Video

Backstage at the Walker : An Archeology of the Permanent Collection

Dorit Cypis

1996, 20:00 minutes, B&W

TAPECODE 479.09

Documentation of commissioned project for youth K-12, at the Walker Art Center.

Artist Dorit Cypis has transformed the Art Lab into the wings and backstage area of a theater filled with bits and pieces representing artworks and their labels as they are installed in the Walker's Permanent Collection Galleries. With various levels of complexity, visitors can choose props, images, projections, backdrops, sounds, text and lighting to animate unique relationships between themselves, works of art and the historical events that engendered their creation. To name just a few, there are backdrops from paintings by Polke and Warhol, hand puppets from Hartley and Saar, body shields from Wesselman and Marc, shadow puppets from Davis and Roszak, seating from Judd and Warhol, projections of historical characters mentioned in the permanent collection labels. In effect, this installation allows visitors to create short theatrical productions that animate their relationships to 20th century artworks they see on their Gallery Tour.

Designed primarily for the thousands of school children that visit the Walker, "Backstage at the Walker" provides a learning context based on interactivity, inviting the identities of the viewer to participate in the meaning of the artwork. This project, part of the Walker Art Center's "New Definitions/New Audiences" initiative, is made possible by the Lila Wallace-Reader's Digest Fund.

Rental and Sales

Single Screening Rental

$190.00

Educational Purchase DVD (Bluray +$15)

$260.00

5 Year Educational Streaming License, Digital File with DVD Circulation Copy

$550.00

Gallery Exhibition and Installation, complete Media Request form for quote

Institutional Archival Acquisition, complete Media Request form for quote

Curators and programmers, please contact distribution@vtape.org to receive a login and password to preview Vtape titles online.

Screening and exhibition rentals and archival acquisitions include public performance rights; educational purchases or licenses include rights for classroom screenings and library circulation. When placing an order the customer agrees to our general online terms and conditions. Payment (or a purchase order number) and a signed licensing agreement must be received before media can be shipped to the client.