The Nothing Act: Alix Pearlstein thwarts her actors' standard techniques in order to heighten a viewer's awareness of video-mediated perception
Art in America, Apr. 2003, pp. 82-87
A critical review of the the work of Alix Pearlstein. The video installations discussed explore themes of mirrors, representation and mediated reality, using actors, who are watched as they watch back, embodying neutrality within anonymous spaces.
ITEM 2003.155 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Moves in the Field – Alix Pearlstein
The Drawing Lesson – Alix Pearlstein
Two Women – Alix Pearlstein