Minimal Exercise: William Anastasi/Coincidents
Afterimage, Mar. 1981, v. 8, no. 8, p. 12
This review of William Anastasi's 1981 show, Coincidents, at the Whitney Museum analyses the reflexive nature of Anastasi's video and photographic installations. Further, it questions the effectiveness of his minimalist, self-referential process.
ITEM 1981.046 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Exploit – William Anastasi
Transfer – William Anastasi
What Was – William Anastasi
Microphone – William Anastasi
Framing of the Period – William Anastasi
Nine Polaroid Photographs of a Mirror – William Anastasi