Video

Light Work I

Jennifer Reeves

2006, 08:12 minutes, colour, English

TAPECODE 933.01

Light Work I is a haunting and impressionistic video that connects the industrial and medical transformations of the early-mid 20th Century, with the present day digital revolutions in music and independent film, and the implied demise of 16mm film.

Light Work I sprung out of an immersive Expanded Cinema Performance (multiple 16mm projection, live music) created by collaborators Jennifer Reeves and Anthony Burr. Light Work I uses uncompressed High Definition Video to record the process of making this longer direct-on-16mm-film work, and composites extreme-close-up High Definition documentation of this physical process with the 16mm motion picture created. The soundtrack is a layered mix of multi-tonal bass clarinet, organ, electronics and sine waves, creating a musical composition out of both “real world” analog instruments and the invisible digital realm.

Symbols of 20th Century science, industry, medicine and madness are mixed in rhythmic molecular forms, morphing frequencies and colorful visual textures. Educational films (depicting factory assembly lines, X-rays, scientific experiments, etc.) are sewn together with melted down pharmaceuticals affixed directly to the film. Century-old physical direct-on-film work converges with the latest HD format "destined to render film obsolete". Formats compete for dominance and resolve to coexist, perhaps in a fantasy world.

Note: The audio is meant to start low and then it peaks very high at 7:20.

Rental and Sales

Single Screening Rental

$85.00

Educational Purchase DVD (Bluray +$15)

$260.00

5 Year Educational Streaming License, Digital File with DVD Circulation Copy

$550.00

Gallery Exhibition and Installation, complete Media Request form for quote

Institutional Archival Acquisition, complete Media Request form for quote

Curators and programmers, please contact distribution@vtape.org to receive a login and password to preview Vtape titles online.

Screening and exhibition rentals and archival acquisitions include public performance rights; educational purchases or licenses include rights for classroom screenings and library circulation. When placing an order the customer agrees to our general online terms and conditions. Payment (or a purchase order number) and a signed licensing agreement must be received before media can be shipped to the client.