Critical Writing Index

Temporal Interventions: The videotapes of Bill Viola

by Marita Sturken

Afterimage, Summer 1982, v. 10, no. 1 & 2, pp. 28-31

Author Marita Sturken talks to artist Bill Viola and reviews his retrospective show which was held at the Whitney Museum in New York City in April 1982, and followed his return from an artist in residence stint with Sony Corporation at their Atsugi plant in Japan.

Viola's art deals largely with the central themes of human consciousness and experience and cycle - birth, death, love, emotion and a kind of humanist spirituality. An ongoing theme that Viola constantly explores is dualism, the idea that you can't understand what you're looking at unless you know its opposite. For example, a lot of his work has themes such as life and death, light and dark, stressed and calm, loud and quiet, etc.

ITEM 1982.067 – available for viewing in the Research Centre

Videos, Artworks and Artists Cited

Hatsu-Yume / First DreamBill Viola

The Reflecting PoolBill Viola

MoonbloodBill Viola

Bill Viola

Silent LifeBill Viola

Ancient of DaysBill Viola

Vegetable MemoryBill Viola

Chott el Djerid (A Portrait in Light and Heat)Bill Viola

Sweet LightBill Viola

The Morning After the Night of PowerBill Viola

Truth through Mass IndividuationBill Viola

The Space between the TeethBill Viola

Migration