Coco Fusco
Coco Fusco is an interdisciplinary artist and writer based in New York. She is a recipient of a 2023 Free Speech Defender Award from the National Coalition Against Censorship, a 2021 American Academy of Arts and Letters Art Award, a 2021 Latinx Artist Fellowship, a 2021 Anonymous Was a Woman award, a 2018 Rabkin Prize for Art Criticism, a 2016 Greenfield Prize, a 2014 Cintas Fellowship, a 2013 Guggenheim Fellowship, a 2013 Absolut Art Writing Award, a 2013 Fulbright Fellowship, a 2012 US Artists Fellowship and a 2003 Herb Alpert Award in the Arts.
Fusco's performances and videos have been presented at the 56th Venice Biennale, the Sharjah Biennale, Frieze Special Projects, Basel Unlimited, three Whitney Biennials (2022, 2008, and 1993), and several other international exhibitions. Her works are in the permanent collections of the Museum of Modern Art, The Walker Art Center, The Art Institute of Chicago, The Whitney Museum, the Centre Pompidou, and the Museum of Contemporary Art of Barcelona. A retrospective entitled Tomorrow I Will Become an Island opened at KW Institute of Contemporary Art in Berlin in September, 2023. An accompanying monograph with the same title was published by Thames & Hudson.
Fusco is the author of Dangerous Moves: Performance and Politics in Cuba (2015). She is also the author of English is Broken Here: Notes on Cultural Fusion in the Americas (1995), The Bodies that Were Not Ours and Other Writings (2001), and A Field Guide for Female Interrogators (2008). She is the editor of Corpus Delecti: Performance Art of the Americas (1999) and Only Skin Deep: Changing Visions of the American Self (2003). She contributes regularly to The New York Review of Books and numerous art publications.
Fusco received her B.A. in Semiotics from Brown University (1982), her M.A. in Modern Thought and Literature from Stanford University (1985), and her Ph.D. in Art and Visual Culture from Middlesex University (2007). Fusco is a Professor at the Cooper Union School of Art.
Artist Code: 897
Videography
TED Ethology: Primate Visions of the Human Mind
2015, 50:00 minutes, colour, English
2006, 59:00 minutes, colour, English
1995, 27:00 minutes, colour, English & Spanish
The Couple in the Cage: a Guatinaui Odyssey
1993, 30:00 minutes, colour, English, Spanish, also available Closed Captioned
Critical Writing
by . Moving Image Review & Art Journal (MIRAJ), 2015, v. 4, no. 1&2.
by . Journal of Iberian and Latin American Research, Dec. 2012, v. 18, no. 2.
by . Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.
by . Barcelona: Centre de Cultura de Dones, 2009.
by . Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
by . TDR: The Drama Review, 2008, v. 52, no. 1.
by . Museums and the Web 2005: Proceedings, Mar. 31 Spring, 2005.
by . Art in America, Nov. 2005, v. 93, no. 10.
by and . The Drama Review, Summer 2003, v. 47, no. 2.
by . Nka: Journal of Contemporary African Art, Fall 2002, no. 16/17.
by . Sexuality & Culture, Summer 2000, v. 4, no. 3.
by . College Literature, Winter 1999, v. 26, no. 1.
by and . Visual Anthropology Review, Spring 1995, v. 11, no. 1.
by . Afterimage, May 1990, v. 17, no. 10.