Capital City, Sept. 17, 1998, v. 1, no. 22, p. 12
This review of John Greyson's Uncut focuses on how Greyson combines the politics of privacy, circumcision hype and the corruption of copyright.
ITEM 1998.005 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Uncut – John Greyson