Curator Bruce Grenville assembles a two-part show at the Mendel Art Gallery in Saskatoon. Entitled Corpus I and Corpus II respectively, the show presents work by artists focusing on issues surrounding the body. The division between the shows is a historical one; Corpus I features work by Canadians known as part of the post-minimalist movements in the 1970s. Corpus II, then, is an extension of many of the same themes and ideas with a more contemporary approach. The majority of the work is by female artists, exploring fragmented parts of the body, rather than the body as a whole. Thematically, Corpus I and Corpus II straddle the same ground; one merely serves as a historical precedent for the other. Citing Earle Birney, the author asserts that Canada finally has some skeletons in the closet worth seeing.