Video Installation and the Poetic of Time
Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the history of Video Art, 2002, pp. 14 - 21
Richmond: Viriginia Museum of Fine Art/University of Washington Press, 2002
The author focuses on the semiotics and sensorium of video installation as opposed to single-channel video works. Interestingly, at one point in her comparison between the two, she quotes critic Michael Rush on the anticipation of contemporary craze with Reality TV by single-channel, performative early video artists such as Vito Acconci and Bruce Nauman.
ITEM 2002.121 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Yuppie Ghetto with Watchdog (1989 - 90) – Paul Garrin
Tall Ships (1993) – Garry Hill
The Greeting (1995) – Bill Viola
Nam June Paik
Bruce Nauman
Vito Acconci
Les Lavines
Frank Gillette
Ira Snyder
The Blair Witch Project (2000)
Blair Witch II
Performance Corridor (1967) – Bruce Nauman`
The World of Nam June Paik (2000) – Nam June paik
Dawn Burn (1979) – Mary Lucier
Noah's Raven – Mary Lucier
Rapture (1999) – Shirin Neshat
Stasi City (1997) – Jane & Louise Wilson
Sip My Ocean (1996) – Pipilotti Rist
electric earth (1999) – Doug Aitken
Through a Looking Glass (1999) – Douglas Gordon
Blue Husk (2001) – Tony Oursler
Viewer (1996) – Gary Hill