Materialist Feminism for the Twenty-first Century: The Video Essays of Ursula Biemann
Oxford Art Journal, 2007, v. 30, no. 2, pp. 205-232
The author writes of Ursula Biemann's video essays, marking them as a new form of materialist feminist cinema, which also makes discusses the hybrid practice of, and complex relationship between, art and documentation in video production. It is claimed that, though this practice, Biemann moves beyond the postmodern idiom and re-politicizes femininity.
ITEM 2007.177 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited
Performing the Border – Ursula Biemann
Writing Desire – Ursula Biemann
Remote Sensing – Ursula Biemann