First, a short announcement regarding the new distribution methods of Peter Bolch and his company Twenty Four Frames, specifically the availability of 'new cinema' in Europe.

Second, a commentary about the showcase of experimental film on British TV, specifically on the show The Old Grey Whistle Test. The author is outraged at the shows disrespectful attitude towards experimental film and its makers, and calls for a time to devote a space on television for experimental film and video art.