Video

Untitled

Chris Boni

2012, 04:30 minutes, Colour, No language

TAPECODE 1072.01

Interspersed between cosmic trajectories of light which are cued to musician Zuzia Juszkiewicz’s stinging string instrumentals, Untitled documents a few days of obsessive looking and seeing in and around New York City. By utilizing the low-image quality on a cheap Sony miniDV camera, moments, events, and objects are fractured by the shaky hand-held aesthetic, allocated to mirages of pixels and colours while we snap through a trajectory of happened-upon objects and moments. Images turn to poems and sound turns into sirens.

Rental and Sales

Single Screening Rental

$90.00

Educational Purchase DVD (Bluray +$15)

$260.00

5 Year Educational Streaming License, Digital File with DVD Circulation Copy

$550.00

Gallery Exhibition and Installation, complete Media Request form for quote

Institutional Archival Acquisition, complete Media Request form for quote

Curators and programmers, please contact distribution@vtape.org to receive a login and password to preview Vtape titles online.

Screening and exhibition rentals and archival acquisitions include public performance rights; educational purchases or licenses include rights for classroom screenings and library circulation. When placing an order the customer agrees to our general online terms and conditions. Payment (or a purchase order number) and a signed licensing agreement must be received before media can be shipped to the client.

Critical Writing

Empty History: Un-Working Queer Progress
by Adam Barbu. Toronto: Vtape, 2019.
Narrative mashups engage viewers: Presentation House Gallery...
by Kevin Griffin. Vancouver Sun, May 6, 2010.
Queer View: Presentation House Gallery exhibition rewrites...
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Bridging the gap between war's myth and reality
by Andrea Carson. The Globe and Mail, Feb. 27, 2008.
Shadow Play
by Rafay Agha. The Medium, Jan. 21, 2008.
The art on war: The Blackwood and Justina M. Barnicke galleries...
by Andrea Grassi. The Medium, Jan. 14, 2008.
Auto Emotion: Autobiography, Emotion and Self-Fashioning
by Matthew Hyland. Switch, Summer 2008, no. 1.2.
TBA:07: Event Details: The Portland Institute of Contemporary Art
by The Portland Institute of Contemporary Art. PICA.org, Aug. 2007.
The Inspiration of Home
by November Paynter and Koken Ergun. PAJ: A Journal of Performance and Art, Jan. 2007, v. 29, no. 1.
The Next Big Thing: Supernovas
by Amy Karlinsky. Fuse, 2006, v. 29, no. 3.
The Mumbai Container
by Johan Pijnappel. Leonardo, Aug. 2006, v. 39, no. 4.
Vampire Video: Time in the Art of Aida Ruilova
by Barry Schwabsky. Afterall, Spring 2006, no. 13.
We Loved Getting Tested!
by Shawna Dempsy. Poolside, 2005.
what it feels like for a girl
by Tara Marshall. Canadian Art, Summer 2004, v. 21, no. 2.
Marina Abramovic: Witnessing Shadows
by Peggy Phelan. Theatre Journal, 2004, v. 56.
Jayce Salloum: Everything and Nothing and Other Works From The...
by ?. GALLERY-101, 2003. Ottawa: The Canadian Council for the Arts, 2003.
Tranz<->Tech Toronto International Media Art Biennal 2003
by Dara Gellman. Toronto: Vtape, 2003.
Occupied Territories: Mapping the Transgressions of Cultural...
by Molly Hankwitz and Jayce Salloum. Framework: The Journal of Cinema and Media 43.2, Fall 2002, v. 43, no. 2.
occupied territories
by Molly Hankwitz. Front, Nov. 2001, v. 12, no. 5.
Digital Identity: Introduction
by Elizabeth Kidd and Liane Davison. Digital Identity, 2000. Surrey: Surrey Art Gallery, 2000.
Tranz<->Tech 1999 Catalogue
Toronto: Vtape, 1999.
Images fest has a thing for sex
by Cameron Bailey. Now, Apr. 22, 1999, v. 18, no. 34.
A moving picture of reel life: Images Festival reflects street heat
by Peter Goddard. The Toronto Star, Apr. 22, 1999.
Great Scots: Video artists record what's Glasgowing on
by Keith Marchand. Mirror, Nov. 26, 1998.
Videos d'Ecosse: Video From Scotland
by Nikki Forrest. Videos d'Ecosse, 1998. Montreal: articule, 1998.
Videos d'Ecosse: Video From Scotland
by Sally McKay and Harold Alegria Ortiz. The Bank of Symbiosis: An Archaeological Intervention, 1998. Toronto: The Symbiosis Collective, 1998.
In Sight: Media Art from the Middle of Europe (Introduction):...
In Sight: Media Art from the Middle of Europe, 1995. Toronto: YYZ Artists' Outlet, 1995.
In Sight: Media Art from the Middle of Europe (Introduction):...
Beauty #2, 1995. Toronto: The Power Plant, 1995.
The Power Plant
by Unknown. Art Line, Sept. 1993.
Arts and Review: Mayworks
by Anisha Virani. The Peak, May 9, 1991, v. 79, no. 1.
Putting All your Eggs in One Basket: A Survey of Single-Shot Film
by Scott Macdonald. Afterimage, Mar. 1989, v. 16, no. 8.
Introduction
by Clive Robertson. Forbidden Representations: An exhibit of lesbian art, 1988. Ottawa: Galerie Saw Video, 1988.
The New Sleep: Stasis and the Image-Bound Environment
by Tricia Collins and Richard Milazzo. Art Journal, Fall 1985, v. 45, no. 3.
Video Refractions
by Goldie Rans. C Magazine, 1984, no. 3.
Production and the Axis of Sexuality
by Barbara Fischer and Anna Gronau. Production and the Axis of Sexuality, July 31, 1984. Banff: The Banff Centre, 1984.
It's the thought that counts: video as attitude
by Catherine Lord. Afterimage, Oct. 1983, v. 11, no. 3.
All the Faces are Us: An Interview with Tom Chomont
by Scott Macdonald. Afterimage, Summer 1981, v. 9, no. 1 & 2.
222 Warehouse
by Judith Doyle. Parachute, Fall 1980, no. 20.
Reviews: Hannah Wilke, Keith Sonnier, Douglas Davis, Peter Campus,...
by James Collins et al. Artforum, June 1974, v. 12, no. 10.
Joan Jonas: Making the Image Visible
by Noel Carroll. Artforum, Apr. 1974, v. 12, no. 8.
Videoscape
by Marty Dunn et al. Toronto Ontario: Art Gallery of Ontario (AGO), 1974.
Theater of the Conceptual: Autobiography and Myth
by Robert Pincus-Witten. Artforum, Oct. 1973, v. 12, no. 2.
Video at NSCAD
by Gary Neill Kennedy. artscanada, Oct. 1973, v. 30, no. 4.
Los Angeles: Bruce Nauman Exhibition at the Nicholas Wilder Gallery
by Joseph Young. Art International, Summer 1970, v. 14, no. 6.
Art & Technology- The New Combine
by Douglas Davis. Art in America, Jan. 1968, v. 56, no. 1.