Art After the Coup: Interventions by Chilean Women
Fuse, Apr. Spring 1988, v. 11, no. 5, pp. 16-24
An interview with Dimela Eltit and Nelly Richard, conducted by Sara Diamond, investigating the interventionist, site specific, feminist work featured in Women Art and the Periphery. The discussion is based around contemporary theoretical and artistic practice in South America, specifically Chile. The work of the performance group CADA is discussed.
ITEM 1988.073 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Sobre Arte Y Politica – CADA
Popsicles – Gloria Camiruaga
El Padre Mio – Diamela Eltit, Lotty Rosenfeld
700 Planos Para Kafka – Sandra Quilaqueo
Una Herida Americana ("And American Wound") – Lotty Rosenfeld
28 Son Mis Dias – Paulina Aquilar
Fragil – Magali Meneses
Topologia – Soledad Farina
Delito Persistente – Luz Donoso
Yo No Le Tengo Miedo A Nada – Tatiano Gaviola
Confidencias – Soledad Farina
El Pan Neustro – Gloria Camirugga
La Comida – Sybil Brintrup, Magali Meneses