An Ordering Madness: The 40th Venice Biennale
Vanguard, Dec. 1982, v. 11, no. 9 & 10, pp. 8-11
This article, written by video artist Vera Frenkel, provides a critique of the 40th Venice Biennale and finds that it fails in representing a wide of array of international artists, women artists, and promotes a theme that lacks relevance.
ITEM 1982.030 – available for viewing in the Research Centre
Videos, Artworks and Artists Cited