Current and Upcoming

VIDEO OF THE MONTH: Shooting Stars Remind Me of Eavesdroppers, by Maha Maamoun

VIDEO OF THE MONTH: Shooting Stars Remind Me of Eavesdroppers, by Maha Maamoun

For April’s Video of the Month, we invited our Young Canada Works Intern, Fiona Enright, to select something she had seen from the hundreds of videos she has watched and catalogued over the past several months. Here’s what Fiona has to say about her choice:

“Poetic and sensorially rich, Maha Maamoun’s Shooting Stars Remind Me of Eavesdroppers transports viewers to a resplendent day in Cairo’s al-Azhar Park. Amidst the ambient hum of urban life, the rustle of wind through greenery, and the careful movements of egrets, a couple navigates intimacy and truth through a conversation on eavesdropping. The video opens with a cosmic allegory of ever-watchful stars, evoking the transgressive and voyeuristic dimensions of listening in on others. It implicates the viewer in the very transgression it contemplates, raising the question of whether we might be punished by the cosmos for our own eavesdropping.”

 

 

Shooting Starts Remind Me of Eavesdroppers
Maha Maamoun (Egypt, 2013, 4:45, Arabic w/English subtitles)

Maha Maamoun is an Egyptian video artist, photographer, curator and publisher based in Cairo. Her videos and photographs often address the form and function of images that are found in mainstream culture, acting as a lens through which we see familiar images in novel and insightful ways. She makes subtle interventions in photographic material that she captures on camera or borrows from various sources: through an unusual crop, a seamless edit, an odd juxtaposition, an incongruent photomontage, a staged remake, Maamoun shakes up our expectations and toys with our perceptions.

With a keen eye for the absurd and a dark sense of humor, Maamoun’s work pulls on emotional, psychological and cerebral strings. She has been known to reflect on generic and overused national symbols and the ways in which they have been appropriated to construct personal narratives and collective histories. Since 2007, she has completed a succession of projects that take as their starting point the Pyramids of Giza as a visual and literary image

KYOKO MICHISHITA in April: Vtape meets e-flux Film Staff Picks!

KYOKO MICHISHITA in April: Vtape meets e-flux Film Staff Picks!

Vtape is excited to announce the first in a projected cycle of occasional collaborations with New York-based e-flux, a powerhouse of critical writing, curatorial projects, and online access. For this first presentation, e-flux Staff Picks makes three very different works by Japanese filmmaker and video artist, writer, translator, and feminist icon Kyoko Michishita available for the month of April!

See the intimate personal documentary Being Women in Japan Series: Liberation Within My Family (1974); Video Portraits – Men: Shuntarō Tanikawa (1982), one of a series of brief, witty portraits of male cultural figures; and the monumental 16mm film Cherry Blossoms (1975), which draws out a minatory aspect in the traditional springtime sight of cherry trees in bloom, with music by Toshi Ichiyanagi.

 

Image credit (home page): Being Women in Japan Series: Liberation Within My Family, by Kyoko Michishita (1974)

 

This is the Feminist Archive: Mystery & True Crime!

This is the Feminist Archive: Mystery & True Crime!

 

Thursday, May 30th, 7:00 p.m.
Bachir/Yerex Presentation Space, 4th floor, 401 Richmond St. West
Curated by Marusya Bociurkiw

 

 

Melodrama, satire, and activist experimentation co-exist in these stories of women searching for truth, blood, and revenge. The crimes are domestic, artistic, war-related, historic, political. Suspense builds, humour rises, the knives come out. Is patriarchy a mystery that can be solved?

Sari Red, Pratibha Parmar (UK, 1988. 12:00)
A South Asian woman is killed by white fascists in 1985. This classic of the Black British film movement uses iconography from Indian culture and religion to explore racial violence, particularly as it impacts South Asian women. Still relevant today, Sari Red criminalizes colonial thinking. (VTAPE)

Pretending We Were Indians,Katharine Asals (Canada,1988 3:00)
A mystery propelling many dramatic narratives is the question of paternity, and blood. Here, the filmmaker ponders rumours of her Indigenous ancestry. (CFMDC).

The Scientific Girl, Kim Derko (Canada, 1988 18:00)
This film makes complex connections between Charcot’s  19th century photographs of female “hysterics”, and 1940’s Hollywood melodrama. Here, the medical apparatus attempts to solve the mystery of the female psyche with invasive technologies. Good news: Scientific Girl is on it!

Eyes Skinned, Mona Hatoum (UK, 1988. 04:00)
A woman must destroy the veil of mystery, silence, subjection – “skinning” her eyes to return the gaze. An early performance work from this world-renowned British Palestinian artist. (VTAPE)

Crossing the Line, Hope Thompson (Canada, 1995 6:00)
A turn-of-the-century crime story exploring the outer limits of the debutant psyche, and the mysteries and transgressions of the non-binary body. (CFMDC)

It Happened in the Stacks, Hope Thompson (Canada, 1997 9:00)
A lesbian librarian, a femme fatale, and Sky Gilbert playing a posh version of himself. This melodrama, beautifully shot by Kim Derko in film noir style has it all: romance, crime, punishment. In an era (the late 1990’s) of lipstick lesbians and the mainstreaming of queer culture, this film makes a case for old-school mystery. (CFMDC)

YOUR 15 MINUTES JUST BECAME ETERNITY: Videos by Genesis P-Orridge & Affiliates

YOUR 15 MINUTES JUST BECAME ETERNITY: Videos by Genesis P-Orridge & Affiliates

Bachir/Yerex Presentation Space, 4th floor, 401 Richmond St W
Thursday, May 28, 2026, 6:30 p.m.

Curated by Hailey Kobrin

 

Art Metropole and Vtape are pleased to present Your 15 Minutes Just Became Eternity, a screening taking place on Thursday May 28, 2026. This program re-screens video artworks by Genesis P-Orridge and h/er affiliates in full for the first time in over two decades. The program of five videos was originally curated by Scott Treleaven for a presentation at Lee’s Palace on November 23, 2000 that accompanied a performance by P-Orridge’s Thee Majesty. The selection of works are “cut-ups,” speaking to P-Orridge’s disgusting, glamorous and complex exploration of the limits of the human body and h/er spiritual investments in disrupting control through creative action. 

This screening is a free event that will take place at the Bachir/Yerex Presentation Space at 401 Richmond Street W. As capacity is limited, we ask that you pre-register at this link.

Videos featured:

  1. Coumdensation Mucus, 33:06, 1974, Genesis P-Orridge & COUM Transmissions.
  2. Music for Starecase and Stocking Top, 33:21, 1974, Genesis P-Orridge & COUM Transmissions.
  3. Pirates: William Burroughs in London, 15:00, 1982, dir. Antony Balch.
  4. Catalan, Psychic TV, music video, 5:25, 1984, dir. Derek Jarman.
  5. Process Is…, 8:21, 1994, Process Media Labs.

Content note: the videos in this program feature pornographic content and performances involving real and simulated violence. 

Your 15 Minutes Just Became Eternity is co-presented by Art Metropole and Vtape, with support from Hemispheric Encounters. This screening is presented in association with Art Metropole’s exhibition Correspondence by Artists: Genesis P-Orridge, on view from April 8–May 31, 2026.

 

 

Celestial Queer: The Life, Work, and Wonder of James MacSwain

Celestial Queer: The Life, Work, and Wonder of James MacSwain

Friday, May 8
Doors 6:30 p.m., show starts at 7:00 p.m.
CineCycle (129 Spadina Ave., rear)
Admission $12 in advance, $15 at the door; get tickets here

 

Equal parts art project, history lesson, and whimsy, Celestial Queer: The Life, Work, and Wonder of James MacSwain offers a portrait of an artist who defied convention for a life lived on his own terms. Directors Eryn Foster and Sue Johnson spent a decade checking in with the witty, erudite MacSwain as he moved about his life in north end Halifax, returned to his tiny rural hometown of Amherst, Nova Scotia—where he grew up, unable to pass for straight, in the 1950s—and discussed his lifelong, wildly inventive art practice. The playful, queer work is cut out, glued together, and sung into intricate collages, analogue films combining handmade animation with documentary, and provocative exhibitions. Johnson and Foster, who knew MacSwain for decades until his death in 2025, combine myriad formats in the production (including 16mm, Super-8, and digital video) for an intimate patchwork celebration reflective of their subject’s own body of work. Celestial Queer now stands as an elegy for a man who was defiantly original, internationally renowned, and an icon of artistic integrity. James MacSwain lived how he wanted—unabashed, uncompromising, and unforgettable.

Co-presented with Canadian Filmmakers Distribution Centre & Inside Out

Canadian tour supported by the Canada Council for the Arts & Arts Nova Scotia