Of Bicycles and Films: The Case of Cinecycle
Public, 2010, no. 40, pp. 90-100
Janine Marchessault recounts the development of Toronto's CineCycle as an important venue for experimental cinema by looking at Martin Heath's past efforts in promoting a unique cinema space. Marchessault goes on to address the ways in which CineCycle contributes to the cultural scene in its dedication to film and media history.
ITEM 2010.098 – available for viewing in the Research Centre