Artist

Shelley Niro

Shelley Niro was born in Niagara Falls, NY. Currently she lives in Brantford Ontario. Niro is a member of the Six Nations Reserve, Bay of Quinte Mohawk, Turtle Clan. Shelley Niro is a multi-media artist. Her work involves photography, painting, beadwork and film.

Niro is conscious the impact post-colonial mediums have had on Indigenous people. Like many artists from different Native communities, she works relentlessly presenting people in realistic and explorative portrayals. Photo series such as MOHAWKS IN BEEHIVES, THIS LAND IS MIME LAND and M: STORIES OF WOMEN are a few of the genre of artwork. Films include: HONEY MOCCASIN, IT STARTS WITH A WHISPER, THE SHIRT, KISSED BY LIGHTNING and ROBERT’S PAINTINGS.

Shelley graduated from the Ontario College of Art, Honours and received her Master of Fine Art from the University of Western Ontario. Niro was the inaugural recipient of the Aboriginal Arts Award presented through the Ontario Arts Council in 2012. In 2017 Niro received the Govenor General’s Award For The Arts from the Canada Council, The Scotiabank Photography Award and also received from the Hnatyshyn Foundation REVEAL Award. Niro also received the Arts and Culture Award from the Dreamcatcher Charitable Foundation.

Niro continues to produce work reflecting herself and her community.

Videography

Niagara

2015, 05:00 minutes, colour, English / Mohawk

Robert's Paintings

2011, 52:00 minutes, colour, English/Saulteaux

Shelley Niro Compilation

2010, 37:00 minutes, colour/B&W, English

Kissed by Lightning

2009, 89:00 minutes, colour, English

The Flying Head

2008, 05:00 minutes, B&W, English

Hunger

2008, 06:03 minutes, colour

rechargin'

2007, 02:49 minutes, colour

Tree

2006, 05:00 minutes, B&W/colour, soundscape only

Suite: INDIAN

2005, 57:00 minutes, colour, English

The Shirt

2003, 05:55 minutes, colour, English

Sky Woman With Us

2002, 07:00 minutes, colour

Honey Moccasin

1998, 49:00 minutes, colour, English

Overweight with Crooked Teeth

1997, 05:00 minutes, colour, English

Critical Writing

Shelley Niro
by Murray Whyte. The Toronto Star, May 21, 2017.
The Journey's Discovery
by Elizabeth Weatherford. Native Americans on Film: Conversations, Teaching, and Theory, 2013. Lexington: The University Press of Kentucky, 2013.
M: Stories of Women: Shelley Niro
by Sally Frater. M: Stories of Women, Oct 2011.
Decolonizing Colonial Violence: The Subversive Practices of...
by Janice Hladki. Canadian Woman Studies, 2006, v. 25, no. 1-2.
Locus Suspectus: where the hidden comes to light
by Kay Burns. Artichoke, Spring 2005, v. 17, no. 1.
Coming to Video - A Canadian Perspective
by Sandra Vida. Locus Suspectus - Where the Hidden Comes to Light, 2004. Calgary: Truck Contemporary art, 2004.
Reappropriating Redskins: Pellerossasogna (Red Skin Dream):...
by Nancy Marie Mithlo. Visual Anthropology Review, Fall 2004, v. 20, no. 2. Berkeley: University of California Press, 2004.
Seeing and Being Seen in Media Culture: Shelley Niro's Honey Moccasin
by Darrell Varga. CineAction, 2003, v. 61. Toronto: CineAction Collective, 2003.
Untitled
by Kathryn Walter and Kyo Maclear. Private Investigators: Undercover in Public Space, 1999. Banff: Banff Centre Press, 1999.
Transactions: Investigations of postcolonial identity
by Rebecca Garrett. Gallery: The Art Magazine From the Gallery Delta, June 1999.
Interviews with Loretta Todd, Shelley Niro, and Patricia Deadman
by Lawrence Abbott. Canadian Journal of Native Studies, 1998, v. 28, no. 2. Brandon: Brandon University, 1998.