Lynne Marsh
Border Crossings, Mar. 2009, no. 109, pp. 84-88
In this article, Campbell reviews Lynne Marsh, an exhibition featuring three of Lynne Marsh's video works: Ballroom, Stadium, and Camera Opera. Campbell describes how all three of these works engage themes of theatricality and temporality, private bodies, and philosophical ideas about architecture. Although Marsh's work interacts with the ideas of some philosophers, Campbell claims her work shows a more feminist take on these ideas.
ITEM 2009.085 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Ballroom – Lynne Marsh
Stadium – Lynne Marsh
Camera Opera – Lynne Marsh