Stressing the "almost fetishistic accumulation of empty AZT pill vials" for the performance "The Glade", Fabo elaborates on Native artist Longboy's "totemic expressionism", his quasi-painterly video practice, and his recourse to technology. The text read during the performance and photographs are reproduced. Beharry contributes a tale about a woman and a bird. [Source of quoted text: artexte's online database description for the catalogue]