"An affecting birth-to-maturity account of a woman's troubled relationship to her Islamic upbringing. Nanji's trenchant third-person narrative unfolds, with Mississippi Masala star Sarita Choudhury appearing in a number of tableaux designed to evoke a search for personal space, amidst the web of necessities of a cultural tradition." -Cameron Bailey
A poetic consideration of the politics of self-fulfilment.
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