Artist

Lisa Birke

Lisa Birke is an award winning Canadian experimental short film maker who situates between the traditions of painting, digital video and performance art. She has had solo exhibitions across Canada and her short films have been screened at film/video festivals and media centres internationally, including amongst others: Vancouver International Film Festival (Canada), European Film Festival (touring), Athens International Film + Video Festival (USA), InShadow International Festival of Video, Performance and Technologies (Portugal), Cologne OFF X (USA, Israel, India), Cold Cuts Video Festival (Canada), International Short Film Week Regensburg (Germany), SESIFF(Seoul international Extreme-Short Image & Film Festival), POW Fest (USA), and AVIFF (Art Film Festival, Cannes). red carpet was awarded the “Lakehead Juror's Prize” and the “Audience Choice Award” at the Orillia Museum of Art & History in Orillia (Canada) in 2014. The short film Calendar Girls was awarded a “Jury Award for Creative Achievement” at the Arizona International Film Festival (USA), the Jury Award at ForadCamp (Barcelona) and was recently installed at Manif d’/Art (Quebec City Biennale 2017). Birke created projects for CAFKA (Contemporary Art Forum Kitchener and Area), the Kitchener Waterloo Art Gallery in 2016 and has just completed “The Knits” with the support of an Ontario Arts Council Media Artists Project Creation Grant.

Lisa Birke examines notions of ‘self’ through the lens of gender, bringing the cultural tropes of woman into focus and into question. Filmed unaccompanied in the Canadian landscape, absurd yet insightful performative acts become entangled in nuanced and complex narratives in single and multi-channel video works that make reference to art history, mythology and popular culture. Revealing what lies beneath the surface of femininity, her work toys with a conclusion that is problematic, comi-tragic, and most essentially, human.

Videography

The Knits

2017, 10:00 minutes, colour, no dialogue

Endgame

2016, 14:00 minutes, colour, no dialogue

Bombshell

2016, 10:00 minutes, colour, No language

Egg Stock

2014, 08:00 minutes, colour, no language

Happy Days (after Beckett)

2014, 10:00 minutes, colour, English

Calendar Girls

2014, 04:00 minutes, Colour, No Language

Tea Service

2013, 10:45 minutes, colour

looking glass(es) (lost; Stella)

2013, 12:40 minutes, colour

Babe in the Woods Trilogy

2012, 04:00 minutes, colour

Spin Cycle

2012, 01:30 minutes, colour

De-flowering

2012, 08:00 minutes, colour

Bambi Rorschach

2012, 10:00 minutes, colour

Wall

2012, 01:00 minutes, B&W

Northern Exposure (4 Channel Installation)

2011, 13:10 minutes, colour

Critical Writing

V-Tape Founder Shares All
by Clarrie Feinstein. The Newspaper, 2014, v. 37, no. 3.