The Passion for Perceiving: Expanded Forms of Film and Video Art
Art Journal, Fall 1985, v. 45, no. 3, pp. 213-216
Hanhardt contributes to the issues of interpretation theory in discussing the expanded forms of film and video art through the works of artists Morgan Fisher, Benni Efrat, Peter Campus, and Buky Schwartz. The highlighted installation works share a conscious implication of the spectators through a strategic manipulation of points of view.
ITEM 1985.092 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Ohio at Giverny (1983) – Mary Lucier
Time Zones (1980) – Ira Schneider
The Head of the Dragon (1981) – Francesc Torres
Episodic Generation (1979) – Paul Sharits
Steam Screens (1979) – Stan VanDerBeek & Joan Brigham
The Judas Window (1982) – Leandro Katz
North Light (1979) – Morgan Fisher
Putney Bridge (1976) – Benni Efrat
Mem (1975) – Peter Campus
Yellow Triangle (1979) – Buky Schwartz