Maddin and Melodrama
Canadian Journal of Film Studies, Fall 2005, v. 14, no. 2, pp. 2-17
While often described as hilarious or absurd, the author identifies an element of unironic seriousness in Guy Maddin's films. Employing pastiche of silent cinema as a narrative tactic, Maddin's melodramatic art may stem from the failures and repression in contemporary society. Lastly, for Beard, Maddin's films fall under the distinct realm of Canadian melodrama.
ITEM 2005.200 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Tales from the Gimli Hospital – Guy Maddin
Archangel – Guy Maddin
Cowards Bend the Knee – Guy Maddin
The Saddest Music in the World – Guy Maddin