Crónica de Milán
Goya Revista de Arte, May 1975, no. 126, pp. 369-371
A review of a series of exhibitions of conceptual and body art in Milan, which included a collection of American and European video art. The programme of videotapes was projected on three channels simultaneously. The author posits video as a tool initially developed by American subcultures. He acknowledges video is heavily influenced by Marshall McLuhan, and imagines video as a new sensory organ.
ITEM 1975.053 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Video Buda – Nam June Paik
Unisono – Giulio Paolini