: "Intertidal: Vancouver Art & Artists" hits Europe...
by R.M. Vaughan. Canadian Art, Summer 2006, v. 23, no. 2.
Negotiating the Nation: "Expanding" the Work of Joyce Wieland
by Kristy A. Holmes-Moss. Canadian Journal of Film Studies, Fall 2006, v. 15, no. 2.
The Epistemology of Adaptation in John Greyson's Lilies
by Lawrence Howe. Canadian Journal of Film Studies, Fall 2006, v. 15, no. 2.
Cinema of Prayoga: Indian Experimental Film & Video 1913-2006
by Tanya Singh. Vertigo, Fall 2006, v. 3, no. 3.
Decolonizing Colonial Violence: The Subversive Practices of...
by Janice Hladki. Canadian Woman Studies, 2006, v. 25, no. 1-2.
Making Things Our Own: The Indigenous Aesthetic in Digital...
by Candice Hopkins. Leonardo, 2006, v. 39, no. 4.
Unplugging the Evil Twin, The Dismantler, and the Singer of Songs:...
by Alissa Firth-Eagland. Canadian Theatre Review, Summer 2006, no. 127.
The Mumbai Container
by Johan Pijnappel. Leonardo, Aug. 2006, v. 39, no. 4.
Busting the Tube: A Brief History of Video Art
by Kate Horsfield. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, 2006. Philadelphia: Temple University Press, 2006.
Grow Gills and Swim: The Evolution of Activist Video
by Gregg Bordowitz. Feedback: The Video Data Bank Catalog of Video Art and Artist Interviews, 2006. Philadelphia: Temple University Press, 2006.
Beyond Locative Media: Giving Shape to the Internet of Things
by Marc Tuters and Kazys Varnelis. Leonardo, 2006, v. 39, no. 4.
Monitor 2: South Asian Experimental Film + Video
by Jane Kim. South Asian Visual Arts Centre, 2006.
Nam June Paik (1932-2006): Video Art Pioneer
by John G. Hanhardt. American Art, Summer 2006, v. 20, no. 2.
The Temporalities of Video: Extendedness Revisited
by Christine Ross. Art Journal, Fall 2006, v. 65, no. 3.
Chris Marker's Owl's Eye View
by Sarah Sheridan. C Magazine, Spring 2006.
Video: From Technology to Medium
by Yvonne Spielmann. Art Journal, Fall 2006, v. 65, no. 3.
Welcome to Freedom Street: Mark Nault's Nationalist Underground
by Thomas Jonson. C Magazine, Summer 2006, no. 90.
Law and Ordering: On Evaluating Recent Canadian Neoconceptualism
by Earl Miller. C Magazine, Fall 2006.
Vampire Video: Time in the Art of Aida Ruilova
by Barry Schwabsky. Afterall, Spring 2006, no. 13.
Pile Driver: Philippe Donadini messes things up
by Benny Nemerofsky Ramsay. C Magazine, Winter 2006, no. 92.
Stephen Andrews: A Small Part of Something Larger
by Jacob Korczynski.
Stories to Tell: Autobiography and Narrative
by Jayne Wark. Radical Gestures: Feminism and Performance Art in North America, 2006. Montreal & Kingston: McGill-Queen's University Press, 2006.
Portrait Gallery: 350 Movers and Shakers: Melanya Liwanag Aguila
The Romance of Transgression In Canada: Queering Sexualities, Nations, Cinemas, 2006. McGill-Queen's University Press, 2006.
Make the Medicine Go Down: Steven Matheson's "Apple Grown in Wind...
by Jim Supanick. Millennium Film Journal, 2006, no. 45/46.
Our Method is Our Madness: Two Videos by Gary Hill
by Martin Rumsby. Millennium Film Journal, Fall 2006, no. 45/46. New York City: USA, 2006.
Four Installations
by Chris Welsby. Millennium Film Journal, Fall 2006, no. 45/46. New York City: Millennium Film Workshop, 2006.
Aida Ruilova: and Again...
by Ingrid Chu. Afterall: A Journal of Art, Context and Inquiry, Spring/Summer 2006, no. 13. Chicago: The University of Chicago Press, 2006.
Hey...Um...Uh Oh...: The Video Works of Aida Ruilova
by Joan Young. Hugo Boss Prize 2006, 2006. New York: Guggenheim Museum Publications, 2006.
VIDEO REMAINS
by Alexandra Juhasz. GLQ: A Journal of Lesbian and Gay Studies, 2006, v. 12, no. 2. Duke University Press, 2006.
Our Not-So Welcome Past: Film Review: Continuous Journey
by Chris Knight. The National Post, Jan. 21, 2005.
Troubled Waters: Continuous Journey Reviewed
by Leah Mclaren. The Globe and Mail, Jan. 21, 2005.
Ship of dreams gets rude reception
by Susan Walker. The Toronto Star, Jan. 21, 2005.
Lisa's Long Haul: Artist Lisa Steele talks to Sarah Milroy about...
by Sarah Milroy. The Globe and Mail, Feb. 19, 2005.
Vladimir Cybil
by Jerry Philogene. Bomb Magazine, Winter 2005, no. 90.
Kantor's art in a revoltionary vein: Marking gallery walls with...
by Murray Whyte. The Toronto Star, Jan. 4, 2005.
Change makers honoured in G-G visual awards
by Sarah Milroy. The Globe and Mail, Mar. 9, 2005.
Canada honours art pioneers
by Ciara Byrne. The Newspaper, Mar. 10, 2005.
Doing time with prisoners through video art; [3 Edition]
by Philip Gefter. International Herald Tribune, Apr. 9, 2005.
Video artists earn top honours: New winners in visual, media arts
by Peter Goddard. The Toronto Star, Mar. 9, 2005.
Renzo Martens
by David Balzer. EYE WEEKLY, Apr. 14, 2005.
Nostalgic & Nervous: Even queers seem to prefer troubled childhood...
by Jon Davies. Xtra!, Mar. 31, 2005, no. 533.
All eyes are on us, and we're loving it: Artist examines our need...
by Peter Goddard. The Toronto Star, Apr. 23, 2005.
Energetic Freedom
by Jon Davies. Xtra!, Mar. 31, 2005, no. 533.
Religious argument made at wrap speed: Farqheen HaQ unfurls...
by Peter Goddard. The Toronto Star, Apr. 7, 2005.
Unblinking face to face: Donigan Cumming creates arresting videos
by Peter Goddard. The Toronto Star, Apr. 21, 2005.
Images grows up
by Hal Niedzviecki. Now, Apr. 7, 2005, v. 24, no. 32.
Beast in show: seeing our animal future
by Susan Walker. The Toronto Star, June 11 Spring, 2005.
Artsit Lisa Steele honoured for lifetime achievement
by Staff Staff. The Globe and Mail, 2005.
Art at 30 frames per second
by Ceiran Bishop. DOSE, June 10, 2005.
Press Release: Visionary Leader in new media art pratice become...
by Staff Staff. Ontario College of Art and Design, 2005.
The War on Libraries: Save and Burn, a Film Review
by Steve Fesenmaier. Counterpunch, Oct. 2, 2005.
Save and Burn a documentary by Julien Samuel: Reviewed by Maja...
by Maja Khankhoje. Serai Magazine, to be published, online, Apr. 11, 2005.
Vinita Ramani and Julien Samuel discuss Save and Burn
by Vinita Ramani and Julien Samuel. 18th Singapore International Film Festival, 2005, Mar. 20, 2005.
Genealogies of Blood and Breath
by Sky Glabush. Border Crossings, 2005.
Reel Books
by Andrew James Paterson. POV, Winter 2005, no. 56.
Cure As Weapon: Aiko Suzuki takes on the medical model
by Kevin Temple. Now, June 2, 2005, v. 24, no. 40.
From Nature to Psychobabble: Beyond/ In Western New York bridges...
by Cynnie Gaasch and Eric Jackson-Forseberg. Art Voice (AV), May 16, 2005.
The Ass Alley Anglers vs. the Pussy Packers: Dayna mcleod's...
by Sasha. Montreal Mirror, 2005, v. 20, no. 44.
A Quest for the Shiny and New
by RM Vaughan. The National Post, July 16, 2005.
Kuchar sad-sack funny, flatulent and moving
by Peter Goddard. The Toronto Star, July 8, 2005.
Everything new is becoming old: New Toronto Works short on innovation
by Peter Goddard. The Toronto Star, Mar. 11, 2005.
Border Views: The New Video Linguists
by Unknown. Border Crossings, Aug. 2005, v. 24, no. 3.
Video Art, A Guided Tour by Catherine Elwes (Books)
by Tom Sherman. Border Crossings, Aug. 2005, v. 24, no. 3.
Production Diary: Nextfest DG14 2004:: 14 Days + 3 friends + 1...
by David Geiss. Splice Magazine, Winter 2005.
Adventures in Perception: Stan Brakhage's 'Dante Quartet' and the...
by Brett Kashmere. Splice Magazine, Winter 2005.
Why Video Art Is Great And Everyone Should Love It (And Me)
by Meesoo Lee. Splice Magazine, Winter 2005.
'Runaway grooms' leave shame behind: Film tells stories of jilted...
by Olivia Ward. The Toronto Star, Apr. 23, 2005.
Action: reaction: Chain director Jem Cohen appraises his surroundings
by Jason Anderson. EYE WEEKLY, Apr. 7, 2005.
Images 2005 A Sneek Peek
by Jason Mcbride. LIFT, Mar. 2005, v. 25, no. 2.
Participation, Flow, and the Redistribution of Authorship: The...
by Sara Diamond. Museums and the Web 2005: Proceedings, Mar. 31 Spring, 2005.
Picture the performer / Alumni notes
by b. h. Yael. Sketch, Spring 2005.
Transcendental Video
by Bev Pike. Poolside, 2005, v. 2004.
Mind the Gap: An Artist's Response to Completing a Film/Video Cycle
by Clive Holden. Poolside, 2005, v. 2004.
We Loved Getting Tested!
by Shawna Dempsy. Poolside, 2005.
going out: Do the Hope and the Crawl
by Gary Michael Dault. The Globe and Mail, Sept. 16, 2005.
Hop and Crawl At A Glance
by Unknown. The Globe and Mail, Sept. 16, 2005.
Not-so-stupid art tricks: Looking carefully at the works in this...
by Sarah Milroy. The Globe and Mail, July 25, 2005.
Enormous Changes At The Last Minute: The videos of Emily Vey Duke...
by Jason McBride. Cinema Scope, Spring 2005, no. 22. Tokyo: National Museum of Modern Art, 2005.
The Curatorial Incubator, Round 2
by Marty Spellerberg. Half Empty, Feb. 2005, no. 3.
Images Grows Up: With a strong slate of international shorts, 18th...
by Hal Niedzviecki. Now, Apr. 7, 2005.
The digital artist
by Peter Goddard. The Toronto Star, Aug. 6, 2005.
Art that's inside the box (set)
by Sarah Milroy. The Globe and Mail, Aug. 18, 2005.
Istvan Kantor
by Daniel Baird. The Governor General's Awards in Visual and Media Arts, 2005. Ottawa: Canada Council for the Arts, 2005.
Feats, might
by Paul Couillard and Alissa Firth-Eagland. Feats, might, 2005.
Accepting Rejection: Annual Salon des Refuses & Silent Auction
by Kathleen Olmstead. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Nov. 2005, v. 25, no. 6.
The Super 8: Deirdre Logue
by Unknown. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Nov. 2005, v. 25, no. 6.
Don't You Feel Better: Meesoo Lee Gets Uneven
by John Marriott. C Magazine, Summer 2005, no. 86.
Boy, You're Lovin': Art education creates artists who believe that...
by Emily Vey Duke.
The New Exhibitionists: Performance art is reawakening in the 21st...
by Randy Gledhill. Canadian Art, Summer 2005, v. 22, no. 2.
Persevering Realpolitik: A Conversation With Marie-Helene...
by Emily Rothwell. Fuse, Fall 2005, v. 28, no. 3.
Untitled
by Unknown. 11th BIM Biennial of Moving images, 2005. Geneva: Biennial Press Office, 2005.
Lisa Steele + Kim Tomczak
by Peggy Gale. The Governor General's Awards in Visual and Media Arts 2005, 2005. Toronto: Canada Council for the Arts, 2005.
Towards a New Tribalism
by Abraham Ferrer. VC FILMFEST2005, 2005. Los Angeles: VC Film Fest, 2005.
Festival Wraps
by Henry Lewes et al. POV, Mar. Spring 2005, v. 13, no. 39.
TOO GOOD TO BE TRUE: AN INTERVIEW WITH PHILIP MANTLE
by Jeremy Turner. Front, Nov. 2005, v. 15, no. 5.
For Immediate Release: New Director/Curator of Exhibitions at the...
by ?. Front, Nov. Winter 2005, v. 16, no. 5.
Diamond In the Rough
by Unknown. YYZ newsletter, Dec. 17, 2005.
Inmate Intimacy: Fiona Tan: Correction
by Clayton Campbell. Afterimage, Sept. 2005, v. 33, no. 2.
CCA Warsaw Beyond Ruins
by Joanna Heatwole. Afterimage, Sept. Fall 2005, v. 33, no. 2.
Daniel Cockburn: Preliminary Notes
by Mike Hoolboom. POV, Winter 2005, no. 60.
Chi-mnissing N-daa-yaan reflects a Personal and Community's...
by Dennis Stark. Tansi, 2005, v. 4, no. 3.
Very,very high numbers at TIFF
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Experimental Video
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agYU: A Very Personal Look: Toronto Video Art from the '7-'s to...
by Shay Gibson. agYU, 2005. Toronto: Art Gallery of York University, 2005.
For The Love of Film, It's PHOTOPHOBIA: This year marks the...
by Quintin Hewlett. View Magazine, Dec. 8 Winter, 2005, v. 11, no. 49.
Nelson Henricks
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ruth cuthand & elizabeth machenzie
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A day curated by artists Catherine Elwes, Hayley Newman and Jeremy...
by Unknown. Video art: From the Margins to the Mainstream, 2005. London: TATE, 2005.
Bad Girl Perennial
by Chris Kraus. C Magazine, 2005, no. 88.
affirm/nation; Jude Norris
by Sandee Moore. unknown, 2005.
Barbieri's Las Vegas
by Peter Goddard. The Toronto Star, Dec. 10 Winter, 2005.
Disquiet
by Risa Horowitz. C Magazine, Winter 2005.
I Really Should
by Terri Whitehead. C Magazine, Winter 2005.
Untitled
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Martha Rosler
by Andrea Carson. C Magazine, Winter 2005, no. 88.
Le Mois de la Photo a Montreal
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Desiring the Image: on Celerity and Fetishization
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L'Autre Amerique: Art Contemporain du Bresil
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Stefan St-Laurent
by Paul Giesbrecht and Sylvia Borda.
Cao Fei: A Mini-Manifesto of New New Human Beings
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Paul Chan: Where Form Ends and Content Begins.
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Sergio Prego
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Marina Abramovic: Re: Performance
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Mediating Circumstances: Stephen Henry Madoff on the Festival...
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Petroglyphs in Motion: James Luna
Petroglyphs In Motion, 2005. Toronto: A Space Gallery, 2005.
The Waters of Venice: Rebecca Belmore at the 51st Biennale
by Lee-Ann Martin. Canadian Art, Summer 2005, v. 22, no. 2.
Pun to Paradox: Bas Jan Ader Revisted
by Rachel Kent. Parkett, 2005, no. 75.
Noam Gonick: Interviewed by Leah Sandals
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Two Types Of Sacred: 1970s Endurance Art Today
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Video 2005
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The Poetics of History: An Interview with Rebecca Belmore
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Janet Cardiff and George Bures Miller
by Eva Scharrer. C Magazine, Fall 2005, no. 87.
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Belmore at the Venice Biennale
by Unknown. Sketch Magazine, Mar. Spring 2005.
Kudos to Pugen
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Postscript to 'An Interview With Michael Snow': Apologies and...
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Teresa Hubbart/ Alexander Bircher
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Metropolitan Chords and Discords
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Neshat, The Friendly Other
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Somewhere Elsewhere: Diasporic Visions of Space and Subject
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Anderson's Delicious Burn
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The Good, The Bad and the Hungry
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Hand Sum's Shadown
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Prairie Tales
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Beyond the Screen
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Alex talks to Marsh
by Marsh Murphy and Jerry White. FAVASCOPE, 2005.
A Conversation with Althea Thauberger
by Dave Luxton. FAVASCOPE, 2005.
Persistence of Vision
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Video Stars
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Donigan Cumming: Museum of Contemporary Canadian art, Toronto
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An African Anthology: Review of 'Africa Remix', Hayward Gallery,...
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Rewind: Allison Hrabluik
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It's a Womans World
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Shirin Neshat: Zarin: Mary Ellen Mark: Falkland Road
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Shirin Neshat: "Your true 'land' is the place where you are going,...
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Sergio Prego
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Wendy Woodson and Meg Cottam
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Girl, interrupted: Johanna Burton on Tracy + the Plastics
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Laurie Anderson: Language, a virus from outer space
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Manned Claims: Sex upends our national mythology
by John Davies. Xtra, Oct. 13 Fall, 2005, no. 547.
Lorna Simpson. Prefix Ica. Toronto
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"...One of the weirdest": Gabriela Fridriksdottir at Venice Biennial
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Jordan Baseman
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Jillian Mcdonald's Celebrity Relations
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Jail Breakers
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Chris Cunningham
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On the Fightin' Side of Me: Lori Blondea and Lynne Bell in...
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Performance biennial for NYC
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Dave McKenzie
by Glenn Ligon. Artforum, Sept. 2005, v. 44, no. 1.
Miranda July: Performance Artist and Filmaker
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Plurimedia and the snr of s+r: v7
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Video Art in Canada in the Video Lounge
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Video art 'trailblzaers' win Gov. Gen. awards
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Wong scores a highlight reel goal
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Philip Jonlin Lee
by Betty Ann Jordan. Toronto Life, Oct. 2005, v. 39, no. 10.
Reel Asian International Film Festival: 2005
by Unknown. Reel Asian International Film Festival, 2005.
Leaves of ass: a conversation with Tim Miller
by John Greyson. Fuse, Nov. 2005, v. 28, no. 4.
Conspiracy Theory by Janet Cardiff
by Real Lussier. Le Journal, Spring 2005, v. 15, no. 3.
Vancouver's Paul Wong among Gov. Gen. winners in visual, media arts
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Video art 'trailblazers' win Gov. Gen. awards
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Cancer: A Metaphoric Re/Vision: Aiko Suzuki's Bombard/Invade/Radiate
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Visual Artists Awarded By Governor General
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Great Greyson
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The Afghan pavilion at the 51st Biennale at Vencie 2005
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Independent Media: The Age of Diversity
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Art:21: another PBS: sixteen artists reveal their personal...
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Being Familiar, Making Strange
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Bringing the inside outside: Fifteen years later, Toronto's queer...
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Eloquent ambiguity: Sleazy & sweet imaginings
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Pain Plus Camp: Tribute to sontag triggers strange ironies
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Homemade Porn: Do it yourself
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Queer film and video festival forum: Take one: curators speak out
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Catalogue review of "Personal affects: power and poetics in...
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One of Kenya's video art pioneers
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Radical Learning, Radical Perception: The History of the...
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The Raw Data Diet, All-Consuming Bodies and the Shape of Things to...
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Cheryl Sourkes: Surveilling the Field
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Language of Intercession: ARTICULE/DAZIBAO/OBORO
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David Rokeby: Nervous Systems
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Maddin and Melodrama
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When Video Does Foster Care:: Pepón Osorio's "Trials and Turbulence"
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Cans and Cassettes
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The History Remains Provisional
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On Canadian Painting and Cinema
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Locus Suspectus: where the hidden comes to light
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What Franklin Furnace Learned from Presenting and Producing Live...
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Gap artist: Tim Lee works the staged fantastic
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Frozen but Always in Motion:: Arctic Film, Video, and Broadcast
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Ant Farm Redux: Pyrotechnics and Emergence
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Animutations and the Measure of Madness in Colin
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The Art of Darkness: On Steve McQueen
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Four Essays on the Occasion of the Robert Lee Spotlight
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Making a Scene
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The Real Deal: It's the year of the documentary
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Whose reality is it, anyway?: The real deal: Truth versus fiction
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20 top docs: The Real Deal: All Time Best
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Artist who paints 'X' with his blood wins $15,000 award:...
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Art scene veterans finally get their due: Recipients of this...
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Art Review: Sampling brooklyn, Keeper of Eclectic Flames
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McMichael gets hip
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Video HEROES
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The Istvan Kantor paradoxes
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Rethinking the global 'gay gaze'
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The Last Revolutionary Moment: Weather Underground Director Sam...
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Word to the Fatherfucker
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Not coming to the multiplex: Toronto's Images Festival features...
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Nowhere to Run: Filmmaker Nick Taylor gives us a snap shot of life...
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Rack Focus: Twelve individuals whose place in the film world will...
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Mars Attacks: Canada's senior stateswoman of performance takes two...
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Capturing Today's Chinese Culture in Transition: What does a...
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Carolee Schneemann: Devour. DIA Centre for the Arts. New York
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Silver: dreams, screens, and theories
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what it feels like for a girl
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Daily terror gives violence a black eye: Angry artist David Yonge...
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Artist's career of outrage leads to GG award
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Kirsten Stoltman, Let's Get It On/ Paul Lloyd Sargent, White...
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Mistrusting our obsession with technology
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Carolee Schneemann
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Parallaxe: Celebrating the Provencher Bridge
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Girl Trouble: Teenage Girls in Contemporary Art: Althea Thauberger...
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Touch of Grant: Kyle MacLaughlin talks to Chris Lackner about...
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The Art and Life of Istvan Kantor
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On the Threshold: Videos By Leslie Peters
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Canadian Art: 20 Years - A Look Back and Ahead: Artist-Run Spaces
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Paulette Phillips [The secret life of criminals.]
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The Vancouver School
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Machine Life
Machine Life, 2004. Kingston / Toronto: Agnes Etherington Art Centre / The Koffler Gallery, 2004.
Liz Aggis and Billy Cowie's "Men in the Wall"
by Unknown. Transcription from Artists Talk at Trinity Square Video, 2004.
Local art not without dash of whimsy
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Not Just for Laughs: Women, Performance, and Humour
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FFWD, RWD, and PLAY: Performance Art, Video, and Reflections on...
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Heartbreaker-The Video Art of Benny Nemerofsky Ramsay
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Gestures in the Looking Glass: Performance Art and the Body (1987)
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Asserting Our Bodies
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Minutes of Video Glory
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Johanna Householder: Ambiguous Redemptions
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Laurent Grasso: video-capture: Laurent Grasso: In the Land of...
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Fest embraces native culture: Aboriginal arts, films focus of...
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Hughes' phobias out of the picture: ImagineNATIVE Film and Media Arts
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Where else but ImagineNative?: One sexy cowboy meets a half-breed...
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Natives bring culture to the city: Aboriginal arts from around the...
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Tarnation
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Activist video: What do activists and artists have to offer each...
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The Failures of Fair Use and the Future of Free Culture
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Cutting through history: Found Footage in Avant-garde Filmmaking
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Dead Weight of a Quarrel Hangs
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Surveilling Utopia 2: Multi Media Installations by Ann Stoddard
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Storytelling in Art: Bonnie Devine's Stories From The Shield
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Stryking While the Fire is Hot: Noam Gonnick's Stryker
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Flirtations with evidence: The factual and spurious consort in the...
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Untitled
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Shawna Dempsey and Lorri Millan: Performance Art Out and About
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The Projectionist
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Shining TV: Distortion on Demand
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In Divine Shadows
by Daryl Vocat. Capital Xtra!, Sept. 2, 2004, no. 518.
My Toronto: Beware the vampires and yuppies
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Cecilia Condit: Becomings and Betrayals
by Judith Harway. Fellowships for Individual Artists, 2004. Milwaukee: The Greater Milwakee Foundation, University of Wisconsin-Milwaukee, 2004.
Harder Times, Tougher Spaces
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Variations On A Theme: The Film Etudies of Christian Jankowski
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Scandalous Personas, Difficult Knowledge, Restless Images: The...
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The Encounter With Reality
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I'm Desperate: Gillian Wearing's Art of Transposed Identities
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Don't Intimidate the Material: A Conversation Between Elisabeth...
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Closed Circuit
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The Elephant in the Room
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Christian Jankowski
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re-play: Edmonton Art Gallery, Edmonton
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Maddins World
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Foreword: VS Program
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Calling all Co-conspirators: Julie Andreyev's Greenroom
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Chris Ofili
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Triangulation: Three Points Made Plane in the Art of Jayce Salloum
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Re-play: Blackwood Gallery, Mississauga
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Esther Williams, Eat Your Heart Out
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Alex McQuilkin: Smells Like Teen Spirit
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Joan Jonas: A Portfolio
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Night Terrors
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ExperiMental
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Images fest melds art, film
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Videos Ante up the Fear Factor: This year's video-art feast marks...
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Listening Awry
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VS: 640 480 - original programme
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Gutsy scenes in fish-market film
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A sorrowful fish tale
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Awakening blurs distinction between film and photos
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A Charade to Remember: The Promise & Peril of Hollywood Dreams
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Galerie Vox Awakening: Good Peeps
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The Root of the Native Voice Film Festival
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Historical Fiction: Tacita Dean on the art of Matthew Buckingham
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The Monuments of Dogville
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Leth is More: James Quandt on The Five Obstructions
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Jonathan Caouette
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Aboriginal Voices heard at festival
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Imagi(ni)ng Indigenous Spaces: Self and Other Converge in Latin...
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An Interview with Juan Garcia, President of Ojo de Agua Communication
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Bill Viola: The Passions
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Elemental Invasions
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Rodney Graham: A Little Thought
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Artists' Action and the Politics of Representation
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Facts Not Things
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John Waters
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Superchannel
Telematic Connections, Aug. 25, 2004.
Pleasure Dome Presents: The New Freedom Founders
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Witnessing Encounters
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Video In The Villages Exhibition: Through Indian Eyes: You see the...
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Video In The Villages Exhibition: Through Indian Eyes: Moi, un Indien
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Pop Culture Watch: Laura Woodcock Sabotages Spectacle
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Bare Essentials: John Oswald's Bodies Fascinate
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Gaining Ground: Indigenous Video in Bolivia, Mexico, and Beyond.
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Richard Fung: Landscapes Artist Statement
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Jud Yalkut: a video beachcomber
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Pierre Huyghe
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Precision Gesamtkunstwerk: this is a universe: An interview with...
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A quick chat with Jeff Blitz
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Immanent death
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True love will find you in the end
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Gutsy scenes in fish-market film
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Video in the villages, documentary and "otherness"
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Winged Migration
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Interwoven motion: Steps towards a semi-permanent outdoor...
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Poughkeepsie powwow: Paul Arthur visits the 50th Robert Flaherty...
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Everybody loves nothing: video 1996-2004
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Janet Cardiff: Her Long Black Hair, Central Park, New York
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Crosswatch
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Some Kind of Grace: An Interview with Miranda July
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Après la pluie, le désert fleurit
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In Conversation: Dan Graham & Michael Smith
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TV, or Not TV: David Frankel on Alex Bag
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Interview: Between Film and Video: The Intermedia Art of Jud...
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I wanna be a popstar
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Grainy Days and Mondays:: Superstar and Bootleg Aesthetics
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Masters of Ceremony: Media Demonstration as Performance in Three...
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Jack Goldstein and the Calarts Mafia
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Citing/Laughter
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Thoughts on Shirley Clarke and the TP Videospace Troupe
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Jolie laid: The beautiful ugly world of Steve Reinke
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Borrowed Things: Text
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How to look out the window:: Gillian Wearing and Paul Wong at the...
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Stan Douglas,: Suspiria at Documenta11
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Documenta11:: Platform5 June 8 - September 15, 2002
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Source fresh
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Fesival Wraps: HOT DOCS
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Stevie: Directed By Steve James
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A World Of Their Own: General Idea Made Art from Cultures...
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Art Star: Video Art Biennial
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UK/ Canada Film & Video Exchange: South London Gallery 10-13 April...
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Generation Next
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Algorithms and Chance:: An Interview with R. Bruce Elder
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Am I Still a Film, Maker?
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Magg's mug shots: New film and show fete photographer Arnaud Maggs
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Benny Nemerofsky Ramsay: Subversive Video-Maker is His Own Boy...
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Been around the world and...: Manuel Saiz goes globe trotting in...
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Coryn Kempster, formerly of Brantford, is being praised by critics...
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TDR Interview with Shawna Dempsey and Lorri Millan
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Greyson finds grandeur in video opera
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Exceptional Routines: Video Art Since 1990
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Home & away: Identity is more complex than we think
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Paradise found: Consumer culture on display
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Testimony of Actions, Actions of Testimony
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The Post-Ironic Reenchantment of Art: An Interview With Michael...
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Not Bad For A Girl
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Image overkill and what to do about it: Independent film and video...
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French steal the show at Inside Out: Gay and lesbian movie fest...
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Shifts and Transfers: On some tendencies in Canadian video
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Critical Theory and the Challenge of New Media
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Eija-Liisa Ahtila
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Frank Gillette
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A Critique of the Media: Turning the Tables: Surveillance...
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Gary Hill
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Garden of Earthy Delights
by Jayne Wark and James MacSwain. Matter/Flesh/Spirit/Ground: An overview of the video work of Wendy Geller, 2003. Halifax: the Centre for Art Tapes in partnership with Dalhousie Art Gallery, 2003.
Dracula: Pages from a Virgin's Diary
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Brooke Alfara
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STEELE - TOMCZAK: Trouble Tracked to the Depths of the Body
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An interview with R. Bruce Elder
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Women play major roles in Middle East film Industry
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Representation, Polyphony, and the Construction of Power in a...
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Citizen Salloum
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Jayce Salloum: Everything and Nothing and Other Works From The...
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Crossing the distance: Travels with Jayce Salloum
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When Art and Politics Collide: From international expositions to...
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UK/ Canada Film & Video Exchange: South London Gallery
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Hungry Ghosts: Fantasmi Affamati
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Jubal Brown: Mr. Misunderstood: Toronto's Art-Scene Outlaw Is in...
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They is Them, We is You, They is Us, We is Them: "The public is a...
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Untitled
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The Saint(s) and the Cynic
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The wwworst ever
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Wigga of Mass Deception
by Alissa Firth-Eagland. Pleasure Dome presents Apotheoses of Everything, 2003.
Jubal Brown: Mr. Misunderstood
by R. M. Vaughan. Pleasure Dome presents Apotheoses of Everything, 2003.
Visual Vulture: (An Essay Written on Any Given Sunday)
by Daniel Borins. Pleasure Dome presents Apotheoses of Everything, 2003.
Canadian Ugly
by John Marriott. Pleasure Dome presents Apotheoses of Everything, 2003.
The Impish Duo
by Scott Anderson. Lola, Summer 2003, v. 7, no. 2.
Round Table: The Projected Image In Contemporary Art
by Malcolm Turvey et al. October, Spring 2003, no. 104.
Homos on the Range
by Stephanie Domet. Herizons, Fall 2003, v. 17, no. 2.
Althea Thauberger: Songstress: Art Speak, Vancouver
by Marina Roy. Canadian Art, Spring 2003, v. 20, no. 1.
Vera Frenkel Body Missing: Freud Museum, London, March 19 to April...
by Sigrid Schade et al. Freud Museum catalogue., Mar. 2003.
Art in the Mediated Public Realm: Two International Airport Proposals
by Marc Boutin. Backflash, 2003, v. 20, no. 3.
Art's Animal Instinct: A chimp, a dog and plenty of heat at the...
by Aaron Wherry. The National Post, June 17 Summer, 2003.
In Appreciation of Generative Contrasts
by David Rokeby. The Institute or What we do for love, 2003. Toronto: Hart House University of Toronto, 2003.
Building the Institute
by Mark J. Jones. The Institute or what we do for love, 2003. Toronto Ontario: Hart House University of Toronto, 2003.
Threads of Memory
by Dot Tuer. The Institute or What we do for love, 2003. Toronto Ontario: Hart House University of Toronto, 2003.
Toward a Theory of the Practice of Curating New Media Art
by Sarah Cook. Beyond the Box: Diverging Curatorial Practices, 2003.
Front Media: Eternal Network: Video from the Western Front...
by Unknown. Front, Mar. 2003.
Painterly Aspects
by Bernard Fibicher. Canadian Art, Fall 2003, v. 20, no. 3.
Shahzia Sikander at Brent Sikkema - Pakistani-American artist...
by Daniel Belasco. Art in America, June 2003, v. 91, no. 6.
Rafael Lozano-Hemmer interview by Priamo Lozada
by Rafael Lozano-Hemmer and Priamo Lozada. RISK/RIESGO, 2003. New York city: The Standby Program, Inc, 2003.
Delia Brown
by Matthew Higgs. Baja to Vanvouver: The West Coast and Contemporary Art, 2003. Seattle: Seattle Art Museum, 2003.
Our multicultural society is transforming Britart
by Yasmin Alibhai-Brown. The Independent, Mar. 17, 2003.
Walking the Walk: The Artist As Flâneur
by James Trainor. Border Crossings, Nov. Fall 2003, v. 22, no. 88.
VISUAL ARTS: What is it good for?
by Lee Levitt. The Independent, Dec. 12, 2003.
Video and the Conceptual Body: A cross disciplined spirit
by Micheal Rush. Video Art, 2003. New York: Thames & Hudson, 2003.
Painterly Aspects: Mark Lewis's New Films
by Bernard Fibicher. Canadian Art, Fall 2003, v. 20, no. 3.
Janine Antoni at Luhring Augustine - New York
by Gregory Volk. Art in America, Nov. 2003, v. 91, no. 11.
The Next Big Thing
by Charlie Finch. Artnet, Apr. 2, 2003.
Omer Fast at Postmasters: a video art exhibit explores...
by Jessica Ostrower. Art in America, Oct. 2003, v. 91, no. 10.
Chris Cunningham at P.S. 1 - New York - four video recordings
by Michael Amy. Art in America, May 2003, v. 91, no. 5.
"Video Acts" at P.S. 1 - New York
by Eleanor Heartney. Art in America, Apr. 2003, v. 91, no. 4.
Chris Morris: the movie
by Xan Brooks. The Guardian, Feb. 21, 2003.
Foreign as us
by Erden Kosova. C Magazine, Fall 2003, no. 79.
Ask Me
by Miranda July. RISK/RIESGO, 2003. New York city: The Standby Program, Inc, 2003.
Video Acts: PS1 New york
by Alex Mar. Art Monthly, May 2003, no. 266.
Gillian Wearing: Musee D'art Conemporain De Montreal
by Dionne Mcaffee. Canadian Art, Fall 2003, v. 20, no. 3.
Time, space, motion remixed with genius
by Peter Goddard. The Toronto Star, Aug. 22, 2003.
Guts, gore & pussy galore
by Samantha Sarra. Xtra!, Apr. 3, 2003, no. 481.
Ghosts of the Nazi past haunt Freud's house: The sense of absence...
by David Jays. Financial Times, Mar. 21, 2003.
Tabaimo
by Akiko Miki. Tema Celeste, May 2003, no. 97.
Tom Thompson star at gallery award night
by Christopher Hutsul. The Toronto Star, June 18, 2003.
Scotland Rocks
by Alan Dimmick. Tate Magazine, July 2003, no. 6.
Gary Kibbins - Grammer Horses
by Jan Allen and Gary Kibbins. Grammer Horses, 2003. Kingston: Agnes Etherington Art Centre and Gary Kibbins, 2003.
Looking back to the Future: Hoolboom consistently life-affirming
by Peter Goddard. The Toronto Star, Sept. 11, 2003.
Video purified of television: On why video art wants to be boring
by John Beagles and Dave Beech. Variant, Fall 2003, v. 2, no. 18.
Fall art harvest big on ideas: Visual Art
by Peter Goddard. The Toronto Star, Oct. 2, 2003.
Gillian Wearing, private I
by Nancy Princenthal. Art in America, Mar. 2003, v. 91, no. 3.
Microcinemas Meet Macroeconomics: The siren call of DVD lures...
by Shari Kizirian. Media Arts Information Network, Fall 2003.
Teasing the creative juices: a challenge for procrastinating young...
by Sabrina Saccoccio. The Globe and Mail, Nov. 20, 2003.
Vera Frenkel: Body Missing
by Erica Davies et al. Vera Frenkel: Body Missing, 2003. London: Freud Museum, 2003.
Finding Camp X: Contemporary Considerations of an Enigma
by Margaret Rogers. Canadian Art, Spring 2003, v. 20, no. 1.
Decolonizing the Frame: Indigenous Video in the Andes
by Schiwy Freya. Framework, Spring 2003, v. 44, no. 1.
EXHIBITION REVIEW: UK/Canadian Video Exchange 2003
by Diana Baldon. Matters, Apr. 10 Summer, 2003, no. 17.
REPREZENTIN': Series Takes Moccasin Flats. Saskatchewan to Park...
by Marty Spellerberg. Half Empty, Spring 2003, no. 1.
ImagineNative Media Arts Festival
by Tom Lyons. Take One, Mar. 2003, v. 11, no. 41.
Toronto Reel Asian International Film Festival
by Allan Tong. Take One, Mar. 2003, v. 11, no. 41.
Ann Regitze Wivel
The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Jørgen Leth
The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Bonnie Sherr Klein
The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto vision, 2003.
Alastair Fothergill
by Alastair Fothergill. The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Barbara Kopple
The Documentary Makers: Interviews with the best in the business, 2003. Mies: Roto Vision, 2003.
Jeff Blitz: Spellbound: Interviewed by Saxon Bullock
by Saxon Bullock. BBC, Oct. 10, 2003.
In a queer country: gay and lesbian studies in the Canadian context
by John Corr. University of Toronto Quarterly, Jan. 2003, v. 72, no. 1.
(untitled)
Alors, La Chine?, 2003. Paris: Centre Pompidou, 2003.
(Re)Performing the Archive: Barbara Lattanzi & Hollis Frampton in...
by Chris Hill. Millenium Film Journal, Winter 2003, no. 39/40.
Drifting along the small foams or riding the waves: Indonesian...
by Hendro Wiyanto. O.K Video post_event_, 2003. Jakarta: ruangrupa, 2003.
Nam June Paik, 'TV Garden'.: Introduction by John G. Hanhardt,...
by John G. Hanhardt. Guggenheim Museum Publications, 2003.
Digital Decay
by Bruce Sterling. Guggenheim Museum Publications, 2003.
Accommodating the Unpredictable: The Variable Media Questionnaire
by Jon Ippolito. Guggenheim Museum Publications, 2003.
Feminism 101: The New York Women's Video Festival, 1972-1980
by Melinda Barlow. Camera Obscura, 2003, v. 18, no. 3.
Marina Abramovic's Performance: Stresses on the Body and Psyche in...
by Maureen Turim. Camera Obscura, 2003, v. 18, no. 3.
This Is Your Messiah Speaking: Allo, Votre Messie Vous Parle
by Vera Frenkel. Public, 2003, no. 27.
"Atanarjuat" Off-Screen:: From "Media Reservations" to the World Stage
by Faye Ginsburg. American Anthropologist, Dec. 2003, v. 105, no. 4.
Found Footage Film as Discursive Metahistory: Craig Baldwin's...
by Michael Zryd. The Moving Image, Oct 2003, v. 3, no. 2.
What Is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
Interview with Patty Chang
by Eve Oishi. Camera Obscura, 2003, v. 18, no. 3.
The Genealogical Pedagogy of John Greyson's Zero Patience
by Roger Hallas. Canadian Journal of Film Studies, Spring 2003, v. 12, no. 1.
Video Art from Conceptualism to Postmodernism
by Barbara Borc?ic?.
Between Cinema and a Hard Place: Gary Hill's Video Art Between...
by Brent Plate. Criticism, Winter 2003, v. 45, no. 1.
A Sense of Reality
by Yasuaki Okamoto. The Journal of Aesthetic Education, Winter 2003, v. 37, no. 4.
On-Line Simulations/Real-Life Politics: A Discussion with Ricardo...
by Coco Fusco and Ricardo Dominguez. The Drama Review, Summer 2003, v. 47, no. 2.
Statistical Material: Globalization and the Digital Art of John Klima
by Rita Raley. The New Centennial Review, Summer 2003, v. 3, no. 2.
A New Europe
by Johannes Birringer. Journal of Performance and Art, Sept. 2003, v. 25, no. 3.
The Singular of Seeing (Al Marra min Nazar)
by Akram Zaatari. HomeWorks: A Forum on Cultural Practices in the Region (Egypt, Iran, Iraq, Lebanon, Palestine and Syria), 2003. Beirut: Lebanese Association for Plastic Arts, 2003.
Talking Back to Primitivism: Divided Audiences, Collective Desires
by Lucas Bessire. American Anthropologist, Dec. 2003, v. 105, no. 4.
The Nothing Act: Alix Pearlstein thwarts her actors' standard...
by Paul David Young. Art in America, Apr. 2003.
Towards an Artbeat: New Media in Los Angeles
by Erika Hernandez. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
Everyday Miracles: The Videos of Oliver Herring
by Elisabeth Kley. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
Andrew J. Peterson, Mono Logical
by Andrew Harwood. C Magazine, Winter 2003, no. 80.
"Atanarjuat, the Fast Runner": Culture, History, and Politics in...
by Shari Huhndorf. American Anthropologist, Dec. 2003, v. 105, no. 4.
Decon 2 (Decon Squared)
by Steve Mann. Leonardo, 2003, v. 36, no. 4.
Richard Fung
by Gabrielle Hazekiah. BOMB, Winter 2003, no. 86.
What is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
My Heart
by Shawna Dempsey. Poolside, 2003. Winnipeg: Video Pool Inc., 2003.
Video Past and Present:: Three Perspectives
by Andrea Carson. Poolside, 2003. Wnnipeg: Video Pool Inc., 2003.
Crowds Project
by Molly Johnson. Poolside, 2003. Winnipeg: Video Pool Inc., 2003.
Western Edge - Video from the Front
by Clive Holden. Poolside, 2003. Winnipeg: Video Pool Inc., 2003.
Len Lye: A Biography by Roger Horrocks
by Martin Rumsby. Millennium Film Journal, Winter 2003, no. 39-40.
Voicebox
by Ellen Zweig. Millennium Film Journal, Winter 2003, no. 39-40.
Now Waving but Drowning
by Richard Cork. New Statesman, Oct 6, 2003.
Art of the image takes centre stage
by Liam Lacey. The Globe and Mail, Apr. 11, 2002.
The 4th Biannual Lesbian and Gay Film and Video Festival of...
by Gary Varro. QCC 4: Queer City Cinema Four, 2002.
Of myths and men
by Margaret Atwood. The Globe and Mail, Apr. 13, 2002.
The running man: Inuit filmmaker Zacharias Kunuk sprints in with...
by Ingrid Randoja. Now, Apr. 11, 2002, v. 21, no. 32.
Local talent featured at 15th annual Images Festival: Video and...
by Lydia Hanson. The Liberty Gleaner, Apr. 2002.
True North: Atanarjuat: The Fast Runner
by Jason Anderson. EYE WEEKLY, Apr. 11, 2002.
Video Ignition: Creative Resistance to Corporate Globalization
Video Ignition, 2002. Vancouver: Video In, 2002.
Leader of the pack: Scott Treleaven unleashes The Salvation Army
by Catharine Tunnacliffe. EYE WEEKLY, Apr. 11, 2002, v. 11, no. 26.
Richard Fung: Images festival tribute puts self-effacing video...
by Cameron Bailey. Now, Apr. 11, 2002, v. 21, no. 32.
Canadian Video Artists Lisa Steele, Kim Tomczak to Visit Sackville
by Unknown. Sackville Tribune-Post, Mar. 20, 2002.
Remember The Blood Records?
by Diana Kelly. The Argosy, Mar. 21, 2002.
Wild wild west end: Parkdale film festival REHAB gives independent...
by Kim Linekin. EYE WEEKLY, June 13, 2002, v. 11, no. 36.
Feelings: The Italian snow job
by Bruce LaBruce. EYE WEEKLY, June 13, 2002, v. 11, no. 36.
Daniel Borins on New Canadian Folk
by Daniel Borins. C Magazine, Winter 2002, no. 72.
Filmmaker pulls work from Quebec festival
by Mathew Hays. The Globe and Mail, Feb. 1, 2002.
Canadians make themselves seen and heard: Crazy for Fubar
by Jim Holt. The National Post, Jan. 14, 2002.
Atanarjuat's story no match for its cinema saga: Acclaimed Inuit...
by Sid Adilman. The Toronto Star, Apr. 6, 2002.
Beating back those boring cliches
by Leah McLaren. The Globe and Mail, Apr. 3, 2002.
Donna Wawzonek on Stefan St-Laurent
by Unknown. Arts Atlantic, Winter 2002, no. 70.
Video art, and how to survive it: It confounds most viewers, so...
by Sarah Milroy. The Globe and Mail, Mar. 6, 2002.
The 4th annual rehab RAW blue-rare films & videos
by Adam Swimmer. The Parkdale Beauty Pageant Society & Artbeat Festival, 2002.
Boy Wonders: Emily Vey Duke and Cooper Battersby
by Si Si Penalosa. Now, Jan. 24, 2002, v. 21, no. 21.
Galleries: YYZ Artists' Outlet
by Peter Goddard. The Toronto Star, Jan. 17, 2002.
North by northwest film festival review: Rock 'n' reel
by Ingrid Randoja. Now, June 6, 2002, v. 21, no. 39.
A way of life frozen in time: Rhyme & Reason
by Sandra Martin. The Globe and Mail, May 8, 2002.
Wild Kingdom: There's no life like it
by Margot Francis. Xtra!, May 16, 2002, no. 458.
Against all odds: Film Friday
by Liam Lacey. The Globe and Mail, Apr. 12, 2002.
The sublime north: With its sweeping, intensely human take on...
by Rick Groen. The Globe and Mail, Apr. 12, 2002.
Atanarjuat exorcises the ghost of Nanook: Innovative Inuit movie...
by Peter Howell. The Toronto Star, Apr. 12, 2002.
No longer an Orphan, Video Art Gives Itself a Party
by Michael Rush. The New York Times, Feb. 10, 2002.
Southern Hospitality: The Miami Gay and Lesbian Film Festival gets...
by Harriette Yahr. The independent, Aug. 2002.
Reel change: When a culture discovers filmmaking, neither the...
by A.O. Scott. The New York Times Magazine, July 14, 2002.
Isaac Julien's children: black queer cinema
by Rinaldo Walcott. Fuse, July 2002, v. 24, no. 2.
Mutek 2002, Part 3: The films
by Randolph Jordan. Off screen, 2002.
Inside Out
by Jason McBride. LIFT, May 2002, v. 22, no. 3.
The enjoyment of seeing: Images Festival 2002
by Daniel Cockburn. LIFT, May 2002, v. 22, no. 3.
Cheezie Vogue: The essential modern cinema povera of Colin Campbell
by Randy Gledhill. Take One, Mar. 2002, v. 10, no. 36.
Obituaries: Video artist was west coast icon
by Sarah Milroy. The Globe and Mail, Aug. 3, 2002.
Asian American film fest celebrates 20 years, still waiting for a...
by Allen Johnson. indiewire, 2002.
Inside out attempts video damage control
by John Sinopoli. Xtra!, Aug. 8, 2002, no. 464.
Native artist to be featured at expose: Short film festival part...
by Diane Gilhula. Northern Life, Aug. 7, 2002.
It's fun, playful, delicious: Learning new languages of love
by Margaret Webb. Xtra!, Aug. 8, 2002.
Chronicling an extraordinary life: The history of Tom Chomont and NYC
by Rachel Giese. Xtra!, Sept. 5, 2002, no. 466.
Twitching & Scratching: The videos of Emily Vey Duke & Cooper...
by Rebecca Godfrey. C Magazine, Fall 2002, no. 75.
Art, Censorship & Indignation
by David Armstrong. Arts Atlantic, Fall 2002, no. 73.
The great pretender: Homage to video maker and performance artist...
by Bambi Acconci and dj Blazay. Lola, Summer 2002, no. 12.
Shirin Neshat
by Veronika Klaptocz. Border Crossings, 2002, v. 21, no. 81.
Aernout Mik
by Rosemary Heather. Border Crossings, 2002, v. 21, no. 81.
Michael Campbell
by Paul Robert. Border Crossings, Feb. 2002, v. 21, no. 1.
Images Festival of Independent Film and Video
by Stephen Lam. Take One, May 2002, no. 37.
On the Beach
by Melony Ward. Canadian Art, June Summer 2002, v. 19, no. 2.
Stan Douglas: Suspiria Redux
by Trevor Smith. Canadian Art, Winter 2002, v. 19, no. 4.
Janet Cardiff, Musee D'Art Contemporain De Montreal
by Dierdre Hanna. Canadian Art, Winter 2002, v. 19, no. 4.
Uncommon Idiom
by Alissa York. Paper Wait, 2002, v. 4.
Frames Frozen
by Alex Poruchnyk. Paper Wait, 2002, v. 4.
Northern Light: 2002 Artist of the year
by Sarah Milroy. The Globe and Mail, Dec. 28, 2002.
Flowing in groups of four: show at Ed Video
by Unknown. Guelph Mercury, Nov. 21, 2002.
Brain Dress
by Lori Weidenhammer. Poolside, 2002.
The modern uncanny: Jocelyn Robert
by Rodney LaTourelle. Poolside, 2002.
Excerpt Ability: Reva Stone Installs Laiwan
by Reva Stone. Poolside, 2002.
Portalography: Women's Video in Quebec with Anne Golden
by Robert Enright. Poolside, 2002.
Istvan Kantor Monty Cantsin? Amen!: An unseen selection from the...
Pleasure Dome, 2002. Toronto: Pleasure dome, 2002.
Three short essays on growing up
by Terence Dick. Fuse, May 2002, v. 25, no. 2.
I believed to see Prisoners/Eye
by Harun Farocki. CTRL SPACE: rhetorics of surveillance from Bentham to Big Brother, 2002. Karlsrhe: ZKM Center for Art and Media, 2002.
Brutally Honest: Spencer Nakasako in conversation with Kelly O'Brien
by Kelly O'Brien. Fuse, May 2002, v. 25, no. 2.
Controlling Observation
by Harun Farocki. CTRL SPACE: rhetorics of surveillance from bentham to big brother, 2002. Karlsruhe: ZKM, 2002.
Bruce Nauman Live/Taped video corridor, Video Surveillance Piece:...
by Dorte Zbikowski. CTRL SPACE, 2002. Karlsruhe: ZKM, 2002.
Peter Weibel: Observing observation: Uncertainty, The Guard as...
by Ursula Frohne and Margit Rosen. CTRL SPACE, 2002. Karlsruhe: ZKM, 2002.
multiple titles
by various. la Dragu, 2002. Toronto: Fado Performance Inc., 2002.
Local Filmmaker's documentary chosen for festival
by Maria Tzavaras. Scarborough Mirror, Apr. 28, 2002.
Build Your Dream House
by Unknown. Xtra!, Jan. 24, 2002.
Prosthetic Devices for a global walker: Recent works by Kinga Araya
by Anna Carlevaris. C Magazine, Winter 2002, no. 76.
Julie_On_Line: Julie-Christine Fortier
by Ingrid Mueller. Arts Atlantic, Apr. 1 Spring, 2002, no. 71.
Mixed Company: Art Fags Map Alt Histories
by Ed Halter. The Village Voice, Nov. 20, 2002.
Spit & polish: Good things come in small packages
by Nick Davies. Xtra!, May 30, 2002, no. 459.
Best Of Toronto 2002 supplement, Critic's Pick: Film, best...
by Matt Galloway. Now, Oct. 31, 2002, v. 22, no. 9.
More Dead Artists!?: Casualties of the Last Decade, the New...
by Tom Sherman. Before and After the I-Bomb: An Artist in the Information Environment, 2002. Banff: Banff Centre Press, 2002.
So this is fame?: 15 seconds on the street
by R.M. Vaughn. The Globe and Mail, Nov. 2, 2002.
Systematically Observing Surveillance: Paradoxes of Observation...
by Christian Katti. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
Time Delay Room I: Yesterday/Today
by Gregor Stemmrich and Dan Graham. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
The Eye of Power: A Conversation with Jean-Pierre Barou and...
by Michel Foucault. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
The Visual Crash
by Paul Virilio. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
Rye Grads Score Film Fest Heat: Their film only got a B from...
by Nicole Cohen. THE EYEOPENER ONLINE, Sept. 19 Fall, 2002.
Nature is Perverse Sometimes (Version 6.1)
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
The Face of the Machine
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Julian Stallabrass
by Julian Stallabrass et al. Curating New Media, 2002. Gateshead: B. Read, 2002.
Silvia Kolbowski
by Andeas Kahre. Front, Jan. 1, 2002.
Docudrama Series: Arthur Kleinjan
by Andrea Kahre. Front, Nov. 2002.
Ki Wight: Event
by Andreas Kahre. Front, May 2002.
Zombies and Cyborgs: Obsolete, involuntary and automated bodies
by Andreas Kahre. Front, Jan. 2002.
Touched by a Monster
by Andreas Kahre. Front, May 2002.
Potrait of a Street: The Soul and Spirit of College
by Paul Townend. Take One, May 2002.
Spider: Stripped to the Bone: David Cronenberg's
by Maurie Alioff. Take One, Dec. 2002.
On Ethics and Aesthetics: The Things I Cannot Change and Courage...
by Mathew Hays. Take One, July 2002.
Mathew Gansallo
by Mathew Gansallo and Beryl Graham. Curating New Media, 2002. Gateshead: B. Read, 2002.
Video's Body, Analog and Digital
by Laura U. Marks. Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
Video Haptics and Erotics
by Laura U. Marks. Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
Reona Brass: Belonging
by Andreas Kahre. Front, May 2002.
New Wine into Old Bottles: Some Comments on the Early Years of Art...
by Laura Cottingham. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the History of Video Art, 2002. Richmond, Virginia: Virginia Mudeum of Fine Art/University of Washington Press, 2002.
Video Installation and the Poetic of Time
by Eleanor Heartney. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the history of Video Art, 2002. Richmond: Viriginia Museum of Fine Art/University of Washington Press, 2002.
Fish Scales: Allan Sekula's TSUKIJI
by Edward Dimendberg. Parkett 66, 2002. Santa Monica: Christopher Grimes Gallery, 2002.
Once Upon America
by Howard Hampton. Film Comment, July Summer 2002, v. 38, no. 4.
Film Buff
by Emilia Scofield. Filmmaker, Winter 2002.
Apprenticeship
by Allan King. The Film Reference Library, 2002.
Representation, Politics, and Cultural Imagination in Indigenous...
by Terence Turner. Media Worlds: Anthropology on New Terrain, 2002. London: University of California, 2002.
Local Conditions, Western Forms: The 8th international Cairo...
by Marilu Knode. Art in America, Jan. 2002, v. 90, no. 1.
Reality Check
by Sheila Heti. Now, Oct. 24 Fall, 2002, v. 22, no. 8.
Occupied Territories: Mapping the Transgressions of Cultural...
by Molly Hankwitz and Jayce Salloum. Framework: The Journal of Cinema and Media 43.2, Fall 2002, v. 43, no. 2.
Portraits and Places in the Videography of Jayce Salloum
by Michael Allen. Parachute, Oct. 1, 2002.
Bill Viola: Going Forth by Day: Moving Pictures
by John G Hanhardt and Maria-Christina Villasenor. A Guide to the Guggenheim Museum, 2002. New York: Guggenheim, 2002.
For Real: Telling the Truth in Art & Writing
by A.S.A. Harrison. C Magazine, Winter 2002, no. 76.
Stop Making Sense: Christian Jankowski's lack of common sense has...
by Eddie Silva. The Riverfront Times, Sept. 18, 2002, v. 26, no. 38.
For Real: Telling the Truth in Art and Writing
by A.S.A Harrison. C Magazine, Winter 2002, no. 76.
Video primer: A Series of 5 Video Programs: Personal Stories
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Video Primer: A Series of 5 Video Programs: Masquerade
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Video Primer: A Series of 5 Video Programs: Language
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Intimate Dwelling: Finding Our Way Home: Do you feel you belong,...
by Anne Brydon. Home Show, Sept. 12 Summer, 2002.
Home Show
by Amy Karlinsky. Home Show, Sept. 12 Summer, 2002.
Films in the Garden
by George Robinson. The Squealer, Fall 2002.
Cinema for the People!
by Jeanne Liotta. The Squealer, Fall 2002.
Baltimore Because: Escape from the Land of Pleasant Living: Tour...
by Kristen Anchor. The Squealer, Fall 2002.
Grilling the Underground: Fotopoulos at Flaherty
by Matt Wolf. The Squealer, Fall 2002.
The Flaherty Experience: A Personal Report
by Klaus Eisenlohr. The Squealer, Fall 2002.
These People: A Conversation Between Ed Halter & Stephanie Gray...
by Stephanie Gray. The Squealer, Fall 2002.
Austin Allen Uses Buffalo for a Documentary on Frederick Law Olmsted
by Kara Olidge. The Squealer, Fall 2002.
An Interview with Diane Bonder: Squeaky Wheel International...
by Kelly Spivey. The Squealer, Fall 2002.
Nature is Perverse Sometimes, Version 1
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Machines R Us
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Nilima Sheikh and Shahzia Sikander at the Asia Society - New York...
by Eleanor Heartney. Art in America, Mar. 2002, v. 90, no. 3.
At play in the palace: the Palais de Tokyo, France's brash new...
by Sarah S. King. Art in America, June 2002, v. 90, no. 6.
Weird Geographies: Video Art from the Atlantic Region/Translantique
by Sarah Hollenberg. Arts Atlantic, Fall 2002, v. 19, no. 73 / 4.
Eleanor Antin: The Adventures of a Nurse (Parts 1 and 2), 1976
by John B. Ravenal. Outer & Inner Space, 2002. Richmond: Virginia Museum of Fine Art, 2002.
Lynda Benglis
by Unknown. Outer & Inner Space, 2002. Richmond, Va: Virginia Museum of Fine Art, 2002.
Janine Antoni - Reviews: Santa Fe
by Ellen Berkoviech. Artforum, Dec. 2002.
Always Nice to be Recognized
by Tom Sherman. Fuse, Nov. 2002, v. 25, no. 4.
No Where Near the End, or, No notes Towards Trading the Future
by b.h. Yael. Fuse, Nov. 2002, v. 25, no. 4.
Art for Glob
by Richard Fung. Fuse, Nov. 2002, v. 25, no. 4.
The Singing Dunes: Colin Campbell, 1943-2001
by John Greyson. C Magazine, Summer 2002, no. 74.
Sappho (1972)
by Joan Jonas. PAJ: A Journal of Performance and Art, May 2002, v. 24, no. 2.
Video Scratching on M-M-Macs
by Leander Kahney. Wired, July 12, 2002.
Moving Images of Home
by John Di Stefano. Art Journal, Winter 2002, v. 61, no. 4.
Return to Oz: Peter Campus's Pioneering Videos
by Karen Rosenberg. The Village Voice, Sept. 2002.
Peter Campus
by Talya Halkin. The New York Sun, Sept. 12, 2002.
Back On Campus: Peter Campus, a Founder of video art, is surveyed...
by Margaret Sundell. Time Out New York, Sept. 2002, no. 363.
Photography as an art form
by Martin DeGroot. Guelph Mercury, Nov. 21, 2002.
Guerrilla Video: Electrons Outside the Vacuum
by M.E. Luka et al. Guerrilla Video, Aug. 14 Summer, 2002.
Digital Artist: Kenneth Doren has tamed computer technology enough...
by Ian Doig. Avenue Magazine, Jan. 2002.
A sublime record of a life lived to the fullest
by Jason McBride. The Festival Daily, Sept. 12, 2002.
I believed to see Prisoners/Eye
by Harun Farocki. CTRL SPACE: rhetorics of surveillance from Bentham to Big Brother, 2002. Karlsrhe: ZKM Center for Art and Media, 2002.
Life is a Time Based Medium
by Kika Thorne. Video Ground Zero, 2002.
Introduction
by Sergio Edelsztein. "?", 2002. Tel Aviv: Centre for Contemporary Art, 2002.
Dancing onto the big screen: The annual Moving Pictures Festival...
by Paula Citron. The Globe and Mail, Oct. 22, 2002.
Turning Television into Radio
by Tom Sherman. Before and After the i-bomb, 2002. Banff: Banff Centre Press, 2002.
Reel dance explosion: Bodies in motion captured by the camera's...
by Susan Walker. The Toronto Star, Oct. 18, 2002. New York: Whitney Museum of American Art, 2002.
A Tangled Triangle: Strands from the Archive-Rhizome
by Vera Frenkel. Lost in the Archives, 2002. Toronto, On: Alphabet City Media Inc., 2002.
MAWA, Mentoring Artists for Women's Art: MAWA PRESENTS Joanne Bristol
Mawa, May Summer 2002.
ImagineNative Leads the Way
by Cuthbert Duncan. LIFT Magazine, Nov. 2002, v. 22, no. 6.
Ten Years of Rendezvous with Madness
by Shannon Brownlee. LIFT Magazine, Nov. 2002, v. 22, no. 6.
"Screen Tests":: Media Narcissism, Theatricality, and the...
by Ursula Frohne. CTRL[SPACE], Rhetorics of Surveillance from Bentham to Big Brother, 2002. Karlsruhe: ZKM, 2002.
After 1980: Margins and Mainstreams
by Julianne Pidduck. Now You See It, 2002. London: Routledge, 2002.
Cooper Battersby and Emily Vey Duke: Songs of Praise for the Heart...
by Steve Reinke. YYZine, Jan. 9 Winter, 2002, v. 2, no. 1.
To Touch the Other:: A story of Corpo-electrontic Surfaces
by Christine Ross. The Feminism and Visual Culture Reader, 2002. New York: Routledge press, 2002.
Cut to the Radical of Orientation: Twin Notes on being in touch in...
by George Quasha and Charles Stein. The Feminism and Visual Culture Reader, 2002. New York: Routledge press, 2002.
Echoes of Touch and the Temptations of Scientific Representations
by David Tomas. The Feminism and Visual Culture Reader, 2002. New York: Routledge Press, 2002.
Julie_on_line
by Ingrid Mueller. Arts Atlantic, Spring 2002, no. 71.
Michael Campbell [MindReader. Truck Gallery]
by Paul Robert. Border Crossings, Feb. 2002, v. 21.
Sounds and Images: The documentary tradition
Media & culture: an introduction to mass communication, third edition, 2002. Boston: Bedford/St. Martin's, 2002.
Burb bets: Outskirts: Art For The Suburbs
by Thomas Hirschmann. NOW, Sept. 19, 2002, v. 22, no. 3.
Books
by Elizabeth Peters and Ken Miller. The Independent, July Summer 2002.
Renderings of Digital Art
by Christiane Paul. The MIT Press, 2002, v. 35, no. 5.
The Community Is Watching, and Replying: Art in Public Places and...
by Anne Bray. Leonardo, Feb. 2002, v. 35, no. 1.
Sounds of Silence
by Deirdre Hanna. Modern Painters, Winter 2002.
Peruvian Video/Electronic Art
by José-Carlos Mariátegui. Leonardo, Aug. 2002, v. 35, no. 4.
Ancient Images and New Technologies: The Semiotics of the Web
by Philippe Codognet. Leonardo, Feb. 2002, v. 35, no. 1.
Fringe Experientiality
by James Missen. Public, 2002, v. 25.
Poetico-Political Audio Visions
by Sandra Lischi. Public, 2002, v. 25.
Coco Fusco: How not to Sing an Anthem
by Ana Nuño. Nka: Journal of Contemporary African Art, Fall 2002, no. 16/17.
Dance and Media Technologies
by Johannes H. Birringer. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
Floating Worlds: Amy Jenkins's Dream Videos
by Fred Camper. PAJ: A Journal of Performance and Art, 2002, v. 24, no. 3.
Live Performance and Technology: The Example of Jet Lag
by Philippa Wehle. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
The Experience and the Object: Making a Documentary Video Installation
by Inga Burrows. Journal of Media Practice, 2002, v. 3, no. 1.
The Long Road: Isaac Julien in Conversation with B. Ruby Rich
by B. Ruby Rich and Isaac Julien. Art Journal, Summer 2002, v. 61, no. 2.
Video Art is Dead, Long Live Video Art
by Shalom Gorewitz. Journal of Religion and Health, Spring 2002, v. 41, no. 1.
The Curatorial Incubator
by Lisa Steele. Toronto: Vtape, 2002.
Middle Eastern Media Arts: An Introduction
by Dorit Naaman. Framework: The Journal of Cinema and Media, Fall 2002, v. 43, no. 2.
Come to Life
by John Kelsey. TimeOut New York, Dec 2002, no. 378.
Aida Ruilova
by Elizabeth Schambelan. Artforum, Dec 11, 2002.
Northern Exposure
by Peter Howell. The Toronto Star, May 13, 2001.
North meets South of France: Premiere of Zacharias Kunuk's...
by Katrina Onstad. The National Post, May 15, 2001.
Permafrost on the Riviera
by Liam Lacey. The Globe and Mail, May 18, 2001.
The grace of aging: Video artist Colin Campbell's multple personae
by Andrew Griffin. Capital Xtra!, Feb. 16, 2001.
Unravelling The Grid/"Substitute City" at the Power Plant
by Andy Fabo. C Magazine, Summer 2001, no. 70.
Remaking Home Movies
by Richard Fung. Subclip, Winter 2001, no. 7.
A way of imagining film: In Conversation with Loretta Todd
by Richard William Hill. Fuse, Feb. 2001, v. 23, no. 3.
Karma Clarke-Davis
by Unknown. Images, 2001. Toronto: Images Festival of Film and Video, 2001.
Newsreel
by Marco Zee-Jotti. Filmwaves, 2001, no. 15.
Video Inn and the CRTC
by N/A N/A. In Vision, 2001.
A Conversation Between a Reader and a Writer
by Kenna Manos. Arts Atlantic, Fall 2001, v. 18, no. 2.
Jan Peacock: Video as Experience
by Tim Dallet. Arts Atlantic, Fall 2001, v. 18, no. 2.
Alternative viewing: DVD's offer new weapon in attacking public...
by Peter Goddard. The Toronto Star, Dec. 6, 2001.
A family's battle with cancer
by Gillian Clair. Orangeville Citizen/Free Press and Economist, Oct. 5, 2001.
Reel experimental: Michael Snow's latest film, Corpus Callosum, is...
by Barbara Goslawski. The Globe and Mail, Jan. 29, 2001.
Focusing on the ReelWorld
by Gayle MacDonald. The Globe and Mail, Apr. 6, 2001.
The arts are fed on scraps from the city's elite
by Christopher Hume. The Toronto Star, Feb. 3, 2001.
Colin Campbell: Video Fictions
Colin Campbell: Video Fictions, 2001. Ottawa: Available Light Screening Collective, 2001.
Top 20 Toronto Films since 1981
by Cameron Bailey. Now, Oct. 25, 2001, v. 21, no. 8.
Tent city debuts
by Tom Lyons. The Toronto Star, Oct. 31, 2001.
Hefty program for second aboriginal film festival: 10 screenings...
by Susan Walker. The Toronto Star, Nov. 16, 2001.
AGO exhibit remains to be seen: Human remains is disturbing but...
by Rob O'Flanagan. The Sudbury Star, May 5, 2001.
20 years film: The filmmakers
by Susan King. Now, Oct. 25, 2001, v. 21, no. 8.
Specifically Video
by Katharine Meynell. Filmwaves, Winter 2001, no. 14.
A universe to Discover: what the new technologies offer to us
by Wim Wenders. POV, Summer 2001, no. 43.
cyberman
by Peter Wintonick. POV, Winter 2001, no. 43.
Is Toronto burning?: The megacity's raw urban reality
by John Sewell. EYE WEEKLY, Apr. 12, 2001, v. 10, no. 27.
Film: A medium to remember
by Shannon Brownlee. Lift, May 2001, v. 21, no. 3.
ImagineNATIVE: writing back indigenous culture
by Kalli Paakspuu. POV, Winter 2001, no. 45.
Him: See this man? He is Satan. That's all we know about him, and...
by Scott Anderson. Lola, Fall 2001, no. 10.
Kika Thorne's Shifting Focus: Protest and collective process shape...
by Emily Pohl-Weary. Trade, Fall 2001.
Bruce LaBruce
by Bruce LaBruce. Mix, Summer 2001, v. 27, no. 1.
Shocked and constrained
by Bambi Acconci and Trixie von Lukacs. Lola, Summer 2001, no. 9.
Richard Fung and Jamelie Hassan speak about their recent honours
by Meera Sethi. Fuse, July 2001, v. 24, no. 2.
States of Alterity: A screen capture of Vancouver video
States of Alterity, 2001. Toronto: Pleasure Dome, 2001.
Sex and Noise and Neoism: Artcrime mastermind Istvan Kantor...
by Chris Barry. Montreal Mirror, Nov. 8, 2001, v. 17, no. 23.
Photophobia3
by Anya Wassengerg. Artsbeat, Aug. 2001, v. 14, no. 2.
Passionate pioneer of video art: He made important, often funny...
by Sarah Milroy. The Globe and Mail, Nov. 17, 2001.
Feelings: About a girl
by Bruce LaBruce. EYE WEEKLY, Nov. 22, 2001, v. 11, no. 7.
Colin Campbell: June 7, 1942 - Oct 31, 2001
by Andrew Paterson. Xtra!, Dec. 27, 2001, no. 448.
Primal sphere: Video artist Karma Clarke Davis takes an emotional...
by Catharine Tunnacliffe. EYE WEEKLY, Apr. 12, 2001, v. 10, no. 27.
occupied territories
by Molly Hankwitz. Front, Nov. 2001, v. 12, no. 5.
Simple Stories
Argos festival, 2001. Brussel: Argos Festival, 2001.
Lisa Steele: On Trinity's Beginings
by Lisa Steele. Video Vogue, Spring 2001.
Popeye Gonick and the Filmy Spinach of Sex
by Robert Enright. Border Crossings, Feb. 2001, v. 20, no. 77.
Defying the Gaze: The Work of Thecla Schiphorst
by Ann MacDonald. Border Crossings, Feb. 2001, v. 20, no. 77.
Magnetic Force
by Cameron Bailey. NOW, Dec. 6, 2001, v. 21, no. 14.
First Film File: Leslie Peters discusses with Aleesa Cohene issues...
by Leslie Peters. Subclip, Winter 2001, no. 7.
Tell me a story: The Web Works of Elizabeth Fischer
by Bart Gazzola. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Ahasiw Maskegon-Iskwew: Language, Realism, Webs, Domains
by Terry Billings. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Wanda Koop: In Your Eyes
In Your Eyes. book two, 2001. St. Norbert: St. Norbert Arts Centre, 2001.
Reel Addictive
by Adam Nayman. EYE WEEKLY, June 14, 2001, v. 10, no. 36.
Parkdale Head Trip
by Kim Linekin. Now, June 14, 2001, v. 20, no. 41.
Quaking in his presence: Artist Kenneth Doren challenges his viewers
by Jennifer McVeigh. FFWD, Sept. 20, 2001.
From Nest to Nest, Creating on the Fly
by Ann Wilson Lloyd. The New York Times, June 3, 2001.
Young filmakers' erections and reflections
by Mireille Juchon. RealTime, June 2001, no. 43.
Your High Imperial: Performance by Kenneth Doren
by Kristin Evenden. Artichoke, Spring 2001, v. 13, no. 1.
Filmmaker's Pet Project is Part of 'Digital Divas'
by Alison Macor. Austin-American Statesman, Sept. 6, 2001.
What Is Church?: Rural Churches of Nova Scotia & Prince Edward Island
by Ingrid Jenkner and David Askevold. What Is Church? - Rural Churches of Nova Scotia & Prince Edward Island, 2001. Halifax: Mount Saint Vincent University (MSVU) Art Gallery, 2001.
Bare-assed kugel takes township by design: Being near naked in...
by Caroline Hooper-Box. Sunday Independent, 2001.
Guy Brett & Deanna Patherbridge
by Guy Brett and Deanna Petherbridge. The Producers: Contemporary Curators in Conversation (2), 2001. Gatshead: BALTIC, 2001.
Colin Campbell: 1945 - 2001
by Unknown. Colin Campbell 1945 - 2001, 2001. Toronto: Vtape, 2001.
the Turner Prize 2001: Isaaic Julien
by Jessica Lack. The Tate, Winter 2001, no. 27.
Trespassing beyond the frame: John Smith talking film with Cate Elwes
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Tacita Dean at Tate Britain
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Transit visa to the Labyrinth
by Jalal Tawfiq. Transit visa on video and cities, 2001. Beirut: Transit visa, 2001.
Bill Viola: Five Angels for th Millennium and Other New Works
by Nicky Hamlyn. Filmwaves, 2001, no. 15.
Video In Venice
by Laura Malacart. Filmwaves, 2001, v. 15.
Spaced Out
by Paul Hithersay. Filmwaves, 2001, v. 15, no. 1.
Uri Tzaig
by Cedar Levinson. Filmwaves, 2001, v. 2, no. 15.
New Landscapes: Community Art, Video Process and Fantasies of...
by Petra Kuppers. Afterimage, Nov. 2001, v. 29, no. 3.
The Novelty Hustle
by Barbara London. Trans Double Issue, 2001, no. 9/10.
Neither/ Or: in conversastion with Stan Douglas
by Daniel Jewesbury. Mix, 2001, no. 243.
Carnegie International
by Sylvie Fortin. Fuse, Apr. 2001, v. 23, no. 4.
Richard Fung's Sea in the Blood: Visualizing Memory, Complicity...
by Margo Francis. Fuse, Apr. 2001, v. 23, no. 4.
High Tech Storyteller: A Conversation With Performance Artist Lori...
by Lynn Bell and Janice Williamson. Fuse, Dec. 2001, v. 24, no. 4.
Video Primer: A Series of 5 Video Programs
by Michelle Jacques. Video Primer, 2001. Toronto: Art Gallery of Ontario, 2001.
Wounds Become Scars
by Barbara Fischer. Love Gasoline, 2001. Toronto: Mercer Union, 2001.
Galerie Der Stadt Stuttgart - Joan Jonas - Brief Article
by Noemi Smolik. Artforum, Sept. 2001, v. 40, no. 1.
Everything Happens at once: The everyday becomes the infinite in...
by Jacqueline Cooper. Canadian Art, Spring 2001, v. 18, no. 1.
A Story in Six Parts
by Lara Bradley. The Sudbury Star, Aug. 24, 2001.
Toronto's Window Galleries: all you need is love
by Suzanne Farkas. Year01 forum, Spring 2001, no. 8.
The Spectacle of Noise: Istvan Kantor's recent video work. a selection
by A.K Nort. ArgosFestival, 2001. Brussel: Argos, 2001.
What happens when cancer returns?: Editorial page, guest column
by Jennifer Keck. Northern Life, Sept. 28, 2001.
Daring to say the M word: Toronto T.O. DO Selected Listings
by Helen Buttery. The National Post, Jan. 27, 2001.
Logue's work heady stuff
by Jack Anderson. Leader Post, Oct. 25, 2001.
Critics' Choice: Video Primer: The Medium
The Globe and Mail, Apr. 28, 2001.
Aernout Mik: Video Installation
Absolute Arts, 2001.
The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day
by Robin Pacific. Fuse, Feb. Winter 2001, v. 25, no. 1.
Of Arabs and Museum and Civilizations
by Rawi `Hage. Fuse, Feb. Winter 2001, v. 25, no. 1.
Laurel Woodcock: Take Me, I'm Yours: Sweet Surrender + Meaning Machine
by Jan Allen. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Bugaboo
by Paul Kelley. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Wide Impact
by Deirdre Hanna. NOW, Apr. 12, 2001, v. 20, no. 32.
Interrupting the program...: descrambling TV through video
by Heidi May. Canadian Art, Summer 2001, v. 18, no. 2.
Art Courtesy Services: Artist John Marriott in conversation with...
by Dave Dymnent. Mix, Spring 2001.
(Un)reasonable search and seizure in Québec City: Lessons for...
by Malcolm Rogge. LIFT: The Liason of Independant Filmmakers of Toronto, June 2001, v. 21, no. 3.
Talking Pictures: Screenwriters on the films of Eric Rohmer
by Peter Bowen et al. Filmmaker, Winter 2001, v. 9, no. 2.
Six Degrees of Nosferatu
by Thomas Elsaesser. Sight and Sound, Feb. 2001, v. 11, no. 2.
The Discreet Fury of Luis Buñuel
by Peter Hogue. Film Comment Magazine, Jan. 2001, v. 37, no. 1.
Labyrinth of Chances
by Tony Rayns. Sight and Sound, July 2001, v. 11, no. 7.
REVIEWS: 'Legitimate Theater' at LACMA
by Rick Gilbert. Artweek, Sept. 2001.
(untitled)
Arts Court, 2001. Ottawa: Arts Court, 2001.
(untitled)
All Queer All Canadian All Night Long, 2001 Tour, 2001. Regina: Queer City Cinema, 2001.
(untitled)
Blowing the Trumpet to the Tulips: An exchange on experimental media, 2001. Kingston: Queen's University, 2001.
(untitled)
Centre For Art Tapes Newsletter, 2001. Halifax: Centre For Art Tapes, 2001.
'Where we hope to be': Framing cultural heritage & sexual politics
by Shane Smith. Xtra!, Nov. 15, 2001, no. 445.
Where we hope to be: Framing cultural heritage & sexual politics
by Shane Smith. Xtra!, Nov. 15 Fall, 2001, no. 445.
Artistic Environments of Telepresence on the World Wide Web
by Luisa Paraguai Donati and Gilbertto Prado. Leonardo, 2001, v. 34, no. 5.
Developing Strategies for the Conservation of Installations...
by Pip Laurenson. Journal of the American Institute for Conservation, 2001, v. 40, no. 3.
On Stuart Marshall: Composer, Video Artist and Filmmaker, 1949-1993
by Alvin Lucier. Leonardo Music Journal, 2001, v. 11.
Media City 7: International Festival of Film and Video
by Michael Zryd. Sense of Cinema, Apr. 10, 2001, no. 13.
Paul McCarthy: Rites of Masculinity
by Jennie Klein. PAJ: A Journal of Performance and Art, May Spring 2001, v. 23, no. 2.
Sculpting in Time and Space: Interactive Work
by Emily Hartzell and Nina Sobell. Leonardo, Apr. 2001, v. 34, no. 2.
Strip-Joint Interventions: My Night with Charmaine
by Cliff Eyland. C Magazine, Summer 2001, no. 70.
Witnessing Video Testimony:: An Interview with Geoffrey Hartman
by Hartman Geoffrey H and Ballangee Jennifer. The Yale Journal of Criticism, Spring 2001, v. 14, no. 1.
Rhetorical Dimensions of Native American Documentary
by Steven Leuthold. Wicazo Sa Review, Fall 2001, v. 16, no. 2.
Girls on the Remake
by Cynthia Chris. Afterimage, Mar. 2001, v. 28, no. 5.
Mexican Nationalism, Mass Media and Gender/Sexuality:: Unmasking...
by Laura G. Gutierrez. Latin American Literary Review, 2001, v. 29, no. 57.
The Touch through time:: Raoul Hausmann, Nam June Paik and the...
by Ina Blom. Leonardo, June 2001, v. 34, no. 3.
Destabilizing Gender
by Sabine Russ. Make Magazine, Spring 2001, no. 91.
Born for Porn
by Peter Goddard. The Toronto Star, Apr. 1, 2000.
It's All Rights Ma I'm Only Watching
by Jonathan Culp. POV, Spring 2000, no. 39.
Faces of the Future: 100 young Canadians to watch
by Unknown. Maclean's, Jan. 1, 2000.
Exercise your eyes at Images
by Cameron Bailey. Now, Apr. 13, 2000, v. 19, no. 33.
Sex, Lies and Porno Tape
by Gemma Files. EYE WEEKLY, Mar. 30, 2000.
Splitting Images
by Gemma Files. EYE WEEKLY, Apr. 13, 2000, v. 9, no. 7.
True Stories Well Told: The Independent Films and Videos of Ardele...
by Phyllis Gottlieb. Rutgers Focus, Feb. 18, 2000.
Anger fires video-maker
by Deirdre Hanna. Now, Mar. 30, 2000, v. 19, no. 31.
Genealogies of Blood and Breath: The blood records. Dunlop Art...
by Sky Glabush. Border Crossings, May 2000, v. 19, no. 2.
A Persistent Seam in the Loop
by Ruth Kerkham. Fuse, 2000, v. 23, no. 1.
Sex, Smurfs and video tapes
by Thomas Hirschmann. The National Post, July 8, 2000.
Moving Pictures: UK/Canada Video
by Catherine Elwes. Border Crossings, Aug. 2000, v. 19, no. 3.
Telling Tales: The Irresistible Excavation of the Other
by Cate Elwes. Filmwaves, Summer 2000, no. 12.
The endless trapeze act of the arts
by Vera Frenkel. The Globe and Mail, Oct. 2, 2000.
Entire Inuit community put to work on feature film
The National Post, Nov. 2, 2000.
Gen Xers arm for protest with camcorders and VCRs
by Sharlene Azam. The Toronto Star, Nov. 14, 2000.
The Straight Story
by David Livingstone. Elm Street, Sept. Fall 2000.
Sometimes Video Art Might Resemble Television
by Andrew James Paterson. Lola, Spring 2000, no. 6.
Dreaming of Electric Sheep
by Joe McKay. Lola, Spring 2000, no. 6.
Back in Five Minutes: Here Comes Success With AA Bronson
by Jenifer Papararo. Lola, Fall 2000, no. 7.
Raising a New Aboriginal Voice
by Rebecca Caldwell. The Globe and Mail, Sept. 8, 2000.
From a native perspective: Noteworthy: ImagineNATIVE: The...
by Helen Buttery. The National Post, Sept. 9, 2000.
From an Inuit point of view
by Blake Gopnik. The Globe and Mail, Sept. 13, 2000.
Toronto's other global film festival
by Susan Walker. The Toronto Star, Sept. 8, 2000.
Interview: Lisa Steele & Kim Tomczak
by Corinna Ghaznavi. Canadian Art, Winter 2000, v. 17, no. 4.
Nazi-looted art subject of video exhibit
by S. K.. Canadian Jewish News, Nov. 29, 2000.
Canada's first Inuktitut feature-film nears completion
by Valerie G. Connell. Nunatsiaq News, Aug. 18, 2000.
Deconstructing Hollywood
by Blake Gopnik. The Globe and Mail, Oct. 3, 2000.
John Greyson's The Law of Enclosures
by Cynthia Amsden. Take One, Fall 2000, no. 29.
Drum Roll: Karma Clarke-Davis
by Corinna Ghaznavi. Canadian Art, Fall 2000, v. 17, no. 3.
Time tripping in the art zone
by Blake Gopnik. The Globe and Mail, Oct. 10, 2000.
Inhaling Passions: Art, Sex and Scent
by Jim Drobnick. Sexuality & Culture, Summer 2000, v. 4, no. 3.
"Concerning Memory"
by Kay Roberts. Time Out, 2000.
Lux: A decade of Artists' Video and Film
by Marc Glassman. Take One, Fall 2000.
Book Reviews: Video Loupe: a collection of essays by and about the...
by Elaine Kowalsky. n. paradoxa, July Summer 2000, v. 6.
Missing art, missing lives
by Deirdre Kelly. The Globe and Mail, Dec. 18, 2000.
National Gallery gesture is hardly ground breaking
by John Bentley Mays. The National Post, Dec. 9, 2000.
Her, herself & Anne Russell
by Peter Goddard. The Toronto Star, July 21, 2000.
In digital identity: Introduction
by Elizabeth Kidd and Liane Davison. Digital Identity, 2000. Surrey: Surrey Art Gallery, 2000.
taboos, titillations and thrills
by Andrea Mantin. taboos, titillations and thrills, 2000. Halifax: MSVU Art Gallery, 2000.
V is for video
by Mark Schilling. in si-tu _, 2000. Lennoxville: Art gallery of Bishop's University, 2000.
Fundamental Anxieties
by Heather Mackay. Azure, Nov. 2000, v. 16, no. 132.
Community and Plural Relations: A Dialogue Between Philosophers...
by Jean-Ernest Joos. Parachute, Dec. Fall 2000, no. 100.
Shirin Neshat: The Image Dispute
by Nathalie Leleu. Parachute, Dec. 2000, no. 100.
Black Box: The Videos of Steve Reinke
by Robin Metcalfe. Parachute, Dec. 2000, no. 100.
Nina Levitt: Divers et Differance
by Corrina Ghaznavi. Parachute, Dec. Fall 2000, no. 100.
Speaking Bodies
by Nicole Gingras. Exhibition Catalogue, 2000. Ottawa: Gallery 101, 2000.
Container:: Paul Perchal
by Francisco Ibanez-Carrasco. Fuse, Sept. 2000, v. 23, no. 2.
Asian Invasion vs. The Pristine Nation: Migrants entering the...
by Larissa Lai. Fuse, Sept. Fall 2000, v. 23, no. 2.
Jenni's Web: JenniCam, techno-filters, and the Boys Club
by Earl Miller. Fuse, Sept. Fall 2000, v. 23, no. 2.
Feminist Angst: Giv Us a Break!
by Dayna McLeod. Hour, Mar. 2, 2000.
Wendy Landry on the video installations of Jan Peacock: Attempts...
by Wendy Landry. C Magazine, Winter 2000, no. 67/68.
Video Art: A Top Twenty
by John Slyce and Matthew Collings. Modern Painters, Summer 2000, v. 13, no. 2.
Douglas Gordon: A New Generation of Readymades
by Christine Van Assche. Art Press, Mar. 2000, no. 255.
Video in transit
by Thorhallur Magnusson. Nu: the Nordic Art Review, 2000.
Interview with Bruce LaBruce and G.B. Jones
by Cameron Bailey. Lux: A Decade of Artists' Film and Video, 2000. Toronto: YYZ Books/Pleasure Dome, 2000.
Interview with Mike Hoolboom
by Cameron Bailey. Lux A Decade of Artists' Film and Video, 2000. Toronto: YYZ Books/Pleasure Dome, 2000.
i can see your history in the way you move: at present
by Karyn Sandlos. like a dream that vanishes the films of barbara sternberg, 2000. Toronto: The Images Festival of Independent Film and Video and Pleasure Dome, 2000.
Crusading for the collaborative process: Kenny Doren retrospective...
by Kay Burns. FFWD, May 11, 2000.
Content & Collaboration: The work of multimedia artist Kenneth...
by Kathryn Burns. Where Calgary / Gallery Guide, Fall 2000.
Dream weaving: Gallery A Go Go
by Kim Fullerton. Xtra!, Oct. 5, 2000, no. 416.
Three European Festivals Go Installation
by Chris Kennedy. LIFT, July Summer 2000, v. 20, no. 4.
A Flutter of Images
by Sheila Farr. Seattle Times, Oct. 27, 2000.
Canadian artist captures the natural world on video
by Regina Hackett. Seattle Post Intelligencer, Oct. 20, 2000.
YYZ Artists' Outlet: Deirdre Logue, Enlightenment Nonsense; and...
by not specified. The National Post, Oct. 7, 2000.
The Enlightened Nonsense of Dierdre Logue
by Karen Sandlos. LIFT, Sept. 2000, v. 20, no. 5.
Somewhere to Run: You Can't Go Home Again harnesses the creativity...
by Roberta Fallon. Philidelphia Weekly, Mar. 1, 2000, v. 29, no. 9.
LA's Media Renegades
by Steve Anderson. The Independent, Apr. 2000.
Thick Skinned
Thick Skinned, 2000. Toronto: Gallery 44 Centre for Contemporary Photography, 2000.
Enlightened Nonsense: 10 Performance Films About Repetition About...
by Karyn Sandlos and Deidre Logue. transcription from interview, 2000.
Any While, Mean Time
by Michelle Jaques. Present Tense: contemporary project series NO.14 - Karma Clarke-Davis, 2000. Toronto: Art Gallery of Ontario (AGO), 2000.
Seeing Crusading
by Zoe Williams. For his and his diggers: a collection of the past, May 12, 2000. Calgary: Truck, 2000.
Foreword
by Jim Ellis. For his and his diggers: a collection of the past, 2000. Calgary: Truck, 2000.
Nettie Wild
by Nettie Wild. POV, Spring 2000, no. 39.
Project/Process: An Introduction to Magnetic North
by Jenny Lion. Program - Video Pool Inc., Winnipeg, Nov. Fall 2000.
Primal Therapist
by Michael Atkinson. The Village Voice, Aug. 15 Summer, 2000, v. 45, no. 32.
Snapshots of the Transcendental (excerpt): Images 2000
by Zoe Druick. POV, Summer 2000, no. 40.
Jeremy Deller: The Battle of Orgreave
by Alex Farquharson. Frieze, 2000, no. 61.
Reels of Change: Film and Video for the Working Mind
by Unknown. Mayworks, 2000.
Sadie Benning
by Unknown. Whitney Museum of American Art, 2000. New York: Whitney Museum of American Art, 2000.
Yvonne Welbon
by Maxwell L. Anderson et al. 2000 Biennial Exhibition, 2000. New York: Whitney Museum of American Art, 2000.
Mandy Morrison
by Unknown. Whitney Museum of American Art, 2000. New York: Whitney Museum of American Art, 2000.
Pipilotti Rist
by Ewa Lajer-Burcharth. Artforum, Sept. 2000, v. 39, no. 1.
Pipilotti Rist at Luhring Augustine
by Michael Rush. Art in America, Sept. 2000, v. 88, no. 9.
Black Box: The Videos of Steve Reinke
by Robin Metcalfe. Parachute, Winter 2000, no. 100.
Nina Levitt: Divers and Différance
by Corinna Ghaznavi. Parachute, Winter 2000, no. 100.
Shirin Neshat: The Image Dispute / La Querelle des images
by Nathalie Leleu. Parachute, Winter 2000, no. 100.
Mexican experimental cinema and Ximena Cuevas
by Sergio de la Mora. Jump Cut: A Review of Contemporary Media, July 2000, no. 43.
Transparent Scenarios
by Michael Rush. Art in America, Oct. 2000, v. 88, no. 10.
Aboriginal Voices Festival:: Documenting a Harsh Reality
by Susan Walker. The Toronto Star, June 16, 2000.
Montreal Diary
by Matthew Hays. The Globe and Mail, Aug. 15, 2000.
Fear and Loathing on the Granting Trail: Canadian Art Versus...
by Hal Niedzviecki. Journal of Canadian Studies, Fall 2000, v. 35, no. 3.
Kaleidoscopectomy: The short and long of it
by Nick Davies. Xtra!, Apr. 6 Spring, 2000, no. 403.
When There Is No Limit To Spirit: Tall Orders: On the Spiritual in Art
by Rozena Maart. Fuse, Jan. Winter 2000, v. 22, no. 4.
Nervy First Nations Festival
by Cameron Bailey. NOW, Sept. 7 Fall, 2000, v. 20, no. 1.
NEWSBRIEFS: Awards: V tape Video Award
by Dana Samuel. Prefix Photo, Fall 2000, no. 2.
Between the Cracks: Poverty and Disability
CWHN Network, Spring 2000.
Digital Dumpling
Xtra!, Oct. 19, 2000, no. 417.
Oka through the eyes of Obomsawin
Maclean's, July 10, 2000, v. 113, no. 28.
In the Merry Month of May
by homocore chicago. Homocore, Apr. 2000, v. 8, no. 1.
On The Scene At Annie Sprinkle's Herstory of Porn, Sat, April 1:...
by Ingrid Randoja. NOW, Apr. 6, 2000, v. 19, no. 32.
Barbara Prokop & Larissa Fassler: "Art may imitate life, but life...
by Mia Johnson. Preview, Nov. 2000.
Honour Songs: Trent University honours two outstanding citizens
Frist Nations Messenger, June 2000.
She Was Like My First Mother
by Peter Hudson. Winsom: River of Life, 2000. Chatham: Thames Art Gallery, Chatham Cultural Centre, 2000.
Potent Pairing of Jamaica-born Artists
by Cate McQuaid. The Boston Globe, Apr. 8, 2000.
Sex, Love, and Anti-Oppression: G-SPrOuT!
by David Sztybel.
Attack [retreat]
by Steve Reinke. Attack [retreat], 2000. Brussels: argos, 2000.
Film Recalls painful Canadian event
by Rob O'Flanagan. The Sudbury Star, Sept. 23, 2000.
Iñigo Manglano-Ovalle
by Michael G. Auping and Valerie Cassel. Whitney Biennial, 2000. Whitney Museum of American Art, 2000.
Video art both silly and engaged: Second collaboration between...
by Miranda Purves. The National Post, Mar. 30, 2000.
Opera for Cyborgs: Allegro molto con brio
by Jim Ellis. Canadian Theatre Review, 2000, no. 101.
The Ghost of an Exquisite Corpse
by David Clark. LUX: A Decade of Artists' Film & Video, Fall 2000. Toronto: YYZ Books, 2000.
Flaming Creatures: New Tendencies in Canadian Video
by Gary Kibbins. LUX: A Decade of Film and Video, 2000. Toronto: YYZ Books/Pleasure Dome, 2000.
Video Triumphs in the Galleries
by Burian Frye. The Independent: Film and Video Monthly, July 2000, v. 23, no. 6.
On the edge of Madness
by Robert Faulkner. The Toronto Star, Nov. 10, 2000.
You Say You Want A Revolution
by Jason Anderson. EYE WEEKLY, Aug. 31, 2000, v. 9, no. 47.
Interview Paul Wong: 1981-2001 CSV Historical Anthology Series
by Greg Woodbury. Subclip, Fall 2000, no. 6.
Kika Thorne: Bodies and Desire
by Mike Hoolboom. LUX: A Decade of Artists' Film & Video, 2000. Toronto: YYZ books and PleasureDome, 2000.
Mourning Pictures
by Mike Hoolboom. Lux: A Decade of Film and Video, 2000. Toronto: YYZ and Pleasure Dome, 2000.
TV Afterlife: With their latest work, Chris Petit and Iain...
by Chris Darke. Film Comment Magazine, July Summer 2000, v. 36, no. 4.
Renaissance Riot Girl Rising
by Chris Chang. Film Comment Magazine, July Summer 2000, v. 4, no. 36.
Mike Kelley and Paul McCarthy
by Charles Reeve. Para-Para, Dec. 2000, no. 6.
The Godfather of Gross Out: John Waters: demented forever, but...
by Dennis Harvey. Film Comment Magazine, July 2000, v. 36, no. 4.
Cover Versions: Fact and Fiction are up for grabs in "Beaver...
by Chris Chang. Film Comment Magazine, July 2000, v. 36, no. 4.
Alternate States: Nicole Armour enters the parallel reality of...
by Nicole Armour. Film Comment Magazine, July 2000, v. 36, no. 4.
Be black and buy
by Ed Guerrero. Sight and Sound, Dec. 2000, v. 10, no. 12.
Satellites of love: With its Hollywood stars and volcanic...
by Laura Mulvey. Sight and Sound, Dec. 2000, v. 10, no. 12.
Exquisite Corpses
by Scooter McCrae. Filmmaker, Summer 2000, v. 8, no. 4.
The Autobiography of Steve Reinke
by Tom Folland. Steve Reinke, July Summer 2000, v. 12, no. 3. New York: Thread Waxing Space, 2000.
Video art
by Mick Hartney. From Expressionism to Post-Modernism: Styles and Movements in 20th Century Western Art (Grove Art Series), 2000. Oxford University Press, 2000.
Beyond the cube
by Jennifer Leonard. EYE WEEKLY, Oct. 5, 2000.
(untitled)
Apocalypse: Beauty and Horror in Contemporary Art, 2000. London: Royal Academy of Arts, 2000.
(untitled)
Boutros Al Armenian/Mediterranean Modern: Jamelie Hassan, 2000. Windsor: Art Gallery of Windsor, 2000.
(untitled)
les Cinemas novembre decembre 2000, 2000. Paris: Centre Pompidou, 2000.
(untitled)
Centre d'art contemporain de Basse-Normandie saison 2000-2001, 2000. Herouville Saint-Clair: Centre d'art contemporain de Basse-Normandie, 2000.
(untitled)
CD V-D-O, 2000.
Digging for Identity
by Perry Bard. Afterimage, Jan. Winter 2000, v. 27, no. 4.
Oka Crisis: worst moment revisited: Native filmmaker's documentary...
by Matthew Hays. The Globe and Mail, June 21, 2000.
Watch Me! Webcams and the Public Exposure of Private Lives
by Brooke Knight. Art Journal, Winter 2000, v. 59, no. 4.
SF, Technoscience, Net.art: The Politics of Extrapolation
by Eugene Thacker. Art Journal, Fall 2000, v. 59, no. 3.
Martha Wilson: Not Taking It at Face Value
by Jayne Wark. Camera Obscura, 2000, v. 15, no. 3.
Expositions: Fragments et dialogues impossibles
by Julie Lanctôt. Vie des Arts, 2000, v. 44, no. 179.
Experimental Ethnography: The Work of Film in the Age of Video
by Scott MacDonald. Canadian Journal of Film Studies, Spring 2000, v. 9, no. 1.
Video Displayed: Marketing Mixes Forms
by Lizzy Balogh. PAJ: A Journal of Performance and Art, Sept. 2000, v. 22, no. 3.
Revisiting the Power of Absence: Silences, Shadows, and Remembering
by Vera Frankel. Memoire et Archive, Mar. 2000.
Black and White:: Mercedes de Acosta's Glorious Enthusiasms
by Patricia White. Camera Obscura, 2000, v. 15, no. 3.
Fantasy and Distraction: An Interview with Pipilotti Rist
by Christine Ross. Afterimage, Nov. 2000, v. 28, no. 3.
Donigan Cumming: Marche Bonsecours, Montreal
by Sylvain Campeau. C Magazine, Spring 2000, no. 65.
Watch: bona fide, Chicago
by Esther Grisham. C Magazine, Spring 2000, no. 65.
Video Triumphs in the Galleries
by Brian Frye. The Independent, July 2000.
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
by Laura U. Marks. Durham and London: Duke University Press, 2000.
Video Space: A Site for Choreography
by Douglas Rosenberg. Leonardo, 2000, v. 33, no. 2.
Images of Intermedia: 13th Annual Images Festival of Independeent...
by Laura U. Marks. Afterimage, July 2000, v. 28, no. 1.
Pumping up the Volume of Art
by Blake Gopnik. The Globe and Mail, Aug. 19, 1999.
Play It Again, Stan
by Blake Gopnik. The Globe and Mail, Oct. 2, 1999.
Queen's Cantonese: A crash course in cultural humour
by Nick Davies. Xtra!, Nov. 18, 1999, no. 393.
Bitch Bark Canoe
by Debra Anderson. Xtra!, May 6, 1999, no. 379.
Space: The Final Frontier
by Dara Gellman. Xtra!, Nov. 4, 1999, no. 392.
Images fest has a thing for sex
by Cameron Bailey. Now, Apr. 22, 1999, v. 18, no. 34.
Double the demons
by Richard Burnett. Montreal Gazette, Aug. 1999.
Bridging Ancient and Modern: Native Ceramic and video artist Nora...
by Lynn Cline. The Independent, Dec. 1999.
Great Expectations for Indie Festival
by Peter Goddard. The Toronto Star, Apr. 23, 1999.
Video Mode
by Stephan Pascher. Merge, 1999, no. 6.
The Importance of Matthew Barney
by Michael Kimmelman. The New York Times Magazine, Oct. 10, 1999.
Touch: Touché
by Marcus Miller. Fuse, Dec. 1999, v. 22, no. 4.
Queer Art Stock-Taking
by Kim Fullerton. Xtra!, Dec. 30, 1999, no. 396.
Gisele Amantea
by Will Straw. C Magazine, Feb. 1999, no. 61.
How girls and boys become who they are
by Cameron Bailey. Now, Apr. 1, 1999, v. 18, no. 31.
Promise: Lady in the Lake: Fluid Forms of Self in Performance Video
by Kathleen P. Adams. Promise, 1999.
dial H-I-S-T-O-R-Y
by Wilson Lee. Lola, Winter 1999, no. 5.
So faraway So Close
by James Lawrence. Contemporary Visual Arts, 1999, no. 24.
Dimitris Kozaris
by Katerina Gregos. Contemporary Visual Arts, 1999, no. 24.
Eija Liisa Ahtila: Time Wounds All Heals
by Terry Myers. art/text, Oct. 1999, no. 66.
Phyllis Baldino
by Sue Spaid. art/text, Oct. 1999, no. 66.
Stan Douglas
by Scott Watson. art/text, Oct. 1999, no. 66.
Gross Pleasure
by Jen Weih. Lola, Summer 1999, no. 4.
Performing Generations
by Jessica Wyman. Lola, Summer 1999, no. 4.
Nature Boy
by Katy Siegel. Artforum, Summer 1999, v. 37, no. 10.
Who's Afraid of Film & Video in Scotland?: The Exhibition of...
by Ann Vance. Variant, Summer 1999, v. 2, no. 8.
Untitled
by Kathryn Walter and Kyo Maclear. Private Investigators: Undercover in Public Space, 1999. Banff: Banff Centre Press, 1999.
dirty laundry and clean technology: can computers ever be innocent?
by Laiwan. Unspecified Source, Oct. 14 Fall, 1999.
A moving picture of reel life: Images Festival reflects street heat
by Peter Goddard. The Toronto Star, Apr. 22, 1999.
True Story
by Sue De Beer. FELIX: A Journal of Media Arts and Communication, 1999, v. 2, no. 2.
Church funds spiritual healing: Help offered to residential school...
by Barbara Aggerholm. The Toronto Star, June 26, 1999.
Seeking the spirit
by Unknown. University Affairs, Feb. 1999.
Strength in Numbers
by Deborah Stratman. Afterimage, Summer 1999, v. 26, no. 6.
A Work For the Love of All at Once: Local artist Kenneth Doren...
by Mikko Canini. The Calgary Straight, Feb. 4, 1999.
Filmmaker looking for a few good women for documentary
by Mary Francis Hill. Westender, May 6, 1999.
After AIDS: Michael Balser and Andy Fabo's "Stamina"
by Darien Taylor. Fuse, Apr. 1999, v. 23, no. 1.
Buds unfold, flowers bloom and artists create at EAG
by Gilbert A. Bouchard. SEE Magazine, Apr. 15, 1999.
Documentary tells a story most of us would rather miss
by Tracy Tjaden. Winnipeg Free Press, Sept. 17, 1999.
Art and the Age of the Digital: Net.art in the age of digital...
by David Ross. San Jose State University, Mar. 2, 1999.
The Art of Estrangement
by Ryszard W. Kluszczynski. Grounded, 1999, no. 2002-II. Warsaw: Kinga Araya, Ryszard W. Kluszczynski, 1999.
The Early Video Project: Les Levine Interview
by Les Levine and Davidson Gigliotti. The Early Video Project, Dec. 9, 1999.
Seeing The Light: Moonstruck: Adam Chodzko illuminates three of...
by Adam Chodzko. The Tate, Summer 1999, no. 18.
Performing the Other: A Consideration Of Two Cages
by Mary Kate Kelly. College Literature, Winter 1999, v. 26, no. 1.
(Brief) Programme Notes
by Ger Zielinski. Dragged out...a studied glance at current radical drag, 1999. home-style, 1999.
The Secret Life of the City
by Lisa Gabrielle Mark. Accidental Audience: Urban Interventions YYZ Publication, 1999.
Would You Rather Be a Cyborg?
by Reva Stone. Poolside, Fall 1999.
Thirza Cuthand
by Shawna Dempsey. Poolside, Fall 1999.
Time Passes: A Review of Nelson Henricks' Video Work: 1986-1999
by Alethea Lahofer. Poolside, Fall 1999.
Beyond the End of Town
by Kathryn Burns. Poolside, Fall 1999.
Don Goodes 'Dangerous' Suburban Videos
by Blair Marten. Poolside, Fall 1999.
Doomsday with Bikini 'Bitches'
by Jaimz Barton. Poolside, Fall 1999.
Shirin Neshat - artist - Interview
by Octavia Zaya. Interview, Sept. Fall 1999.
Surveying The Scene: Excerpts from The D.I.Y. Distro Resource Guide
by Tara Mateik. FELIX VOYEURISM, 1999. New York: The Standby Pogramm, Inc, 1999.
Between Rene Clair and Rene Clemont: The Cool World of Shirley Clarke
by DeeDee Halleck and Shirley Clarke. FELIX, 1999. New York: The Standby Program, Inc., 1999.
Chapter 2: Video Art: Personal Narritives
by Micheal Rush. New Media in Late 20th-Century Art, 1999. New York: Thames & Hudson, 1999.
Vtape: FAQ & info
by Lissa Gibbs. The Independent, July 1999.
Profile: Vtape - Studio 452
by Urban Space staff. 401 Richmond Newsletter, 1999.
Plague Years: a life in underground movies.
by Ger. Zielinski. Parachute, Apr. 1999, no. 94.
Janine Antoni at Luhring Augustine
by Nancy Princenthal. Art in America, July 1999, v. 87, no. 7.
Art terrorists mock the vote
by Nate Hendley. EYE WEEKLY, June 10, 1999.
Feature Film
by Charlotte Mullins. Tate, Summer 1999, no. 18.
Manglano-Ovalle: The Poetics of Tolerance
by Ana Sokoloff. Art Nexus, Feb. Spring 1999, no. 31.
Chilli in your Eyes: La Pasión According to Ximena Cuevas
by Sergio de la Mora. Senses of Cinema, Sept. 1999.
Peter Campus
by John Hanhardt. Bomb, Summer 1999, no. 68.
Virtualities: Television, Media Art, and Cyberculture: Margaret Morse
by Elizabeth Seaton. Canadian Journal of Communication, Nov. 2, 1999, v. 24.
Operetta
by Bernard Lamarche. Le Devoir, Apr. 25, 1999.
With magnifying glass in hand...: Marusya Bociukiw's Nancy Drew &...
by Leanne Johnson. Kinesis, Mar. 1999.
Woman of Steele
by Bert Archer. NOW, July 15, 1999, v. 18, no. 46.
Video Violins: Troublemakers (written, directed and produced by...
by Tim Murphy. Noise Queen, Fall 1999, no. 20.
Contemporary Visual Festival
by Anon. Mix, Fall 1999, v. 25, no. 2.
Guillaume Paris: H.U.M.A.N.W.O.R.L.D.
by Cecile Dazord. Parachute, 1999, v. 100, no. 66.
Hot New Stuff on Video from All Over the World
by Cameron Bailey. NOW, Oct. 21, 1999, v. 19, no. 8.
28 films brefs sur la vie
by Luc Perreault. La Presse, Oct. 20 Fall, 1999.
Artists in their (liquid) element
by Lehmann Henry. The Gazette, Oct. 23, 1999.
Court Métrages: Festival International Nouveau Cinéma Nouveaux Médias
by Éric Fourlanty. VOIR Montréal, Oct. 14, 1999, v. 13, no. 41.
Whiff of Sex Wafts over Brazen Desh Pardesh
by Cameron Bailey. NOW, June 10, 1999, v. 18, no. 41.
Art is African Spiritual Odyssey for Jamaican Artist
by David Johnson.
Confessions of an Unrepentant Intellectual: An Interview with...
by Tania Bolskaya. DiSCORDER Magazine, Nov. 12, 1999.
Marriott's Snarl Becomes a Grin
by Gary Michael Dault. The Globe and Mail, June 26, 1999.
Interview With Kenneth Doren: by Matilda Sanchz on Multimedia and...
by Matilda Sanchez. Hand Held Media, Sept. 1999.
Transactions: Investigations of postcolonial identity
by Rebecca Garrett. Gallery: The Art Magazine From the Gallery Delta, June 1999.
The Archaeology of Origin: Transnational Visions of Africa in...
by Sheila Petty. The Archaeology of Origin, 1999. Montreal: ABC Art Books, 1999.
Loretta Todd: Today Is a Good Day: Remembering Chief Dan George
by Cara Mertes. The Independent, May 1999.
Performance, Video, Texas and Beyond ...: Kinga Araya
by Ed Sinclair. Video Vogue, Winter 1999.
reVISION99
by Nina Czegledy. WRO 99, 1999. Wroclaw: WRO 99, 1999.
NJP Digest: Electronic Art Intermix, New York
WRO99: The 7th Annual International Media Art Biennale, 1999. Wroclaw: WRO99, 1999.
Quietly ruling the roost
by Sheila Johnston and Hadani Ditmars. Sight and Sound, Jan. 1999, v. 9, no. 1.
Johaardien caught off guard by response to AIDS film
by Will Nothacker. The Argus, May 28, 1999.
Steve McQueen
by Barry Schwabsky. Art + Text, Oct. 1999, no. 66.
(untitled)
The Archaeology of Origin: Transnational Visions of Africa in a Borderless Cinema, 1999. Halifax: MSVU Art Gallery and Dunlop Art Gallery, 1999.
(untitled)
Articule 20ans 1979-1999, 1999. Montreal: Articule, 1999.
(untitled)
Blanket Statements, 1999. Banff: The Banff Centre for the Arts, 1999.
(untitled)
Crossroads, 1999. Halifax: The Centre for Art Tapes, 1999.
(untitled)
Canadian Currents, 1999. Toronto: Absolute Choice Curatorial Collective, 1999.
(untitled)
Convergence Divergence> The Merging Film and Video, 1999. Halifax: The Atlantic Filmmakers' Cooperative, 1999.
Signals In Syracuse
by Ann Curran. Afterimage, Jan. 1999, v. 26, no. 4.
Quest for What: Jim Supanick locates the HalfLifers in the video...
by Jim Supanick. Film Comment Magazine, Sept. 1999, v. 35, no. 5.
Artisanal Prefigurations of the Digital: Animating Realities,...
by Maureen Cheryn Turim. Wide Angle, Jan. 1999, v. 21, no. 1.
Artisanal Prefigurations of the Digital: Animating Realities,...
by Maureen Cheryn Turim. Wide Angle, Jan. 1999, v. 21, no. 1.
Body and Screen
by Margaret Morse. Wide Angle, Jan. 1999, v. 21, no. 1.
Jacques Perron: Galerie Oboro, Montreal
by Sylvain Campeau. C Magazine, May 1999, no. 62.
Letter From New York: May 1999
by Dena Shottenkirk. C Magazine, May 1999, no. 62.
Letter from London: May 1999
by Carol Peaker. C Magazine, May 1999, no. 62.
Venitian Views
by Joyce Mason et al. C Magazine, Nov. 1999, no. 63.
Not Laura Secord
by Jamelie Hassan. So, to Speak, 1999. Montreal: Éditions Artextes, 1999.
High-concept filmmaking on a low budget
by Robert Everett-Green. The Globe and Mail, Apr. 24, 1998.
Inside Out/Outside In?
by Andrew James Paterson. Fuse, Spring 1998, v. 21, no. 2.
An Uncertain Market for Video Art
by Marina Isola. The New York Times, Feb. 15, 1998.
Art of the Moment, Here to Stay
by Roberta Smith. The New York Times, Feb. 15, 1998.
on/black/stage/women
by Saada Branker. The Word, Feb. 1998.
Northern Exposure
by Catherine Elwes. Art Monthly, June 1998, no. 217.
A Study of Surfaces: A Review
by Josephine Mills. BlackFlash, Summer 1998, v. 16.1.
Clip Art
by Tralee Pearce. Capital City, Sept. 17, 1998, v. 1, no. 22.
In Lieu: Gary Michael Dault on art installed in washrooms
by Gary Michael Dault. C Magazine, Winter 1998, no. 60.
Gritty art show can fill your mind as you drain your body
by Blake Gopnik. The Globe and Mail, July 16, 1998.
Greyson cuts through culture of sampling
by Peter Goddard. The Toronto Star, July 3, 1998.
Greyson's exuberantly eccentric film defies description
by Douglas Bell. The Globe and Mail, July 3, 1998.
Tomboy on the Bridge: Recent Videos by Sadie Benning
by Kathleen Pirrie Adams. Mix, Winter 1998.
Posers: Alex Bag, Karma Clarke-Davis and Eliza Griffiths
by Ingrid Chu. Lola, 1998, no. 1.
First Vancouver Aboriginal Film Festival A Success
by Ronald B. Barbour. First Nations Drum, Dec. 1998.
Cigarettes, Coffee & Dep Wine
by Nelson Henricks. Fuse, Summer 1998, v. 21, no. 3.
Misfits Together: Paul Wong on art, community and Vancouver in the...
by Richard Fung. Fuse, Summer 1998, v. 21, no. 3.
The Absurdity of Dieting
by Cynthia Sharp. Kinesis, Mar. 1998.
Seven Day Poodle Diet spoofs our obsession with weight loss
by Fiona Hughes. Vancouver Courier, Mar. 1, 1998.
Ethical License
by Blake Gopnik. Canadian Art, Fall 1998, v. 15, no. 3.
Jan Peacock
Jan Peacock, 1998. Halifax: Dalhousie Art Gallery, 1998.
The story is always partial: A conversation with Vera Frenkel:...
by Dot Tuer and Clive Robertson. Art Journal, Winter 1998, v. 57, no. 4.
Total recall: History, memory & new documentary
by Sara Diamond and Gary Kibbins. Trade Initiative, 1998. Vancouver: Satellite Video Exchange Society, 1998.
Steve Reinke: Untitled (I saw my mother being kind to a child)
by Emily Vey Duke. I've forgotten your name, 1998. Vancouver: Anna Leonowens gallery, 1998.
Slow Dance
by Patrik Andersson. Canadian Art, Summer 1998, v. 15, no. 2.
A Thousand Words: Gavriel Orozco talks about his recent films
by Daniel Birnbaum. Artforum, Summer 1998, v. 36, no. 10.
Covering The Spread
by Dale Peck. Artforum, Summer 1998, v. 36, no. 10.
Kelly Mark: Art Gallery of Ontario
by Lisa Gabrielle Mark. Artforum, Summer 1998, v. 36, no. 10.
A Subversive Etiquette: Yoko Takashima delivers sophisticated,...
by Sarah Milroy. Canadian Art, Summer 1998, v. 15, no. 2.
A day in the life of the Carnivalesque: The Corporeal Aesthetics...
by Peter Hudson. Mix, Fall 1998, v. 24, no. 2.
A White Light: A remarkable series of videos recreating Inuit...
by Peggy Gale. Canadian Art, Winter 1998, v. 15, no. 4.
Shooting the breeze with Deb VanSlet
by Amy Barratt. Mirror, July 30, 1998.
The Heart of a Difficult Place: The Way to My Father's Village
by Cameron Bailey. Fuse, July 1998, v. 21, no. 3.
Web film takes a monster step
by Robert Everett-Green. The Globe and Mail, June 24, 1998.
Mike Hoolboom: Fringe Filmmaker Flaunts Subconscious in Ode to...
by Cameron Bailey. Now, Oct. 8, 1998, v. 18, no. 6.
Bill Viola's Video Arcade
by Andrew Solomon. The New York Times Magazine, Feb. 8, 1998.
Picturing the Toronto Art Community: The Queen Street Years
by Phillip Monk. C Magazine, Sept. 1998, no. 59. Toronto: C International, 1998.
More cheese, please: foreskins at the forefront of freedom
by Gordon Bowness. Xtra!, Sept. 18 Fall, 1998, no. 61.
Counter Poses: Re-concevoir le tableau-vivant
by Stephen Horne. Fuse, Fall 1998, v. 21, no. 4.
Fringe romps in visual paradise: rebels don't make money, but they...
by Peter Goddard. The Toronto Star, Jan. 2, 1998.
Installations in Public Washrooms
by Lee Rodney. Fuse, Winter 1998, v. 22, no. 1.
In Lieu: Various Locations, Toronto, July 27 - August 22
by Ingrid Chu. Parachute, July 2, 1998.
Continent-hopping as artistic excercise
by Mariko Kuyama. Japan Times, June 21 Spring, 1998.
Performance art fights bad rap
by Glenn Sumi. Now, Aug. 20, 1998, v. 17, no. 51.
Theatrics have lead role in video art exhibit
by Liam Lacey. The Globe and Mail, 1998.
Nana, George et Moi: Discours multiples
by Élie Castiel. Séquences, Jan. 1998.
Sculpture on site: Walker art center
by Patricia Briggs. Artforum, Nov. 1998, v. 37, no. 3.
Letting Go: the fall in contemporary art
by Jan Allen. C Magazine, 1998.
Empathy, Mutation, Audience
by Simona Lodi. Tony Oursler, 1998. Milano: Edizioni Charta, 1998.
Somalia through an artist's eyes: Work going on display at war museum
by Johnnie Bachusky. The Toronto Star, Jan. 12, 1998.
Lassoing talent for High Performance Rodeo
by Chris Dafoe. The Globe and Mail, Jan. 10, 1998.
Our Collective Fears
by Sherri Telenko. id Magazine, Fall 1998.
Gen X's Close Encounters
by Paul Gessel. The Ottawa Citizen, Sept. 28, 1998.
Video channeling: video art from modernist sculptor Keith Sonnier
by Linda Yablonsky.
Somalia Yellow: Artist Explores Canada's Role in War-Torn Country
by Dinah Clarkson. Calgary Herald, Jan. 1998.
Machine Age: Senor Stereotype
by Austin Bunn. The Village Voice, June 9, 1998, v. 43, no. 23.
Grandpa
by Tony Asimakopoulos. Sawvideo, Mar. 1998.
Being In Pictures: Dorit Cypis' film threat
by Marcus Miller. Hour, Oct. 22, 1998.
The Wonderful, Horrible Images of Florida Sigimondi
by Peter Little. POV, Jan. Winter 1998, no. 33.
Hollywoodism: Jews, Movies, and the American Dream
by Mark Breslin. POV, Fall 1998, no. 35.
Flowers in the dustbin: termite culture and detritus cinema
by Scott MacKenzie. CineAction, 1998, no. 47.
Untitled
1998 British Canadian Video Exchange, 1998. Toronto: Vtape, 1998.
Brave New Girls: moments of rage and beauty. The art of Shawna...
by Robert Enright. Border Crossings, May Spring 1998, v. 17, no. 2.
Writing Video Art
by Jonathan L. Beller. Afterimage, July 1998, v. 26, no. 1.
Stories From a Generation: Early Video at the LA Women's Building
by Cecilia Dougherty. Afterimage, July 1998, v. 26, no. 1.
Machyderm Inc.: Niagra Artists Company, St. Catharines
by Ivan Jurakic. C Magazine, Spring 1998, no. 57.
Pelle Wichmann Northern Exposure
by Anna Maris. Coil, 1998, no. 6.
Video Dance: Sketches on Process & Structure
by Katrina McPherson. Coil, 1998, no. 6.
The Migratory Impulse: Temporality and the Hyper-redundant
by Marcelyn Gow. Coil, 1998, no. 6.
Journey
by Pier Luigi Tazzi. Anish Kapoor, 1998. London: University of California Press, 1998.
Gillian Wearing at Jay Gorney - New York: Review of Exhibition
by Nancy Princenthal. Art in America, Jan. 1998, v. 86, no. 1.
"Blick-Wechsel": (Changing the Point of View) African Video Art
by Unknown. Institut fur Auslandbeziehungen, 1998.
Art Goes to the John
by Alan A. Vernon. EYE WEEKLY, July 2, 1998.
John Marriott
by Lisa Gabrielle Mark. Artforum, Mar. 1998, v. 36, no. 7.
Iñigo Manglano Ovalle: The Garden of Delights
by Maureen P. Sherlock. Iñigo Manglano-Ovalle: The Garden of Delights, 1998. Winston-Salem: Southeastern Center for Contemporary Art, 1998.
Hoolboom ranks with Snow, Weiland, Cronenberg: Indie ace's new...
by Peter Goddard. The Toronto Star, Oct. 9, 1998.
Great Scots: Video artists record what's Glasgowing on
by Keith Marchand. Mirror, Nov. 26, 1998.
Film Review: Yo Yo Gang / Troublemakers
by Tony Arena. Violin Outbreak, Spring 1998, no. 14.
Pixelvisionary: The Grainy World of Sadie Benning
by Dara Gellman. Xtra!, Dec. 3, 1998, no. 368.
Biographical Sketch and Video Notes
by Cliff Eyland and David Askevold. David Askevold: Cultural Geographies, 1998. Charlettetown: Confederation Centre Art Gallery and Museum, 1998.
Man of the Year goes to Don McKellar
by John Scully. NOW, Dec. 24, 1998, v. 18, no. 17.
Videos d'Ecosse: Video From Scotland
by Nikki Forrest. Videos d'Ecosse, 1998. Montreal: articule, 1998.
From Chaos to Creation: Ed Video Screening twelve works at the...
by Michelle Elle Pettis. The Ontario Magazine for Artists, Dec. Winter 1998.
Chaos and Disaster inspires video artists
by Alan Ferris. The Guelph Mercury, Nov. 27 Winter, 1998.
Our Collective Fears
by Sherri Telenko. i-D, Nov. 26 Winter, 1998.
Hey You!
Xtra!, Apr. 23, 1998, no. 352.
Artists take their works to people-friendly mall
by Maryam Sanati. The Globe and Mail, Oct. 12, 1998.
Painting in Time: Robert Armstrong on Painting, Film and Video
by Robert Armstrong. Oval Office, Sept. 1998, v. 2, no. 2.
Lights, Camera, Bad Art: Jeni Baker goes to the movies
by Jeni Baker. Oval Office, Sept. 1998, v. 2, no. 2.
Laura's Theme: Jeni Baker on Laura Gannon's Video Art
by Jeni Baker. Oval Office, Sept. 1998, v. 2, no. 2.
Y f'sait chaud pire qu'en Floride: Installation de Dominique...
by Real Jodoin. Turbulences VIDÉO, Apr. 1998, v. 19.
Video killed the radio star...: But helped the artist go mobile
by Isabel Nunez. Mainichi Daily News, July 7, 1998.
Between the Lines: Valerie Mrejen's words and pictures
by Francis McKee. Coil Journal of the Moving Image, May Spring 1998, no. 6.
Rodeo show puts war artist on the spot
by Martin Morrow. Calgary Herald, Jan. 9, 1998.
Tarting Up Rhubarb!: Diva's Diversity
by John Kaplan and Glenin Sumi. NOW, Jan. 29, 1998, v. 17, no. 22.
David Askevold: The California Years
by Mike Kelley. David Askevold: Cultural Geographies, 1998. Charlottetown: Confederation Centre Art Gallery & Museum, 1998.
The Queen Gets a Makeover: Guillermo Gomez-Pena serves up an...
by Jan Breslauer. Los Angels Times, June 14 Spring, 1998.
All that glitters is Litter: Hard on the trashy trail of art gold
by Kim Fullerton. Xtra!, Apr. 9, 1998, no. 351.
Biographical sketch & video notes
by Cliff Eyland and David Askevold. David Askevold: cultural geographies and selected works, Oct. 1998, v. 45, no. 2. Charlottetown, P.E.I.: Confederation Centre Art Gallery and Museum, 1998.
Scoring Film
by Elizabeth Licata. Afterimage, July 1998, v. 26, no. 1.
(untitled)
Born Under Surveillance, 1998. Vancouver: Video in Studio, 1998.
(untitled)
1998 British Canadian Video Exchange, 1998. Toronto: V tape, 1998.
(untitled)
by Sally McKay and Harold Alegria Ortiz. The Bank of Symbiosis: An Archaeological Intervention, 1998. Toronto: The Symbiosis Collective, 1998.
(untitled)
de très courts espaces de temps/ very short spaces of time, 1998. Paris: Centre national de la photographie, Paris, and Editions Actes Sud, Arles, 1998.
(untitled)
Crossings/Traversees, 1998. Ottawa: National Gallery of Canada, 1998.
Images teems with alternative visions
by Ingrid Randoja. NOW, Apr. 23, 1998, v. 17, no. 34.
Drag queen monks & Bollywood: Queer things are going on behind the...
by Roberta Best. Xtra!, Apr. 23, 1998.
La vidéo à part entière!
by R. D.. Centre France - Dimanche, Mar. 15, 1998.
"Unheimlich" Maneuvers: The Genres and Genders of Transsexual...
by Christie Milliken. The Velvet Light Trap, Spring 1998, no. 41.
The Failure to Assimilate: The Video Works of Cecilia Dougherty
by Leah Gilliam et al. The Failure to Assimilate: The Video Works of Cecilia Dougherty, 1998. New York: Thread Waxing Space, 1998.
Geography, diaspora and the art of dialogism Jamelie Hassan
by Mireya Folch-Serra. Parachute, Apr. 1998, v. 90.
Overcoming the Family Script
by Kelly Mink. Afterimage, Jan 1998, v. 25, no. 4. Rochester: Visual Studies Workshop Press, 1998.
She's Street-Wise and a Stalker
by Sopia Phoca. Third Text, 1998, v. 13, no. 45. Routledge, 1998.
Shaun Gough
by Moritz Gaede. C Magazine, Feb. Spring 1997, no. 52.
Virtuality: Tony Brown
by Petra Halkes. Canadian Art, Spring 1997, v. 14, no. 1.
Steve Reinke
by Lisa Gabrielle Mark. Poliester, 1997, v. 6, no. 19.
Rather Queer Mainstream: Inside Out has something for (almost)...
by Gemma Files. EYE WEEKLY, May 22, 1997.
When Worlds Collide: Queer film fest frames a playful, disturbing...
by Kyla Wazana. Xtra!, May 22, 1997, no. 328.
A Rambling Fireside Commentary on the Seven Dukes of Kleinberg
by Andy Fabo. Fuse, June 1997, v. 20, no. 3.
Jon Greyson, an Uncut above
by Liam Lacey. The Globe and Mail, May 30, 1997.
Elizabeth MacKenzie: The Works, Edmonton
by Blair Brennan. C Magazine, Feb. 1997, no. 52.
Toronto/generator/crossroads
by Peggy Gale. visuell(s), 1997, no. 6.
Harmonious and hazardous couplings: Laboratory exercises in mutuality
by Nada Beros. Martinis Observatorium, 1997