Art at the Edge: NAFTA sparks interest in politically charged Mexican border works
The Arizona Republic, Jan. 16, 1994, pp. F1 & F6
In this article, writer Joyce Valdez writes about the effects of the North American Free Trade Agreement on contemporary Mexican art. The exhibitions focus on "border art' and Latino artists with political messages concerning the cultural relationship between the U.S. and Mexico.
ITEM 1994.070 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Me Quiero Morir – Julio Galan
The Temple of Confessions – Guillermo Gomez-Pena & Roberto Sifuentes