Artist

The Clichettes were active in Toronto from 1978 to 1992. With choreography in their collective backgrounds, Louise Garfield, Janice Hladki and Johanna Householder came together to form The Clichettes, a highly suspect girl-group which used lip-sync as a vehicle for political satire. Throughout the 80s they performed at countless benefits and art events.They developed four feature-length theatrical extravaganzas: Half- Human, Half-Heartache (1980), She-Devils of Niagara (1985), Up Against the Wallpaper (1988/89) and Out for Blood (1990), all of which received popular and critical acclaim for their bizarre blend of pop culture spoof and sci-fi feminism laced with a high camp aesthetic. In 1984, The Clichettes won the National Lip-Sync Championships in Houston, Texas.

Videography

Go to Hell

1986, 02:15 minutes, colour, English

She Devils of Niagara: Act 2

1985, colour, English

She Devils of Niagara: Act 1

1985, colour, English

Critical Writing

Tanya Lukin Linklater's Choreography of Space
by Kari Cwynar. Inuit Art Quarterly, 2916, v. 29.2.
Night Raiders director Danis Goulet on why setting Indigenious...
by Radheyan Simonpillai. Night Raiders director Danis Goulet on why setting Indigenious stories in the future is activism, Mar 2, 2021. Now Toronto, 2021.
Woody Vasulka, Whose Video Art Extended Boundaries, Dies at 82
by Richard Sandomir. The New York Times, January 1, 2020.
Videopoetry Vol. 1
by Daniel H. Dugas and Valerie LeBlanc. Small Walker Press, 2020.
Planetary thinking: Re-encountering Nancy Holt's and Robert...
by Maria Walsh. Moving Image Review & Art Journal, 2020, v. 9, no. 2. Intellect Ltd, 2020.
Inside Out 2019 Women Directors
by Rachel Montpelier. Women and Hollywood, May 24, 2019.
Isuma Is a Cumulative Effort
by assinnajaq. Canadian Art, april 22, 2019.
Outer Worlds
by Jesse Cumming. Canadian Art, May 23, 2019.
To Salvage an Archive
by Jasmine Jamillah Mahmoud. Canadian Art, June 6, 2019.
You Want Our Art but Not Our People
by Lindsay Nixon. Canadian Art, May 23, 2019. Canadian Art, 2019.
Super Queeroes
by Peter Knegt et al.
Sky Hopinka: Cloudless Blue Egress of Summer
by Sheila Regan. C Magazine, 2019, no. 142.
Who's Afraid of the Lesbian Haunted House?
by Ariel Levy. The New Yorker, Nov 4, 2019.
Beyond These Kastle Walls
by Tausif Noor. Artforum, nov 4, 2019.
DIGITAL SUTURES
by Kristin L. Dowell. CULTURAL ANTHROPOLOGY, 2018, v. 33, no. 2.
Transitions
by James Cullingham. ActiveHistory.ca, Mar 5, 2018. History Department at the University of Saskatchewan and Huron University College, 2018.
Inuit Filmmaking That Sparks a Fire
by Camille Georgeson-Usher. Canadian Art, Jan 23, 2018.
The Chaos of Displacement
ArtStars, Nov 14, 2018.
O PIONEER!
by Rachel Churner. Artforum, Apr 2018.
Second International Handbook of Internet Research
by Jeremy Hunsinger et al. Cham: Springer Link, 2018.
LORNA MILLS, Or the Uses of Ugliness
by Seth Berry Watter. Millennium Film Journal, 2018, v. 2, no. 67.
KINO SKULPTUR PROJEKTE
by Annie Dell'Aria. Millennium Film Journal, 2018, v. 5, no. 67.
THE OLD AND THE NEW, IN SITU at the 2017 Berwick Film & Media Arts...
by Greg De Cuir Jr. Millennium Film Journal, 2018, v. 2, no. 67.
Ways of Seeing After the Internet
by Johanna Gosse. Millennium Film Journal, 2018, v. 2, no. 67.
Spell Reel by Filipa César
by Jill Glessing. C Magazine, 2018, v. 139.
Kent Monkman
by Robert Everett-Green. The Globe and Mail, Jan 6, 2017. The Globe and Mail, 2017.
Kent Monkman marks Indigenous response to Canada 150 at Toronto Pride
by Kenny Sharpe. The Globe and Mail, June 23, 2017. The Globe and Mail, 2017.
'To Think the Home in Terms of the Factory'
by Elisa Adami and Alex Fletcher. Third Text, Jan 2017, v. 31, no. 1. Routledge, 2017.
Oral history interview with AA Bronson, 2017 March 3, 5, and 6
by Theodore Kerr. Archives of American Art, March 2017.
From Reel to Real -- an epilogue
by Maud Jacquin. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Discoveries in the biscuit tin
by Sarah Neely. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Artists' dialogues - Transnational exchanges
by Nooshin Farhid et al. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Mediatized memories in Mark Leckey's Dream English Kid 1964-1999 AD
by Sarah Durcan. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
In memoriam Stuart Croft (1970-2015)
Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
The Performance of Trauma in Moving Image Art, Dirk de Bruyn...
by Maria Walsh. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
The Diaspora That Never Happened
by Aaditya Aggarwal. Canadian Art, Dec 4, 2017.
Using Art to Rethink the Legacy of Nazi Germany
by R.M. Vaughan. the Walrus, Oct 27, 2017.
The Invention of Glitch Video
by Michael Betancourt. Millennium Film Journal, 2017, v. 2, no. 65.
The interval and the instant
by Steven Eastwood. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1 & 2.
Dinh Q. Le
by Denise Tsui. Art AsiaPacific, Jan 2016.
Conflict, Coercion, and Settler Colonialism in Western Canada
by Sean Carleton. Canadian Dimension, Spring 2016, v. 50, no. 2.
Kunstlerhaus Stuttgart
by Travis Jeppesen. Art in America, July 2016, v. 104, no. 6.
Pleasure, Pain, and Politics Ellen Cantor in New York
by Dana Kopel. Art in America, Oct 19, 2016.
The Disquieting Muses
by Leslie Jamison. The White Review, Sept 2016, no. 18.
Ellen Cantor
by Chris McCormack. Art Monthly, June 2016, no. 397.
Breath Taker
by Robert Enright and Meeka Walsh. Border Crossings, Dec 2016, v. 35, no. 4.
Canadian Film Week
by Janet Smith et al. The Georgia Straight, Apr 13, 2016.
Park Chan-Kyong's Asian Gothic as 'the Most Sublime Hysteria' in...
by Choi Jong-chul. Third Text, 2016, v. 30, no. 5-6. Routledge, 2016.
Reading the Morphology of Ben Rivers's chemical landscapes
by Patrick Tarrant. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1 & 2.
Sexual Assault
by Leah Sandals. Canadian Art, Sept 13, 2016. Canadian Art, 2016.
Playing and Dying Between the Real and the Hyperreal
by Laura M F Bertens. Third Text, Mar 2016, v. 30, no. 1-2. Routledge, 2016.
Sexual Assault
by Michelle Da Silva. Now Toronto, Sept 14, 2016. Toronto: Now Toronto, 2016.
Anything is Possible
by Ksenia Robbe. Third Text, 2016.
Much ado about medium
by Liz Kim. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
1970s British experimental film
by Patti Gaal-Holmes. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Expanded cinema
by Chris Welsby. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Deictic transformers
by Nevena Ivanova. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Hiding in plain sight
by Laura Guy. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Projective art and the ‘staging’ of empathic projection
by Ken Wilder. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Melanie Manchot in conversation with Pratap Rughani
by Melanie Manchot and Pratap Rughani. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Jennet Thomas in conversation with Kyran Joughin
by Jennet Thomas and Kyran Joughin. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Karen Mirza and Brad Butler in conversation with Andrew Vallance
by Karen Mirza et al. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
The Inoperative Community, Raven Row, London, 3 December 2015 to...
by Catherine Elwes. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Pastoral Idyll
by Dan Hays. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Feminisms
by Maria Walsh. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Video Void, Australian Video Art, Matthew Perkins (ed.) (2014)
by Steven Ball. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Installation and the Moving Image, Catherine Elwes
by Kim Knowles. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
'Electronic Superhighway', curated by Omar Kholeif
by Paul O'Kane. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
The Extended Scene
by Francisco-Fernando Granados. Drain, 2016, v. 13:2. Drain Mag, 2016.
Close Readings
by Richard William Hill. C Magazine, Summer 2016.
Serious Games: Harun Farocki
by Ming Lin. Art AsiaPacific, Mar/Apr 2015, no. 92.
Hacker, Hoaxer, Whisleblower, Spy, The Many Faces of Anonymous:...
by Gabriella Coleman. Hacker, Hoaxer, Whisleblower, Spy, The Many Faces of Anonymous, Sept 13, 2015.
CABAC: New Moving Image from Scotland
by Luke Collins. Glasgow: LUX Scotland, 2015.
Sara Angelucci, A Mourning Chorus: Exhibition Review
by Magdalena Vasko. The Senses and Society, Apr 2015, v. 10, no. 1.
Cancon Cinematic Crap Compressed into one Batshit Crazy Film
by Craig Takeuchi. The Georgia Straight, July 13, 2015.
Performing the Document in Francis Alÿs's Re-enactments
by Emily Rose Lyver-Harris. Invisible Culture, Apr 18, 2015, no. 22.
Comedie Concrete
by Stuart Munro. Art AsiaPacific, Apr 2015.
Days Push Off Into Nights
by Amani Vassiliou. Art AsiaPacific, Mar 2015.
Moving Light, Roving Sight
by Marybeth Stock. Art AsiaPacific, Feb 2015.
The Abstractions of Geopolitics
by Joleen Loh. Art AsiaPacific, June 2015.
The Late Style
by Jennifer Field. Art AsiaPacific, Nov 2015.
Dwelling
by Simon Frank. Art AsiaPacific, Oct 2015.
Trespassing Hollywood: Property, Space, and the "Appropriation Film"
by Richard Misek. October, Summer 2015, no. 153.
Hito Steyerl
by Rachel Stevens. Millennium Film Journal, Fall 2015, v. 62. New York City: Millennium Film Workshop, 2015.
Aleesa Cohene
by Leah Turner. Border Crossings, June 2015, v. 34, no. 2.
Best Canadian Films of All Time: The Canuck Canon Pulls a Fast One
by John Semley. The Globe and Mail, May 29, 2015.
Patty Chang & David Kelley
by Andrew Gurian. Millennium Film Journal, Spring 2015, no. 61.
Cut to Swipe
by Rachel Valinsky. Millennium Film Journal, Spring 2015, no. 61.
For the creative, procrastination can be a work of art
by Russell Smith. The Globe and Mail, Sept 18, 2015.
"Material Girls" Takes up Space at the Dunlop
by Lauren Fournier. Canadian Art, Apr 2, 2015.
Malcolm Le Grice No Idea
by Simon Payne. Millennium Film Journal, 2015.
The Singular Voice(s) of Vera Frenkel
by Catherine Elwes. Moving Image Review & Art Journal (MIRAJ), Dec 1, 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
'I Am A Man'
by Rosa Nogués. Moving Image Review & Art Journal (MIRAJ), Dec 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
Reading the Strange Case of Woman-as-Appliance
by August Jordan Davis. Third Text, Sept 2015, v. 29, no. 4-5. Routledge, 2015.
Small Monuments
by Naomi Vogt. Third Text, May 2015, v. 29, no. 3. Routledge, 2015.
The Time of Camp, or, Camp as Ruin
by Ricky Varghese. The Word Hoard, Jan 2015, v. 1, no. 3. Arts and Humanities Commons, 2015.
A Different Kind of Love Song: Vidding Fandom's Undercommons
by Alexis Lothian. Cinema Journal, Spring 2015, v. 54, no. 3. Austin: University of Texas Press, 2015.
Remixing Culture And Why The Art Of The Mash-Up Matters
by Ben Murray. Tech Crunch, Mar 22, 2015.
Performatorium: Festival of Queer Performance
by Jon Davies. C Magazine, Summer 2015, no. 126.
They Made a Day be A Day Here: Prairie Positive
by Alison Cooley. Canadian Art, Jan. 16, 2014.
In Search of Blind Joe Death: The Saga of John Fahey
by Dennis Rozanski. Mojoworkin.com, Feb. 2014.
Heather & Ivan Morison: Smile All the While
by George Vasey. Art Monthly, Mar. 2014, no. 374.
Paul McCarthy: Black and While Tapes: Everyone Agrees: Meetings...
by Anna Gritz. Art Monthly, Mar. 2014, no. 374.
Seeing the Unseen: An Interview with Public Studio
by Nives Hajdin. C Magazine, Winter 2014.
Post-Medium Condition and Intericonic Art Theory: On the...
by Nina Gerlach. Journal of Art History, 2014, v. 83, no. 1.
Kailey Bryan: Bits & Places Rogue Gallery, Eastern Edge Artist Run...
by Gloria Hickey. C Magazine, Spring 2014, no. 121.
Artists' Walks: The Persistence of Peripateticism
by Michael Vass. C Magazine, Spring 2014, no. 121.
Amalie Atkins, Brian Cauley, Kathryn Ruppert-Dazai and Ellyn...
by Penelope Smart. C Magazine, Spring 2014, no. 121.
Juliana Pivato, Maura Doyle and Laura Taler: bones kneel in company
by Anna Khimasia. C Magazine, Winter 2014, no. 120.
NILBAR GÜREŞ
by Berin Golonu. Art in America, Jan 1 Winter, 2014, v. 107, no. 1.
Akram Zaatari: All is Well
by Amber Berson. C Magazine, Summer 2014, no. 122.
Drink in Vera Frenkel's art homecoming at MOCCA: One of Canada's...
by Murray Whyte. The Toronto Star, Nov. 26, 2014.
Must-see mischief: The fundamental strangeness of Frenkeland at MoCCA
by James Adams. The Globe and Mail, Nov. 28, 2014.
New Vistas? Aboriginal animations and digital dreams at the...
by Jennifer Gauthier. Continuum: Journal of Media & Cultural Studies, 2014, v. 28, no. 4.
Eschewing Limitation: Omar Kholeif on Jennifer Chan
by Omar Kholeif. Images Festival, 2014. Toronto: Images Festival, 2014.
V-Tape Founder Shares All
by Clarrie Feinstein. The Newspaper, 2014, v. 37, no. 3.
Where Does It Hurt?: Artspeak, Vancouver
by Sydney Hart. C Magazine, Winter 2014, no. 124.
Interview with Brett Kashmere
by Brett Kashmere. The Magic Bird: The Best of Basketball Art + Design, Dec 8, 2014.
"Out to See Video": EZTV'S Queer Microcinema in West Hollywood
by Julia Bryan-Wilson. Grey Room, Summer 2014, no. 56.
Life of Always a Mirror
by Joo Han. Art AsiaPacific, Dec 2014.
Motion Sketch: Len Lye
by Paul Laster. Art AsiaPacific, Sept/Oct 2014, no. 90.
Home Video Returns: A Conversation with Shelagh Keeley
by Alexandra Juhasz and Ted Kerr. Cineaste, 2014, v. 39, no. 3. Cineaste Publishers, 2014.
Until You Get to Know Me
by Kenneth White. Millennium Film Journal, Spring 2013, no. 57.
Nathaniel Mellors
by Ilaria Gianni. Artforum, 2013.
In the Mosaic: Jewish Identities in Canadian Performance and...
by Carol Zemel. Canadian Theatre Review, Winter 2013, no. 153.
David Askevold: Art Gallery of Nova Scotia
by Gabrielle Moser. Artforum, May 21, 2013.
In Another Time: Nostalgic Pasts and Utopian Futures in Yael...
by Laliv Melamed. Artpapers.org, Jan. 21, 2013, no. 37:01.
Richard Rhodes's Top 3 of 2013: Imagination and Reality
by Richard Rhodes. Canadian Art, Dec. 20, 2013.
Fahey's A Jolly Good Fellow:: In Search of Blind Joe Death Reviewed
by Sean Kitching. The Quietus, Feb. 21, 2013.
Isuma: Inuit Video Art by Michael Robert Evans, and: The Fast...
by Kristin G. Congdon. Journal of American Folklore, Summer 2013, v. 126.
Apichatpong Weerasethakul
by Lawrence Chua. New Art Publications, 2013.
True Confessions of a Video Art Pioneer: How the Influential...
by Pac Pobric. art basel Miami Beach Daily Edition, Dec. 6, 2013.
Defining an Identity in Art
by Sun Shuangjie. Global Times, Dec. 24, 2013.
Love Stories: Mark Boulos interviewed by Jonathan Harris
by Jonathan Harris. Art Monthly, Nov. 2013, no. 371.
Docu-Art Dilemmas: Francis Frascina on schisms, 'splitting' and...
by Francis Frascina. Art Monthly, Mar. 2013, no. 364.
James Richards
by Omar Kholeif. Art Monthly, Mar. 2013, no. 364.
Canadian pair describe Cairo jail ordeal: Doctor and filmmaker...
by Patrick Kingsley. Guardian Weekly, Oct. 18, 2013, v. 189, no. 19.
Ultimate Participation Video: Shirley Clarke's Tee Pee Video Space...
by Beth Capper. Art Journal, Spring 2013, v. 72, no. 1.
Idle No More
by T.J. Demos. Camera Austria, 2013, v. 124.
Reversing Time's Arrow in Nam June Paik's Guadalcanal Requiem
by Gabrielle Gopinath. Quarterly Review of Film and Video, 2013, no. 30.
Liquid Assets
by Sukhdev Sandhu. Sight and Sound, May 2013.
Agenda British Columbia: VIEW Keith Wallace
by Keith Wallace. Canadian Art, Fall 2013.
The Autobiography of Video: Outline for a Revisionist Account of...
by Ina Blom. Critical Inquiry, Winter 2013, v. 39, no. 2.
The Audiovisual Field in Bruce Nauman's Videos
by Armin Schafer. Osiris, Jan. 2013, v. 28, no. 1.
Avant-3D: Notes on Experimental Stereoscopic Cinema and its...
by Ray Zone. Public, July Summer 2013, v. 47, no. 24.
David Askevold: Once Upon a Time in the East
by Jane Affleck. C Magazine, Fall 2013, no. 119.
The Success of Failure
by Anonymous. Border Crossings, Mar. 2013, v. 32, no. 1.
Images Festival
by Cotter Sam. C Magazine, Fall 2013, no. 119.
Jordan Wolfson: Raspberry Poser
by Jen Hutton. C Magazine, Summer 2013, no. 118.
Sara Angelucci: Provenance Unknown
by Jennifer Rudder. C Magazine, Fall 2013, no. 119.
Sense and Sensibility: Harvard's Sensory Ethnography Lab
by Adam Nayman. POV, Fall 2013, no. 91.
Rosa Barba:: Subject to Constant Change
by Bob Dickinson. Art Monthly, Apr. 2013, no. 365.
Shaun Gladwell: Cycles of Radical Will
by Paul Carey-Kent. Art Monthly, Apr. 2013, no. 365.
Moral Holiday: Northern Gallery of Contemporary Art Sunderland
by Paul Usherwood. Art Monthly, Jan. 2013, no. 362.
Camille Henrot: A Hunter-Gatherer During a Time of Collective...
by Andrea Picard. Cinema Scope, Fall 2013, v. 15, no. 56.
Video's Migrant Geography: Ursula Biemann's Sahara Chronicle
by T.J. Demos. The Migrant Image: The Art and Politics of Documentary during Global Crisis, 2013. London: Duke University Press, 2013.
Queen West filmmaker, John Greyson, launches 40 episode series on...
by Erin Hatfield. The parkdale-Liberty Villager, Jan. 10, 2013.
Networked Bodies in Cyberspace: Orchestrating the Trans-Subjective...
by April Durham. Art Journal, Sept Fall 2013, v. 72, no. 3.
Part One: Language and Interdisciplinarity: (Re-)contextualizing...
by Karl E. Jirgens. Trans/acting culture, writing, memory: essays in honour of Barbara Godard, 2013. Waterloo: Wilfrid Laurier University Press, 2013.
Patrimonialization and Filiation at the National Film Board of...
by Marion Froger. American Journal of Canadian Studies, 2013.
Shading the Orient
by Lital Khaikin. Guerilla magazine, Dec 11, 2013.
Director Igor Drljaca finds creativity in traumatic events
by Justin Skinner. City Centre Mirror, Jan 29, 2013.
Anonymous in Context: The Politics and Power behind the Mask
by Gabriella Coleman. CIGIonline, Sept 2013, v. 3.
The Voice as Uncanny Index in Susan Hiller's The Last Silent Movie
by Alexandra M. Kokoli. Art Journal, Summer 2013, v. 72, no. 2.
The Making of Labour: The Movie
by Sven Lutticken. Fillip, Mar Spring 2013, no. 18.
Work: Meaning
by Mieke Bal. Thinking in film: the politics of video installations according to Eija-Liisa Ahtila, 2013. Bloomsbury Publishing, 2013.
Transcendence and Transformation: Q+A with Bill Viola
by Camille Hong Xin. Art in America, Feb 13 Winter, 2013.
WikiLeaks and Anonymous Respond to Status Quo Journalism:...
by Christian Christensen. Aljazeera, July 29, 2013.
Performance in Sophie Calle's Prenez soin de vois
by Shirley Jordan. French Cultural Studies, Aug Summer 2013, v. 24, no. 3.
Colonizing the Exhibition Space
by Willem de Rooij and Anna-Sophie Springer. Fillip, Mar Spring 2013, no. 18.
Jamelie Hassan:: At the Center of Marginality
by Amra Ali. Nutka Art, 2013, v. 8, no. 2.
Science Faction: Larissa Sansour
by Kevin Jones. Art AsiaPacific, Nov/Dec 2013, no. 86.
Embedded Aggression Implied or Enacted
by Grahame Weinbren. Millennium Film Journal, Spring 2013, no. 57.
'Media is Sensational'
by Duncan White. Moving Image Review & Art Journal (MIRAJ), Oct 2013, v. 2, no. 2. Intellect Ltd, 2013.
They Made A Day Be A Day Here
by Shawna Dempsey et al.
Riding the Wet, Wet Wave: An Interview with A.K. Burns and A.L....
by Anthea Black. No More Potlucks, Jan. 2012, no. 19.
Home Front: Abbas Akhavan and the art of place
by Hadani Ditmaris. Canadian Art, Spring 2012, v. 29, no. 1.
Out in the Cold: Rebecca Belmore on blankets and Aboriginal history
by Lee-Ann Martin. Canadian Art, Spring 2012, v. 29, no. 1.
Jason de Haan and Miruna Dragan
by Jan Peacock. Canadian Art, Spring 2012, v. 29, no. 1.
A New Native Art
by Marsha Lederman and Rafal Gerzak. The Globe and Mail, Feb. 29, 2012.
State of the Art (World): The 2012 Reel Artists Film Festival
by Adam Nayman. POV, Spring 2012, no. 85.
IDFA's DocLab and the Interatice Documentary
by Melanie Sevcenko. POV, Spring 2012, no. 85.
Queer Women's Performance Symposium
by Laine Newman. Canadian Theatre Review, Winter 2012, v. 149.
Toronto festival spotlights an indigenous new wave that's...
by Guy Dixon. The Globe and Mail, June 24, 2012.
The Screen Politics of Architectural Light Projection
by Abigail Susik. Public, 2012, v. 23, no. 45.
"Father of video art" Nam June Paik gets American Art Museum exhibit
by Maura Judkis. Washington Post, Dec. 12, 2012.
Turner Prize goes to video artist Elizabeth Price
by David Ng. Los Angeles Times, Dec. 4, 2012.
Reifying Desire 5
by Jacobly Satterwhite. Art Papers, Nov. Fall 2012.
Gary Stevens: Now and Again: Southampton City Art Gallery, 14...
by David Trigg. Art Monthly, Dec. 2012, no. 362.
Contemporary Art and Cybernetics: Waves of Cybernetic Discourse...
by Etan J. Ilfeld. Leonardo, 2012, v. 45, no. 1.
The Art of Joseph Grigely: Deafness, Conversation, Noise
by Susannah B. Mintz. Journal of Literary & Cultural Disability Studies, 2012, v. 6, no. 1.
The Color of Your Socks: A Year With Pipilotti Rist (review)
by Mike Leggett. Leonardo, 2012, v. 45, no. 3.
I Say I Am: Women's Performance Video from the 1970s
by Maria Troy. Video Data Bank, 2012.
After the New American Cinema: Shirley Clarke's Video Work as...
by Thomas F. Cohen. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Early Video Pioneer: An Interview with Skip Blumberg
by Melanie La Rosa. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Art of Projection (review)
by Wendy Haslem. Cinema Journal, Winter 2012, v. 51, no. 2.
Streaming Alterity
by Steph Rogerson. Border Crossings, May Spring 2012, v. 1, no. 122.
Like a Girl's Name: The Adolescent Drag of Amber Hawk Swanson,...
by Anna Watkins Fisher. TDR: The Drama Review, Spring 2012, v. 56, no. 1.
Words of Fire
by Daniel Baird. Canadian Art, Spring 2012, v. 29, no. 1.
Home Fronts
by Hadani Ditmars. Canadian Art, Spring 2012, v. 29, no. 1.
Cinematographic Rigour: A Case of Four Indian Filmmakers
by Amrit Gangar. Cinema of Prayoga (conference website), 2012.
Early Video Pioneer: An Interview with Skip Blumberg
by Melanie La Rosa. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
From TVTV to YouTube: A Genealogy of Participatory Practices
by Stephanie Tripp. Journal of Film and Video, Spring 2012, v. 64, no. 1-2.
Sky Projectors, Portapaks, and Projection Bombing: The Rise of a...
by Abigail Susik. Journal of Film and Video, Summer 2012, v. 64, no. 1-2.
Experimental Screens in the 1960's and 1970's: The Site of Community
by Tess Takahashi. Cinema Journal, Winter 2012, v. 51, no. 2.
Media Burn: What's in a Name
by Tom Weinberg. Journal of Film and Video, 2012, v. 64, no. 1/2.
Guerrilla Television in the Digital Archive
by Sara Chapman. Journal of Film and Video, 2012, v. 64, no. 1/2.
What is Cinema in a Digital Age?: Divergent Definitions from a...
by Peter Kiwitt. Journal of Film and Video, 2012, v. 64, no. 4.
MOUNIRA AL-SOLH: The Ventriloquist's Humor
by Nat Muller. ArtAsiaPacific, Mar. 2012, no. 77.
Monopolies and Maquiladoras: The Resistant Re-encoding of Gaming...
by Claire Taylor. Journal of Iberian and Latin American Research, Dec. 2012, v. 18, no. 2.
Immersed in the single channel: Experimental media from theater to...
by Laura U. Marks. Millennium Film Journal, Spring 2012, no. 55.
The Representations of the Female Body in the Multimedia Works of...
by Jane Lavery and Sarah Bowskill. Bulletin of Latin American Research, 2012, v. 31, no. 1.
The extraction/fusion apparatus: Dayna McLeod's engaged mash-up...
by Anne Golden. Canadian Theatre Review, Winter 2012, no. 149.
10 To 1: IRAQMEMORIAL.ORG
by Joseph DeLappe. Public Art Dialogue, Sept. 2012, v. 2, no. 2.
Oh, Canada Amalie Atkins
by Leah Taylor. BlackFlash Magazine, Sept. 2012, v. 29, no. 3.
Wassily Kandinsky's Concerning the Spiritual in Art and the video...
by Loren Lerner. Journal of Canadian Art History, Fall 2012, v. 33, no. 2.
Performing Essentialism: Reassessing Barbara Hammer's Films of the...
by Greg Youmans. Camera Obscura, 2012, v. 27, no. 3.
Sculpting Time: An Interview with Michael Snow
by Justin Remes. Millennium Film Journal, Fall 2012.
Bruce Elder's Film Digital Hybrids & Materialist Historiography
by Jihoon Kim. Millennium Film Journal, Fall 2012.
A Time to Gather Stones: Nomadism after War in Susanne Slavick's...
by G. Roger Denson. Cultural Politics, July 2012, v. 8, no. 2.
Asian American Women Artists: Performative Strategies Redefined
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Buses, Babies, Temporary Tattoos: Social Media and Art Collide
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Sandra Semchuk
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Prying Eyes: Trevor Paglen makes art out of government secrets
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Experimental Geopolitics: Wafaa Bilal's "Domestic Tension"
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Dialogue Across Decades:: BLW and People's Communication Network...
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"VT is Not TV":: The Raindance Reunion in the Digital Age
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Pressed into the Service of Canada: Issues in Preserving the...
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Conductor, Choreographer, King of Arms: Questions for Rashaad...
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From TVTV to YouTube:: A Genealogy of Participatory Practices
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The Buttons on Pandora's Box:: David Tudor and the Bandoneon
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Gender Diasporist: Shawn Syms interviews Tobaron Waxman
by Shawn Syms. C Magazine, Summer 2012.
A Refusal of Images
by Kirsty Robertson. C Magazine, Summer 2012.
Viewers' Reactions Part of Art
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Trust Me: Richard Foreman's Invitation to "Deep Trance Behavior"
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Affect in Deleuze, Hijikata, and Coates:: The Politics of Becoming...
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Two or three things I know about him
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In War Times: Fictionalizing Iraq
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Time Out: An exploration of the possibilities for archived...
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The Thing About Obomsawin's Indianness: Indigenous Reality and the...
by Bruce Cornellier. Canadian Journal of Film Studies, Fall 2012, v. 21, no. 2.
Laure Prouvost: Incorrect Syntax
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Michael Snow: In the Way
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The re-emergence of the film/video loop
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(De)Constructed Memory: The Transformation of Subjective...
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Queering Palestine: Piercing Eytan Fox's Imagined Bubble with...
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Sung Hwan Kim
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The Video Closet: Nollywood's Gay-Themed Movies
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Road to Somewhere: Ken Lum Now and Then
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Oh, Canada: An American Curator Looks North
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'New Romantics": St. John's The Rooms
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Prime Mover: Conceptualism in Motion: Exhibition 2
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Alona Rodeh and the Art of Camouflage
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Wavelengths and Future Projections
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Declining Democracy
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The Present as Enduring Past: Recollecting Through the Works of...
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On Making Art: Paul O'Kane on the act of making and the making of...
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ImagineNative Festival:: Drama out of trauma
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Metis Rose video released by Duck Lake filmmaker
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Affect and Exchange
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West Bank Road Atlas
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Queer Film Classics Series
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The Last Pictures: Interview with Trevor Paglen
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James Richards
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Devolution: Michael Joo
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Recycled Cinema as Material Ecology: Raphael Montañez Ortiz's...
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The Emergence of Steina
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This Story Begins and Ends With Us: Basma Alsharif
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Modern Women: Single Channel
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"Situações-Limites": the emergence of video art in Brazil in the...
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David Claerbout: The Time that Remains
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Anri Sala
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Test Suite of Fair Use Vids
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From a Whisper to a Scream: Dana Claxton teaches art and a revised...
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Documemories: An anthology celebrates the NFB's Challenge for...
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Emily Vey Duke and Cooper Battersby: Jessica Bradley Art + Projects
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The Nature of Culture: Sobey Nominee Brendan Fernandes explores...
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Realities Old and New: The 23rd Incarnation of the International...
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Open-Source Cinema is Dead
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"Un-home-ly"
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Hide/Seek: Difference and Desire in American Portraiture: National...
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When the Story Changes: Battle of Wills and Bananas!* are two...
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The uphill battle for real filmmakers
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Tadasu Takamine shocks us, yet again
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Vlogging About Art: The Whitney Video Blog Project
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Neo-Barbarism
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My Barbarian: The Night Episode
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Girl Talk
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Yael Bartana
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Philippe Parreno
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The Map is not the Territory: There's more to Middle Eastern and...
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Funny Games: Stuart Comer Talks with John Smith
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A Life in Words: Melissa Anderson on Clio Barnard's The Arbor
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Dayna MacLeod's Feminist Celluloid Fantasies, Queer Revisionary:...
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The Gaze from the Rearview Mirror: Amir Baradaran's Transient Taxi...
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Redistributing Life Chances: The Fantastical Homotopias of Chris...
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Focus on Carolee Schneemann
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The Small Big Picture
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Traditional Futures
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Self-Inventions: The Photography of Suzy Lake
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The Story So Far: An Interview With Stephen Andrews
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Kent Monkman
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Inuit Modern
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Rabih Mroué: The Inhabitants of Images
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The Last Frontier
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Adel Abdessemed: The Future of Décor
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"ME CALLING HIM - HIM CALLING ME" - TOM SHERMAN'S RECENT VIDEO WORK
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Perception as Transcendence: Interview with Pawel Wojtasik
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Dara Birnbaum: Technology/Transformation: Wonder Woman: Readings:...
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Road Warrior: Terrance Houle Riffs on First Nations History
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Making Sense of Early Video Arcades: The Case of Pittsburgh, 1980-1983
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Robert De Niro's Raging Bull: The History of a Performance and a...
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Wagnervideo
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Funny Games: Stuart Comer Talks with John Smith
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"Living Letterforms": The Ecological Turn in Contemporary Digital...
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Virtual Commemoration: The Iraqi Memorial Project
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Re-Composing the Digital Present
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After the Digital We Rematierialise: Distance and Violence in the...
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The Irritants of Empire: Rita Raley's Tactical Media
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Digitality and detournement: John Greyson's BDS videos and 14.3...
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At the Site of State Violence: Doris Salcedo's and Julieta...
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From First-Wave to Third-Wave Feminist Art in Israel: A Quantum Leap
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The Horror, The Horror
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Making GeoPolitics Otherwise: Artistic Interventions in Global...
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Losing It: Politics of the Other (Medium)
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Old Themes, New Variations: The Work of Kate Gilmore
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From this Body to Yours: Porn, Affect, and Performance Art...
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On lip-sync:: Three Audio-Visual Vignettes from the 1970s
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The Object That Remains
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Eternally Framed
by Oyvind Vagnes. Zaprudered: The Kennedy Assassination Film in Visual Culture, 2011. Austin, TX: University of Texas Press, 2011.
Location and Dislocation: The Media Performances of Valie Export
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Assimilating Video
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True Patriot Love: A landmark show turns 40
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Seven Hours of Daylight: Soft Turns find solace in Sweden
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When the time comes, you won't understand the battlefield
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Imagining Whiteness in Art
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Walid Raad and the Atlas Group
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Section Yellow
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Gimme (Tax) Shelter: The '70s and '80s Were an Especially Fertile...
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M: Stories of Women: Shelley Niro
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Disobedient Video in France in the 1970's: Video Production by...
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Aida Ruilova
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Lung Capacity
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Prophesizing on the Virtual Reservation
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What is a remix, exactly?
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An Editing Room of One's Own
by Francesca Coppa. Camera Obscura, Jan 2011, v. 26, no. 2_77. Duke University Press, 2011.
Scholarly Critiques and Critiques of Scholarship: The Uses of...
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How to Suppress Women's Remix
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Through a looking glass and beyond: Media art and museums
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"arrives asking, demanding something of us"
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Geopolitics & The Videos of b.h.Yael
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Spirit in the Blood
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The Ongoing Powers of Dana Claxton
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Shame on Her: Allyson Mitchell
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Ardent Spaces, Formidable Environments
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Mooswa, Muskwa, PuskwaMoostoos - Digital Creations with Immemorial...
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The Seen and The Unseen
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Graham Cracklings: Rodney Graham's Conceptual Energy
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A Gift of the Self: Performing Risk
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Tales from the Creeped: The Animated Films of Barry Doupe
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Beautiful, Useless Things: the work of Ryoji Ikeda
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Rocky Mountain Rag: Ragnar Kjartansson
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War Artist: Althea Thauberger on the Cultural Front Lines
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Trap and Snare: Omer Fast's 'Nostalgia'
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Ryan Trecartin: Data Purge
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Structural Legacies: Lessons in How to Assimilate the 'Seminal'
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Michael Snow: Screen Writing
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Michael Snow's Films 1966-1971
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The Other Night Sky
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Screen Space
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"Try to Walk With the Sound of my Footsteps": The Surveillant Body...
by Kirsty Robertson. Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.
Captured and Controlled: Critiquing Surveillance through The Camera
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Digital Spectrum of the Body
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Surveillance in Suburbia: High Vaue Targets
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Hot Docs programmers find non-fiction gems beyond perimeters
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Cool Jewish Curator of the YouTube Generation: Montréal's...
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Disaster Docs: Features, reality TV series, blogs and websites...
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Maru's Fame
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The Lives and Death of Carolee's Cats:Intimate Encounters, Gentle...
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In Conversation: David Han, Samina Mansuri, Sara Graham
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Text messaging, of the old school: High-school thoughts adorn bus...
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Alberta bound: Video recalls western black farms
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Narrative mashups engage viewers: Presentation House Gallery...
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Ways of seeing explored in new exhibit
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Caged Rage
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ELEGY: a meditation on mortality: Sandra Vida
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Vera Frenkel:Archive Fevers: Galerie SBC, Montreal Oct 2 - Dec 4
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Vera Frenkel:Archive Fevers: Galerie SBC, Montreal Oct 2 - Dec 4
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Economies of Faith
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Both teams cannot win: Natasha Bissonauth interviews Divya Mehra
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Projections: Music Video
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Guy Ben-Ner: Thursday the 12th: Mass MoCA, North Adams, Massachusetts
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A Slow and Painful Crawl: the videos of Kent Anderson Butler
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Video Spa: Krisna Murti's treatment of the senses
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Henderson: Recovering Love is about reclaiming lives
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Motorcycling Through the Pop-Culture Library
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Judy Radul
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Tacita Dean
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The Horror, The Horror
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Claire Hooper
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Ryan Trecartin
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Calling the Shots: Are the video artists of the 1990s leading the...
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Isaac Julien: Ten Thousand Waves
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Doug Fishbone: Elmina
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Shadowed by Images: Rafael Lozano-Hemmer and the Art of Surveillance
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Marginal Mainstream
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We Care A Lot
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Ming Wong
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Shirin Neshat: Women Without Men
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Sriwhana Spong
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John Smith: Solo Show
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Lars Laumann: Cinéma Verité
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Dana Claxton and the Graceful Art of Rage
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Some Say Love: Kim Sheppard's Films
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Auto/Pathographies: Re-constructing Identity through...
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The Tragic Optimist: You, The Living, directed by Roy Andersson
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Carolee Schneeman
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Isuma: Inuit Art Video
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Operation Atropos
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Emmanuel Licha
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Here You Are, Part One, (Stan Douglas, Kevin Romaniuk, Jamie...
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Ryan Trecartin: Any Ever
by Nadja Sayej. C Magazine, Fall 2010, no. 107.
Kaitlin Till-Landry Interviews Martha Wilson
by Kaitlin Till-Landry. C Magazine, Spring 2010, no. 105.
Touching Animals
by Helena Reckitt. C Magazine, Fall 2010, no. 107.
The 16th Media City: International Festival of Film and Video
by Paul Breschuk. Sense of Cinema, Oct. 11, 2010, no. 56.
Isuma: Inuit Video Art
by Bruno Cornellier. Canadian Journal of Film Studies, Spring 2010, v. 19, no. 1.
Cinema of Prayoga: A Theory Under Construction
by Amrit Gangar. Art iT, July 16, 2010.
Congo Memories: Isabelle Pauwels's Adventures in History
by Sara Mameni. Canadian Art, Fall 2010, v. 27, no. 3.
Realism and Realistic Representation in the Digital Age
by Gabriel F. Giralt. Journal of Film and Video, 2010, v. 62, no. 3.
Astro Dub Morphologies
by Edward George and Anna Piva. Journal of Media Practice, 2010, v. 11, no. 1.
Indigenous women in film and video: Three generations of...
by Jennifer A Machiorlatti. Post Script- Essays in Film and the Humanities, Summer 2010, v. 29, no. 3.
Indigenous (re)memory and resistance: video works by Dana Claxton
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Claudia Joskowicz: Artists on Artists
by Omer Fast. BOMB, Winter 2010, no. 114.
Structuring Knowledges: Caching Inuit Architecture Through...
by Erin Morton. Post Script - Essays in Film and the Humanities, Summer 2010, v. 29, no. 3.
"A joke's a very serious thing": Subversive Camp Humour in Benny...
by Wendy L. Moir. Carelton University - M.A. Dissertation, 2010.
Travelling Eye: The Elusive Digital Frame and the Elasticity of...
by Anne Robinson. Journal of Media Practice, 2010, v. 11, no. 3.
Duplicated Replications: The Interventions of Omer Fast
by Tina Wasserman. Afterimage, 2010, v. 37, no. 5.
The Motorization of Video Art: Van McElwee's Liquid Crystal...
by Robert Kohn. Afterimage, May 2010, v. 37, no. 6.
Mika Rottenberg's Productive Bodies
by Hsuan Hsu. Camera Obscura, 2010, v. 25, no. 2.
Steve Reinke's Archival Imaginary
by Gavin Butt and Jon Cairns. Critical Quarterly, Oct. 2010, v. 42, no. 3.
Chen Chieh-Jien
by David Frazier. ArtAsianPacific, May 2010, no. 68.
An Ephemeral Dialogue with Jamelie Hassan
by Miriam Jordan and Julian J. Haladyn. West Coast Line: A Journal of Contemporary Writing and Criticism, Spring 2010, v. 43, no. 4.
Canadian Artist Spotlight: Ross McLaren
by Eldon Garnet. Images Festival, 2010. Toronto: Images Festival, 2010.
Oliver Husain's Hovering, Alliterative, Epigrammatic Proxies
by Andréa Picard. Cinema Scope, Fall 2010, no. 44.
New Documentary Recounts Bizarre Climate Changes Seen by Inuit Elders
by Guy Dixon. The Globe and Mail, Oct 19, 2010.
DIY Media 2010: Fan Vids (Part Three)
by Francesca Coppa. CONFESSIONS OF AN ACA-FAN, Nov 29, 2010.
DIY Media 2010: Fan Vids (Part Four)
by Francesca Coppa. CONFESSIONS OF AN ACA-FAN, Nov 30, 2010.
DIY Video 2010: Political Remix (Part Three)
by Henry Jenkins and Jonathan McIntosh. CONFESSIONS OF AN ACA-FAN, Nov 17, 2010.
Inside Images: Festival offers a look at the cutting edge of...
by Jessica Padykula. SceneandHeard.ca, Mar. 28, 2009, v. 8, no. 7.
GALLERIES
by David Balzer. EYE WEEKLY, Jan. 29, 2009, v. 18, no. 14.
private Regina: the poetics of memory
by Christina Strojanova. Splice Magazine, Winter 2009.
John Cage's Secret
by Laura Paolini. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
Unfurnished Pornography for Rent
by Meg Walker. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
Private Video: Autobiographies, Diaries and Families' Stories: How...
by Elena Marcheschi. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
mispon: a celebration of indigenous filmmaking
by Nora Gardner. Splice Magazine, Winter 2009.
Where the Wild Things Are
by Erik Martinson. The Dark Arts: magic + intuition (curatorial incubator 6), 2009. Toronto: Vtape, 2009.
marvelous! ruin! collapse!
by Leigh Fisher. The Dark Arts: magic + intuition (curatorial incubator 6), 2009. Toronto: Vtape, 2009.
Peep Art: Two Canadians and the new surveillance art
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A Spy in the House of History (with apologies to Anais Nin): Nina...
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The Lap, the Fur
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Drean Scenes: The Lethbridge artist David Hoffos takes centre stge...
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The Making of Monsters: John Greyson's sublime short, revisited
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Art and the Documentary
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Nuit Blanche Toronto 2008 Zone B:: Reflections on Art and Artists...
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Videoworks: Wish We Could Tell: Joana Hadjithomas and Khalil Joreige
by Tess Takahashi. Videoworks: Wish We Could Tell, 2009. Toronto: A Space Gallery, 2009.
What can cinema do?
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Those of Us Who Know About These Darkened Rooms, and Go There
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PCP: Pop / Conceptual / Psychedelic
by Lars Bang Larsen. C Magazine, Spring 2009, no. 101.
what makes a music video: the video or the music?
by Leah Sandals. The Globe and Mail, May 2, 2009.
Politics become film: Sundance 20009: Obama's inauguration, Martin...
by Daviyani Saltzman. POV, Summer 2009, no. 74.
Creating and Capturing Reality: The Director Takes Us Behind the...
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Before Tomorrow
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A pianist and a camera make music of the id
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Gunilla Josephson Artist-in-Residence: E.V.E. Absolute Matrix
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Paul Wong: Video and Youth
by Rhiannon Bader. Selector Magazine, Spring 2009, no. 1.
Alana Obomsawin: Then and Now
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Tomorrow hits today: The odds stack up against two unlikely heroes...
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Chilling Out: Northern Stories are Suddenly Hot
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Pictures are out - experience is in
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Construction Sight: Building the Self on Facebook
by Randall Anderson. Border Crossings, June 2009, v. 28, no. 110.
25th year of Boston LGBT Film Festival is a hit
by Melissa Woods. The Somerville News, May 20, 2009.
Situation Hacker: Wayne Koestenbaum on the art of Ryan Trecartin
by Wayne Koestenbaum. Artforum, Summer 2009, v. 47, no. 10.
Luminato 09: The Show You Won't See: The Koffler Centre was all...
by Susan G. Cole. NOW, June 4, 2009, v. 28, no. 40.
So Much To See: The Films of Mark Lewis
by Nancy Tousley. Canadian Art, Summer 2009, v. 26, no. 2.
Mpenzi empowers: Mpenzi Black Women's International Film and Video...
by Susan G. Cole. NOW, Mar. 25, 2009, v. 28, no. 30.
Are we past the age of an aboriginal art show?: Aboriginal art...
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Found Images: Experiments pay off in indie fest
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Closer
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Interview: Marie-Hèléne Cousineau: Chilling Out: Nothern stories...
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Dark Thought: on Darryl Miller's Dark One
by Nora Gardner. Splice Magazine, Summer 2009.
Prairie Poet Accidental Hero: David Geiss' Stubblejumper in the...
by Christina Stojanova. Splice Magazine, Summer 2009.
Sarah Gregg Millman: A fun time is a great time
by Erinn Beth Langille. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Johanna Billing: This is how we walk on the moon
by Brian Kuan Wood. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Jim's Reviews/Jarman: The films of Derek Jarman
by Jim Clark. GLBT Literature, 2009.
Open letter from John Greyson to TIFF
by John Greyson. Greyzone, Aug. 27, 2009.
An open letter on City to City: Tel Aviv
by Cameron Bailey. TIFF - Toronto International Film Festival, Aug. 28, 2009.
The Toronto Declaration: No Celebration of Occupation: An open...
by Udi Aloni et al. Toronto Declaration: No Celebration of Occupation, Sept. 9, 2009.
Tel Aviv program protest to rear head at opening
by Bruce DeMara. The Toronto Star, Sept. 4, 2009.
Group plans presser over TIFF City-to-City program
by Staff. The Globe and Mail, Sept. 5, 2009.
We don't feel like celebrating with Israel this year
by Naomi Klein. The Globe and Mail, Sept. 8, 2009.
TIFF focus on Tel Aviv draws protests: International group of...
by Michael Posner. The Globe and Mail, Sept. 2, 2009.
Pro-Palestinian letter has uncovered debate
by Antonia Zerbisias. The Toronto Star, Sept. 9, 2009.
Enough is enough: The TIFF boycott is an attack on our freedom
by Robert Lantos. The National Post, Sept. 11, 2009.
STARS VS. STARS: Everyone's taking sides on Tel Aviv
by Raju Mudhar. The Toronto Star, Sept. 15, 2009.
Two sides of TIFF debate trade barbs
by Kenyon Wallace. The National Post, Sept. 15, 2009.
Boycotts don't equal censorship: Film-makers should support the...
by Ken Loach et al. The Guardian, Sept. 1, 2009.
The Valerie Project: resounding the forgotten treasure of Czech...
by Alex Molotkow. Musicworks, Summer 2009, no. 104.
One Summer in New Paltz: A Cautionary Tale: Celebrating the...
by S. James Wegg. James Wegg Review, Oct. 14, 2009.
Fun with Mythmaking: What General Idea taught us about Canadian...
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Crossing Lines, Building Bridges
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Barns, Brits, and Birthrights: Philip Hoffman's All Fall Down:...
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Coming To Terms With Fickle As Poison
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Ragnar Kjartansson
by Nicholas Brown. Color, Fall 2009, v. 7, no. 4.
Candice Breitz: Same Same
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Collided, Crashed and Assimilated: Mark Lewis makes art with...
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In the Orbit of Nelson Henricks
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Abundant Harvest: The Recordings of Calgary Video Artists and...
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Elizabeth Klinck and the Art of Archives
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Between Image and Remembrance: The Psychic Residences of Body Missing
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Arcs Poetica: The Life and Death of Lightning
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Projections:: A major survey of projection-based works in Canada,...
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Lynne Marsh
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Real Vlogs: The Rules and Meanings of Online Personal Videos
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Western? Just the Packaging
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Getting Messy and Complicated with Dana Inkster
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Catching up to the Past Catching up to the Present: A Response to...
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The Importance of Being Divya Mehra
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Black House, Brilliant Film: Forough Farrokhzad's The House is Black
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Experimental Documentary Questionnaire/Responses
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Isuma: Inuit Video Art by Michael Robert Evans
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If We Can't Get It Together
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Rafael Lozano-Hemmer
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Berlin: Johnen Galerie
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ZIN TAYLOR: THE BAKERY OF BLOK: Jessica Bradley Art + Projects,...
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Mika Rottenberg: Maison Rouge, Paris
by Katie Bethune-Leamen. C Magazine, Fall 2009, no. 103.
Aleesa Cohene: Something Better: YYZ Artist's Outlet, Toronto
by Jon Davies. C Magazine, Oct. Fall 2009, no. 103.
Gareth Long, Second, Third, Fourth: Oakville Galleries, Ontario
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Lynne Marsh
by David Jagr. Canadian Art, Fall 2009, v. 26, no. 2.
The Avant-Garde Archive Online
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Video as art: collecting artists' moving image in academic art...
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"In Between" the Moving Image: Mutant Media:: Essays on Cinema,...
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Colin Campbell
by Nadja Sayej. ArtUS, 2009, no. 26.
Au coeur de l'intime
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An Art of Temporality
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TV Against TV: Video Art on Television
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Vulnerabilities and Contingencies in Film and Video Art
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Soft Focus, Sharp Tools
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Possibilities of Redemption: Emily Vey Duke and Cooper Battersby...
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The Radiant Real
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Masterpiece Theatre: Adad Hannah brings the art of the past into...
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Lisa Lipton
by Laura Kenins. Canadian Art, Spring 2009, v. 26, no. 1.
Michal Rovner
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Capturing "Authenticity": Digital Aesthetics in the Post-Studio...
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Whither Film Studies (in a Post-Film Studies World)
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Cory Arcangel: Team Gallery
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Walking, Standing, Sitting Like a Duck: Three instances of...
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Inappropriate Bodies: Contemporary Filmmakers Challenging Gender...
by Jaimie Baron. UCLA Center for Study of Women Update Newsletter, 2009.
Arnait Video Productions: Women Telling Their Stories
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Jubal Brown
by Nadja Sayej. ArtUS, 2009, no. 26.
Imagining the Arab World: The Fashioning of the "War on Terror"...
by Maymanah Farhat. Callaloo, Fall 2009, v. 32, no. 4.
Moving Images of Globalization
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Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1...
by Karen Beckman. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Introduction: What Now?: Presenting Reenactment
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New Left-Wing Melancholy: Mark Tribe's "The Port Huron Project"...
by Paige Sarlin. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Koken Ergun: Personal Works of Public Ceremonies
by Ian White. Labyrinth of Memory, Fall 2009.
Pou Rewa: The Liquid Post, Maori Go Digital?
by Maree Mills. Third Text, 2009, v. 23, no. 3.
Moving Pictures: Cinema and Its Obsolescence in Contemporary Art
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Visionary Video: The Archive and the National Center for...
by Phil Wagner. Afterimage, July 2009, v. 37, no. 1.
Rooted in the Experimental: A Conversation with Gary Hill
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User-Penetrated Content: Fan Video in the Age of Convergence
by Julie Levin Russo. Cinema Journal, Summer 2009, v. 48, no. 4.
On the Nature of Light: The Cinematic Experience as Occult Ritual
by Raymond Salvatore Harmon. PAJ: A Journal of Performance and Art, 2009, v. 31, no. 1.
Staging the Image: Video in Contemporary Performance
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Decapitation and Protestation -Cut, Burn, Stitch and Draw: Mike Parr
by Michael Young. ArtAsianPacific, Mar. 2009, no. 62.
Set Video to Record
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Handmade Memories Yeondoo Jung
by Michael Connor. ArtAsianPacific, Mar. 2009, no. 62.
Talking Cure: Raqs Media Collective
by HG Masters. ArtAsianPacific, July 2009.
Solitary Refinement: Guy Ben-ner
by HG Master. ArtAsianPacific, Nov. 2009, no. 66.
From Media to Remediation: Transitions in Early Video Culture
by Kenneth Rogers. Mediated, Jan 31 Winter, 2009.
Impossible Trips Back Home: The Films of Louise Bourque
by Michael Sicinski. Images Festival, 2009. Toronto: Images Festival, 2009.
Capital Implications: the function of labor in the video art of...
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Walking the Wall: Global Flaneuse with Local Dilemmas
by Kinga Araya. Wagadu, Fall 2009, v. 7.
To the Power of Three: an interview with Chris Chong Chan Fui
by Andrea Picard. Cinema Scope, 2009, no. 39.
The Archival Fourth Dimension
by Sarah Pierce. Afterall, Nov 23, 2009.
Objectivity, Absurdity, and Social Critique
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Queer Kinship and Ambivalence
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Total Recut Interviews Jonathan McIntosh About Buffy vs. Edward
by Jonathan McIntosh and lkat381. Total Recut, Dec 24, 2009.
Queering Sex and Love: Queer Here videos preache free love but...
by Leah Sandals. NOW, Jan. 17, 2008, v. 27, no. 20.
Whose Life Are We Talking About Anyway?: Michael Fernandes' One...
by Christopher Regimbal. Fuse, Jan. Winter 2008, v. 31, no. 1.
Asserting The Right To Sovereingty, Audio-Visually: RED EYE First...
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An Artist Connects the Dots
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Isuma.tv: Indigenous internet TV is extraordinary and free
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Member Focus: Heather Harkins
Workprint, Winter 2008.
Marina Abramovic: Nobody Escapes
by Alanna Heiss and Ingela Lind. P.S.1 Newspaper Special Edition, Winter 2008.
Lynn Hershman Leeson History=Future
by Laura Parnes. P.S.1 Newspaper Special Edition, Winter 2008.
The Cat's Eye View: Carolee Schneeman
by M.M. Serra. P.S.1 Newspaper Special Edition, Winter 2008.
'Hamilton does a very nice Jane-Finch'
by Stephen Cole. The Globe and Mail, Jan. 26, 2008.
To Be Immersed In The Experience of Now
by Earl Miller. C Magazine, Spring 2008, no. 97.
Yam Lau: Scapeland II
by Andy Patton. YYZine, Mar. 2008, v. 8, no. 2.
Christina Battle: Strangers in a Strange Land: Christina Battle's...
by Jon Davies. YYZine, Mar. 2008, v. 8, no. 2.
In Pursuit of The Textbook Authentic: Erin Morton in Conversation...
by Erin Morton. Fuse, Apr. 2008, v. 31, no. 2.
Multiple Channels: Allure of The Raw: California Video
by Holly Willis. Modern Painters, Mar. 2008, v. 20, no. 2.
Multiple Channels: Tapehead: Michael Shamberg
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Multiple Channels: Accelerated Vision: Chinese Video's Leap Forward
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Multipe Channels: Flipping the Switch: The National Art Museum of...
by Christopher Phillips and Fan Di'an. Modern Painters, Mar. 2008, v. 20, no. 2.
Animating the Void: The Reenactments of Mario Garcia Torres
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Francis Alys
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Observer Participant: Two Sides of the Same Drawing
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Revel, riot, radicalize: GB Jone's glamorous fantasies
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Atlas Shreds: NYC video artist Charles Atlas performs a vision...
by Jason Anderson. EYE WEEKLY, Apr. 10, 2008, v. 17, no. 27.
Up Close
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Shame & Anxiety: Dangerous drawing room games
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Hey, that art has no boundaries!: Video artist hopes we all 'go...
by Jason Rehel. National Post, Apr. 11, 2008.
Jenn Norton
by Nadja Sayej. Border Crossings, Feb. 2008, v. 27, no. 105.
Bug Eyed: Green Porno directed by Isabella Rossellini and Jody Shapiro
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Weeks's wonder: Czech cult flick gets Espers freak tweak
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A Strong Crop of Images: The 21st Images Festival expands its...
by Norman Wilner. NOW, Apr. 3, 2008, v. 27, no. 31.
The Art Star's Exploits
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Lifelong Dusting, and Learning
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So You Want to Make Social Change...
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Crying Time Again
by Robert Enright. Border Crossings, May 1 Spring, 2008, v. 27, no. 106.
Visual Art: Lida Abdul
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Visual Art: Exponential Future
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Stagecraft: Tate Modern takes on performance
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Mediating Indigineity- The Journal of Knud Rasmussen: A Sense of...
by Heather Igloliorte. Fuse, 2008, v. 31, no. 3.
Cat Thinks People Not Living Life to the Full
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Rightfully Yours
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Montreal's DHC / Art and the Changing Climate of Art Patronage in...
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"Signals in the Dark": Reviewing Art in the Shadows of War
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Operation Video: The Use of Images As Visual Agents in Struggles...
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Bridging the gap between war's myth and reality
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AVENUE Questions and Artists: DRAWING ENEMY LINES
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My (Other) Winnipeg: Excerpts From a Phantom Film
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Enduring Messaging: Are microcommunicaions an art form?
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Otherwise Unexplained Fires: Joyce Weiland and the Experimental...
by Anne Low. C Magazine, Fall 2008, no. 99.
Because zombies are people, too.
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Violent signals: Inspired by war in the age of terror, this...
by Jade Colbert. The Varsity, Jan. 17, 2008.
Shadow Play
by Rafay Agha. The Medium, Jan. 21, 2008.
The art on war: The Blackwood and Justina M. Barnicke galleries...
by Andrea Grassi. The Medium, Jan. 14, 2008.
Bad-Boy Artist Still Spewing Anger: Infamous Local artist Jubal...
by Peter Goddard. The Toronto Star, Sept. 18, 2008.
Valery's Ankle: 1972 Canada-Russia Summit Series erodes the...
by Antoine Tedesco. SceneandHeard.ca, June 26, 2008, v. 8, no. 4.
Filmmaker Ponders Hockey Violence
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Life and Nothing Else
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Manuel Saiz interviewed
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Playing Indian: imagineNative 2008 tells the rest of the world...
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Festival Reviews: It's a Banner Year for North America's Premier...
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Excess Interaction: Artist takes a revealing look at the art of...
by Jason Anderson. EYE WEEKLY, Oct. 9, 2008, v. 17, no. 52.
Exploring Landscape: A Cut & Paste Selection from Lecture Notes
by Lisa Daniels. Exploring Landscape, 2008. Sarnia, Ontario: Gallery Lambton, 2008.
From Dog River to a Palace all his own
by R.M. Vaughn. The Globe and Mail, Oct. 16, 2008.
Film Reviews: Household Work: More than It Seems
by Ping-Chun Hsiung. Teaching Sociology, Oct. 2008, v. 36, no. 4.
Images In Vague: Queer punks get nostalgic for the 90s. Richard...
by Jason Anderson. EYE WEEKLY, Apr. 3, 2008.
Street Spirit: Representin' the lollipop guild
by Sarah Liss. EYE WEEKLY, Apr. 3, 2008.
A sugar free cinematic revolution
by Bryen Dunn. Fab, Apr. 3, 2008.
Noise and numbers, clocks and codes: Internationally known video...
by Guy Dixon. The Globe and Mail, Apr. 3, 2008.
Blurring the lines, connecting the artists
by Nadia Sayej. The Globe and Mail, Apr. 4, 2008.
Video Essay questions religious apocalypse
by Barbara Shainbaum. Jewish Tribune, Apr. 11, 2008.
Confused by experimental cinema? Get on the bus!: Images Festival...
by Jason Rehel. The Globe and Mail, Apr. 3, 2008.
Artist Battle's pirates: Installation shows most swashbucklers...
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Barrow of Laughs: The' Peg's Daniel Barrow wants his tales to be...
by Glenn Sumi. NOW, Apr. 10, 2008, v. 27, no. 32.
Christina Battle: Uncharted Histories: Pirates
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Bruce on Bruce: Iconic Internationalist (and Torontonian)...
by Bruce LaBruce. EYE WEEKLY, Dec. 4, 2008, v. 18, no. 8.
The 21st Images Festival
Our Neighbourhood Magazine, Apr. 10, 2008.
Local Artist Featured at Images
by Erin Hatfield. The Parkdale Liberty Villager, Apr. 4, 2008.
All hail the returning Puritan: Charles Atlas's 1984 scripted doc...
by Susan Walker. The Toronto Star, Apr. 5, 2008.
Festival the antidote to "image glut"
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Made You Look: While feast of moving imagery is many things, it's...
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Influential Filmmaker Found Inspiration in the Music Video
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Flaming Pixels, Cosmic Puke: Ryan Trecartin's A Family Finds...
by Jon Davies. Cinematic Folds: the furling and unfurling of images., 2008. Toronto: Pleasure Dome, 2008.
Shame & Anxiety: Dangerous Drawing-Room Games
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Revel, riot, radicalize
by Jon Davies. Xtra!, Mar. 27, 2008, no. 611.
Images Festival - Toronto
by Gilbert Seah. Cinema Eye, Mar. 24, 2008.
Theater of the Absurd
by David Balzer. Toronto Life, Apr. 2008.
Must do: if you only do five things this week
by National Post. The National Post, Mar. 29, 2008.
Me, You and Everyone We Know
torontoist, Mar. 15, 2008.
Images Festival: Live Images Programme
by tiffreviews. TIFFReviews, Mar. 16, 2008.
Video Art Thinks Big: That's Showbiz: A Medium Breaks the Bonds...
by Holland Cotter. The New York Times, Jan. 6, 2008.
Toying with boundaries of reality and fiction
by Peter Goddard. The Toronto Star, Dec. 18, 2008.
Lollipops and the Future: Two feature films at Images look to lure...
by Jessica Padykula. SceneandHeard.ca, Apr. 7, 2008, v. 8, no. 2.
Weekend of Poison, Planet, and Plants: International Shorts...
by Jessica Padykula. SceneandHeard.ca, Apr. 7, 2008, v. 8, no. 2.
Strategic Approximation: Independent Videographers Revise the...
by Janice Hladki. Feminist Media Studies Journal, Mar. 2008, v. 6, no. 1.
An Interview With Director Leila Sujir
by Sarah Murphy. Canadian Theatre Review, Spring 2008, no. 94.
"Nothing Big. Nothing Small": Allyson Mitchell's Video Autobiography
by Janice Hladki. Ariel, Jan. Spring 2008, v. 39, no. 1-2.
Big city concerns hit silver screen at Regent Park: Festical shows...
by Iain Marlow. The Toronto Star, Nov. 8 Fall, 2008.
An Archivist Maps the Spaces Greed Erased
by Gary Michael Dault. The Globe and Mail, Oct. 18, 2008.
Theatre for Generation Y
by Cecilia Alemani. Mousse, Sept. Fall 2008, no. 15.
Queerly Provocative: Bruce LaBruce fucks up the bourgeoisie
by Jon Davies. Xtra!, Dec. 4 Winter, 2008, no. 624.
Electronic Color in Experimental Video Art
by Carolyn Lee Kane. Pleasure Dome, 2008. Toronto: Pleasure Dome, 2008.
Sweeter than candy on a stick: The film buffs at Light industry...
by Sharyn Jackson. Time Out New York, Dec. 11, 2008, no. 689.
The Anxiogenic Cinema:: A Consideration of Provocation and...
by Carlos Kase. Cinemate Folds: The furling and unfurling of images., 2008. Toronto: Pleasure Dome, 2008.
Altered Body Maps and the Cinematic Sensorium
by Anna Powell. Cinematic Folds: The Furling and Unfurling of Images, 2008. Toronto: Pleasure Dome, 2008.
The Bloody Matriarch: Interview with Jesika Joy
by John Paul Gilson. Broken Pencil, Summer 2008, no. 39.
Jubal Brown: Shock and Blah
Canadian Art, Oct. 16, 2008.
Jump Into Chow's Visual Pool: Samuel Chow Viewers to Dip Into His...
by Leah Sandals Sandals. NOW, Sept. 4 Fall, 2008, v. 28, no. 1.
Independent means: Ottawa filmmaker Penny McCann takes part in...
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Women, Star Trek, and the early development of fannish vidding
by Francesca Coppa. Transformative Works and Cultures, Sept 15, 2008, v. 1. Organization for Transformative Works, 2008.
The Enchantments of Richard Fung's Unsettling Landscapes: (after...
by Monika Kim Gagnon. Richard Fung: Landscapes, 2008. Hamilton: McMaster Museum of Art, 2008.
Triple Bill of Triumphs: Powerful videos screen at Scherman
by David Jager. NOW, Sept. 4 Fall, 2008, v. 28, no. 1.
Inside Images: Festival offers a look at cutting edge creativiy
by Padykula Jessica. SceneandHeard.ca, Apr. 7 Spring, 2008, v. 8, no. 2.
Seattle Art Through the Feminist Lens
by Regina Hackett. Art To Go, 2008.
Learning to Talk About Naked Bodies in Art: Sex Educator Meg...
by Kevin Griffin. Vancouver Sun, Oct. 23, 2008.
Feminist Blockbuster Helps Women Make Claims to Their Own Personal...
by Kevin Griffin. Vancouver Sun, Oct. 11, 2008.
In Art News
by Jen Graves. thestranger.com, Oct. 7, 2008.
Auto Emotion: Autobiography, Emotion and Self-Fashioning
by Matthew Hyland. Switch, Summer 2008, no. 1.2.
Candice Breitz: Speaks to Gregory Burke
by Gregory Burke. Switch, Summer 2008, no. 1.2.
From the Archive: Vera Frenkel: ...From the Transit Bar at the...
by Tess Takahashi. Switch, Summer 2008, no. 1.2.
From the Archive: Vera Frenkel: ...From the Transit Bar at the...
Brunt: Grunt Gallery in Print, 2008. Vancouver: Visible Arts Society: Grunt Gallery, 2008.
In Media Res: Mass Media in Art's Field of Tension
by Raimar Stange. Flash Art, Oct. 2008.
Pipilotti Rist: Cubic Meters
by Klaus Biesenbach. Flash Art, Nov. 2008.
Amar Kanwar: Collecting Evidence
by Martijn van Nieuwenhuyzen. Flash Art, Jan. 2008.
Vanessa Beecroft: Pietra Brettkelly's The Art Star and the...
by Clayton Campbell. Flash Art, Mar. 2008.
Babette Mangolte: Being Right in the Middle of It
by Lina Bertucci. Flash Art, Jan. 2008.
Perspectives: Negotiating the Archive
by Sue Breakell. Tate Papers, Spring 2008.
Robert Morin, Videaste Du Spectacle
by Israel Coté-Fortin. Canadian Journal of Film Studies, Fall 2008, v. 17, no. 2.
Peter Kingstone
by Jon Davies. Canadian Art, Winter 2008, v. 25, no. 4.
The Dad Tapes/The Mom Photographs: Kim Waldron
by Jean-Michel Ross and Mona Filip. C Magazine, Fall 2008, no. 99.
The Spectre and The Sphere
by Leah Turner. C Magazine, Winter 2008, no. 100.
Entre fils de soie, bitume, bergères et Lolitas, une politique...
by Christiane Palmiéri. ETC, 2008, no. 83.
Redressing Invisibility
by Beth Mauldin. Film Quarterly, Fall 2008, v. 62, no. 1.
Carry a Big Shtick
by Rachel Wolff. ARTnews, Sept. 2008, v. 107, no. 8.
Provocation: dead-in-iraq
by Joseph DeLappe. The Drama Review, Spring 2008, v. 52, no. 1.
In Times of Trouble
by Nancy Princenthal. Art in America, June 2008.
New media resistance: Machinima and the avant-garde
by Elijah Horwatt. cineACTION, 2008, no. 73/74.
Bird Watching: An Introduction to Amateur Satellite Spotting
by Kathy Marmor. Leonardo, Aug. 2008, v. 41, no. 4.
Scopic Regime Change: The War of Terror, Visual Culture, and Art...
by David Dart et al. Studies in Art Education, 2008, v. 49, no. 3.
The infinitude of cool Marcel Dzama's Grave New World
by M.J. Thompson. Border Crossings, Aug. 2008, v. 27, no. 3.
Global Humanitarism, Race, and the Spectacle of the African Corpse...
by Heike Harting. Comparative Studies in South Asia, Africa and the Middle East, 2008, v. 28, no. 1.
Looking through Hannah's Eyes: Interview with Donald Goddard
by Tina Takemoto. Art Journal, Summer 2008, v. 67, no. 2.
Sites of Micro-Political
by Dorinda Hulton. PAJ: A Journal of Performance and Art, Sept. 2008, v. 30, no. 3.
"This Guitar Has Seconds to Live": Guitar Drag's Archaeology of...
by Carlos Kase. Discourse, Fall 2008, v. 30, no. 3.
Narrative Skin Repair: Bearing Witness to Representations of Self-Harm
by Angela Failler. ESC: English Studies In Canada, Mar. 2008, v. 34, no. 1.
Multi-Media:: Video Installation Performance (review)
by Jon Foley Sherman. Theatre Journal, Nov. 4, 2008, v. 60.
Performing the State of Exception: Coco Fusco's Operation Atropos...
by Jose Esteban Munoz. TDR: The Drama Review, 2008, v. 52, no. 1.
Media of Now: An Interview with David Hall
by Joanna Heatwole. Afterimage, 2008, v. 36, no. 1.
Video Presence: Tony Oursler's Media Entities
by Nick Kaye. PAJ: A Journal of Performance and Art, Jan. 2008, v. 30, no. 1.
Corporeal Pedagogy and Contemporary Video Art
by Stephanie Springgay. Art Education, Mar. 2008, v. 61, no. 2.
From Screen to Gallery: Cinema, Video and Installation Art Practices
by John G. Hanhardt. American Art, Summer 2008, v. 22, no. 2.
Auto-mnemonic Six Nations: To aid the memory, automatically
by Maria Hupfield. Brunt, Sept. 2008, no. 4.
Patrick Bernatchez: Skol, Montreal
by Jacob Wren. Canadian Art, Fall 2008, v. 25, no. 3.
My Winnipeg (with apologies to Guy Maddin)
by Steve Loft. BlackFlash, 2008, v. 25, no. 2.
Allison Hrabluik: The Poetics of Work
by Diana Sherlock. BlackFlash, 2008, v. 25, no. 2.
Adapting Sufism to Video Art: Bill Viola and the Sacred
by Ziad Elmarsafy. Alif, 2008, no. 28.
Teaching Perception through Video Art
by Dan Nadaner. Art Education, Jan. 2008, v. 61, no. 1.
Mario's Furniture: A Wireless Interactive Video Installation and Game
by Hillary Mushkin and S.E. Barnet. Leonardo, 2008, v. 41, no. 3.
Full Color Video
by Simon Payne. Leonardo, Oct. 2008, v. 41, no. 5.
The Signs of Avant-Garde Cinema in Amateur Nonprofessional Cinema
by Remigijus Venckus. The Spaces of Creation (Kurybos erdves), 2008, no. 9.
The Osmosis of the Symbiotic Man, or the Symbiosis of the: Osmotic Man
by Anne Golden. Images Festival, 2008. Toronto: Images Festival, 2008.
Scene as Space Across Time: Presence, Passage & Transition
by Katy McCormick. BlackFlash, 2008, v. 25, no. 3.
Mining the Home Movie
by Karen L. Ishizuka and Patricia R. Zimmermann. Berkeley: University of California Press, 2008.
Mining the Home Movie
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Cecelia Condit
by Mary Lucier and Cecelia Condit.
Cecelia Condit
by Heidi Howard. The Brooklyn Rail, Oct 2008.
HOW: Engagements with the "Hollywood Indian"
by Ryan Rice. A Space (Artists Space), 2008. Toronto: A Space (Artists Space), 2008.
Fascism as Burlesque: The baroque perversity of Miguel Ventura
by Jon Davies. Xtra, Jan. 4 Winter, 2007, no. 579.
Memorable Mexican Video: Vtape brings in fascinating works as a...
by Stephanie Rogerson. Now, Jan. 3, 2007, v. 27, no. 18.
Reinke Rankles: Installation and video artist has habit of putting...
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Poetry in motion PICTURES: WAG exhibit strives to open...
by Morley Walker. Winnipeg Free Press, Jan. 25, 2007.
Art stretches bounds of music and video
by Robert Everett Green. The Globe and Mail, Jan. 20, 2007.
Beyond Video: Why Is So Much of Today's Video Art Accompanied By...
by Martin Herbert. Art Review:, Feb. 2007, no. 8.
Sue de Beer: Marianne Boesky Gallery
by David Velasco. Artforum, Feb. 2007, v. 45, no. 6.
Christian Marclay: Shoot 'Em Up: The Sound of Violence
by Martin Herbert. Art Review:, Feb. 2007.
Joan Jonas at Dia:Beacon
by Gregory Volk. Art in America, Mar. 2007, v. 95, no. 3.
Monitor 3: Contemporary South Asian Short Film + Video
by Unknown. SAVAC, 2007. Toronto: SAVAC, 2007.
Border Crossing: Performance Artist Carolee Schneemann Goes Techno
by Gord McLaughlin. EYE WEEKLY, Mar. 22, 2007.
Culture Crash
by Anon..
Skin Trade: Cockiness, copyright & colour
by Daryl Vocat. Xtra!, Mar. 1, 2007, no. 583.
Deeply unsettled and uncertain: Steve Reinke's ruthless untruths
by Jon Davies. Xtra!, Mar. 1, 2007, no. 583.
The Incredible Lightness of Machines: An interview with Reva Stone
by Robert Enright. Border Crossings, Mar. 2007, v. 26, no. 101.
Beyond Cinema: The Art of Projection Films, Videos, and...
by Rosemary Heather. Border Crossings, Mar. 2007, v. 26, no. 101.
Lori Blondeau and Adrian Stimson
by Lori Weidenhammer. Border Crossings, Mar. 2007, v. 26, no. 101.
Traumatic Landscape
by James MacSwain and Mireille Bourgeois. Traumatic Landscape, 2007. Halifax: The Centre for Art Tapes, 2007.
Tender Terror: Carolee Schneemann walks a line
by Bjarke Madsen. NOW, Mar. 28, 2007, v. 26, no. 30.
Bahl throws some curves: Shelly Bahl's socially critical photos...
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As seen on screen: Art Event: Analogue co-curator Chris...
by Mark Powell. Metro, Mar. 2 Spring, 2007.
Between the Monument and the Ruin: An interview with Lida Abdul
by Candice Hopkins. C Magazine, Spring 2007, no. 93.
Before YouTube: Plunge into the archives of the Video Data Bank
by Ed Halter. Village Voice, Jan. 23, 2007.
The Art of Technology (and the technology of art)
by Anna Feigenbaum. Fuse, Jan. Winter 2007, v. 30, no. 1.
Politics in Aspic: Reflections on the Biennale of Sydney and its...
by Jen Budney. Fuse, Jan. Winter 2007, v. 30, no. 1.
The Witness: Althea Thauberger's Too-Real Video Art
by Heather Rosemary. Canadian Art, Spring 2007, v. 24, no. 1.
Hey, Art Museum, Give Me iPod Eye Candy!
by Momus and Nick Currie. Wired, Apr. 24, 2007.
Video Installation: Characteristics of an Expanding Medium
by Robin Oppenheimer. Afterimage, 2007, v. 34, no. 5.
Eyes on Toronto: Nothing equals our local perspective
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Sadie Benning: Columbus
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Triste Artique: Amy Taubin on the Films of Zacharias Kunuk
by Amy Taubin. Artforum, Apr. 1, 2007, v. 38, no. 8.
A Rose Has No Teeth: Bruce Nauman in the 1960s
by Pamela M. Lee. Artforum, Apr. 2007, v. 38, no. 8.
Toward a Feminist "Coney Island of the Avant-Garde"
by Melinda Barlow. Afterimage, Jan. 2007, v. 34, no. 4.
Unterspiel: Blackwood Gallery, Mississauga
by Dana Samuel. Canadian Art, Summer 2007, v. 24, no. 2.
Moving Images Stay in the Dark
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Then + Then Again: Talking with Clive Robertson about artist-run...
by Vera Frenkel. Fuse, July 2007, v. 30, no. 3.
Boundary Blurrer: An Interview with Vera Frenkel
by Robert Enright. Border Crossings, May 2007, v. 26, no. 102.
Annie MacDonell
by Sharon Switzer. Canadian Art, Summer 2007, v. 24, no. 2.
Owen Kydd
by Aaron Peck. Canadian Art, Summer 2007, v. 24, no. 2.
Art and Feminism
by Cornelia Butler. Wack!: art and the feminist revolution, 2007. Los Angeles: The Moca L.A., 2007.
Untitled
by Unknown. Wack!: art and the feminist revolution, 2007. Los Angeles: The Moca L.A., 2007.
The Reel Deal
by Gloria Kim. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
Head Cases
by Heather Richards. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
The Lord of Missed Rules:: An Interview with Michael Snow
by Robert Enright. Border Crossings, Summer 2007, v. 26, no. 102.
Reviews: Chih-Chien Wang
by Tatiana Mellema. C Magazine, Fall 2007, no. 95.
Lynne Marsh, Ballroom
by Stacey Abramson. C Magazine, Fall 2007, no. 95.
Anarchy at documenta
by Allan Antliff. C Magazine, Fall 2007, no. 95.
Jon Sasaki
by Dave Dyment. C Magazine, Fall 2007, no. 95.
The Distance Between: The Political Peregrinations of Fancis Alys
by Martin Herbert. Modern Painters, Mar. 2007.
Pleasure Dome Brochure: Fall 2007
by Unknown. Pleasure Dome, Fall 2007, v. 2.
Allison Hrabluik: Diaz Contemporary
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Night Intervals
by Minh Nguyen. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
"Hitting Below the intellect"
by Sholem Krishtalka. Xtra!, May 10, 2007, no. 588.
Screen Queen: Reprogram
by Rob Salerno. Xtra!, May 10, 2007, no. 588.
Everything in my life, everything in yours
by Erik Martinson. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
Deliver us from truth...: The recent video work of Philip Jonlin Lee
by Lisa Steele. Art Star 3 Video Art Biennial Exhibition Catalogue - 2007 Galerie SAW Gallery, Oct. 2007.
Outrageousness: Craig Russell is a real Canadian Idol
by Thom Allison. Xtra!, May 10, 2007, no. 588.
A State of Uncertainty: Aernout Mik
by Dominic Van Den Boogerd. Art Papers, Sept. 2007, v. 31, no. 5.
Jon Sasaki: Toronto
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On Shaky Ground: The Universal Theatre of Vasco Araujo
by Nuno Crespo. Art Papers, Sept. 2007, v. 31, no. 5.
Lexier Plays With Absolutes: Math-based installations dare to...
by Leah Sandals. NOW, Oct. 25 Fall, 2007, v. 27, no. 8.
At the Galleries
by Peter Goddard. The Toronto Star, Dec. 1, 2007.
Praxis, Praxis, Praxis: Richard Fung's active illuminated histories
by Brian McCormick. Gay City News, Jan. 18, 2007.
The Politics of Cool
by Cooper Battersby and Emily Vey Duke. C Magazine, Winter 2007, no. 96.
Family Romance
by Jon Davies. C Magazine, Winter 2007, no. 96.
Woodlot: The 3rd KW/AG Biennial: Kitchener-Waterloo Art Gallery
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Testing Testickle: Monkman's Alter Ego Always Provokes
by Leah Sandals. NOW, Nov. 22, 2007, v. 27, no. 12.
Bring It Back: Thinking the Ethno Politics of Identity Again: A...
by Andrea Fatona et al. Fuse, Sept. Fall 2007, v. 30, no. 4.
Small Gauges for Small Cities: An Interview with Alex Rogalski
by Brett Kashmere. Splice Magazine, Summer 2007.
How the Filmpool Saved My Life: A Winnipeg Perspective
by Patrick Lowe. Splice Magazine, Summer 2007.
Artifice and Old Lace: The Green Screen is Film's New Tabula Rasa
by Michael Atkinson. Modern Painters, July 2007.
The Road to Documenta: The European Adventures of Luis Jacob and...
by R. M. Vaughan. Canadian Art, Winter 2007, v. 24, no. 4.
Always Working: The Aesthetic Labours of Kelly Mark
by Rosemary Heather. Canadian Art, Winter 2007, v. 24, no. 4.
Video Art: Keeping it New
What's Up Yukon, Sept. 14, 2007.
Cloudbreaker screens tonight
by Anon. The Chronicle Herald, Nov. 30, 2007.
Artists and Models: The Video Data Bank showcases its savings at MOMA
by Tom Beer. Time Out New York, Jan. 25, 2007.
Exhibitions
by Leanne Johnson. Front, Nov. 2007, v. 18, no. 5.
Picture Maker: Stephen Andrews: From the Shadows of Mass Media
by Alexander Nagel. Canadian Art, Winter 2007, v. 24, no. 4.
Edifying Edifice
by Scott McGovern. Edifying Edifice, 2007. Guelph: Ed Video, 2007.
True Confessions: Guelph multimedia artist Dawn Matheson calling...
by Joanne Shuttleworth. Guelph Mercury, Sept. 12, 2007.
By Steve Reinke
by Steve Reinke. Possible Worlds, 2007. Norwich: Aurora, Francis House, 2007.
On Creaturely Life
by Pleasure Dome. Possible Worlds, 2007. Nowich: Aurora, 2007.
Intra Terrestrials
by Adam Pugh. Possible Worlds, 2007. Norwich: Aurora, 2007.
Deimantas Narkevicius: Sucession, Vienna
by Steven Matijcio. Canadian Art, Winter 2007, v. 24, no. 4.
Inuit Documentaries and Short Films Now Available
by unknown. Native Journal, Sept. 2007.
Cinq questions a Jeff Barnaby
by Anabelle Nicoud. La Presse, July 22, 2007.
Amar Kanwar: Whitechapel, London
by Christina Bagatavicius. Canadian Art, Winter 2007, v. 24, no. 4.
Kent Monkman: Art Gallery of Hamilton, Hamilton
by Debra Antoncic. Canadian Art, Winter 2007, v. 24, no. 4.
The Paper Bag Princess: A Interview with Jesika Joy
by Denisa Mertiri. the f word nouveau, Oct. Fall 2007.
MUFF diving: Shaved Barbies, condoms, chickens and more at the...
by Matthew Hays. Montreal Mirror, May 2007, v. 22, no. 47.
Bear Witness
by Ryan Rice. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Small Epics: The Works of Salla Tykka
by Jason St-Laurent. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
It Will Burn Inside Me
by Stefan St-Laurent. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Difference is New Black: Harold Offeh's Videos
by Anna Khimasia. Art Star 3 Video Art Biennial, 2007. Ottawa: Galerie SAW Gallery, 2007.
Riding a New Wave
by Harmony Rice. Spirit, Fall 2007, v. 4, no. 2.
Snowy Berlin Warms Kanadiers
by Buck Naomi. The Globe and Mail, Feb. 12, 2007.
Stan Douglas
by Tom Holert. Artforum, Nov. 2007, v. 46, no. 3.
Listening to The Hearing Eye
by Sebastien Cliche. Centre Clark, Mar. Spring 2007.
Documentary Reframed: Process, Politics and Aesthetics
by Maureen Latta. Documentary Reframed, 2007. Saskatoon: Paved Arts, 2007.
Bonnie Sherr Klein
by Caroline Avery. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Jan. 2007, v. 27, no. 1.
The Getty Gets Serious About Video
by Carol Kino. The New York Times, Dec. 9, 2007.
Artist Explores Jewish immigrant experience in poignant exhibition
by Michael Regenstreif. Ottawa Jewish Bulletin, Dec. 3, 2007.
Interview Brett Kashmere
by Nancy Keefe Rhodes. Stylusmagazine.com, May 18, 2007.
The Ground Beneath Her Feet: Fault Lines of Nation and Sensation...
by Olivia Khoo. GLQ: A Journal of Lesbian and Gay Studies, 2007, v. 14, no. 1.
In The Blink of An Eye: Curated by Shawna Dempsey and Lorri...
by Stacey Abramson. C Magazine, Summer 2007, no. 94.
Aesthetic Libertines
by Philippe Hamelin.
Art that weeps, sings and bleeds: If you're interested in the...
by Sarah Milroy. The Globe and Mail, June 11, 2007.
Nelson Henricks: Map of the City
by Donna Wawzonek. Map Of The City, July 7, 2007. Calgary: Art Gallery of Calgary, 2007.
Digital Event 07: Curators Talk
by Ulysses Castellanos et al.
Not Just a ride from point A to B: L'Art Boat passengers...
by Matthew Chung. The Toronto Star, June 8, 2007.
The Humourously Tragic: An Interview with Jon Sasaki
by James King. Broken Pencil, Spring 2007, no. 36.
The Patterns of Jamie Travis' Film Making
by Mathew Kumar. Broken Pencil, Feb. 2007, no. 34.
Rightfully Yours
by David Balzer. EYE WEEKLY, Dec. 26, 2007.
Issues of access, representation and diversity in the Canadian milieu
by Carol Podedworny. Re-Mediations: Stephen Foster And James Gillespie, 2007. Hamilton: McMaster Museum of Art, 2007.
Loitering in Cyberspace: Cheryl Sourkes' takes snapshots of the...
by Cheryl Simon. C Magazine, Summer 2007, no. 94.
Marcellvs. L
by Rodrigo Moura. Flash Art, May Spring 2007.
Doug Aiken: Sleepwalkers
by Courtney J. Martin. Flash Art, Mar. 2007.
Beyond Cinema: The Art of Projection: Curated by Stan Douglas,...
by Henrikke Nielsen. C Magazine, Spring 2007, no. 93.
Sonic Hybridity and Visual Dualism in the Work of Sussan Deyhim...
by Ulrike Sieglohr. Music, Sound, and the Moving Image, 2007, v. 1, no. 1.
Jeremy Shaw: Best Minds Part One
by Clint Burnham. C Magazine, 2007.
J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema
by Mitsuyo Wada-Marciano. Canadian Journal of Film Studies, Fall 2007, v. 16, no. 2.
The Indian Film Crews of Challenge For Change: Representation and...
by Michelle Stewart. Canadian Journal of Film Studies, Fall 2007, v. 16, no. 2.
What. Comes. After.: An Introduction to Lin + Lam's "Unidentified...
by Una Chung. Art Journal, Winter 2007, v. 66, no. 4.
Meetings of Past and Present: The Installations of Multimedia...
by Susan Chevlowe. Nashim: A Journal of Jewish Women's Studies & Gender Issues, Fall 2007, no. 14.
The Inspiration of Home
by November Paynter and Koken Ergun. PAJ: A Journal of Performance and Art, Jan. 2007, v. 29, no. 1.
The Witness
by Rosemary Heather. Canadian Art, Spring 2007, v. 24, no. 1.
Bell, Book & Camera
by Vaughan R.M.. Canadian Art, Spring 2007, v. 24, no. 1.
Public Domains: Engaging Iraq Through Experimental Digitalities
by Patricia Rodden Zimmermann. Framework: The Journal of Cinema and Media, Fall 2007, v. 48, no. 2.
Hyunki Park: Neo-Metaphysical Video and Conceptual Art
by Robert C. Morgan. PAJ: A Journal of Performance and Art, Sept. 2007, v. 29, no. 3.
No Exit: Video and the Readymade
by David Joselit. October, Winter 2007, no. 119.
Scott Treleaven
by York Lethbridge. C Magazine, Spring 2007, no. 93.
Peter Donebauer, Richard Monkhouse and the Development o the EMS...
by Chris Meigh-Andrews. Leonardo, Oct. 2007, v. 40, no. 5.
Materialist Feminism for the Twenty-first Century: The Video...
by Angela Dimitrakaki. Oxford Art Journal, 2007, v. 30, no. 2.
Borderviews: Back to Nature's Future
Border Crossings, 2007, no. 102.
Crossovers: Jenny Perlin
by Jacob Korczynski. Border Crossings, 2007, no. 102.
Felix Ensslin on Lulu
by Felix Ensslin. Between Two Deaths, 2007. karlsruhe: ZKM, 2007.
Beyond/In Western New York 2007
by Clare Schneider and Holly E. Hughes.
"Collective Orgasm": The Eco-Cyber-Pornography of Shu Lea Cheang
by Eva Oishi. Women's Studies Quarterly, Spring/Summer 2007, v. 35, no. 1. The Feminist Press, 2007.
Coming to a screen no where near you: Inuit filmmaker Zacharias...
by Gayle MacDonald. The Globe and Mail, Jan. 25, 2006.
Yael's Potent Palestine Trilogy
by Fran Schechter. Now, Jan. 5, 2006, v. 25, no. 19.
Back For One Night Only!
by Nancy Princenthal. Art in America, Feb. 2006, v. 94, no. 2.
Tragedy at the top of the world: From a traditional Inuit town, a...
by Gayle MacDonald. The Globe and Mail, Mar. 18, 2006.
Crafting, Every Witch Way
by Robert Enright. Border Crossings, Mar. 2006, v. 25, no. 1.
Happenings: Genetic Carnival
by Emily Elsa Hamilton. MAG Mass Art Guide, Apr. Spring 2006.
Exhibit A Weirdy Wonderful: Songs of Praise for the Heart Beyond Cure
by Sarah Milroy. The Globe and Mail, Apr. 14, 2006.
Untitled
by Sarah Milroy. The Globe and Mail, Mar. 15, 2006.
In Review
by Debra Antoncic. Canadian Art, Spring 2006, v. 23, no. 1.
From the Mouths of Babies
by Daniella Newman. Film Print, May 2006, v. 26, no. 3.
Red Hot Docs
by Caroline Avery. Film Print, May 2006, v. 26, no. 3.
ALU CINE TING: The 7th AluCine Toronto LATIN @ Media Festival
by Deirdre Swain. Film Print, May 2006, v. 26, no. 3.
Kino=Cool
by Malcolm Fraser. Broken Pencil, May 2006, no. 31.
Arriba Los Homosexuales!: There's Startling Dynamism Down South
by Jon Davies. Xtra!, May 11, 2006, no. 562.
Channelling Mayhem: Winnipeg cable TV's golden age
by Alison Gillmor. cbc.ca, Apr. 12, 2006.
Weathering the Storm: Christina L. Battle in Conversation With...
by Christina L. Battle. FILMPRINT - The magazine of Independent Filmmakers of Toronto, May 2006, v. 26, no. 3.
Guy maddin's The Brand Upon the Brain: An Autobiography of my house
by Guy Maddin. Border Crossings, 2006, no. 96.
Gunilla Josephson in Coversation with Cameron Bailey: On the...
by Cameron Bailey. Archive Inc., June 24, 2006.
Paulette Phillips Fascinations
by Johanna Householder. Sketch, Spring 2006.
On Gods, Grammar and Nonsense: Gary Kibbins' Grammar and...
by Earl Miller. Fuse, 2006, v. 29, no. 3.
The Power of Light: aluCine 7th Toronto Latin@ Media Festival's...
by Richard Fung. Fuse, 2006, v. 29, no. 3.
Gary Kibbins and his Grammar Lessons
by Andrew James Paterson. Grammar & not Grammar, June Summer 2006. YYZ Boooks, 2006.
Andrea Cooper: Oh, Darlin
by Rhonda Corvese. University of Toronto Master of Visual Studies Programme 2006 Graduating Exhibition, 2006.
Tannis Nielsen: Not Forgotten
by Rhonda Corvese. University of Toronto MVS Programme 2006 Graduating Exhibition, 2006.
The Next Big Thing: Supernovas
by Amy Karlinsky. Fuse, 2006, v. 29, no. 3.
An Emergency of Passion
by Daniel Baird. Diane Borsato, Sept. 16, 2006.
Silent Speech
by Susan Walker. The Toronto Star, Sept. 7, 2006.
It is not only Glad Day who benefits
by Linda Feesey. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome and LIFT, 2006.
Between the Lines, Jude Norris: Reading Between the Lines
by Aubrey Reeves. Between the Lines, Jude Norris, 2006. Toronto: Trinity Square Video and imagineNATIVE Festival, 2006.
Love is a battlefield: Pop & politics get a musical makeover
by Daryl Vocat. Xtra, Sept. 28 Fall, 2006, no. 572.
You'd Better Smile When You Say That: Wagon Burner, This! Princess...
by Richard William Hill. Wagon Burner, This! Princess Moonrider That!, 2006. Toronto: A Space Gallery, 2006.
Opening Night Films: The Toronto international Film Festival kicks...
by Barrett Hooper. Inside E magazine, Sept. Fall 2006.
Just Say Cut!
by Jon Davis. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
The (fetishistic) cut
by Jean-Paul Kelly. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
Notes on Glad Day
by Sholem Krishtalka. "(Mary, Mary) Are these the hands that cut?", 2006. Toronto: Pleasure Dome, 2006.
Kunuk's silent partner: Norman Cohn grew up in New York. Zacharias...
by Sarah Milroy. The Globe and Mail, Sept. 6, 2006.
Out of Beirut: Living Contradiction
by T. J. Demos. Artforum, Oct. 2006, v. 45, no. 2.
Out of Beirut: Object Lessons
by Lamia Joreige. Artforum, Oct. 2006, v. 45, no. 2.
Out of Beirut: Under the Volcano
by Christine Tohme. Artforum, Oct. 2006, v. 45, no. 2.
Sense and sensibilities: Fado performance gives new meaning to the...
by Stephanie Rogerson. Now, July 20, 2006, v. 25, no. 47.
Kalup Linzy: Rome Gallery
by Philip Auslander. Artforum, Oct. 2006, v. 45, no. 2.
Yael Bartana: Kunstverein
by Nina Montmann. Artforum, Oct. 2006, v. 45, no. 2.
Barry Schwabsky on Keren Cytter
by Barry Schwabsky. Artforum, Oct. 2006, v. 45, no. 2.
Under Your Skin: Gary Indiana on Kiyoshi Kurosawa
by Gary Indiana. Artforum, Oct. 2006, v. 45, no. 2.
3 videos by Farheen Haq
by Farheen Haq. Blackwood Gallery, Jan. 5, 2006.
Blackwood home to controversy
by Daniel Filipe Martins. Medium Online, Jan. 16, 2006.
The Tears of Eros: Laima Kreivyte on Aurora Reinhard
by Laima Kreivyte. Framework: The Finnish Art Review, 2006.
Gareth Long continues to dazzle: Artist Profile: Gareth Long
by Mathew Follwell. Our Neighborhood: Queen St. W., 2006.
Casting Kin: The Animations of Desiree Holman
by Alissa Firth-Eagland. Effigy, Nov. 2006. Toronto: YYZ Artist's Outlet, 2006.
See Reel Asian pics while you can
by Glenn Sumi. Now, Nov. 16, 2006, v. 26, no. 11.
Deller delivers: Evocative music and images converge in Jeremy...
by Stephanie Rogerson. Now, Nov. 23, 2006, v. 26, no. 12.
Recovery- Romeo Gongara
by Stephanie Rogerson. Romeo Gongara Recovery, 2006. Toronto: Gallery 44 Centre for Contemporary Photography, 2006.
Wholly Human Holman: Desiree Holman's Effigy series promotes...
by Stephanie Rogerson. Now, Nov. 30, 2006, v. 26, no. 13.
Emily Vey Duke and Cooper Battersby in 'Fantasia'
by Jon Davies. Canadian Art, Fall 2006, v. 23, no. 3.
Stan Douglas Talks About Klatsassin, 2006.: 1000 Words
by Stan Douglas. Artforum, Oct. 2006, v. 45, no. 2.
Ragnar Kjartansson: A restless spirit
by Christian Schoen. List -Icelandic Art News, Jan. 23, 2006, no. 7.
You Tube vs Boob tube
by Bob Garfield. Wired, Dec. 2006, no. 12.
Read Handed: Caught in the Act: an Anthology of Performance Art by...
by Leah Sandals. Fuse, May 2006, v. 29, no. 2.
Cultures clash in mystical north
by Geoff Pevere. The Toronto Star, Sept. 7, 2006.
Kent Monkman's Postindian Diva Warrior:: From Simulacral Historian...
by David McIntosh. Fuse, July 2006, v. 29, no. 3.
Inuit Tale Looks to Make History at World Premiere
by Etan Vlessing. Playback, Sept. 4, 2006.
A Brave Opening Choice as TIFF Kick Off: The Journals Sets the...
by Rick Groen. The Globe and Mail, Sept. 7, 2006.
The Bjork-Barney Enigma Machine
by Randy Kennedy. The New York Times, Apr. 2006.
How Television Saved Video
by Laura Paolini. Les Fleurs Du Mal, Sept. 2006, v. 1, no. 2.
Still Video: Photo Zombified The Video Star
by Robert Lendrum. Les Fleurs Du Mal, Sept. 2006, v. 1, no. 2.
Gravity's Grace
by Carla Garnet. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
Even if the Dead Speak and the Living Listen it is Still Not a...
by Steve Reinke. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
Worlds of Birds and Snow
by Steer Linda. Falling from Grace, 2006. Panabaker Gallery, McMaster Museum of Art, 2006.
How to Touch the Dead: The Ethical Potential of Sound and Image in...
by Andrea D. Fitzpatrick. The University of Southern California Journal of Film & Television Criticism Spectator Ephemeral Cinema, Invisible Media: Sound and Image at the Edge of Awareness, Fall 2006.
French video changes the bottom line: Amerio at Vtape - Film troubling
by Peter Goddard. The Toronto Star, Jan. 12, 2006.
The New Homosexual Film Festivals
by B. Ruby Rich. GLQ: A Journal of Lesbian and Gay Studies, 2006, v. 12, no. 4.
Queer Eye for the Whitney Bi
by James Panero. The New Criterion, Apr. 2006.
Mary Kavanagh
by Ann Dymond. Border Crossings, June 2006, v. 25, no. 98/No.2.
Tacita Dean
by Jeffrey Eugenides. Bomb, Spring 2006, no. 95.
Pleasure Dome Brochure: Winter 2006
by Unknown. Pleasure Dome, Winter 2006.
Dream Homes: Far-out ideas for rebooting the 'burbs: Toronto Free...
by Murray Whyte. The Toronto Star, Apr. 23, 2006.
A Question of Defense in Lida Abdul's "Military/Body"
by Sara Raza. Lida Abdul, 2006. Banff: Banff International Curatorial Institute, 2006.
The Overlooked America
by Rodrigo Alonso. Mesh 19, Oct. 2006.
Duet: Etude for Solitudes: Laiwan
by Nelson Hendricks. YYZine, Spring 2006.
The Lingering Present: Canadian Video Art in its Youth: 1968-1986
by Lisa Steele. Analogue, 2006. Preston: Electronic and Digital Art Unit, 2006.
Video Beginnings: The Early Show: Video from 1969-1979
by Deborah Garwood. PAJ: A Journal of Performance and Art, Sept. 2006, v. 28, no. iss.84 no. 3.
Jesika Joy's erotic gaze: Show offers sex along with...
by Peter Godard. The Toronto Star, Aug. 24, 2006.
Joanna Malinowska at Canada
by David Coggins. Art in America, Oct. 2006, v. 94, no. 9.
Making magic: Queer music videos return with a vengeance
by John Webster. Xtra!, May 11, 2006, no. 562.
Bradley McCallum and Jacqueline Tarry
by Nord Wennerstrom. Artforum, Oct. 2006, v. 45, no. 2.
Video: From Technology to Medium
by Yvonne Spielman. Art Journal, Fall 2006, v. 65, no. 3.
Decolonizing Colonial Violence: The Subversive Practices of...
by Janice Hladki. Canadian Woman Studies, 2006, v. 25, no. 1-2.
Making Things Our Own: The Indigenous Aesthetic in Digital...
by Candice Hopkins. Leonardo, 2006, v. 39, no. 4.
The Temporalities of Video: Extendedness Revisited
by Christine Ross. Art Journal, Fall 2006, v. 65, no. 3.
Pile Driver: Philippe Donadini messes things up
by Benny Nemerofsky Ramsay. C Magazine, Winter 2006, no. 92.
Ship of dreams gets rude reception
by Susan Walker. The Toronto Star, Jan. 21, 2005.
Lisa's Long Haul: Artist Lisa Steele talks to Sarah Milroy about...
by Sarah Milroy. The Globe and Mail, Feb. 19, 2005.
Vladimir Cybil
by Jerry Philogene. Bomb Magazine, Winter 2005, no. 90.
Kantor's art in a revoltionary vein: Marking gallery walls with...
by Murray Whyte. The Toronto Star, Jan. 4, 2005.
Change makers honoured in G-G visual awards
by Sarah Milroy. The Globe and Mail, Mar. 9, 2005.
Canada honours art pioneers
by Ciara Byrne. The Newspaper, Mar. 10, 2005.
Doing time with prisoners through video art; [3 Edition]
by Philip Gefter. International Herald Tribune, Apr. 9, 2005.
Video artists earn top honours: New winners in visual, media arts
by Peter Goddard. The Toronto Star, Mar. 9, 2005.
Renzo Martens
by David Balzer. EYE WEEKLY, Apr. 14, 2005.
Nostalgic & Nervous: Even queers seem to prefer troubled childhood...
by Jon Davies. Xtra!, Mar. 31, 2005, no. 533.
All eyes are on us, and we're loving it: Artist examines our need...
by Peter Goddard. The Toronto Star, Apr. 23, 2005.
Energetic Freedom
by Jon Davies. Xtra!, Mar. 31, 2005, no. 533.
Religious argument made at wrap speed: Farqheen HaQ unfurls...
by Peter Goddard. The Toronto Star, Apr. 7, 2005.
Unblinking face to face: Donigan Cumming creates arresting videos
by Peter Goddard. The Toronto Star, Apr. 21, 2005.
Images grows up
by Hal Niedzviecki. Now, Apr. 7, 2005, v. 24, no. 32.
Beast in show: seeing our animal future
by Susan Walker. The Toronto Star, June 11 Spring, 2005.
Artsit Lisa Steele honoured for lifetime achievement
by Staff Staff. The Globe and Mail, 2005.
Art at 30 frames per second
by Ceiran Bishop. DOSE, June 10, 2005.
Press Release: Visionary Leader in new media art pratice become...
by Staff Staff. Ontario College of Art and Design, 2005.
The War on Libraries: Save and Burn, a Film Review
by Steve Fesenmaier. Counterpunch, Oct. 2, 2005.
Save and Burn a documentary by Julien Samuel: Reviewed by Maja...
by Maja Khankhoje. Serai Magazine, to be published, online, Apr. 11, 2005.
Vinita Ramani and Julien Samuel discuss Save and Burn
by Vinita Ramani and Julien Samuel. 18th Singapore International Film Festival, 2005, Mar. 20, 2005.
Genealogies of Blood and Breath
by Sky Glabush. Border Crossings, 2005.
Reel Books
by Andrew James Paterson. POV, Winter 2005, no. 56.
Cure As Weapon: Aiko Suzuki takes on the medical model
by Kevin Temple. Now, June 2, 2005, v. 24, no. 40.
From Nature to Psychobabble: Beyond/ In Western New York bridges...
by Cynnie Gaasch and Eric Jackson-Forseberg. Art Voice (AV), May 16, 2005.
The Ass Alley Anglers vs. the Pussy Packers: Dayna mcleod's...
by Sasha. Montreal Mirror, 2005, v. 20, no. 44.
A Quest for the Shiny and New
by RM Vaughan. The National Post, July 16, 2005.
Kuchar sad-sack funny, flatulent and moving
by Peter Goddard. The Toronto Star, July 8, 2005.
Everything new is becoming old: New Toronto Works short on innovation
by Peter Goddard. The Toronto Star, Mar. 11, 2005.
Border Views: The New Video Linguists
by Unknown. Border Crossings, Aug. 2005, v. 24, no. 3.
Video Art, A Guided Tour by Catherine Elwes (Books)
by Tom Sherman. Border Crossings, Aug. 2005, v. 24, no. 3.
Production Diary: Nextfest DG14 2004:: 14 Days + 3 friends + 1...
by David Geiss. Splice Magazine, Winter 2005.
Why Video Art Is Great And Everyone Should Love It (And Me)
by Meesoo Lee. Splice Magazine, Winter 2005.
'Runaway grooms' leave shame behind: Film tells stories of jilted...
by Olivia Ward. The Toronto Star, Apr. 23, 2005.
Images 2005 A Sneek Peek
by Jason Mcbride. LIFT, Mar. 2005, v. 25, no. 2.
Participation, Flow, and the Redistribution of Authorship: The...
by Sara Diamond. Museums and the Web 2005: Proceedings, Mar. 31 Spring, 2005.
Picture the performer / Alumni notes
by b. h. Yael. Sketch, Spring 2005.
Transcendental Video
by Bev Pike. Poolside, 2005, v. 2004.
We Loved Getting Tested!
by Shawna Dempsy. Poolside, 2005.
going out: Do the Hope and the Crawl
by Gary Michael Dault. The Globe and Mail, Sept. 16, 2005.
Hop and Crawl At A Glance
by Unknown. The Globe and Mail, Sept. 16, 2005.
Enormous Changes At The Last Minute: The videos of Emily Vey Duke...
by Jason McBride. Cinema Scope, Spring 2005, no. 22. Tokyo: National Museum of Modern Art, 2005.
The digital artist
by Peter Goddard. The Toronto Star, Aug. 6, 2005.
Art that's inside the box (set)
by Sarah Milroy. The Globe and Mail, Aug. 18, 2005.
Istvan Kantor
by Daniel Baird. The Governor General's Awards in Visual and Media Arts, 2005. Ottawa: Canada Council for the Arts, 2005.
Feats, might
by Paul Couillard and Alissa Firth-Eagland. Feats, might, 2005.
Accepting Rejection: Annual Salon des Refuses & Silent Auction
by Kathleen Olmstead. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Nov. 2005, v. 25, no. 6.
Don't You Feel Better: Meesoo Lee Gets Uneven
by John Marriott. C Magazine, Summer 2005, no. 86.
The New Exhibitionists: Performance art is reawakening in the 21st...
by Randy Gledhill. Canadian Art, Summer 2005, v. 22, no. 2.
Persevering Realpolitik: A Conversation With Marie-Helene...
by Emily Rothwell. Fuse, Fall 2005, v. 28, no. 3.
Untitled
by Unknown. 11th BIM Biennial of Moving images, 2005. Geneva: Biennial Press Office, 2005.
Lisa Steele + Kim Tomczak
by Peggy Gale. The Governor General's Awards in Visual and Media Arts 2005, 2005. Toronto: Canada Council for the Arts, 2005.
Towards a New Tribalism
by Abraham Ferrer. VC FILMFEST2005, 2005. Los Angeles: VC Film Fest, 2005.
Festival Wraps
by Henry Lewes et al. POV, Mar. Spring 2005, v. 13, no. 39.
TOO GOOD TO BE TRUE: AN INTERVIEW WITH PHILIP MANTLE
by Jeremy Turner. Front, Nov. 2005, v. 15, no. 5.
For Immediate Release: New Director/Curator of Exhibitions at the...
by ?. Front, Nov. Winter 2005, v. 16, no. 5.
Diamond In the Rough
by Unknown. YYZ newsletter, Dec. 17, 2005.
Inmate Intimacy: Fiona Tan: Correction
by Clayton Campbell. Afterimage, Sept. 2005, v. 33, no. 2.
CCA Warsaw Beyond Ruins
by Joanna Heatwole. Afterimage, Sept. Fall 2005, v. 33, no. 2.
Chi-mnissing N-daa-yaan reflects a Personal and Community's...
by Dennis Stark. Tansi, 2005, v. 4, no. 3.
Very,very high numbers at TIFF
by Sean Davidson. Playback, Sept. 26, 2005.
Experimental Video
by Ed Hugetz. MBC, 2005.
agYU: A Very Personal Look: Toronto Video Art from the '7-'s to...
by Shay Gibson. agYU, 2005. Toronto: Art Gallery of York University, 2005.
For The Love of Film, It's PHOTOPHOBIA: This year marks the...
by Quintin Hewlett. View Magazine, Dec. 8 Winter, 2005, v. 11, no. 49.
Nelson Henricks
by Vicky Chainey Gagnon. Beyond Words, 2005.
ruth cuthand & elizabeth machenzie
by Ingrid Jenkner. Beyond Words, 2005.
A day curated by artists Catherine Elwes, Hayley Newman and Jeremy...
by Unknown. Video art: From the Margins to the Mainstream, 2005. London: TATE, 2005.
Bad Girl Perennial
by Chris Kraus. C Magazine, 2005, no. 88.
affirm/nation; Jude Norris
by Sandee Moore. unknown, 2005.
Barbieri's Las Vegas
by Peter Goddard. The Toronto Star, Dec. 10 Winter, 2005.
Disquiet
by Risa Horowitz. C Magazine, Winter 2005.
I Really Should
by Terri Whitehead. C Magazine, Winter 2005.
Untitled
by Sandee Moore. C Magazine, Winter 2005, no. 88.
Martha Rosler
by Andrea Carson. C Magazine, Winter 2005, no. 88.
Le Mois de la Photo a Montreal
by Anna Carlevaris. C Magazine, Winter 2005, no. 88.
L'Autre Amerique: Art Contemporain du Bresil
by Duncan MacDonald. C Magazine, Winter 2005, no. 88.
Stefan St-Laurent
by Paul Giesbrecht and Sylvia Borda.
Cao Fei: A Mini-Manifesto of New New Human Beings
by Hou Hanru. Flash Art, May 2005.
Paul Chan: Where Form Ends and Content Begins.
by Andrea Bellini. Flash Art, Mar. 2005.
Sergio Prego
by Peio Aguirre. Flash Art, Jan. 2005.
Marina Abramovic: Re: Performance
by Aaron Moulton. Flash Art, Fall 2005, no. 38.
Mediating Circumstances: Stephen Henry Madoff on the Festival...
by Stephen Henry Madoff. Artforum, Oct. Fall 2005, v. 44, no. 2.
Petroglyphs in Motion: James Luna
Petroglyphs In Motion, 2005. Toronto: A Space Gallery, 2005.
The Waters of Venice: Rebecca Belmore at the 51st Biennale
by Lee-Ann Martin. Canadian Art, Summer 2005, v. 22, no. 2.
Pun to Paradox: Bas Jan Ader Revisted
by Rachel Kent. Parkett, 2005, no. 75.
Noam Gonick: Interviewed by Leah Sandals
by Leah Sanders. C Magazine, Fall 2005, no. 87.
Two Types Of Sacred: 1970s Endurance Art Today
by Emily Vey Duke and Kevin Rodgers. C Magazine, Summer 2005, no. 86.
Video 2005
by Tom Sherman. Canadian Art, Spring 2005, v. 22, no. 1.
The Poetics of History: An Interview with Rebecca Belmore
by Robert Enright. Border Crossings, Aug. 2005, v. 24, no. 3.
Janet Cardiff and George Bures Miller
by Eva Scharrer. C Magazine, Fall 2005, no. 87.
Chris Meigh-Andrews. Video Installations: 1998-2004.
by Chris Meigh- Andrews. Chris Meigh-Andrews. Video Installations 1998-2004., 2005.
Belmore at the Venice Biennale
by Unknown. Sketch Magazine, Mar. Spring 2005.
Kudos to Pugen
by Unknown. Sketch, Spring 2005.
Postscript to 'An Interview With Michael Snow': Apologies and...
by Michael Snow. C Magazine, Spring 2005, no. 85.
Teresa Hubbart/ Alexander Bircher
by Konrad Bitterli. Contemporary Visual Arts, 2005, no. 71.
Metropolitan Chords and Discords
by Vera Frenkel. Public, Apr. 2005, no. 32.
Neshat, The Friendly Other
by Haleh Niazmand. Fuse, Feb. 2005, v. 28, no. 1.
Somewhere Elsewhere: Diasporic Visions of Space and Subject
by Laura J. Kuo. Fuse, Feb. 2005, v. 28, no. 1.
Persistence of Vision
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Video Stars
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Donigan Cumming: Museum of Contemporary Canadian art, Toronto
by Carla Garnet. Canadian Art, Fall 2005, v. 22, no. 3.
An African Anthology: Review of 'Africa Remix', Hayward Gallery,...
by Colin Gill. The Socialist Review, Mar. 2005.
Rewind: Allison Hrabluik
by Kevin Temple. Canadian Art, Spring 2005, v. 22, no. 1.
It's a Womans World
by Uta Grosenic. Women Artists in the 20th and 21st century, 2005. TASCHEN GmbH, 2005.
Shirin Neshat: "Your true 'land' is the place where you are going,...
by Britta Schmitz. Universe in Universe, Oct. 2005.
Sergio Prego
by Peio Aguirre. Flash Art, Jan. 2005, no. 240.
Wendy Woodson and Meg Cottam
by John E. Mitchell.
Girl, interrupted: Johanna Burton on Tracy + the Plastics
by Johanna Burton. Artforum, Summer 2005, v. 43, no. 10.
Laurie Anderson: Language, a virus from outer space
Women Artists in the 20th and 21st Century, 2005. TASCHEN GmbH, 2005.
Manned Claims: Sex upends our national mythology
by John Davies. Xtra, Oct. 13 Fall, 2005, no. 547.
Lorna Simpson. Prefix Ica. Toronto
by Sascha Hastings. Canadian Art, Fall 2005, v. 22, no. 3.
"...One of the weirdest": Gabriela Fridriksdottir at Venice Biennial
by JP. List -Icelandic Art News, June 2005, no. 2.
Jordan Baseman
by Eliza Williams. Flash Art, July 2005, v. 38.
Jillian Mcdonald's Celebrity Relations
by Sylvie Fortin. Art Papers, Sept. 2005, v. 29, no. 5.
Jail Breakers
by Jason Anderson. The Globe and Mail, Aug. 19, 2005.
Chris Cunningham
by Skye Sherwin. BBC -Collective, June 17, 2005, no. 238.
Performance biennial for NYC
by Not Attributed. Art in America, Nov. 2005, v. 93, no. 10.
Dave McKenzie
by Glenn Ligon. Artforum, Sept. 2005, v. 44, no. 1.
Miranda July: Performance Artist and Filmaker
by Eli Horowitz. The Believer, June 2005.
Plurimedia and the snr of s+r: v7
by Jake Moore. Poolside, 2005. Winnepeg: Video Pool Inc., 2005.
Video Art in Canada in the Video Lounge
by none. Canadian Art, Sept. Fall 2005, v. 22, no. 3.
Video art 'trailblazers' win Gov. Gen. awards
by Pacienza Angela. Winnepeg Free Press, Mar. 9, 2005.
Philip Jonlin Lee
by Betty Ann Jordan. Toronto Life, Oct. 2005, v. 39, no. 10.
Reel Asian International Film Festival: 2005
by Unknown. Reel Asian International Film Festival, 2005.
Leaves of ass: a conversation with Tim Miller
by John Greyson. Fuse, Nov. 2005, v. 28, no. 4.
Conspiracy Theory by Janet Cardiff
by Real Lussier. Le Journal, Spring 2005, v. 15, no. 3.
Vancouver's Paul Wong among Gov. Gen. winners in visual, media arts
by Angela Pacienza. The National Post- Vancouver Edition, Mar. 9, 2005.
Cancer: A Metaphoric Re/Vision: Aiko Suzuki's Bombard/Invade/Radiate
by Pam Patterson. Fuse, Nov. 2005, v. 28, no. 4.
Visual Artists Awarded By Governor General
by Unknown. CBC.CA -Arts, Mar. 8, 2005.
Great Greyson
by Glenn Sumi. NOW, Aug. 18, 2005, v. 24, no. 51.
The Afghan pavilion at the 51st Biennale at Vencie 2005
by Said Ismael Noori. Lida Abdul, 2005. Banff: Banff International Curatorial Institute, 2005.
Independent Media: The Age of Diversity
by Chris Gehman. Mobile Media: Films and Videos by Artists, 2005.
Bringing the inside outside: Fifteen years later, Toronto's queer...
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Eloquent ambiguity: Sleazy & sweet imaginings
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Pain Plus Camp: Tribute to sontag triggers strange ironies
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Untitled
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Homemade Porn: Do it yourself
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Queer film and video festival forum: Take one: curators speak out
by Michael Barrett et al. GLQ: A Journal of Lesbian and Gay Studies, 2005, v. 11, no. 4.
One of Kenya's video art pioneers
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Radical Learning, Radical Perception: The History of the...
by Sherry Miller Hocking and Ralph Hocking. A Closer Look, 2005. San Francisco: National Alliance for Media Arts and Culture, 2005.
The Raw Data Diet, All-Consuming Bodies and the Shape of Things to...
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Cheryl Sourkes: Surveilling the Field
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Cans and Cassettes
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Locus Suspectus: where the hidden comes to light
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What Franklin Furnace Learned from Presenting and Producing Live...
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Frozen but Always in Motion:: Arctic Film, Video, and Broadcast
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Animutations and the Measure of Madness in Colin
by James King. Broken Pencil, 2005, no. 29.
Whose reality is it, anyway?: The real deal: Truth versus fiction
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20 top docs: The Real Deal: All Time Best
by James Adams et al. The Globe and Mail, Feb. 28, 2004.
Artist who paints 'X' with his blood wins $15,000 award:...
by Paul Gessell. The National Post, Mar. 4, 2004.
Art Review: Sampling brooklyn, Keeper of Eclectic Flames
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McMichael gets hip
by Thomas Hirschmann. Now, Mar. 18, 2004, v. 23, no. 29.
Video HEROES
by Sylvie Gilbert. Video HEROES, 2004.
The Istvan Kantor paradoxes
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Rethinking the global 'gay gaze'
by Kamal Al-Solaylee. The Globe and Mail, May 18, 2004.
The Last Revolutionary Moment: Weather Underground Director Sam...
by Rebecca Godfrey. C Magazine, Spring 2004, no. 81.
Word to the Fatherfucker
by Bruce LaBruce. C Magazine, Spring 2004, no. 81.
Nowhere to Run: Filmmaker Nick Taylor gives us a snap shot of life...
by Nick Taylor. Dazed & Confused, May Spring 2004, v. 2, no. 13.
Mars Attacks: Canada's senior stateswoman of performance takes two...
by Sarah Milroy. The Globe and Mail, June 10, 2004.
Capturing Today's Chinese Culture in Transition: What does a...
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Carolee Schneemann: Devour. DIA Centre for the Arts. New York
by Randall Anderson. Border Crossings, 2004, no. 89.
Silver: dreams, screens, and theories
by Allan Antliff. Canadian Art, Summer 2004, v. 21, no. 2.
what it feels like for a girl
by Tara Marshall. Canadian Art, Summer 2004, v. 21, no. 2.
Daily terror gives violence a black eye: Angry artist David Yonge...
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Kirsten Stoltman, Let's Get It On/ Paul Lloyd Sargent, White...
by Emily Vey Duke. C Magazine, Summer 2004, no. 82.
Mistrusting our obsession with technology
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Video Acts
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Carolee Schneemann
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Parallaxe: Celebrating the Provencher Bridge
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Touch of Grant: Kyle MacLaughlin talks to Chris Lackner about...
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Terra Nullius, Terra Incognito
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Rodney Graham
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The Art and Life of Istvan Kantor
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Canadian Art: 20 Years - A Look Back and Ahead: Artist-Run Spaces
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Paulette Phillips [The secret life of criminals.]
by Tanya Buckrell Pos. Canadian Art, Sept. Fall 2004, v. 21, no. 3.
The Vancouver School
by Unknown. Canadian Art, Fall 2004, v. 21, no. 3.
Machine Life
Machine Life, 2004. Kingston / Toronto: Agnes Etherington Art Centre / The Koffler Gallery, 2004.
Liz Aggis and Billy Cowie's "Men in the Wall"
by Unknown. Transcription from Artists Talk at Trinity Square Video, 2004.
Local art not without dash of whimsy
by Peter Goddard. The Toronto Star, Nov. 18, 2004.
Not Just for Laughs: Women, Performance, and Humour
by Tanya Mars. Caught In the Act: an anthology of performance art by Canadian women, 2004. Toronto: YYZ, 2004.
FFWD, RWD, and PLAY: Performance Art, Video, and Reflections on...
by Tagny Duff. Caught in the Act: anthology of performance art by Canadian women, 2004. Toronto: YYZ, 2004.
Heartbreaker-The Video Art of Benny Nemerofsky Ramsay
by Robert Enright. Border Crossings, 2004, no. 92.
Gestures in the Looking Glass: Performance Art and the Body (1987)
by Dot Tuer. Caught In the Act: an anthology of performance art by Canadian women, 2004. Toronto: YYZ, 2004.
Asserting Our Bodies
by Elizabeth Chitty. Caught In the Act: an anthology of performance art by Canadian women, 2004. Toronto: YYZ, 2004.
Minutes of Video Glory
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Laurent Grasso: video-capture: Laurent Grasso: In the Land of...
by Christophe Kihm. Art Press, 2004, no. 306.
Where else but ImagineNative?: One sexy cowboy meets a half-breed...
by Nick Davies. Xtra!, Oct. 14 Fall, 2004, no. 521.
Natives bring culture to the city: Aboriginal arts from around the...
by Susan Walker. The Toronto Star, Oct. 20 Fall, 2004.
Tarnation
by Michael Bronski. Cineaste, Winter 2004, v. 30, no. 1.
Activist video: What do activists and artists have to offer each...
by Jonathan Culp. Canadian Dimension, July Summer 2004, v. 38, no. 4.
The Failures of Fair Use and the Future of Free Culture
by Lawrence Lessig. Cut: film as found object in contemporary video, 2004. Milwaukee: Milwaukee Art Museum, 2004.
Cutting through history: Found Footage in Avant-garde Filmmaking
by Rob Yeo. Cut: film as found object in contemporary video, 2004. Milwaukee: Milwaukee Art Museum, 2004.
Dead Weight of a Quarrel Hangs
by Claire Moed. After 9.11, 2004.
Surveilling Utopia 2: Multi Media Installations by Ann Stoddard
by Cedric Laurant. Afterimage, Sept. Fall 2004, v. 32, no. 2.
Storytelling in Art: Bonnie Devine's Stories From The Shield
by Sharon Humphrey. Manitoban, June 21, 2004.
Stryking While the Fire is Hot: Noam Gonnick's Stryker
by Robert Enright. Border Crossings, Nov. 2004, v. 23, no. 4.
Flirtations with evidence
by Janet A. Kaplan. Art in America, Oct. 2004, v. 92, no. 9.
Untitled
by Unknown. Tyranny Of Bliss, 2004. Toronto: Fado Performance Art Inc, 2004.
Shawna Dempsey and Lorri Millan: Performance Art Out and About
by Jennifer Fisher. Caught In the Act: an anthology of performance art by Canadian Women, 2004. Toronto: YYZ Books, 2004.
The Projectionist
by David Balzer. EYE WEEKLY, Sept. 9, 2004.
Shining TV: Distortion on Demand
by Conor Humphries. C Magazine, Winter 2004, no. 84.
In Divine Shadows
by Daryl Vocat. Capital Xtra!, Sept. 2, 2004, no. 518.
My Toronto: Beware the vampires and yuppies
by Nicole Larkin. The National Post, Mar. 27, 2004.
Cecilia Condit: Becomings and Betrayals
by Judith Harway. Fellowships for Individual Artists, 2004. Milwaukee: The Greater Milwakee Foundation, University of Wisconsin-Milwaukee, 2004.
Harder Times, Tougher Spaces
by Vera Frenkel. Canadian Art, Summer 2004, v. 24, no. 2.
Scandalous Personas, Difficult Knowledge, Restless Images: The...
by Lynne Bell. Canadian Art, Winter 2004, v. 24, no. 4.
The Encounter With Reality
by Gordon Burn. Parkett, 2004, no. 70.
Don't Intimidate the Material: A Conversation Between Elisabeth...
by Elisabeth Roth and Pipilotti Rist. Parkett, 2004, no. 71.
Closed Circuit
by Anne Söll. Parkett, 2004, no. 71.
The Elephant in the Room
by Barbara Pollack. ARTnews, Sept. 2004, v. 103, no. 8.
Christian Jankowski
by Sydney Pokorny. Frieze, 2004, no. 84.
re-play: Edmonton Art Gallery, Edmonton
by Natalie De Vito. C Magazine, Winter 2004, no. 80.
Maddins World
by Craig Burnett. Contemporary, 2004, no. 63.
Foreword: VS Program
by Jon Davies. VS (Event Program), Dec. 2004.
Untitled: (Vs. Program)
by David Dyment. VS (Event Program), Dec. 2004.
Nothing Ventured, Nothing Gained: (Vs. Program)
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On the Misrecognition of Images
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Calling all Co-conspirators: Julie Andreyev's Greenroom
by Penny Leong Browne. Fuse, Feb. 2004, v. 27, no. 4.
Coming to Video - A Canadian Perspective
by Sandra Vida. Locus Suspectus - Where the Hidden Comes to Light, 2004. Calgary: Truck Contemporary art, 2004.
Chris Ofili
by Donna De Salvo. Artforum, Oct. 2004, v. 43, no. 2.
Triangulation: Three Points Made Plane in the Art of Jayce Salloum
by Trevor Boddy. Jayce Salloum: Everything and nothing and other works from the ongoing video installation, 'untitled',1999-2004, 2004. Vancouver: Western Front, 2004.
Re-play: Blackwood Gallery, Mississauga
by Catherine Osborne. Canadian Art, Spring 2004, v. 21, no. 1.
Esther Williams, Eat Your Heart Out
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I'll Be Your Mirror
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Marina Abramovic: Witnessing Shadows
by Peggy Phelan. Theatre Journal, 2004, v. 56.
Alex McQuilkin: Smells Like Teen Spirit
by Michael Cohen. Flash Art, Mar. 2004, v. 95.
Joan Jonas: A Portfolio
by not attributed. PAJ: A Journal of Performance and Art, Sept. 2004, v. 26, no. 3.
Jon Mikel Euba: Wanted: Team for Surreptitious Actions
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Night Terrors
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ExperiMental
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Videos Ante up the Fear Factor: This year's video-art feast marks...
by Catherine Osborne. The National Post, Apr. 10, 2004.
Listening Awry
by Jim Drobnick. Aural Cultures, 2004. Toronto: YYZ Books, 2004.
VS: 640 480 - original programme
by Jon Davies et al. VS, Dec. 2004.
Gutsy scenes in fish-market film
by Peter Goddard. The Toronto Star, Nov. 26, 2004.
A sorrowful fish tale
by Sarah Milroy. The Globe and Mail, Dec. 3, 2004.
Awakening blurs distinction between film and photos
by Lehmann Henry. The Gazette, May 29, 2004.
A Charade to Remember: The Promise & Peril of Hollywood Dreams
by Gordon Bowness. Xtra!, July 8, 2004, no. 514.
Galerie Vox Awakening: Good Peeps
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The Root of the Native Voice Film Festival
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Historical Fiction: Tacita Dean on the art of Matthew Buckingham
by Tacita Dean. Artforum, Mar. 2004, v. 42, no. 9.
The Monuments of Dogville
by Sven Lutticken. Artforum, Mar. 2004, v. 42, no. 9.
Leth is More: James Quandt on The Five Obstructions
by James Quandt. Artforum, Mar. 2004, v. 42, no. 9.
Jonathan Caouette
by Chrstopher Wilcha. Bomb Magazine, Fall 2004, no. 89.
Imagi(ni)ng Indigenous Spaces: Self and Other Converge in Latin...
by Luisela Alvaray. Film and History, 2004, v. 34, no. 2.
An Interview with Juan Garcia, President of Ojo de Agua Communication
by Anna Brigido-Corachan. American Anthropologist, 2004, v. 106, no. 2.
Bill Viola: The Passions
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Elemental Invasions
by Jessica Wyman. Invasions. A media arts exchange., 2004. Toronto: Toronto Alternative Art Fair International, 2004.
Rodney Graham: A Little Thought
by Sarah Parsons. Canadian Art, Spring 2004, v. 21, no. 1.
Artists' Action and the Politics of Representation
by Pauline Cummins. Locus Suspectus: Where the Hidden Comes to Light, Sept. 10, 2004. Calgary: Truck contemporary art, 2004.
Facts Not Things
by Robert Bean. Screenplay, 2004. London: Museum London, 2004.
John Waters
by Dennis Cooper. Bomb, Spring 2004, no. 87.
Superchannel
Telematic Connections, Aug. 25, 2004.
Pleasure Dome Presents: The New Freedom Founders
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Witnessing Encounters
by Chris Harker. Front, May 2004, v. 15, no. 3.
Video In The Villages Exhibition: Through Indian Eyes: You see the...
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Video In The Villages Exhibition: Through Indian Eyes: Moi, un Indien
by Vincent Carelli. Video in the Villages: Through Indian Eyes., Apr. 20, 2004. Carmo Olinda: Banco do Brasil, 2004.
Pop Culture Watch: Laura Woodcock Sabotages Spectacle
by David Jager. NOW, Oct. 21 Fall, 2004, v. 24, no. 8.
Bare Essentials: John Oswald's Bodies Fascinate
by Catherine Farquharson. NOW, Sept. 2004, v. 24, no. 4.
Gaining Ground: Indigenous Video in Bolivia, Mexico, and Beyond.
by Jeff Himpele. American Anthropologist, June 2004, v. 106, no. 2.
Jud Yalkut: a video beachcomber
by Seth Thompson. Afterimage, Fall 2004, v. 32, no. 2.
Pierre Huyghe
by Doug Aitken. Bomb, Fall 2004, no. 89.
Precision Gesamtkunstwerk: this is a universe: An interview with...
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A quick chat with Jeff Blitz
by Paul Clarke. kamera.co.uk, 2004.
Immanent death
by Brenda Goldstein. Mix, Summer 2004, v. 30, no. 1.
True love will find you in the end
by Emelie Chhangur. Surfacing, Summer 2004, v. 25, no. 2.
Gutsy scenes in fish-market film
by Peter Goddard. The Toronto Star, Nov. 26, 2004.
Video in the villages, documentary and "otherness"
by Jean-Claude Bernardet. Video in the Villages: Through Indian Eyes, 2004. Carmo Olinda: Banco do Brasil Cultural Center, 2004.
Winged Migration
by David Loftus. documentaryfilms.net, 2004.
Interwoven motion: Steps towards a semi-permanent outdoor...
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Poughkeepsie powwow: Paul Arthur visits the 50th Robert Flaherty...
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Everybody loves nothing: video 1996-2004
by Canadian Art. Canadian Art, Winter 2004, v. 21, no. 4.
Janet Cardiff: Her Long Black Hair, Central Park, New York
by Vesna Krstich. Canadian Art, Winter 2004, v. 21, no. 4.
Crosswatch
by Peter Yeadon. Canadian Architect, Nov. 2004.
Some Kind of Grace: An Interview with Miranda July
by Julia Bryan-Wilson and Miranda July. Camera Obscura, 2004, v. 19, no. 1.
The Desert[ed]
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Après la pluie, le désert fleurit
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TV, or Not TV: David Frankel on Alex Bag
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Interview: Between Film and Video: The Intermedia Art of Jud...
by Sabrina Gschwandtner. Millenium Film Journal, Fall 2004, no. 42.
I wanna be a popstar
by Eva Scharrer. C Magazine, Spring 2004, no. 81.
Grainy Days and Mondays:: Superstar and Bootleg Aesthetics
by Lucas Hilderbrand. Camera Obscura, 2004, v. 19, no. 3.
Masters of Ceremony: Media Demonstration as Performance in Three...
by Roy Grundmann. The Velvet Light Trap, Fall 2004, no. 54.
Jack Goldstein and the Calarts Mafia
by Chris Kraus. C Magazine, Summer 2004, no. 82.
Citing/Laughter
by Thomas Zummer. Milennium Film Journal, 2004, v. 42. New York City: Millennium Film Workshop, 2004.
Thoughts on Shirley Clarke and the TP Videospace Troupe
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Jolie laid: The beautiful ugly world of Steve Reinke
by Nicholas Davies. Xtra!, Dec. 12 Winter, 2003, no. 499.
Source fresh
by Thomas Hirschmann. Now, Apr. 16, 2003, v. 22, no. 33.
Fesival Wraps: HOT DOCS
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Stevie: Directed By Steve James
by Paul Arthur. CINEASTE, Summer 2003, v. 28, no. 3.
A World Of Their Own: General Idea Made Art from Cultures...
by C Carr. Village Voice, June 21 Spring, 2003.
Art Star: Video Art Biennial
Art Star, 2003. Ottawa: Saw Gallert, 2003.
UK/ Canada Film & Video Exchange: South London Gallery 10-13 April...
by Andrea Carson. C Magazine, June Summer 2003, no. 78.
Generation Next
by Sarah Milroy. The Globe and Mail, May 10, 2003.
Algorithms and Chance:: An Interview with R. Bruce Elder
by Vicky Chainey Gagnon. LIFT, May 2003, v. 23, no. 2.
Am I Still a Film, Maker?
by Samuel K. Lee. LIFT, May 2003, v. 23, no. 2.
Magg's mug shots: New film and show fete photographer Arnaud Maggs
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Benny Nemerofsky Ramsay: Subversive Video-Maker is His Own Boy...
by Thomas Hirschmann. Now, Oct. 16, 2003, v. 23, no. 7.
Coryn Kempster, formerly of Brantford, is being praised by critics...
by Stephanie Harrington. The Expositor, Sept. 4, 2003.
TDR Interview with Shawna Dempsey and Lorri Millan
by Anne Borden. The Danforth Review, Feb. 2003.
Exceptional Routines: Video Art Since 1990
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Home & away: Identity is more complex than we think
by Michele Clarke. Xtra!, Nov. 27, 2003, no. 498.
Paradise found: Consumer culture on display
by Thomas Hirschmann. Now, Apr. 10, 2003, v. 22, no. 32.
Testimony of Actions, Actions of Testimony
by Glenn Alteen. Blackflash, 2003, v. 21, no. 1.
The Post-Ironic Reenchantment of Art: An Interview With Michael...
by Mary Kavanagh. Blackflash, 2003, v. 21, no. 2.
Not Bad For A Girl
by Thomas Hirschmann. Now, Dec. 11, 2003, v. 23, no. 15.
Image overkill and what to do about it: Independent film and video...
by Peter Goddard. The Toronto Star, Apr. 10, 2003.
French steal the show at Inside Out: Gay and lesbian movie fest...
by Susan Walker. The Toronto Star, May 12, 2003.
Shifts and Transfers: On some tendencies in Canadian video
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Critical Theory and the Challenge of New Media
by Jay David Bolter. Eloquent Image: Word and Image in the Age of New Media, 2003. Cambridge, Massachusetts: MIT Press, 2003.
Eija-Liisa Ahtila
by Michael Rush. Video Art, 2003. London: Thames & Hudson Ltd., 2003.
Frank Gillette
by Michael Rush. Video Art, 2003. London: Thames & Hudson Ltd., 2003.
A Critique of the Media: Turning the Tables: Surveillance...
by Michael Rush. Video Art, 2003. London: Thames & Hudson, 2003.
Gary Hill
by Michael Rush. Video Art, 2003. London: Thames & Hudson Ltd., 2003.
Garden of Earthy Delights
by Jayne Wark and James MacSwain. Matter/Flesh/Spirit/Ground: An overview of the video work of Wendy Geller, 2003. Halifax: the Centre for Art Tapes in partnership with Dalhousie Art Gallery, 2003.
Dracula: Pages from a Virgin's Diary
by Paul Townend. Take One, Sept. 1, 2003, no. 42.
Brooke Alfara
by Monica Kupter. Bomb magazine, Winter 2003, no. 86.
STEELE - TOMCZAK: Trouble Tracked to the Depths of the Body
by Paul Ardenne. Lisa Steele - Kim Tomczak, 2003. Toronto: Pleasure Dome, 2003.
An interview with R. Bruce Elder
by Aysegul Koc. Cineaction, Spring 2003, no. 61.
Women play major roles in Middle East film Industry
by Alia Ibrahim. Womens News, 2003.
Representation, Polyphony, and the Construction of Power in a...
by Terence Turner. Indigenous Movements, Self-Representation, and the State in Latin America, 2003. Texas: University of Texas Press, 2003.
Citizen Salloum
by Laura U. Marks. Fuse, 2003, v. 26, no. 3.
Jayce Salloum: Everything and Nothing and Other Works From The...
by ?. GALLERY-101, 2003. Ottawa: The Canadian Council for the Arts, 2003.
Crossing the distance: Travels with Jayce Salloum
by Isa Tousignant. Hour, Sept. 25 Fall, 2003.
UK/ Canada Film & Video Exchange: South London Gallery
by Andrea Carson. C Magazine, Summer 2003, no. 78.
Untitled
by Daniel Cockburn. Pleasure Dome presents Apotheoses of Everything, 2003.
The Saint(s) and the Cynic
by Chris Kennedy. Pleasure Dome presents Apotheoses of Everything, 2003.
The wwworst ever
by Linda Feesey. Pleasure Dome presents Apotheoses of Everything, 2003.
Wigga of Mass Deception
by Alissa Firth-Eagland. Pleasure Dome presents Apotheoses of Everything, 2003.
Jubal Brown: Mr. Misunderstood
by R. M. Vaughan. Pleasure Dome presents Apotheoses of Everything, 2003.
Visual Vulture: (An Essay Written on Any Given Sunday)
by Daniel Borins. Pleasure Dome presents Apotheoses of Everything, 2003.
Canadian Ugly
by John Marriott. Pleasure Dome presents Apotheoses of Everything, 2003.
The Impish Duo
by Scott Anderson. Lola, Summer 2003, v. 7, no. 2.
Round Table: The Projected Image In Contemporary Art
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Homos on the Range
by Stephanie Domet. Herizons, Fall 2003, v. 17, no. 2.
Vera Frenkel Body Missing: Freud Museum, London, March 19 to April...
by Sigrid Schade et al. Freud Museum catalogue., Mar. 2003.
Art in the Mediated Public Realm: Two International Airport Proposals
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Art's Animal Instinct: A chimp, a dog and plenty of heat at the...
by Aaron Wherry. The National Post, June 17 Summer, 2003.
In Appreciation of Generative Contrasts
by David Rokeby. The Institute or What we do for love, 2003. Toronto: Hart House University of Toronto, 2003.
Building the Institute
by Mark J. Jones. The Institute or what we do for love, 2003. Toronto Ontario: Hart House University of Toronto, 2003.
Threads of Memory
by Dot Tuer. The Institute or What we do for love, 2003. Toronto Ontario: Hart House University of Toronto, 2003.
Toward a Theory of the Practice of Curating New Media Art
by Sarah Cook. Beyond the Box: Diverging Curatorial Practices, 2003.
Painterly Aspects
by Bernard Fibicher. Canadian Art, Fall 2003, v. 20, no. 3.
Shahzia Sikander at Brent Sikkema - Pakistani-American artist...
by Daniel Belasco. Art in America, June 2003, v. 91, no. 6.
Rafael Lozano-Hemmer interview by Priamo Lozada
by Rafael Lozano-Hemmer and Priamo Lozada. RISK/RIESGO, 2003. New York city: The Standby Program, Inc, 2003.
Delia Brown
by Matthew Higgs. Baja to Vanvouver: The West Coast and Contemporary Art, 2003. Seattle: Seattle Art Museum, 2003.
Our multicultural society is transforming Britart
by Yasmin Alibhai-Brown. The Independent, Mar. 17, 2003.
Walking the Walk: The Artist As Flâneur
by James Trainor. Border Crossings, Nov. Fall 2003, v. 22, no. 88.
VISUAL ARTS: What is it good for?
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Video and the Conceptual Body: A cross disciplined spirit
by Micheal Rush. Video Art, 2003. New York: Thames & Hudson, 2003.
Painterly Aspects: Mark Lewis's New Films
by Bernard Fibicher. Canadian Art, Fall 2003, v. 20, no. 3.
Janine Antoni at Luhring Augustine - New York
by Gregory Volk. Art in America, Nov. 2003, v. 91, no. 11.
The Next Big Thing
by Charlie Finch. Artnet, Apr. 2, 2003.
Omer Fast at Postmasters: a video art exhibit explores...
by Jessica Ostrower. Art in America, Oct. 2003, v. 91, no. 10.
Chris Cunningham at P.S. 1 - New York - four video recordings
by Michael Amy. Art in America, May 2003, v. 91, no. 5.
"Video Acts" at P.S. 1 - New York
by Eleanor Heartney. Art in America, Apr. 2003, v. 91, no. 4.
Chris Morris: the movie
by Xan Brooks. The Guardian, Feb. 21, 2003.
Foreign as us
by Erden Kosova. C Magazine, Fall 2003, no. 79.
Ask Me
by Miranda July. RISK/RIESGO, 2003. New York city: The Standby Program, Inc, 2003.
Video Acts: PS1 New york
by Alex Mar. Art Monthly, May 2003, no. 266.
Gillian Wearing: Musee D'art Conemporain De Montreal
by Dionne Mcaffee. Canadian Art, Fall 2003, v. 20, no. 3.
Time, space, motion remixed with genius
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Guts, gore & pussy galore
by Samantha Sarra. Xtra!, Apr. 3, 2003, no. 481.
Ghosts of the Nazi past haunt Freud's house: The sense of absence...
by David Jays. Financial Times, Mar. 21, 2003.
Tabaimo
by Akiko Miki. Tema Celeste, May 2003, no. 97.
Tom Thompson star at gallery award night
by Christopher Hutsul. The Toronto Star, June 18, 2003.
Scotland Rocks
by Alan Dimmick. Tate Magazine, July 2003, no. 6.
Gary Kibbins - Grammer Horses
by Jan Allen and Gary Kibbins. Grammer Horses, 2003. Kingston: Agnes Etherington Art Centre and Gary Kibbins, 2003.
Looking back to the Future: Hoolboom consistently life-affirming
by Peter Goddard. The Toronto Star, Sept. 11, 2003.
Video purified of television: On why video art wants to be boring
by John Beagles and Dave Beech. Variant, Fall 2003, v. 2, no. 18.
Fall art harvest big on ideas: Visual Art
by Peter Goddard. The Toronto Star, Oct. 2, 2003.
Gillian Wearing, private I
by Nancy Princenthal. Art in America, Mar. 2003, v. 91, no. 3.
Teasing the creative juices: a challenge for procrastinating young...
by Sabrina Saccoccio. The Globe and Mail, Nov. 20, 2003.
Finding Camp X: Contemporary Considerations of an Enigma
by Margaret Rogers. Canadian Art, Spring 2003, v. 20, no. 1.
Decolonizing the Frame: Indigenous Video in the Andes
by Schiwy Freya. Framework, Spring 2003, v. 44, no. 1.
EXHIBITION REVIEW: UK/Canadian Video Exchange 2003
by Diana Baldon. Matters, Apr. 10 Summer, 2003, no. 17.
REPREZENTIN': Series Takes Moccasin Flats. Saskatchewan to Park...
by Marty Spellerberg. Half Empty, Spring 2003, no. 1.
ImagineNative Media Arts Festival
by Tom Lyons. Take One, Mar. 2003, v. 11, no. 41.
Toronto Reel Asian International Film Festival
by Allan Tong. Take One, Mar. 2003, v. 11, no. 41.
Ann Regitze Wivel
The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Jørgen Leth
The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Alastair Fothergill
by Alastair Fothergill. The Documentary Makers: Interviews With the Best in the Business, 2003. Mies: Roto Vision, 2003.
Barbara Kopple
The Documentary Makers: Interviews with the best in the business, 2003. Mies: Roto Vision, 2003.
Jeff Blitz: Spellbound: Interviewed by Saxon Bullock
by Saxon Bullock. BBC, Oct. 10, 2003.
In a queer country: gay and lesbian studies in the Canadian context
by John Corr. University of Toronto Quarterly, Jan. 2003, v. 72, no. 1.
Alors, La Chine?
Paris: Centre Pompidou, 2003.
(Re)Performing the Archive: Barbara Lattanzi & Hollis Frampton in...
by Chris Hill. Millennium Film Journal, Winter 2003, no. 39/40.
Nam June Paik, 'TV Garden'.: Introduction by John G. Hanhardt,...
by John G. Hanhardt. Guggenheim Museum Publications, 2003.
Digital Decay
by Bruce Sterling. Guggenheim Museum Publications, 2003.
Accommodating the Unpredictable: The Variable Media Questionnaire
by Jon Ippolito. Guggenheim Museum Publications, 2003.
Feminism 101: The New York Women's Video Festival, 1972-1980
by Melinda Barlow. Camera Obscura, 2003, v. 18, no. 3.
Marina Abramovic's Performance: Stresses on the Body and Psyche in...
by Maureen Turim. Camera Obscura, 2003, v. 18, no. 3.
"Atanarjuat" Off-Screen:: From "Media Reservations" to the World Stage
by Faye Ginsburg. American Anthropologist, Dec. 2003, v. 105, no. 4.
What Is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
Interview with Patty Chang
by Eve Oishi. Camera Obscura, 2003, v. 18, no. 3.
A New Europe
by Johannes Birringer. Journal of Performance and Art, Sept. 2003, v. 25, no. 3.
The Singular of Seeing (Al Marra min Nazar)
by Akram Zaatari. HomeWorks: A Forum on Cultural Practices in the Region (Egypt, Iran, Iraq, Lebanon, Palestine and Syria), 2003. Beirut: Lebanese Association for Plastic Arts, 2003.
Talking Back to Primitivism: Divided Audiences, Collective Desires
by Lucas Bessire. American Anthropologist, Dec. 2003, v. 105, no. 4.
Towards an Artbeat: New Media in Los Angeles
by Erika Hernandez. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
Everyday Miracles: The Videos of Oliver Herring
by Elisabeth Kley. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
What is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
Art of the image takes centre stage
by Liam Lacey. The Globe and Mail, Apr. 11, 2002.
The 4th Biannual Lesbian and Gay Film and Video Festival of...
by Gary Varro. QCC 4: Queer City Cinema Four, 2002.
Of myths and men
by Margaret Atwood. The Globe and Mail, Apr. 13, 2002.
The running man: Inuit filmmaker Zacharias Kunuk sprints in with...
by Ingrid Randoja. Now, Apr. 11, 2002, v. 21, no. 32.
Local talent featured at 15th annual Images Festival: Video and...
by Lydia Hanson. The Liberty Gleaner, Apr. 2002.
True North: Atanarjuat: The Fast Runner
by Jason Anderson. EYE WEEKLY, Apr. 11, 2002.
Video Ignition: Creative Resistance to Corporate Globalization
Video Ignition, 2002. Vancouver: Video In, 2002.
Leader of the pack: Scott Treleaven unleashes The Salvation Army
by Catharine Tunnacliffe. EYE WEEKLY, Apr. 11, 2002, v. 11, no. 26.
Richard Fung: Images festival tribute puts self-effacing video...
by Cameron Bailey. Now, Apr. 11, 2002, v. 21, no. 32.
Canadian Video Artists Lisa Steele, Kim Tomczak to Visit Sackville
by Unknown. Sackville Tribune-Post, Mar. 20, 2002.
Remember The Blood Records?
by Diana Kelly. The Argosy, Mar. 21, 2002.
Wild wild west end: Parkdale film festival REHAB gives independent...
by Kim Linekin. EYE WEEKLY, June 13, 2002, v. 11, no. 36.
Feelings: The Italian snow job
by Bruce LaBruce. EYE WEEKLY, June 13, 2002, v. 11, no. 36.
Daniel Borins on New Canadian Folk
by Daniel Borins. C Magazine, Winter 2002, no. 72.
Filmmaker pulls work from Quebec festival
by Mathew Hays. The Globe and Mail, Feb. 1, 2002.
Canadians make themselves seen and heard: Crazy for Fubar
by Jim Holt. The National Post, Jan. 14, 2002.
Atanarjuat's story no match for its cinema saga: Acclaimed Inuit...
by Sid Adilman. The Toronto Star, Apr. 6, 2002.
Beating back those boring cliches
by Leah McLaren. The Globe and Mail, Apr. 3, 2002.
Donna Wawzonek on Stefan St-Laurent
by Unknown. Arts Atlantic, Winter 2002, no. 70.
Video art, and how to survive it: It confounds most viewers, so...
by Sarah Milroy. The Globe and Mail, Mar. 6, 2002.
The 4th annual rehab RAW blue-rare films & videos
by Adam Swimmer. The Parkdale Beauty Pageant Society & Artbeat Festival, 2002.
Boy Wonders: Emily Vey Duke and Cooper Battersby
by Si Si Penalosa. Now, Jan. 24, 2002, v. 21, no. 21.
Galleries: YYZ Artists' Outlet
by Peter Goddard. The Toronto Star, Jan. 17, 2002.
North by northwest film festival review: Rock 'n' reel
by Ingrid Randoja. Now, June 6, 2002, v. 21, no. 39.
A way of life frozen in time: Rhyme & Reason
by Sandra Martin. The Globe and Mail, May 8, 2002.
Wild Kingdom: There's no life like it
by Margot Francis. Xtra!, May 16, 2002, no. 458.
Against all odds: Film Friday
by Liam Lacey. The Globe and Mail, Apr. 12, 2002.
The sublime north: With its sweeping, intensely human take on...
by Rick Groen. The Globe and Mail, Apr. 12, 2002.
Atanarjuat exorcises the ghost of Nanook: Innovative Inuit movie...
by Peter Howell. The Toronto Star, Apr. 12, 2002.
No longer an Orphan, Video Art Gives Itself a Party
by Michael Rush. The New York Times, Feb. 10, 2002.
Southern Hospitality: The Miami Gay and Lesbian Film Festival gets...
by Harriette Yahr. The independent, Aug. 2002.
Reel change: When a culture discovers filmmaking, neither the...
by A.O. Scott. The New York Times Magazine, July 14, 2002.
Mutek 2002, Part 3: The films
by Randolph Jordan. Off screen, 2002.
Inside Out
by Jason McBride. LIFT, May 2002, v. 22, no. 3.
The enjoyment of seeing: Images Festival 2002
by Daniel Cockburn. LIFT, May 2002, v. 22, no. 3.
Cheezie Vogue: The essential modern cinema povera of Colin Campbell
by Randy Gledhill. Take One, Mar. 2002, v. 10, no. 36.
Obituaries: Video artist was west coast icon
by Sarah Milroy. The Globe and Mail, Aug. 3, 2002.
Inside out attempts video damage control
by John Sinopoli. Xtra!, Aug. 8, 2002, no. 464.
Native artist to be featured at expose: Short film festival part...
by Diane Gilhula. Northern Life, Aug. 7, 2002.
Chronicling an extraordinary life: The history of Tom Chomont and NYC
by Rachel Giese. Xtra!, Sept. 5, 2002, no. 466.
Twitching & Scratching: The videos of Emily Vey Duke & Cooper...
by Rebecca Godfrey. C Magazine, Fall 2002, no. 75.
Art, Censorship & Indignation
by David Armstrong. Arts Atlantic, Fall 2002, no. 73.
The great pretender: Homage to video maker and performance artist...
by Bambi Acconci and dj Blazay. Lola, Summer 2002, no. 12.
Shirin Neshat
by Veronika Klaptocz. Border Crossings, 2002, v. 21, no. 81.
Aernout Mik
by Rosemary Heather. Border Crossings, 2002, v. 21, no. 81.
Michael Campbell
by Paul Robert. Border Crossings, Feb. 2002, v. 21, no. 1.
Images Festival of Independent Film and Video
by Stephen Lam. Take One, May 2002, no. 37.
On the Beach
by Melony Ward. Canadian Art, June Summer 2002, v. 19, no. 2.
Stan Douglas: Suspiria Redux
by Trevor Smith. Canadian Art, Winter 2002, v. 19, no. 4.
Janet Cardiff, Musee D'Art Contemporain De Montreal
by Dierdre Hanna. Canadian Art, Winter 2002, v. 19, no. 4.
Uncommon Idiom
by Alissa York. Paper Wait, 2002, v. 4.
Frames Frozen
by Alex Poruchnyk. Paper Wait, 2002, v. 4.
Northern Light: 2002 Artist of the year
by Sarah Milroy. The Globe and Mail, Dec. 28, 2002.
Brain Dress
by Lori Weidenhammer. Poolside, 2002.
The modern uncanny: Jocelyn Robert
by Rodney LaTourelle. Poolside, 2002.
Excerpt Ability: Reva Stone Installs Laiwan
by Reva Stone. Poolside, 2002.
Istvan Kantor Monty Cantsin? Amen!: An unseen selection from the...
Pleasure Dome, 2002. Toronto: Pleasure dome, 2002.
Three short essays on growing up
by Terence Dick. Fuse, May 2002, v. 25, no. 2.
Controlling Observation
by Harun Farocki. CTRL SPACE: rhetorics of surveillance from bentham to big brother, 2002. Karlsruhe: ZKM, 2002.
Bruce Nauman Live/Taped video corridor, Video Surveillance Piece:...
by Dorte Zbikowski. CTRL SPACE, 2002. Karlsruhe: ZKM, 2002.
Peter Weibel: Observing observation: Uncertainty, The Guard as...
by Ursula Frohne and Margit Rosen. CTRL SPACE, 2002. Karlsruhe: ZKM, 2002.
multiple titles
by various. la Dragu, 2002. Toronto: Fado Performance Inc., 2002.
Local Filmmaker's documentary chosen for festival
by Maria Tzavaras. Scarborough Mirror, Apr. 28, 2002.
Build Your Dream House
by Unknown. Xtra!, Jan. 24, 2002.
Julie_On_Line: Julie-Christine Fortier
by Ingrid Mueller. Arts Atlantic, Apr. 1 Spring, 2002, no. 71.
Mixed Company: Art Fags Map Alt Histories
by Ed Halter. The Village Voice, Nov. 20, 2002.
Spit & polish: Good things come in small packages
by Nick Davies. Xtra!, May 30, 2002, no. 459.
Best Of Toronto 2002 supplement, Critic's Pick: Film, best...
by Matt Galloway. Now, Oct. 31, 2002, v. 22, no. 9.
More Dead Artists!?: Casualties of the Last Decade, the New...
by Tom Sherman. Before and After the I-Bomb: An Artist in the Information Environment, 2002. Banff: Banff Centre Press, 2002.
So this is fame?: 15 seconds on the street
by R.M. Vaughn. The Globe and Mail, Nov. 2, 2002.
Systematically Observing Surveillance: Paradoxes of Observation...
by Christian Katti. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
The Eye of Power: A Conversation with Jean-Pierre Barou and...
by Michel Foucault. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
The Visual Crash
by Paul Virilio. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
Rye Grads Score Film Fest Heat: Their film only got a B from...
by Nicole Cohen. THE EYEOPENER ONLINE, Sept. 19 Fall, 2002.
Nature is Perverse Sometimes (Version 6.1)
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
The Face of the Machine
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Julian Stallabrass
by Julian Stallabrass et al. Curating New Media, 2002. Gateshead: B. Read, 2002.
Silvia Kolbowski
by Andeas Kahre. Front, Jan. 1, 2002.
Docudrama Series: Arthur Kleinjan
by Andrea Kahre. Front, Nov. 2002.
Ki Wight: Event
by Andreas Kahre. Front, May 2002.
Touched by a Monster
by Andreas Kahre. Front, May 2002.
Potrait of a Street: The Soul and Spirit of College
by Paul Townend. Take One, May 2002.
Spider: Stripped to the Bone: David Cronenberg's
by Maurie Alioff. Take One, Dec. 2002.
Mathew Gansallo
by Mathew Gansallo and Beryl Graham. Curating New Media, 2002. Gateshead: B. Read, 2002.
Video's Body, Analog and Digital
by Laura U. Marks. Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
Video Haptics and Erotics
by Laura U. Marks. Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
Reona Brass: Belonging
by Andreas Kahre. Front, May 2002.
New Wine into Old Bottles: Some Comments on the Early Years of Art...
by Laura Cottingham. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the History of Video Art, 2002. Richmond, Virginia: Virginia Mudeum of Fine Art/University of Washington Press, 2002.
Video Installation and the Poetic of Time
by Eleanor Heartney. Outer & Inner Space: Pipilotti Rist, Shirin Neshat, Jane & Louise Wilson, and the history of Video Art, 2002. Richmond: Viriginia Museum of Fine Art/University of Washington Press, 2002.
Fish Scales: Allan Sekula's TSUKIJI
by Edward Dimendberg. Parkett 66, 2002. Santa Monica: Christopher Grimes Gallery, 2002.
Once Upon America
by Howard Hampton. Film Comment, July Summer 2002, v. 38, no. 4.
Film Buff
by Emilia Scofield. Filmmaker, Winter 2002.
Apprenticeship
by Allan King. The Film Reference Library, 2002.
Representation, Politics, and Cultural Imagination in Indigenous...
by Terence Turner. Media Worlds: Anthropology on New Terrain, 2002. London: University of California, 2002.
Local Conditions, Western Forms: The 8th international Cairo...
by Marilu Knode. Art in America, Jan. 2002, v. 90, no. 1.
Reality Check
by Sheila Heti. Now, Oct. 24 Fall, 2002, v. 22, no. 8.
Occupied Territories: Mapping the Transgressions of Cultural...
by Molly Hankwitz and Jayce Salloum. Framework: The Journal of Cinema and Media 43.2, Fall 2002, v. 43, no. 2.
Portraits and Places in the Videography of Jayce Salloum
by Michael Allen. Parachute, Oct. 1, 2002.
Bill Viola: Going Forth by Day: Moving Pictures
by John G Hanhardt and Maria-Christina Villasenor. A Guide to the Guggenheim Museum, 2002. New York: Guggenheim, 2002.
For Real: Telling the Truth in Art & Writing
by A.S.A. Harrison. C Magazine, Winter 2002, no. 76.
Stop Making Sense: Christian Jankowski's lack of common sense has...
by Eddie Silva. The Riverfront Times, Sept. 18, 2002, v. 26, no. 38.
For Real: Telling the Truth in Art and Writing
by A.S.A Harrison. C Magazine, Winter 2002, no. 76.
Video primer: A Series of 5 Video Programs: Personal Stories
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Video Primer: A Series of 5 Video Programs: Masquerade
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Video Primer: A Series of 5 Video Programs: Language
by Michelle Jacques. Video Primer, 2002. Toronto: Art Gallery of Ontario, 2002.
Intimate Dwelling: Finding Our Way Home: Do you feel you belong,...
by Anne Brydon. Home Show, Sept. 12 Summer, 2002.
Home Show
by Amy Karlinsky. Home Show, Sept. 12 Summer, 2002.
Films in the Garden
by George Robinson. The Squealer, Fall 2002.
Cinema for the People!
by Jeanne Liotta. The Squealer, Fall 2002.
Grilling the Underground: Fotopoulos at Flaherty
by Matt Wolf. The Squealer, Fall 2002.
The Flaherty Experience: A Personal Report
by Klaus Eisenlohr. The Squealer, Fall 2002.
Nature is Perverse Sometimes, Version 1
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Machines R Us
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Nilima Sheikh and Shahzia Sikander at the Asia Society - New York...
by Eleanor Heartney. Art in America, Mar. 2002, v. 90, no. 3.
At play in the palace: the Palais de Tokyo, France's brash new...
by Sarah S. King. Art in America, June 2002, v. 90, no. 6.
Weird Geographies: Video Art from the Atlantic Region/Translantique
by Sarah Hollenberg. Arts Atlantic, Fall 2002, v. 19, no. 73 / 4.
Eleanor Antin: The Adventures of a Nurse (Parts 1 and 2), 1976
by John B. Ravenal. Outer & Inner Space, 2002. Richmond: Virginia Museum of Fine Art, 2002.
Lynda Benglis
by Unknown. Outer & Inner Space, 2002. Richmond, Va: Virginia Museum of Fine Art, 2002.
Janine Antoni - Reviews: Santa Fe
by Ellen Berkoviech. Artforum, Dec. 2002.
Always Nice to be Recognized
by Tom Sherman. Fuse, Nov. 2002, v. 25, no. 4.
No Where Near the End, or, No notes Towards Trading the Future
by b.h. Yael. Fuse, Nov. 2002, v. 25, no. 4.
Art for Glob
by Richard Fung. Fuse, Nov. 2002, v. 25, no. 4.
The Singing Dunes: Colin Campbell, 1943-2001
by John Greyson. C Magazine, Summer 2002, no. 74.
Sappho (1972)
by Joan Jonas. PAJ: A Journal of Performance and Art, May 2002, v. 24, no. 2.
Video Scratching on M-M-Macs
by Leander Kahney. Wired, July 12, 2002.
Moving Images of Home
by John Di Stefano. Art Journal, Winter 2002, v. 61, no. 4.
Return to Oz: Peter Campus's Pioneering Videos
by Karen Rosenberg. The Village Voice, Sept. 2002.
Peter Campus
by Talya Halkin. The New York Sun, Sept. 12, 2002.
Back On Campus: Peter Campus, a Founder of video art, is surveyed...
by Margaret Sundell. Time Out New York, Sept. 2002, no. 363.
Photography as an art form
by Martin DeGroot. Guelph Mercury, Nov. 21, 2002.
Guerrilla Video: Electrons Outside the Vacuum
by M.E. Luka et al. Guerrilla Video, Aug. 14 Summer, 2002.
A sublime record of a life lived to the fullest
by Jason McBride. The Festival Daily, Sept. 12, 2002.
Life is a Time Based Medium
by Kika Thorne. Video Ground Zero, 2002.
Introduction
by Sergio Edelsztein. "?", 2002. Tel Aviv: Centre for Contemporary Art, 2002.
Dancing onto the big screen: The annual Moving Pictures Festival...
by Paula Citron. The Globe and Mail, Oct. 22, 2002.
Turning Television into Radio
by Tom Sherman. Before and After the i-bomb, 2002. Banff: Banff Centre Press, 2002.
Reel dance explosion: Bodies in motion captured by the camera's...
by Susan Walker. The Toronto Star, Oct. 18, 2002. New York: Whitney Museum of American Art, 2002.
A Tangled Triangle: Strands from the Archive-Rhizome
by Vera Frenkel. Lost in the Archives, 2002. Toronto, On: Alphabet City Media Inc., 2002.
ImagineNative Leads the Way
by Cuthbert Duncan. LIFT Magazine, Nov. 2002, v. 22, no. 6.
Ten Years of Rendezvous with Madness
by Shannon Brownlee. LIFT Magazine, Nov. 2002, v. 22, no. 6.
"Screen Tests":: Media Narcissism, Theatricality, and the...
by Ursula Frohne. CTRL[SPACE], Rhetorics of Surveillance from Bentham to Big Brother, 2002. Karlsruhe: ZKM, 2002.
Cooper Battersby and Emily Vey Duke: Songs of Praise for the Heart...
by Steve Reinke. YYZine, Jan. 9 Winter, 2002, v. 2, no. 1.
To Touch the Other:: A story of Corpo-electrontic Surfaces
by Christine Ross. The Feminism and Visual Culture Reader, 2002. New York: Routledge press, 2002.
Cut to the Radical of Orientation: Twin Notes on being in touch in...
by George Quasha and Charles Stein. The Feminism and Visual Culture Reader, 2002. New York: Routledge press, 2002.
Echoes of Touch and the Temptations of Scientific Representations
by David Tomas. The Feminism and Visual Culture Reader, 2002. New York: Routledge Press, 2002.
Julie_on_line
by Ingrid Mueller. Arts Atlantic, Spring 2002, no. 71.
Michael Campbell [MindReader. Truck Gallery]
by Paul Robert. Border Crossings, Feb. 2002, v. 21.
Sounds and Images: The documentary tradition
Media & culture: an introduction to mass communication, third edition, 2002. Boston: Bedford/St. Martin's, 2002.
Burb bets: Outskirts: Art For The Suburbs
by Thomas Hirschmann. NOW, Sept. 19, 2002, v. 22, no. 3.
Books
by Elizabeth Peters and Ken Miller. The Independent, July Summer 2002.
Renderings of Digital Art
by Christiane Paul. The MIT Press, 2002, v. 35, no. 5.
The Community Is Watching, and Replying: Art in Public Places and...
by Anne Bray. Leonardo, Feb. 2002, v. 35, no. 1.
Sounds of Silence
by Deirdre Hanna. Modern Painters, Winter 2002.
Peruvian Video/Electronic Art
by José-Carlos Mariátegui. Leonardo, Aug. 2002, v. 35, no. 4.
Ancient Images and New Technologies: The Semiotics of the Web
by Philippe Codognet. Leonardo, Feb. 2002, v. 35, no. 1.
Fringe Experientiality
by James Missen. Public, 2002, v. 25.
Poetico-Political Audio Visions
by Sandra Lischi. Public, 2002, v. 25.
Coco Fusco: How not to Sing an Anthem
by Ana Nuño. Nka: Journal of Contemporary African Art, Fall 2002, no. 16/17.
Dance and Media Technologies
by Johannes H. Birringer. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
Floating Worlds: Amy Jenkins's Dream Videos
by Fred Camper. PAJ: A Journal of Performance and Art, 2002, v. 24, no. 3.
Live Performance and Technology: The Example of Jet Lag
by Philippa Wehle. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
The Experience and the Object: Making a Documentary Video Installation
by Inga Burrows. Journal of Media Practice, 2002, v. 3, no. 1.
The Long Road: Isaac Julien in Conversation with B. Ruby Rich
by B. Ruby Rich and Isaac Julien. Art Journal, Summer 2002, v. 61, no. 2.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Video Art is Dead, Long Live Video Art
by Shalom Gorewitz. Journal of Religion and Health, Spring 2002, v. 41, no. 1.
The Curatorial Incubator
by Lisa Steele. Toronto: Vtape, 2002.
Middle Eastern Media Arts: An Introduction
by Dorit Naaman. Framework: The Journal of Cinema and Media, Fall 2002, v. 43, no. 2.
Come to Life
by John Kelsey. TimeOut New York, Dec 2002, no. 378.
Aida Ruilova
by Elizabeth Schambelan. Artforum, Dec 11, 2002.
Taras Polataiko
by Shirley J. Madill et al.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Northern Exposure
by Peter Howell. The Toronto Star, May 13, 2001.
North meets South of France: Premiere of Zacharias Kunuk's...
by Katrina Onstad. The National Post, May 15, 2001.
Permafrost on the Riviera
by Liam Lacey. The Globe and Mail, May 18, 2001.
The grace of aging: Video artist Colin Campbell's multple personae
by Andrew Griffin. Capital Xtra!, Feb. 16, 2001.
Remaking Home Movies
by Richard Fung. Subclip, Winter 2001, no. 7.
A way of imagining film: In Conversation with Loretta Todd
by Richard William Hill. Fuse, Feb. 2001, v. 23, no. 3.
Karma Clarke-Davis
by Unknown. Images, 2001. Toronto: Images Festival of Film and Video, 2001.
Newsreel
by Marco Zee-Jotti. Filmwaves, 2001, no. 15.
Video Inn and the CRTC
by N/A N/A. In Vision, 2001.
A Conversation Between a Reader and a Writer
by Kenna Manos. Arts Atlantic, Fall 2001, v. 18, no. 2.
Jan Peacock: Video as Experience
by Tim Dallet. Arts Atlantic, Fall 2001, v. 18, no. 2.
Alternative viewing: DVD's offer new weapon in attacking public...
by Peter Goddard. The Toronto Star, Dec. 6, 2001.
A family's battle with cancer
by Gillian Clair. Orangeville Citizen/Free Press and Economist, Oct. 5, 2001.
Reel experimental: Michael Snow's latest film, Corpus Callosum, is...
by Barbara Goslawski. The Globe and Mail, Jan. 29, 2001.
Focusing on the ReelWorld
by Gayle MacDonald. The Globe and Mail, Apr. 6, 2001.
The arts are fed on scraps from the city's elite
by Christopher Hume. The Toronto Star, Feb. 3, 2001.
Colin Campbell: Video Fictions
Colin Campbell: Video Fictions, 2001. Ottawa: Available Light Screening Collective, 2001.
Top 20 Toronto Films since 1981
by Cameron Bailey. Now, Oct. 25, 2001, v. 21, no. 8.
Tent city debuts
by Tom Lyons. The Toronto Star, Oct. 31, 2001.
Hefty program for second aboriginal film festival: 10 screenings...
by Susan Walker. The Toronto Star, Nov. 16, 2001.
AGO exhibit remains to be seen: Human remains is disturbing but...
by Rob O'Flanagan. The Sudbury Star, May 5, 2001.
Specifically Video
by Katharine Meynell. Filmwaves, Winter 2001, no. 14.
A universe to Discover: what the new technologies offer to us
by Wim Wenders. POV, Summer 2001, no. 43.
cyberman
by Peter Wintonick. POV, Winter 2001, no. 43.
Film: A medium to remember
by Shannon Brownlee. Lift, May 2001, v. 21, no. 3.
ImagineNATIVE: writing back indigenous culture
by Kalli Paakspuu. POV, Winter 2001, no. 45.
Bruce LaBruce
by Bruce LaBruce. Mix, Summer 2001, v. 27, no. 1.
Shocked and constrained
by Bambi Acconci and Trixie von Lukacs. Lola, Summer 2001, no. 9.
States of Alterity: A screen capture of Vancouver video
States of Alterity, 2001. Toronto: Pleasure Dome, 2001.
Sex and Noise and Neoism: Artcrime mastermind Istvan Kantor...
by Chris Barry. Montreal Mirror, Nov. 8, 2001, v. 17, no. 23.
Photophobia3
by Anya Wassengerg. Artsbeat, Aug. 2001, v. 14, no. 2.
Passionate pioneer of video art: He made important, often funny...
by Sarah Milroy. The Globe and Mail, Nov. 17, 2001.
Feelings: About a girl
by Bruce LaBruce. EYE WEEKLY, Nov. 22, 2001, v. 11, no. 7.
Colin Campbell: June 7, 1942 - Oct 31, 2001
by Andrew Paterson. Xtra!, Dec. 27, 2001, no. 448.
Primal sphere: Video artist Karma Clarke Davis takes an emotional...
by Catharine Tunnacliffe. EYE WEEKLY, Apr. 12, 2001, v. 10, no. 27.
occupied territories
by Molly Hankwitz. Front, Nov. 2001, v. 12, no. 5.
Simple Stories
Argos festival, 2001. Brussel: Argos Festival, 2001.
Lisa Steele: On Trinity's Beginings
by Lisa Steele. Video Vogue, Spring 2001.
Popeye Gonick and the Filmy Spinach of Sex
by Robert Enright. Border Crossings, Feb. 2001, v. 20, no. 77.
Defying the Gaze: The Work of Thecla Schiphorst
by Ann MacDonald. Border Crossings, Feb. 2001, v. 20, no. 77.
Magnetic Force
by Cameron Bailey. NOW, Dec. 6, 2001, v. 21, no. 14.
Tell me a story: The Web Works of Elizabeth Fischer
by Bart Gazzola. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Ahasiw Maskegon-Iskwew: Language, Realism, Webs, Domains
by Terry Billings. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Wanda Koop: In Your Eyes
In Your Eyes. book two, 2001. St. Norbert: St. Norbert Arts Centre, 2001.
Reel Addictive
by Adam Nayman. EYE WEEKLY, June 14, 2001, v. 10, no. 36.
From Nest to Nest, Creating on the Fly
by Ann Wilson Lloyd. The New York Times, June 3, 2001.
Young filmakers' erections and reflections
by Mireille Juchon. RealTime, June 2001, no. 43.
Your High Imperial: Performance by Kenneth Doren
by Kristin Evenden. Artichoke, Spring 2001, v. 13, no. 1.
Filmmaker's Pet Project is Part of 'Digital Divas'
by Alison Macor. Austin-American Statesman, Sept. 6, 2001.
What Is Church?: Rural Churches of Nova Scotia & Prince Edward Island
by Ingrid Jenkner and David Askevold. What Is Church? - Rural Churches of Nova Scotia & Prince Edward Island, 2001. Halifax: Mount Saint Vincent University (MSVU) Art Gallery, 2001.
Bare-assed kugel takes township by design: Being near naked in...
by Caroline Hooper-Box. Sunday Independent, 2001.
Guy Brett & Deanna Patherbridge
by Guy Brett and Deanna Petherbridge. The Producers: Contemporary Curators in Conversation (2), 2001. Gatshead: BALTIC, 2001.
Colin Campbell: 1945 - 2001
by Unknown. Colin Campbell 1945 - 2001, 2001. Toronto: Vtape, 2001.
the Turner Prize 2001: Isaaic Julien
by Jessica Lack. The Tate, Winter 2001, no. 27.
Trespassing beyond the frame: John Smith talking film with Cate Elwes
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Tacita Dean at Tate Britain
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Transit visa to the Labyrinth
by Jalal Tawfiq. Transit visa on video and cities, 2001. Beirut: Transit visa, 2001.
Bill Viola: Five Angels for th Millennium and Other New Works
by Nicky Hamlyn. Filmwaves, 2001, no. 15.
Video In Venice
by Laura Malacart. Filmwaves, 2001, v. 15.
Spaced Out
by Paul Hithersay. Filmwaves, 2001, v. 15, no. 1.
Uri Tzaig
by Cedar Levinson. Filmwaves, 2001, v. 2, no. 15.
New Landscapes: Community Art, Video Process and Fantasies of...
by Petra Kuppers. Afterimage, Nov. 2001, v. 29, no. 3.
The Novelty Hustle
by Barbara London. Trans Double Issue, 2001, no. 9/10.
Neither/ Or: in conversastion with Stan Douglas
by Daniel Jewesbury. Mix, 2001, no. 243.
Carnegie International
by Sylvie Fortin. Fuse, Apr. 2001, v. 23, no. 4.
Richard Fung's Sea in the Blood: Visualizing Memory, Complicity...
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High Tech Storyteller: A Conversation With Performance Artist Lori...
by Lynn Bell and Janice Williamson. Fuse, Dec. 2001, v. 24, no. 4.
Wounds Become Scars
by Barbara Fischer. Love Gasoline, 2001. Toronto: Mercer Union, 2001.
Galerie Der Stadt Stuttgart - Joan Jonas - Brief Article
by Noemi Smolik. Artforum, Sept. 2001, v. 40, no. 1.
Everything Happens at once: The everyday becomes the infinite in...
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A Story in Six Parts
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Toronto's Window Galleries: all you need is love
by Suzanne Farkas. Year01 forum, Spring 2001, no. 8.
The Spectacle of Noise: Istvan Kantor's recent video work. a selection
by A.K Nort. ArgosFestival, 2001. Brussel: Argos, 2001.
What happens when cancer returns?: Editorial page, guest column
by Jennifer Keck. Northern Life, Sept. 28, 2001.
Daring to say the M word: Toronto T.O. DO Selected Listings
by Helen Buttery. The National Post, Jan. 27, 2001.
Aernout Mik: Video Installation
Absolute Arts, 2001.
The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day
by Robin Pacific. Fuse, Feb. Winter 2001, v. 25, no. 1.
Of Arabs and Museum and Civilizations
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Laurel Woodcock: Take Me, I'm Yours: Sweet Surrender + Meaning Machine
by Jan Allen. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Bugaboo
by Paul Kelley. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Wide Impact
by Deirdre Hanna. NOW, Apr. 12, 2001, v. 20, no. 32.
Interrupting the program...: descrambling TV through video
by Heidi May. Canadian Art, Summer 2001, v. 18, no. 2.
(Un)reasonable search and seizure in Québec City: Lessons for...
by Malcolm Rogge. LIFT: The Liason of Independant Filmmakers of Toronto, June 2001, v. 21, no. 3.
Talking Pictures: Screenwriters on the films of Eric Rohmer
by Peter Bowen et al. Filmmaker, Winter 2001, v. 9, no. 2.
Six Degrees of Nosferatu
by Thomas Elsaesser. Sight and Sound, Feb. 2001, v. 11, no. 2.
The Discreet Fury of Luis Buñuel
by Peter Hogue. Film Comment Magazine, Jan. 2001, v. 37, no. 1.
Labyrinth of Chances
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REVIEWS: 'Legitimate Theater' at LACMA
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REVIEWS: 'Legitimate Theater' at LACMA
Arts Court, 2001. Ottawa: Arts Court, 2001.
REVIEWS: 'Legitimate Theater' at LACMA
All Queer All Canadian All Night Long, 2001 Tour, 2001. Regina: Queer City Cinema, 2001.
REVIEWS: 'Legitimate Theater' at LACMA
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Artistic Environments of Telepresence on the World Wide Web
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Developing Strategies for the Conservation of Installations...
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Media City 7: International Festival of Film and Video
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Paul McCarthy: Rites of Masculinity
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Sculpting in Time and Space: Interactive Work
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Strip-Joint Interventions: My Night with Charmaine
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Witnessing Video Testimony:: An Interview with Geoffrey Hartman
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Rhetorical Dimensions of Native American Documentary
by Steven Leuthold. Wicazo Sa Review, Fall 2001, v. 16, no. 2.
Girls on the Remake
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Mexican Nationalism, Mass Media and Gender/Sexuality:: Unmasking...
by Laura G. Gutierrez. Latin American Literary Review, 2001, v. 29, no. 57.
The Touch through time:: Raoul Hausmann, Nam June Paik and the...
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Destabilizing Gender
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In situ
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Cinema Frames, Videoscapes, and Cyberspace: Exploring Shu Lea...
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It's All Rights Ma I'm Only Watching
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Faces of the Future: 100 young Canadians to watch
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Exercise your eyes at Images
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Splitting Images
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Anger fires video-maker
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Genealogies of Blood and Breath: The blood records. Dunlop Art...
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Sex, Smurfs and video tapes
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Telling Tales: The Irresistible Excavation of the Other
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The endless trapeze act of the arts
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Gen Xers arm for protest with camcorders and VCRs
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Sometimes Video Art Might Resemble Television
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Dreaming of Electric Sheep
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Back in Five Minutes: Here Comes Success With AA Bronson
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Raising a New Aboriginal Voice
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From a native perspective: Noteworthy: ImagineNATIVE: The...
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From an Inuit point of view
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Toronto's other global film festival
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Interview: Lisa Steele & Kim Tomczak
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Nazi-looted art subject of video exhibit
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Canada's first Inuktitut feature-film nears completion
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Deconstructing Hollywood
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Drum Roll: Karma Clarke-Davis
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Time tripping in the art zone
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Lux: A decade of Artists' Video and Film
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Book Reviews: Video Loupe: a collection of essays by and about the...
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Missing art, missing lives
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National Gallery gesture is hardly ground breaking
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Her, herself & Anne Russell
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Digital Identity: Introduction
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taboos, titillations and thrills
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V is for video
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Fundamental Anxieties
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Community and Plural Relations: A Dialogue Between Philosophers...
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Shirin Neshat: The Image Dispute
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Black Box: The Videos of Steve Reinke
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Nina Levitt: Divers et Differance
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Speaking Bodies
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Asian Invasion vs. The Pristine Nation: Migrants entering the...
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Feminist Angst: Giv Us a Break!
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Wendy Landry on the video installations of Jan Peacock: Attempts...
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Video Art: A Top Twenty
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Douglas Gordon: A New Generation of Readymades
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Video in transit
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Interview with Bruce LaBruce and G.B. Jones
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Interview with Mike Hoolboom
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i can see your history in the way you move: at present
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Content & Collaboration: The work of multimedia artist Kenneth...
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A Flutter of Images
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Canadian artist captures the natural world on video
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Somewhere to Run: You Can't Go Home Again harnesses the creativity...
by Roberta Fallon. Philidelphia Weekly, Mar. 1, 2000, v. 29, no. 9.
LA's Media Renegades
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Thick Skinned
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Any While, Mean Time
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Seeing Crusading
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Foreword
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Nettie Wild
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Primal Therapist
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Snapshots of the Transcendental (excerpt): Images 2000
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Jeremy Deller: The Battle of Orgreave
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Sadie Benning
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Yvonne Welbon
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Mandy Morrison
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Pipilotti Rist
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Pipilotti Rist at Luhring Augustine
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Black Box: The Videos of Steve Reinke
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Nina Levitt: Divers and Différance
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Shirin Neshat: The Image Dispute / La Querelle des images
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Mexican experimental cinema and Ximena Cuevas
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Transparent Scenarios
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Montreal Diary
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Fear and Loathing on the Granting Trail: Canadian Art Versus...
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Kaleidoscopectomy: The short and long of it
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When There Is No Limit To Spirit: Tall Orders: On the Spiritual in Art
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Nervy First Nations Festival
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NEWSBRIEFS: Awards: V tape Video Award
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Digital Dumpling
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Oka through the eyes of Obomsawin
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In the Merry Month of May
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On The Scene At Annie Sprinkle's Herstory of Porn, Sat, April 1:...
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She Was Like My First Mother
by Peter Hudson. Winsom: River of Life, 2000. Chatham: Thames Art Gallery, Chatham Cultural Centre, 2000.
Potent Pairing of Jamaica-born Artists
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Attack [retreat]
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Film Recalls painful Canadian event
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Iñigo Manglano-Ovalle
by Michael G. Auping and Valerie Cassel. Whitney Biennial, 2000. Whitney Museum of American Art, 2000.
Video art both silly and engaged: Second collaboration between...
by Miranda Purves. The National Post, Mar. 30, 2000.
Opera for Cyborgs: Allegro molto con brio
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The Ghost of an Exquisite Corpse
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Flaming Creatures: New Tendencies in Canadian Video
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Video Triumphs in the Galleries
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On the edge of Madness
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You Say You Want A Revolution
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Interview Paul Wong: 1981-2001 CSV Historical Anthology Series
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TV Afterlife: With their latest work, Chris Petit and Iain...
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Renaissance Riot Girl Rising
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Mike Kelley and Paul McCarthy
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The Godfather of Gross Out: John Waters: demented forever, but...
by Dennis Harvey. Film Comment Magazine, July 2000, v. 36, no. 4.
Cover Versions: Fact and Fiction are up for grabs in "Beaver...
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Alternate States: Nicole Armour enters the parallel reality of...
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Be black and buy
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Satellites of love: With its Hollywood stars and volcanic...
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Exquisite Corpses
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The Autobiography of Steve Reinke
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Video art
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Apocalypse: Beauty and Horror in Contemporary Art
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Beyond the cube
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Beyond the cube
les Cinemas novembre decembre 2000, 2000. Paris: Centre Pompidou, 2000.
Beyond the cube
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Digging for Identity
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Oka Crisis: worst moment revisited: Native filmmaker's documentary...
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Watch Me! Webcams and the Public Exposure of Private Lives
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SF, Technoscience, Net.art: The Politics of Extrapolation
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Martha Wilson: Not Taking It at Face Value
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Expositions: Fragments et dialogues impossibles
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Experimental Ethnography: The Work of Film in the Age of Video
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Video Displayed: Marketing Mixes Forms
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Revisiting the Power of Absence: Silences, Shadows, and Remembering
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Black and White:: Mercedes de Acosta's Glorious Enthusiasms
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Fantasy and Distraction: An Interview with Pipilotti Rist
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Donigan Cumming: Marche Bonsecours, Montreal
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Watch: bona fide, Chicago
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Video Triumphs in the Galleries
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Video Space: A Site for Choreography
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Images of Intermedia: 13th Annual Images Festival of Independeent...
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[retreat]
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Play It Again, Stan
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Queen's Cantonese: A crash course in cultural humour
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Space: The Final Frontier
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Images fest has a thing for sex
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Double the demons
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Great Expectations for Indie Festival
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Video Mode
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The Importance of Matthew Barney
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Queer Art Stock-Taking
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Gisele Amantea
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How girls and boys become who they are
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dial H-I-S-T-O-R-Y
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So faraway So Close
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Dimitris Kozaris
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Eija Liisa Ahtila: Time Wounds All Heals
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Phyllis Baldino
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Stan Douglas
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Gross Pleasure
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Performing Generations
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Nature Boy
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Who's Afraid of Film & Video in Scotland?: The Exhibition of...
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Untitled
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dirty laundry and clean technology: can computers ever be innocent?
by Laiwan. Unspecified Source, Oct. 14 Fall, 1999.
A moving picture of reel life: Images Festival reflects street heat
by Peter Goddard. The Toronto Star, Apr. 22, 1999.
True Story
by Sue De Beer. FELIX: A Journal of Media Arts and Communication, 1999, v. 2, no. 2.
Church funds spiritual healing: Help offered to residential school...
by Barbara Aggerholm. The Toronto Star, June 26, 1999.
Seeking the spirit
by Unknown. University Affairs, Feb. 1999.
Strength in Numbers
by Deborah Stratman. Afterimage, Summer 1999, v. 26, no. 6.
A Work For the Love of All at Once: Local artist Kenneth Doren...
by Mikko Canini. The Calgary Straight, Feb. 4, 1999.
Filmmaker looking for a few good women for documentary
by Mary Francis Hill. Westender, May 6, 1999.
After AIDS: Michael Balser and Andy Fabo's "Stamina"
by Darien Taylor. Fuse, Apr. 1999, v. 23, no. 1.
Buds unfold, flowers bloom and artists create at EAG
by Gilbert A. Bouchard. SEE Magazine, Apr. 15, 1999.
Documentary tells a story most of us would rather miss
by Tracy Tjaden. Winnipeg Free Press, Sept. 17, 1999.
Art and the Age of the Digital: Net.art in the age of digital...
by David Ross. San Jose State University, Mar. 2, 1999.
The Early Video Project: Les Levine Interview
by Les Levine and Davidson Gigliotti. The Early Video Project, Dec. 9, 1999.
Seeing The Light: Moonstruck: Adam Chodzko illuminates three of...
by Adam Chodzko. The Tate, Summer 1999, no. 18.
Performing the Other: A Consideration Of Two Cages
by Mary Kate Kelly. College Literature, Winter 1999, v. 26, no. 1.
(Brief) Programme Notes
by Ger Zielinski. Dragged out...a studied glance at current radical drag, 1999. home-style, 1999.
The Secret Life of the City
by Lisa Gabrielle Mark. Accidental Audience: Urban Interventions YYZ Publication, 1999.
Would You Rather Be a Cyborg?
by Reva Stone. Poolside, Fall 1999.
Thirza Cuthand
by Shawna Dempsey. Poolside, Fall 1999.
Beyond the End of Town
by Kathryn Burns. Poolside, Fall 1999.
Don Goodes 'Dangerous' Suburban Videos
by Blair Marten. Poolside, Fall 1999.
Doomsday with Bikini 'Bitches'
by Jaimz Barton. Poolside, Fall 1999.
Shirin Neshat - artist - Interview
by Octavia Zaya. Interview, Sept. Fall 1999.
Surveying The Scene: Excerpts from The D.I.Y. Distro Resource Guide
by Tara Mateik. FELIX VOYEURISM, 1999. New York: The Standby Pogramm, Inc, 1999.
Between Rene Clair and Rene Clemont: The Cool World of Shirley Clarke
by DeeDee Halleck and Shirley Clarke. FELIX, 1999. New York: The Standby Program, Inc., 1999.
Chapter 2: Video Art: Personal Narritives
by Micheal Rush. New Media in Late 20th-Century Art, 1999. New York: Thames & Hudson, 1999.
Vtape: FAQ & info
by Lissa Gibbs. The Independent, July 1999.
Profile: Vtape - Studio 452
by Urban Space staff. 401 Richmond Newsletter, 1999.
Plague Years: a life in underground movies.
by Ger. Zielinski. Parachute, Apr. 1999, no. 94.
Janine Antoni at Luhring Augustine
by Nancy Princenthal. Art in America, July 1999, v. 87, no. 7.
Art terrorists mock the vote
by Nate Hendley. EYE WEEKLY, June 10, 1999.
Feature Film
by Charlotte Mullins. Tate, Summer 1999, no. 18.
Manglano-Ovalle: The Poetics of Tolerance
by Ana Sokoloff. Art Nexus, Feb. Spring 1999, no. 31.
Chilli in your Eyes: La Pasión According to Ximena Cuevas
by Sergio de la Mora. Senses of Cinema, Sept. 1999.
Peter Campus
by John Hanhardt. Bomb, Summer 1999, no. 68.
Virtualities: Television, Media Art, and Cyberculture: Margaret Morse
by Elizabeth Seaton. Canadian Journal of Communication, Nov. 2, 1999, v. 24.
Operetta
by Bernard Lamarche. Le Devoir, Apr. 25, 1999.
Woman of Steele
by Bert Archer. NOW, July 15, 1999, v. 18, no. 46.
Video Violins: Troublemakers (written, directed and produced by...
by Tim Murphy. Noise Queen, Fall 1999, no. 20.
Contemporary Visual Festival
by Anon. Mix, Fall 1999, v. 25, no. 2.
Guillaume Paris: H.U.M.A.N.W.O.R.L.D.
by Cecile Dazord. Parachute, 1999, v. 100, no. 66.
Hot New Stuff on Video from All Over the World
by Cameron Bailey. NOW, Oct. 21, 1999, v. 19, no. 8.
28 films brefs sur la vie
by Luc Perreault. La Presse, Oct. 20 Fall, 1999.
Artists in their (liquid) element
by Lehmann Henry. The Gazette, Oct. 23, 1999.
Court Métrages: Festival International Nouveau Cinéma Nouveaux...
by Éric Fourlanty. VOIR Montréal, Oct. 14, 1999, v. 13, no. 41.
Whiff of Sex Wafts over Brazen Desh Pardesh
by Cameron Bailey. NOW, June 10, 1999, v. 18, no. 41.
Confessions of an Unrepentant Intellectual: An Interview with...
by Tania Bolskaya. DiSCORDER Magazine, Nov. 12, 1999.
Marriott's Snarl Becomes a Grin
by Gary Michael Dault. The Globe and Mail, June 26, 1999.
Interview With Kenneth Doren: by Matilda Sanchz on Multimedia and...
by Matilda Sanchez. Hand Held Media, Sept. 1999.
The Archaeology of Origin: Transnational Visions of Africa in...
by Sheila Petty. The Archaeology of Origin, 1999. Montreal: ABC Art Books, 1999.
Loretta Todd: Today Is a Good Day: Remembering Chief Dan George
by Cara Mertes. The Independent, May 1999.
Performance, Video, Texas and Beyond ...: Kinga Araya
by Ed Sinclair. Video Vogue, Winter 1999.
reVISION99
by Nina Czegledy. WRO 99, 1999. Wroclaw: WRO 99, 1999.
NJP Digest: Electronic Art Intermix, New York
WRO99: The 7th Annual International Media Art Biennale, 1999. Wroclaw: WRO99, 1999.
Quietly ruling the roost
by Sheila Johnston and Hadani Ditmars. Sight and Sound, Jan. 1999, v. 9, no. 1.
Johaardien caught off guard by response to AIDS film
by Will Nothacker. The Argus, May 28, 1999.
Steve McQueen
by Barry Schwabsky. Art + Text, Oct. 1999, no. 66.
The Archaeology of Origin: Transnational Visions of Africa in a...
by Dr. Sheila Petty. Halifax: MSVU Art Gallery and Dunlop Art Gallery, 1999.
At the Dunlop
Regina: Dunlop Art Gallery, 1999.
Articule 20ans 1979-1999
by articule. Montreal: Articule, 1999.
Steve McQueen
Crossroads, 1999. Halifax: The Centre for Art Tapes, 1999.
Canadian Currents
Toronto: Absolute Choice Curatorial Collective, 1999.
Signals In Syracuse
by Ann Curran. Afterimage, Jan. 1999, v. 26, no. 4.
Quest for What: Jim Supanick locates the HalfLifers in the video...
by Jim Supanick. Film Comment Magazine, Sept. 1999, v. 35, no. 5.
Artisanal Prefigurations of the Digital: Animating Realities,...
by Maureen Cheryn Turim. Wide Angle, Jan. 1999, v. 21, no. 1.
Artisanal Prefigurations of the Digital: Animating Realities,...
by Maureen Cheryn Turim. Wide Angle, Jan. 1999, v. 21, no. 1.
Body and Screen
by Margaret Morse. Wide Angle, Jan. 1999, v. 21, no. 1.
Jacques Perron: Galerie Oboro, Montreal
by Sylvain Campeau. C Magazine, May 1999, no. 62.
Letter From New York: May 1999
by Dena Shottenkirk. C Magazine, May 1999, no. 62.
Letter from London: May 1999
by Carol Peaker. C Magazine, May 1999, no. 62.
Venitian Views
by Joyce Mason et al. C Magazine, Nov. 1999, no. 63.
Not Laura Secord
by Jamelie Hassan. So, to Speak, 1999. Montreal: Éditions Artextes, 1999.
Keepers of the Power
by Carol Kalafatic. Gendering the Nation: Canadian Women's Cinema, 1999. Toronto: University of Toronto Press, 1999.
High-concept filmmaking on a low budget
by Robert Everett-Green. The Globe and Mail, Apr. 24, 1998.
Inside Out/Outside In?
by Andrew James Paterson. Fuse, Spring 1998, v. 21, no. 2.
An Uncertain Market for Video Art
by Marina Isola. The New York Times, Feb. 15, 1998.
Art of the Moment, Here to Stay
by Roberta Smith. The New York Times, Feb. 15, 1998.
On/Black/Stage/Women
by Saada Branker. The Word, Feb. 1998.
Northern Exposure
by Catherine Elwes. Art Monthly, June 1998, no. 217.
A Study of Surfaces: A Review
by Josephine Mills. BlackFlash, Summer 1998, v. 16.1.
Clip Art
by Tralee Pearce. Capital City, Sept. 17, 1998, v. 1, no. 22.
Gritty art show can fill your mind as you drain your body
by Blake Gopnik. The Globe and Mail, July 16, 1998.
Greyson cuts through culture of sampling
by Peter Goddard. The Toronto Star, July 3, 1998.
Greyson's exuberantly eccentric film defies description
by Douglas Bell. The Globe and Mail, July 3, 1998.
Tomboy on the Bridge: Recent Videos by Sadie Benning
by Kathleen Pirrie Adams. Mix, Winter 1998.
First Vancouver Aboriginal Film Festival A Success
by Ronald B. Barbour. First Nations Drum, Dec. 1998.
Cigarettes, Coffee & Dep Wine
by Nelson Henricks. Fuse, Summer 1998, v. 21, no. 3.
The Absurdity of Dieting
by Cynthia Sharp. Kinesis, Mar. 1998.
Seven Day Poodle Diet spoofs our obsession with weight loss
by Fiona Hughes. Vancouver Courier, Mar. 1, 1998.
Ethical License
by Blake Gopnik. Canadian Art, Fall 1998, v. 15, no. 3.
Jan Peacock
Jan Peacock, 1998. Halifax: Dalhousie Art Gallery, 1998.
The story is always partial: A conversation with Vera Frenkel:...
by Dot Tuer and Clive Robertson. Art Journal, Winter 1998, v. 57, no. 4.
Total recall: History, memory & new documentary
by Sara Diamond and Gary Kibbins. Trade Initiative, 1998. Vancouver: Satellite Video Exchange Society, 1998.
Steve Reinke: Untitled (I saw my mother being kind to a child)
by Emily Vey Duke. I've forgotten your name, 1998. Vancouver: Anna Leonowens gallery, 1998.
Slow Dance
by Patrik Andersson. Canadian Art, Summer 1998, v. 15, no. 2.
A Thousand Words: Gavriel Orozco talks about his recent films
by Daniel Birnbaum. Artforum, Summer 1998, v. 36, no. 10.
Covering The Spread
by Dale Peck. Artforum, Summer 1998, v. 36, no. 10.
Kelly Mark: Art Gallery of Ontario
by Lisa Gabrielle Mark. Artforum, Summer 1998, v. 36, no. 10.
A Subversive Etiquette: Yoko Takashima delivers sophisticated,...
by Sarah Milroy. Canadian Art, Summer 1998, v. 15, no. 2.
A White Light: A remarkable series of videos recreating Inuit...
by Peggy Gale. Canadian Art, Winter 1998, v. 15, no. 4.
Shooting the breeze with Deb VanSlet
by Amy Barratt. Mirror, July 30, 1998.
Web film takes a monster step
by Robert Everett-Green. The Globe and Mail, June 24, 1998.
Mike Hoolboom: Fringe Filmmaker Flaunts Subconscious in Ode to...
by Cameron Bailey. Now, Oct. 8, 1998, v. 18, no. 6.
Bill Viola's Video Arcade
by Andrew Solomon. The New York Times Magazine, Feb. 8, 1998.
Picturing the Toronto Art Community: The Queen Street Years
by Phillip Monk. C Magazine, Sept. 1998, no. 59. Toronto: C International, 1998.
More cheese, please: foreskins at the forefront of freedom
by Gordon Bowness. Xtra!, Sept. 18 Fall, 1998, no. 61.
Fringe romps in visual paradise: rebels don't make money, but they...
by Peter Goddard. The Toronto Star, Jan. 2, 1998.
Installations in Public Washrooms
by Lee Rodney. Fuse, Winter 1998, v. 22, no. 1.
In Lieu: Various Locations, Toronto, July 27 - August 22
by Ingrid Chu. Parachute, July 2, 1998.
Continent-hopping as artistic excercise
by Mariko Kuyama. Japan Times, June 21 Spring, 1998.
Performance art fights bad rap
by Glenn Sumi. Now, Aug. 20, 1998, v. 17, no. 51.
Theatrics have lead role in video art exhibit
by Liam Lacey. The Globe and Mail, 1998.
Nana, George et Moi: Discours multiples
by Élie Castiel. Séquences, Jan. 1998.
Sculpture on site: Walker art center
by Patricia Briggs. Artforum, Nov. 1998, v. 37, no. 3.
Empathy, Mutation, Audience
by Simona Lodi. Tony Oursler, 1998. Milano: Edizioni Charta, 1998.
Somalia through an artist's eyes: Work going on display at war museum
by Johnnie Bachusky. The Toronto Star, Jan. 12, 1998.
Lassoing talent for High Performance Rodeo
by Chris Dafoe. The Globe and Mail, Jan. 10, 1998.
Our Collective Fears
by Sherri Telenko. id Magazine, Fall 1998.
Gen X's Close Encounters
by Paul Gessel. The Ottawa Citizen, Sept. 28, 1998.
Somalia Yellow: Artist Explores Canada's Role in War-Torn Country
by Dinah Clarkson. Calgary Herald, Jan. 1998.
Machine Age: Senor Stereotype
by Austin Bunn. The Village Voice, June 9, 1998, v. 43, no. 23.
Grandpa
by Tony Asimakopoulos. Sawvideo, Mar. 1998.
Being In Pictures: Dorit Cypis' film threat
by Marcus Miller. Hour, Oct. 22, 1998.
The Wonderful, Horrible Images of Florida Sigimondi
by Peter Little. POV, Jan. Winter 1998, no. 33.
Hollywoodism: Jews, Movies, and the American Dream
by Mark Breslin. POV, Fall 1998, no. 35.
Flowers in the dustbin: termite culture and detritus cinema
by Scott MacKenzie. CineAction, 1998, no. 47.
Untitled
1998 British Canadian Video Exchange, 1998. Toronto: Vtape, 1998.
Brave New Girls: moments of rage and beauty. The art of Shawna...
by Robert Enright. Border Crossings, May Spring 1998, v. 17, no. 2.
Writing Video Art
by Jonathan L. Beller. Afterimage, July 1998, v. 26, no. 1.
Stories From a Generation: Early Video at the LA Women's Building
by Cecilia Dougherty. Afterimage, July 1998, v. 26, no. 1.
Machyderm Inc.: Niagra Artists Company, St. Catharines
by Ivan Jurakic. C Magazine, Spring 1998, no. 57.
Pelle Wichmann Northern Exposure
by Anna Maris. Coil, 1998, no. 6.
Video Dance: Sketches on Process & Structure
by Katrina McPherson. Coil, 1998, no. 6.
Journey
by Pier Luigi Tazzi. Anish Kapoor, 1998. London: University of California Press, 1998.
Gillian Wearing at Jay Gorney - New York: Review of Exhibition
by Nancy Princenthal. Art in America, Jan. 1998, v. 86, no. 1.
"Blick-Wechsel": (Changing the Point of View) African Video Art
by Unknown. Institut fur Auslandbeziehungen, 1998.
Art Goes to the John
by Alan A. Vernon. EYE WEEKLY, July 2, 1998.
John Marriott
by Lisa Gabrielle Mark. Artforum, Mar. 1998, v. 36, no. 7.
Iñigo Manglano Ovalle: The Garden of Delights
by Maureen P. Sherlock. Iñigo Manglano-Ovalle: The Garden of Delights, 1998. Winston-Salem: Southeastern Center for Contemporary Art, 1998.
Hoolboom ranks with Snow, Weiland, Cronenberg: Indie ace's new...
by Peter Goddard. The Toronto Star, Oct. 9, 1998.
Great Scots: Video artists record what's Glasgowing on
by Keith Marchand. Mirror, Nov. 26, 1998.
Film Review: Yo Yo Gang / Troublemakers
by Tony Arena. Violin Outbreak, Spring 1998, no. 14.
Pixelvisionary: The Grainy World of Sadie Benning
by Dara Gellman. Xtra!, Dec. 3, 1998, no. 368.
Biographical Sketch and Video Notes
by Cliff Eyland and David Askevold. David Askevold: Cultural Geographies, 1998. Charlettetown: Confederation Centre Art Gallery and Museum, 1998.
From Chaos to Creation: Ed Video Screening twelve works at the...
by Michelle Elle Pettis. The Ontario Magazine for Artists, Dec. Winter 1998.
Chaos and Disaster inspires video artists
by Alan Ferris. The Guelph Mercury, Nov. 27 Winter, 1998.
Our Collective Fears
by Sherri Telenko. i-D, Nov. 26 Winter, 1998.
Hey You!
Xtra!, Apr. 23, 1998, no. 352.
Artists take their works to people-friendly mall
by Maryam Sanati. The Globe and Mail, Oct. 12, 1998.
Painting in Time: Robert Armstrong on Painting, Film and Video
by Robert Armstrong. Oval Office, Sept. 1998, v. 2, no. 2.
Lights, Camera, Bad Art: Jeni Baker goes to the movies
by Jeni Baker. Oval Office, Sept. 1998, v. 2, no. 2.
Laura's Theme: Jeni Baker on Laura Gannon's Video Art
by Jeni Baker. Oval Office, Sept. 1998, v. 2, no. 2.
Y f'sait chaud pire qu'en Floride: Installation de Dominique...
by Real Jodoin. Turbulences VIDÉO, Apr. 1998, v. 19.
Video killed the radio star...: But helped the artist go mobile
by Isabel Nunez. Mainichi Daily News, July 7, 1998.
Between the Lines: Valerie Mrejen's words and pictures
by Francis McKee. Coil Journal of the Moving Image, May Spring 1998, no. 6.
Rodeo show puts war artist on the spot
by Martin Morrow. Calgary Herald, Jan. 9, 1998.
Tarting Up Rhubarb!: Diva's Diversity
by John Kaplan and Glenin Sumi. NOW, Jan. 29, 1998, v. 17, no. 22.
David Askevold: The California Years
by Mike Kelley. David Askevold: Cultural Geographies, 1998. Charlottetown: Confederation Centre Art Gallery & Museum, 1998.
The Queen Gets a Makeover: Guillermo Gomez-Pena serves up an...
by Jan Breslauer. Los Angels Times, June 14 Spring, 1998.
All that glitters is Litter: Hard on the trashy trail of art gold
by Kim Fullerton. Xtra!, Apr. 9, 1998, no. 351.
Biographical sketch & video notes
by Cliff Eyland and David Askevold. David Askevold: cultural geographies and selected works, Oct. 1998, v. 45, no. 2. Charlottetown, P.E.I.: Confederation Centre Art Gallery and Museum, 1998.
Scoring Film
by Elizabeth Licata. Afterimage, July 1998, v. 26, no. 1.
Scoring Film
1998 British Canadian Video Exchange, 1998. Toronto: V tape, 1998.
Scoring Film
by Sally McKay and Harold Alegria Ortiz. The Bank of Symbiosis: An Archaeological Intervention, 1998. Toronto: The Symbiosis Collective, 1998.
Scoring Film
de très courts espaces de temps/ very short spaces of time, 1998. Paris: Centre national de la photographie, Paris, and Editions Actes Sud, Arles, 1998.
Scoring Film
Crossings/Traversees, 1998. Ottawa: National Gallery of Canada, 1998.
Images teems with alternative visions
by Ingrid Randoja. NOW, Apr. 23, 1998, v. 17, no. 34.
La vidéo à part entière!
by R. D.. Centre France - Dimanche, Mar. 15, 1998.
"Unheimlich" Maneuvers: The Genres and Genders of Transsexual...
by Christie Milliken. The Velvet Light Trap, Spring 1998, no. 41.
The Failure to Assimilate: The Video Works of Cecilia Dougherty
by Leah Gilliam et al. The Failure to Assimilate: The Video Works of Cecilia Dougherty, 1998. New York: Thread Waxing Space, 1998.
Shaun Gough
by Moritz Gaede. C Magazine, Feb. Spring 1997, no. 52.
Virtuality: Tony Brown
by Petra Halkes. Canadian Art, Spring 1997, v. 14, no. 1.
Steve Reinke
by Lisa Gabrielle Mark. Poliester, 1997, v. 6, no. 19.
A Rambling Fireside Commentary on the Seven Dukes of Kleinberg
by Andy Fabo. Fuse, June 1997, v. 20, no. 3.
Elizabeth MacKenzie: The Works, Edmonton
by Blair Brennan. C Magazine, Feb. 1997, no. 52.
Toronto/generator/crossroads
by Peggy Gale. visuell(s), 1997, no. 6.
Harmonious and hazardous couplings: Laboratory exercises in mutuality
by Nada Beros. Martinis Observatorium, 1997. Venezia: Venezia Biennale, 1997.
Fresh Blood: A Consideration of Belonging
by Sandra Haar. Fuse, Winter 1997, v. 20, no. 1.
An artist in motion
by John Bentley Mays. The Globe and Mail, Apr. 12, 1997, no. 122.
Vito Acconci's Home Movies
by Juan Cruz. Art Monthly, Oct. 1997, no. 210.
I Love You To Death
by Gilda Williams. Art/Text, Nov. 1997, no. 59.
Signs of the Times
by Ian MacMillan. Modern Painters, Fall 1997, v. 10, no. 3.
Blood Records re-examines treatment of tuberculosis
by Christopher Hume. The Toronto Star, Dec. 6, 1997.
Filmaker defined by the erotic
by Peter Goddard. The Toronto Star, July 18, 1997.
Diverse City: Out On Screen Festival projects a cukltural kaleidoscope
by Brett Josef Grubisic. Xtra West, Aug. 7, 1997.
Queer Jewish films hit the screen
by Baila Lazarus. Western Jewish Bulletin, Aug. 8, 1997.
Saskatchewan artists saying it with videos
by Shelia Robertson. The StarPhoenix, Sept. 13, 1997.
Reviews
by Judy Oxenham. Visual Media, May 1997, v. 9, no. 5.
Escape from Baghdad
by Bill Brownstein. The Gazette, Nov. 8, 1997.
Documentary explores relationship between a grandmother and a gay man
by Unknown. The Canadian Jewish News, Nov. 6, 1997.
The MLX Festival
by Mark J. Huism. The Village Voice, Nov. 11, 1997, v. 42, no. 45.
Nana, George et Moi au Festival Image & Nation: Une recherche...
by Denis-Daniel Boullé. Fugues, Oct. 1997.
Nana, George et Moi: Portrait attachment
by Pierre Ranger. Vox, Oct. 24, 1997.
Mona Hatoum's world-wise forms
by Blake Gopnik. The Globe and Mail, Aug. 23 Summer, 1997.
Neonudism
by Nell Tenhaaf. Parachute, Jan. 1997, no. 85.
Radical Aesthetics: Third annual film fest comes to the Foufounes...
by Alex Halperin. The McGill Daily, Sept. 11, 1997.
Movie should shame Cracker Barrel Officials
by Ruth Ann Leach. Nashville Banner, Jan. 23, 1997.
The avant-garde extracts its pound of flesh
by Ray Conlogue. The Globe and Mail, Sept. 27, 1997.
Video in the Nineties
by Rudolf Frieling. Current Media Art, 1997. Karlsruhe: Goethe-Institute, ZKM, 1997.
Kim Tomczak: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Michael Snow: Mixed Media Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Edward Poitras: Installation Artist
by Roger Matuz. Contemporary, 1997. Toronto: Gale Canada, 1997.
Jan Peacock: Video Artist, Installation Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Robert Morin: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Joey Morgan: Installation Artist
by Roger Matuz. Canadian Contemporary Artists, 1997. Toronto: Gale Canada, 1997.
Eric Metcalfe: Video Artist, Performance Artist
by Roger Matuz. Canadian Contemporary Artists, 1997. Toronto: Gale Canada, 1997.
Lisa Steele: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Zacharias Kunuk: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
General Idea: Mixed Media Artists
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Vera Frenkel: Video an Installation Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Stan Douglas: Installation Artist, Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Daniel Dion: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Sara Diamond: Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Norman Cohn: Video Artist
by Roger Matuz. Contemporary Canadan Artists, 1997. Toronto: Gale Canada, 1997.
Colin Campbell: Video Artist
by Roger Matuz. Contemporary Canadian Artist, 1997. Toronto: Gale Canada, 1997.
Stan Douglas: Installation Artist, Video Artist
by Roger Matuz. Contemporary Canadian Artists, 1997. Toronto: Gale Canada, 1997.
Mining the Media Archive: When history meets simulation in the...
by Dot Tuer. Fuse, Nov. 1997, v. 20, no. 5.
Big box debate goes on video
by Andrew Bruce. The Guelph Mercury, Feb. 12, 1997.
Art-world snowbirds nest in New York: Expatriate artists / A...
by Michael Posner. The Globe and Mail, Nov. 29, 1997.
Good Clean Fung: Retrospective des oeuvres video de RICHARD FUNG
GOOD, CLEAN FUNG: Retrospective des oeuvres video de RICHARD FUNG, 1997. Montreal: OBORO, 1997.
1611: Jennifer Abbott's A Cow At My Table
by Warren Arcan. Fuse, June 1997, v. 20, no. 3.
Beth B'S: Visiting Desire
by Barbara Mainguy. POV, Winter 1997, no. 31.
Project Grizzly: Mansized Ontariana
by Laurance Green. POV, Winter 1997, no. 31.
Some of my Performance in Review
by Annie Sprinkle. Art Journal, Winter 1997, v. 56, no. 4.
Accidental Encounters With Art: an insider survey of art outdoors...
by A.A. Bronson et al. C Magazine, Spring 1997, no. 53.
Mike Hoolboom's Letters from Home side steps AIDS clichés
by Bart Testa. POV, Summer 1997, no. 32.
Homo Eroticus: The Films of Wrik Mead
by Unknown. ImagesFestival of Independent Film and Video, Apr. 1997. Toronto: Images Festival, 1997.
Chris Ofili - artist
by Louisa Buck. Artforum, Sept. 1997, v. 36, no. 1.
Vito Acconi and the politics of the body in postmodern performance
by Philip Auslander. from acting to performance, 1997. New York: Routledge, 1997.
Bodies of Evidence: Feminist Performance Art
by Erin Striff. Critical Survey, June 1997, v. 9, no. 1.
Steve Reinke (exhibition): The Power Plant, Toronto, January 17 -...
by Ger. Zielinski. Parachute, Oct. Winter 1997.
Joan Jonas at Pat Hearn - New York, New York - Review of Exhibitions
by Eleanor Heartney. Art in America, Dec. 1997, v. 85, no. 12.
Steve McQueen
by David Frankel. Artforum, Dec. 1997, v. 36, no. 3.
The Sleeper: Rodney Graham in Venice
by Peggy Gale. Canadian Art, Summer 1997, v. 14, no. 2.
The Dentist
by Robin Peck. Canadian Art, Summer 1997, v. 14, no. 2.
Threads of Memory and Exile: Examining the Art of Story Telling in...
by Dot Tuer. Images Festival of Independent Film and, 1997. Toronto: Northern Visions, 1997.
Pleasure Dome: Spring/Summer '97
by Unknown. Pleasure Dome, Spring 1997.
The Self - Isolation Ward
by Donna Lypchuk. EYE WEEKLY, Dec. 4 Winter, 1997.
Documentaries show city dangers for blacks and Indians: The Arts:...
by John Allemang. The Globe and Mail, Aug. 14, 1997.
Tearing down the Walls: Arts
by Wendy Kan. South China Morning Post, Aug. 28, 1997.
(Be)Longing
by Alice Ming Wai Jim. Fuse, Aug. 1997, v. 20, no. 4.
Sundance's big risks and strange mediocrity offer hope for filmmaking
by Susan Gerhard. San Francisco Bay Guardian, Jan. 29, 1997.
Surviving The Goldrus: Sundance '97
by Patricia Thomson. The Independant Film & Video Monthly, Apr. 1997, v. 20, no. 3.
Out At Work
by Dennis Harvey. Variety, Feb. 3, 1997, v. 339, no. 1.
Making a run for united borders
by Brian Levinson. The Yale Herald, Mar. 28, 1997.
Loving a Disappearing Image
by Laura U. Marks. Cinemas, Fall 1997, v. 8, no. 1-2.
The Oxide Mandate: Queer Media in Halifax
by James MacSwain. Queer Looking/ Queer Acting, 1997. Mount St. Vincent: Mount St. Vincent University Press, 1997.
"Urban Elder" Is a Must-See
Newsletter of the Native Canadian Centre of Toronto, June 1997, v. 10, no. 9.
Out at Work
by Mia Butzbaugh. Labor Notes, Feb. Spring 1997, no. 215.
Miroir, miroir: Troisième Manifestation internationale vidéo et...
by Manon Morin. ICI Montréal, Sept. 25, 1997.
Orlan: Nouveau Visage
by Stéphane Aquin. VOIR (Montréal edition), Sept. 18, 1997.
La rentrée vidéo
by Marie-Michèle Cron. VOIR (Montréal edition), Aug. 28, 1997.
Champ libre remet ses prix
by Bernard Lamarche. Le Devoir, Sept. 30, 1997.
Champ libre: Ménagerie de verre
by Bernard Lamarche. Le Devoir, Sept. 25, 1997.
Champ libre: De la technologie pauvre
by Bernard Lamarche. Le Devoir, Sept. 24, 1997.
Foufounes virtuelles: Champ Libre installe aux Foufs sa 3e...
by Stéphane Baillergeon. Le Devoir, Aug. 24, 1997.
L'art électronique et la vidéo se manifestent
by Jean-François Bégin. La Presse, Sept. 20, 1997.
Champ libre aux créateurs
by Jean-François Bégin. La Presse, Sept. 20, 1997.
Orlan, prêtresse de la mutilation: Un mélange de Cruella et d'un...
by Suzanne Colpron. La Presse [magazine insert], Sept. 25, 1997.
Visuel interactif: Des installations déposées dans les monobandes
by Bernard Lamarche. Le Devoir, Sept. 28, 1997.
Forgotten Warriors: Loretta Todd reveals Canada's shame
by Gail Maurice. Aboriginal Voices, Apr. 1997, v. 4, no. 2.
EXPLODING POSSIBILITIES
by Kathleen Pirrie Adams. Xtra!, Nov. 20, 1997, no. 341.
Inuit Tell Their Own Stories
by Donna Smith. Aboriginal Voices, Nov. 1997, no. 219.
Notes on "Scoping Boys" and "Scoping Girls": Scoping Girls and...
by Robert Lee and Lee Rodney. Fuse, 1997, v. 20, no. 4.
The Festival That Rocks: Toronto's Images Festival of Independent...
by Barbara Mainguy. The Independent, July 1997.
An Affectionate Look at Infertility: Channel Surfing
by Henry Mietkiewicz. The Toronto Star, June 24, 1997.
T.O. movie scene boasts inspiring individual effort: Channel Surfing
by Cameron Bailey. NOW, Dec. 25, 1997, v. 17, no. 17.
George Kuchar Kicks up a Storm with Weather Diaries
by Scott MacDonald. The Independent, July 1997.
I'm Having A Flashback: Video Data Bank revisits video's formative...
by Danielle Schwartz. The Independent, July 1997.
Johan Grimonprez: Dial History
by Roberta Smith. The New York Times, Sept. 12, 1997.
Five Brave Gay People
by Jane Slaughter. MetroTimes, Mar. 26, 1997.
Dreams of Bones and Wires
by Michael Balser. Fuse, Nov. 1 Fall, 1997, v. 20, no. 5.
The resurging video, reclaimed and reoriented
by Roberta Smith. The New York Times, Feb. 21 Winter, 1997, v. 146, no. 50710.
Corpus Loquendi/Body for Speaking: Body-Centred Video in Halifax...
by Gerry Kisil. Calgary: EM/Media and The Muttart Public Art Gallery, 1997.
Les démonstrations mutationnelles d’Eric Duyckaerts
by Clarisse Hahn. Blocnotes, Jan. 1997, v. 5, no. 14.
Les démonstrations mutationnelles d’Eric Duyckaerts
by Helen Sloane. Susan Collins: In Conversation, 1997. Brighton: BN1+Lighthouse, 1997.
La vidéo à l'heure de l'autocritique
McGill Daily Français, Sept. 23, 1997.
Les foufounes éclatées
by Stéphane Baillargeon. Le Devoir, Sept. 13, 1997.
The Real Charles Atlas: An Interview
by Matthew Yokobosky. Performing Arts Journal, 1997, v. 19, no. 3.
Wendy Geller's 48-hour beauty blitz: gender, class, and the...
by Jayne Wark. Art Journal, Winter 1997, no. 56.
Loving a Disappearing Image
by Laura U. Marks. Cinemas: Journal of Film Studies, 1997, v. 8, no. 1-2.
Bereft
by Carol Podedworny. C Magazine, Fall 1996, no. 91.
Ritual Practices: Projecting Art and Magic Across Borders
by Deborah Root. Fuse, Fall 1996, v. 19, no. 5.
Tanya Mars
by Gordon B. Isnor. Butterbites, 1996.
Greyson crashes Cronenberg's party
by Cristopher Harris. The Globe and Mail, Nov. 28, 1996.
John Greyson: Interview
by Irene Buncel. Lift Newsletter, Nov. 1996, v. 16, no. 6.
Queer directors beaming and scheming
by Cameron Bailey. Now, Oct. 24, 1996, v. 16, no. 8.
Tapes that think
by Gary Kibbins. Kingston: Agnes Eterington Art Centre, 1996.
The Video Installation BODY MISSING by Vera Frenkel: A...
by Sigrid Schade. Vera Frenkel: Body Missing, 1996.
The Art of Calculated Risk: Richard Fung's Dirty Laundry
by Peter Steven. POV, Spring 1996, no. 29.
Five Video Artists
by Larry Qualls. Performing Arts Journal, 1996, v. 18, no. 3.
Introduction
by Cathy Sisler and Nicole Gingras. La Femme Ecran/The Reflexive Woman, 1996.
Non-Yankee Go Home
by Catherine Hnatov. RhythmMusic, Sept. 1996.
Name calling the queers: Filmakers re-affirm negative stereotypes
by Kathleen Pirrie Adams. Xtra!, Feb. 29, 1996, no. 296.
Film honours crusade for gay rights: Vision to air documentary...
by John McKay. The Globe and Mail, Jan. 6, 1996.
Hanging out at the electronic café: Vera Frenkel's story of a bar...
by John Bentley Mays. The Globe and Mail, Jan. 3, 1996.
Images explores technology
by Peter Goddard. The Toronto Star, Apr. 19, 1996.
Pioneer gay activist subject of TV documentary
by John McKay. The Gazette, Jan. 6, 1996.
Flow
by Holly Willis. Los Angeles Reader, Apr. 12, 1996.
Art In The Anchorage '96: The Brooklyn Bridge Anchorage
by Michelle Tirado. New Art Examiner, Oct. 1996.
Cineplex Odeon is the one trespassing
by Robert Everett-Green. The Globe and Mail, Nov. 1, 1996.
Cineplex apologizes to movie director
by Sid Adilman. The Toronto Star, Nov. 12, 1996.
Video artist reconstructs shifting Jewish identity: Fresh Blood...
by Cameron Bailey. Now, Sept. 19, 1996, v. 16, no. 3.
Home video makes Yael's tale a true saga: Roots quest covers...
by Peter Goddard. The Toronto Star, Sept. 19, 1996.
CineCycle show probes age of edited identities
by Peter Goddard. The Toronto Star, Feb. 8, 1996.
The ultimate cultural critic: With tomahawk and computer, Raphael...
by Peter Goddard. The Toronto Star, Jan. 18, 1996.
Sexuality's Spiritual Leader
by Robert Everett-Green. The Globe and Mail, Feb. 6, 1996.
Crash wins Genie race: But Lilies grabs prize for best movie
by Peter Howell. The Toronto Star, Nov. 28, 1996.
Not a cow you would want at your table: Jennifer Abbott charged...
by Nicholas Read. Vancouver Sun, July 23, 1996.
Dark Ages: Le temps des indulgences
Rob Thompson: Dark Ages, 1996. Ottawa: The Ottawa Art Gallery, 1996.
Peter Mettler: Making the Invisible Visible
by Jason McBride. POV, Fall 1996, no. 30.
Double Agents: Video Art Addressing Aids
by John Greyson. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole and Vtape, 1996.
Pat Ferns Goes West: After 25 years Pat Ferns hangs up his...
by Barri Cohen. POV, Spring 1996, no. 29.
Video: Writing History
by Louise Poissant. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole and V tape, 1996.
Points of Contact: Julian Samuel, the Raft of the Medusa: Five...
by Maurie Alioff. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole and V tape, 1996.
General Idea: Towards an Audience Vocabulary
by Jo-Anne Birnie Danzker. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole & V tape, 1996.
Sara Diamond: Video Art and Activism in Canada
by Frances K. Pohl. Women's Studies, Mar. 1996, v. 25, no. 3.
Pipilotti Rist - video artist - Openings
by Elizabeth Janus. Artforum, July 1996.
Mind of Their Own
by Jonathan Turner. Art + Text, 1996, no. 53.
The Politics of Video Memory: Electronic erasures and inscriptions
by Marita Sturken. Resolutions: Contemporary Video Practices, 1996. Minneapolis and St. Paul: University of Minnesota Press, 1996.
It takes stamina to deliver a movie: Indie film director Annette...
by Judith Gerstel. The Toronto Star, Nov. 1, 1996.
Bad Boy Swaggers to the top: Bruce LaBruce's new indie hit Hustler...
by Steven Davey. Xtra!, Aug. 29, 1996, no. 309.
Lida Abdul: Performing Architectures
by Anthony Kiendl. Lida Abdul, 1996. Banff: The Banff Centre, 1996.
Grrrls on Film: Unruly Women Start Calling the Shots
by Evelyn McDonnell. The Villiage Voice, Nov. 12, 1996, v. 41, no. 46.
Chick Flicks
by Matt Ashare. The Boston Phoenix, July 19, 1996.
Culture Jamming: Anti-Propaganda from the Heart of the Beast
Pleasure Dome pamphlet(s), June 21, 1996.
GB Jones Speaks
by Tina Spangler. Femme Flicke, 1996, no. 5.
Digressions Toward an Art History of Video
by Marc Mayer. Being & Time: The Emergence of Video Projection, 1996. Buffalo, New York: Albright-Knox Art Gallery, 1996.
Some Toronto Video: My work is not designed for a large audience...
by Su Rynard. Composition, Dec. 1996, v. 1, no. 3.
What, Me Worry?: We All Do - That's Why Worried is so Appealing.
by John Griffin. The Gazette, June 8, 1996.
Strategies for Change: Using Media/ Engaging Communities
by Yosha Goldstein. Afterimage, Jan. Winter 1996, v. 23, no. 4.
Strategies for Change: Using Media/ Engaging Communities
Aldin's Gift, 1996. Toronto: Art Gallery of York University and Art Gallery of Windsor, 1996.
Strategies for Change: Using Media/ Engaging Communities
by Marc Mayer. Time & Being: The Emergence of Video Projection, 1996. Buffalo: Albright-Knox Art Gallery, 1996.
Strategies for Change: Using Media/ Engaging Communities
Coming (Out) to a Theatre Near You: Queer City Cinema, 1996. Regina: Dunlop Art Gallery, 1996.
Ecstasy of Information
by Bill Horrigan. Afterimage, Jan. 1996, v. 23, no. 4.
Video Spaces
by Barbara London. Performing Arts Journal, Sept. 1996, v. 18, no. 3.
Moving Images
by Robert C. Morgan. PAJ: A Journal of Performance and Art, May 1996, v. 18, no. 2.
Writing on a White Paper
by Maria Antonella Pelizzari. PAJ: A Journal of Performance and Art, Sept. 1996, v. 18, no. 3.
Video Art: The Brazilian Adventure
by Arlindo Machado. The MIT Press, 1996, v. 29, no. 3.
Being & Time: The Emergence of Video Projection
by Mark Mayer and Douglas G. Schultz.
Connecting the North
by Marina Devine. Aboriginal Voices, May 1995, v. 2, no. 2.
Leila Sujir
by Nancy Tousley. Canadian Art, Fall 1995, v. 12, no. 3.
Profile: Laurie McDonald Video Artist
by Sam Ho. The Independent, Nov. 1995.
Native filmmakers roll into the Big Apple
by Kallen Martin. Aboriginal Voices, Nov. 1995.
Video Artists Meet Today's Software
by Alan Riding. The New York Times, Dec. 26, 1995.
Public Space, Virtually
by Earl Miller. Fuse, Summer 1995, v. 18, no. 4.
My So-Called Life
by Tom Folland. Fuse, Summer 1995, v. 18, no. 4.
Queers in the Streets Versus Queen's Park
by Gary Kinsman. Fuse, Summer 1995, v. 18, no. 4.
Pornutopian Premises, Positive Practices: Michael Balser's Video...
by David McIntosh. Fuse, 1995, v. 18, no. 5.
Time, Space & Realities
by Andrew J. Paterson. Time, Space & Realities, Jan. 1995. Toronto: A Space, 1995.
The Alternative Interactivity Blues
by George Lewis. Front, Nov. 1995.
Jan Peacock video weaves issues of memory and mobility
by Cameron Bailey. Now, Apr. 6, 1995, v. 14, no. 32.
In the grip of Hitler's other mania
by John Bentley Mays. The Globe and Mail, May 8 Spring, 1995.
Collection of Halifax video art recalls genre's first principles
by Cameron Bailey. Now, Nov. 16, 1995, v. 15, no. 11.
big hip: Women Behind the Camera
by Glace W. Lawrence. The Word, Apr. 13, 1995.
The Body-That-Disappears-Into-Thin-Air: Vera Frenkel's Video Art
by Kay Armatage. Mirror Machine : Video and Identity, 1995. Toronto: YYZ Books, 1995.
Process Video: Self Reference and Social Change
by Jennifer Kawaja. Mirror Machine : Video and Identity, 1995. Toronto: YYZ Books, 1995.
Video Space/Video Time: The Electronic Image and Portable Video
by Ron Burnett. Mirror Machine: Video and Identity, 1995. Toronto: YYZ Books, 1995.
High Wire, No Safety Net
by Steve Seid. Art Journal, Winter 1995, v. 54, no. 4.
Video in Situ
by Eleanor Heartney. Art in America, 1995, v. 83, no. 10.
Video/Media Culture of the Late Twentieth Century
by John G. Hanhardt and Maria Christina Villasenor. Art Journal, Winter 1995, v. 54, no. 4.
The Black Clothing of Things
by Martha Langford. Border Crossings, Spring 1995, v. 14, no. 2.
Photography and Death
by Martha Langford. Border Crossings, Spring 1995, v. 14, no. 2.
Videos eye economics and bodily functions
by Cameron Bailey. Now, Oct. 26, 1995, v. 15, no. 8.
Film Fest heads downtown for a moving experience
by Peter Goddard. The Toronto Star, Dec. 15, 1995.
Video Tribute to local activist
by Ian Lidster. Comox Valley Echo, Dec. 15, 1995.
Culture crosser
by Rachel Kranz. The Women's Review of Books, Sept. 1995, v. 12, no. 12.
Little Orphan Videos: New York Video Festival
by Ernest Larsen. The Independent, Jan. 1995.
Fabo, Balser to receive arts award for influence
by Val Ross. The Globe and Mail, Sept. 14, 1995.
Shu Lea Cheang's Genre-Bending Affirmations
by Lucinda B. Furlong. Art Journal, Winter 1995, v. 54, no. 4.
When the Crowd Rustles the Tiger Roars
by Ernest Larsen. Art Journal, Winter 1995, v. 54, no. 4.
Lip Sync: Private Practice, Public View
by L. A. Trofimova et al. Reverse Shot, Spring 1995, v. 2, no. 4.
Video Art: Selected, New & Reviewing
by John Morgan. NeWest Review, June 1995, v. 20, no. 5.
Subtitling Ethnographic Films
by David MacDougall. Visual Anthropology Review, 1995, v. 11, no. 1. Princeton: Princeton University Press, 1995.
Native Americans: The Surprising Silents: Race In Contemporary...
by Angela Aleiss. CINEASTE, 1995, v. 21, no. 3.
Interview with Isaac Julien
by Bruce Morrow. Fuse, Summer 1995, v. 18, no. 5.
Video-In-Demand: Up Close With Lisa Steele and V tape
by Anthony Cogliano. Cyberstage, Winter 1995.
The Lard Car: She Runs on Grease
by Molly Hankwitz. San Fransisco Bay Times, Aug. 24, 1995.
A Woman is a Moving Site
by Barbara Godard. Mix, Winter 1995.
Exhibit Thrives on Vacancy: Life Zones Evokes Sense of Spirituality
by Garth Buchholz. Winnipeg Free Press, Mar. 11, 1995.
Focus on Helping Others
by Lori Cooper. The Toronto Sun, Nov. 13, 1995.
Une danse peut en cacher une autre...
by Valérie Lehmann. Le Devoir, Apr. 20, 1995.
Feature Film Industry Dying Without Whimper from Ottawa
by Keith Ross Leckie. The Toronto Star, Aug. 18, 1995.
One man's cosmic universe
by Tania Best. The McLink, Oct. 17, 1995, v. 16, no. 11.
A Ceremony To Provoke Your Curiosity: Amethyst's Universe opens in...
by Meredith Cohen. The McGill Daily, Oct. 12, 1995.
An Interview with Ali Kazimi
by Marcy Goldberg and Firoza Elavia. cineACTION, Spring 1995, no. 37.
Inner Journey: An actor's diary
by Alex Thompson. Aboriginal Voices, 1995, v. 2, no. 3/7.
Local Heroes Festival. Declaration of Independents
by Peter Urquhart. Reverse Shot, Mar. 12 Spring, 1995.
Inuit films still in infancy
by Jay Stone. The Ottawa Citizen, June 27, 1995.
Clark Nikolai
by Jay North. Broadway Magazine, Mar. 1995, v. 3, no. 2.
When art is politics and politics is art: Art Fag
by Andrew Griffin. Capital Xtra, May 1995.
Recent Installations by Laurel Woodcock: Oscillating Horizons
by Anna Carlevaris. Contemporary Art Quarterly, Spring 1995, no. 45.
A Right to Virtuality
by Calin Dan. In Sight: Media Art from the Middle of Europe, 1995. Toronto: YYZ Artists' Outlet, 1995.
Artists' Video From Canada
by Peggy Gale. Bologna, Milano: The Link & Invideo, 1995.
A Right to Virtuality
Vera Frenkel: The Body Missing (Web) Project, 1995. Montreal: ISEA 95 Montreal: 6th International Symposium on Electronic Art, 1995.
A Right to Virtuality
Body Positive: Video Films on AIDS, 1995. Wellington: The City Gallery, Wellington, New Zealand, 1995.
A Right to Virtuality
Beauty #2, 1995. Toronto: The Power Plant, 1995.
A Right to Virtuality
Corpus, 1995. Saskatoon: Mendal Art Gallery, 1995.
A Right to Virtuality
Corporal Economics, 1995. Toronto: Mercer Union, 1995.
Dollars and Screens
by Valerie Soe. Afterimage, June 1995, v. 23, no. 1.
Collective Soul
by Elizabeth Mermin. Afterimage, Nov. 1995, v. 23, no. 3.
received and noted
by Karen vanMeenen and Judith Nicholson. Afterimage, June 1995, v. 23, no. 1.
Comme il faut/doom
by Sylvie Tourangeau. ETC., Summer 1995, v. 8, no. 30.
The Architecture of Image and Sound: Dwelling in the Work of Mary...
by Melinda Barlow. Art Journal, Winter 1995, v. 54, no. 4.
Art's Revenge in the Time of AIDS
by Douglas Dreishpoon. Art Journal, Winter 1995, v. 54, no. 4.
Have You Seen Your World Today?: Teletheory: Grammatology in the...
by Thomas Keenan. Art Journal, 1995, v. 54, no. 4.
My Love Affair with Art: Video and Installation Work
by Steina Vasulka. Leonardo, 1995, v. 28, no. 1.
The Illusion of Paradise: A History of Film in Vancouver
by Colin Browne. Reverse Shot, 1995, v. 2, no. 4.
Unbound: Profile of filmmaker Claudia Morgado
by Cori Howard. Reverse Shot, 1995, v. 2, no. 4.
Clips: Harvey McKinnon, Peter Davis: Jon Gates' Spirit of Solidarity
by Anthea Lee. Reverse Shot, 1995, v. 2, no. 4.
Clips: Laurie Anderson: The Nerve Bible Tour
by Maria Stanborough. Reverse Shot, 1995, v. 2, no. 4.
Clips: Local Heroes Festival: Declaration of Independents
by Peter Urquhart. Reverse Shot, 1995, v. 2, no. 4.
Time, Space & Realities
by Andrew J. Paterson.
In Dialogue: The Couple in the Cage: A Guatinaui Odyssey
by Ruth Behar and Bruce Mannheim. Visual Anthropology Review, Spring 1995, v. 11, no. 1.
They're queer and without fear: Despite last year's fight with...
by Gemma Files. EYE WEEKLY, May 26, 1994, v. 3, no. 34.
Mad Priests and the Mimetic Faculty: Ethnographic Film,...
by Scott MacKenzie. cine ACTION, 1994, no. 33. Toronto, Canada: CineAction, 1994.
Woman as Protagonist: The Art of Nancy Spero
by Fay Cromwell-Tollenaar. Matriart, Apr. 1994, v. 4, no. 2.
Making History: Vancouver artist Stan Douglas excavates the ruins...
by Scott Watson. Canadian Art, Winter 1994, v. 11, no. 4.
The Cave: Beryl Korot video artist
by Patricia Thomson. The Independent, Apr. 1994.
Desh Pardesh digs deep into diaspora
by Cameron Bailey. Now, Apr. 28, 1994, v. 13, no. 35.
South Asian moving images evoke philosophical rovings
by Cameron Bailey. Now, Apr. 28, 1994, v. 13, no. 35.
Community on Film at MayWorks
by Ken Eisner. The Georgia Straight, Apr. 29, 1994.
Fest hosts working artists: Mayworks highlights literature, music,...
by Mary Frances Hill. The Vancouver Courier, May 1, 1994.
Julian Samuel takes tottering system to the edge
by Cameron Bailey. Now, June 16, 1994, v. 13, no. 42.
In the spotlight and ready for... action: Local lesbian filmmakers...
by Lynna Landstreet. Xtra!, July 22, 1994, no. 254.
True North, strong and Inuit
by Carolyn Bennett. EYE WEEKLY, Apr. 14, 1994, v. 3.
Inuit Women's Video: Des femmes inuits vidéastes
by Marie-Héléne Cousineau. Parallelogramme, 1994, v. 19, no. 4.
Video Art: L'art videographique
by James Loran Gillespie. Parallelogramme, 1994, v. 19, no. 4.
Women in focus for independent filmakers' meet
by Susan Walker. The Toronto Star, June 9, 1994.
Twenty Bold, Brash and Beautiful Years
by Lynn Wanyeki. Fuse, Spring 1994, v. 17, no. 3.
Beyond Queer Alibis / Thoughts on The Fruit Machine and Little...
by Thomas Waugh. Parallelogramme, 1994, v. 20, no. 3.
Through Native Eyes: The Emerging Native American Aesthetic
by Victor Masayesva et al. The Independent, Dec. 1994, v. 17, no. 10.
Stan Douglas
by Philippe Vergne. Parachute, Apr. 1994, no. 74.
Growing up Gay: Video artist sees reality through fantasy
by David MacLean. Xtra!, Feb. 18, 1994.
What time is it? Zero hour!
by Denis Seguin. EYE WEEKLY, Feb. 24, 1994.
Disease that dares to sing and dance its name
by Rick Groen. The Globe and Mail, Feb. 25, 1994.
The Fruit Machine
by Thomas Waugh. Cinematheque Film Programme Guide, Fall 1994. Toronto: Cinematheque Ontario, 1994.
Video art moves with simplicity
by Regina Hackett. Seattle Post-Intelligencer, Oct. 28, 1994.
Pe'l A'tukwey: Let me...tell a story
by Robin Metcalfe. Arts Atlantic, Winter 1994, v. 12, no. iss. 48 no.4.
Retrospective gives voice to silenced women
by Karen X Tulchinsky. Xtra! West, May 20, 1994, no. XW20.
Latin American wave surges across borders
by Cameron Bailey. Now, Apr. 21, 1994, v. 13, no. 34.
UNB Art Centre Exhibit Tells Stories on Videotape
by Unknown. The Daily Gleaner, Oct. 15, 1994.
Lisa Steele: Video Work is Ideal Postmodern Art Form
by Christina Barat. The Daily Gleaner, Oct. 29, 1994.
Out on Screen
by Pat Feindel. Reverse Shot, Fall 1994.
Mohawks and the Media: Alanis Obomsawin's Kanehsatake: 270 Years...
by Sandy Greer. Take One, Winter 1994, no. 4.
A Choking in the Throat: Kanehsatake: 270 Years of Resistance
by Jamelie Hassan. Matriart, 1994, v. 4, no. 2.
Fractally Thinking
by Jain Kurany. The Edmonton, Fall 1994.
Interior Worlds
by Sam. Persistence of Vision, Summer 1994.
Worlds Between: An Examination of the Thematics of Exile and...
by Dot Tuer. Matriart, 1994, v. 4, no. 3.
Masterpiece acked with passion
by Marc Horton. The Edmonton, Mar. 18, 1994.
Introduction
by Elspeth Sage. Feng Shui, 1994. Vancouver/Newcastle: On Edge (Vancouver), Locus + (Newcastle), 1994.
T.O. scene follows feature dream to the source
by Cameron Bailey. Now, Jan. 5, 1994, v. 13, no. 18.
No skin off his ass: Bruce LaBruce stars as a past-it porn star on...
by Marc Morrison. Xtra!, Apr. 1, 1994, no. 246.
Artist 'comes home' with success
by Nancy Tousley. The Calgary Herald, Dec. 21, 1994.
So long, Miss Saigon: Art exhibit dismantles myths of Asian sexuality
by Glenn Sumi. Xtra!, June 10, 1994, no. 251.
The Axeman Cometh: Raphael Oritz's Avant-Garde Alchemy Moves Into...
by Scott Macdonald. The Independent, Oct. 1994, v. 17, no. 8.
Redesigning Women at The Illustrated Woman: The Second Annual...
by Douglas Fogle. Video Networks, Apr. 1994, v. 18, no. 2.
Burning the Barricades: Harvey Crossland and Gurinder Chada boldly...
by Denis Seguin. EYE WEEKLY, May 5, 1994, v. 3, no. 31.
VIVA award will help Mike Macdonald's video work bloom
by Peter Wilson. Vancouver Sun, May 27, 1994.
Take back the park: Videos by women in Parc Lafontaine
by Joanne Latimer. Montreal Mirror, Aug. 18, 1994.
Touring Women's Cinema: The films by the latest crop of Canadian...
by Noreen Golfman. Canadian Forum, Sept. 1994.
Barbies 'liberated' by toytown's anti-sexist shock troops
by Simon Tisdall. The Guardian, Jan. 3, 1994.
Violence, distrust eased by filmmaker
by Andre Picard. The Globe and Mail, May 10, 1994.
Guillermo Gomez-Pena: True Confessions of a Techno-Aztec...
by Scott T. Cummings. American Theatre, Nov. 1994, v. 11, no. 9.
Art at the Edge: NAFTA sparks interest in politically charged...
by Joyce Valdez. The Arizona Republic, Jan. 16, 1994.
Video Art without fear
by Carolyn Bennett. EYE WEEKLY, Jan. 13, 1994.
Technique Serves Content in Trinity video Collection
by Cameron Bailey. Now, Jan. 13, 1994, v. 13, no. 20.
Bas Jan Ader
by James Roberts and Collier Schorr. Frieze, 1994, no. 17.
New Video Realities in a New East Europe
by Nina Czegledy. Fuse, May 1994, v. 17, no. 4.
You're Beautiful Man, You're Beautiful: Beauties and Monstrosities
by Brent Cehan. Fuse, May 1994, v. 17, no. 4.
Film and Video News
by Karen Tisch. Fuse, May 1994, v. 17, no. 4.
All in the Family: An Examination of Community Access Cable in Canada
by Dot Tuer. Fuse, Spring 1994, v. 17, no. 3.
Dennis Day: Auto Biography
by Earl Miller. Fuse, May 1994, v. 17, no. 4.
The lotus eaters: A Discussion with Peggy Thompson
by Sebastian Hanna and Kevin Murray. Reverse Shot, Summer 1994, v. 1, no. 2.
Janine Antoni at Anthony D'Offay
by Lynn MacRitchie. Art in America, June 1994, v. 82, no. 6.
Women let off a little steam for video art
by Nancy Tousley. Calgary Herald, Mar. 23, 1994.
Blasted Categories
by Ian Iqbal Rashid. Black Film Bulletin, 1994, v. 2, no. 3.
Video award winners make compelling series on Inuit culture
by Nancy Baele. The Ottawa Citizen, May 25, 1994.
Peter Campus: Paula Cooper
by Barbara MacAdam. Artnews, Feb. 1994.
Philadelphia not a "gay film": There are plenty of homosexual...
by Sky Gilbert. The Toronto Star, Jan. 21, 1994.
Homos Away From Home: South Asian fest serves up a spicy Desh of...
by Glenn Sumi. Xtra!, Apr. 29, 1994, no. 248.
The Yo-Yo Gang
by Sonja Mills. Xtra!, Nov. 25, 1994.
Time, Space and Realities
by Andrew Patterson. Parallelogramme, 1994, v. 20, no. 3.
Scramble for Opening, Then Eggs All Around
by Steven Litt. The Plain Dealer [Cleveland, Ohio], Feb. 12, 1994.
The Return of Sexploitation: See Bitch Goddess
by Johnny Ray Huston. Future Sex Magazine, 1994, no. 5.
Stop Censorship! Keep Your Laws Off Our Bodies! REPEAL THE YOUTH...
by Gary Kinsman et al. Parallelogramme, Summer 1994, v. 20, no. 1.
Don't Let the Mayor See That
by Gary Kinsman and Lynn Beavis. Parallelogramme, Summer 1994, v. 20, no. 1.
Idemitsu Mako at Kanagawa Women's Center
by Nancy Shalala. Asian Art News, Sept. 1994, v. 4, no. 5.
Future Child
by Angie Campbell. Talking Stick: First Nations Arts Magazine, Spring 1994.
The Warning Bark
by Joane Cardinal-Schubert. Talking Stick: First Nations Arts Magazine, Spring 1994.
Pahlke debuts video at Peggy's Festival: Queer Video and Film...
by Elissa Barnard. The Mail-Star, June 11, 1994.
Queer Quality: AIDS Public Service Announcements Reach TV
by Michael Balser. Parallelogramme, 1994, v. 19, no. 4.
The Abscence of Photography:: The Image Reanimated
by Nicole Gingras. The Absence of Photography, 1994. Montreal: Cinema Libre, 1994.
Images '94 highlights art video that matters: Shot-from-the-hip...
by Peter Goddard. The Toronto Star, Apr. 20, 1994.
Racy Sexy
by Henry Tsang. Parallelogramme, 1994, v. 20, no. 1.
Wait There's More: 1994 Asian American Film Festival
by Ken Regis White. Bay Area Reporter, Mar. 14 Spring, 1994, v. 24, no. 9.
Art with a 'Feminist Spin': Some publicly funded Calgary galleries...
by Les Sillars. Alberta Report, May 1994, no. 403.
Au Verso du Monde
by Chantal Boulanger. Montreal: Oboro, 1994.
Jail Sell
by Cynthia Wiggins. Afterimage, Oct. 1994, v. 22, no. 3.
Polar Recap
by Ann Kaneko. Afterimage, Nov. 1994, v. 22, no. 4.
Documents and Counter-Documents: AIDS Activist Video at the Crossroads
by Cynthia Chris. Afterimage, Nov. 1994, v. 22, no. 4.
Documents and Counter-Documents: AIDS Activist Video at the Crossroads
Sex, Lies, and Lawn Grass/Notes for Video Art, 1994. Toronto: Art Metropole, 1994.
Documents and Counter-Documents: AIDS Activist Video at the Crossroads
Tercera Bienal de Video México '94, 1994. Mexico City: Consejo Nacional para la Cultura y las Artes, 1994.
Corpus Loquendi: body for speaking
by Jan Peacock. Halifax: Dalhousie Art Gallery, 1994.
Documents and Counter-Documents: AIDS Activist Video at the Crossroads
The Fourteenth Chicago Lesbian and Gay Interntational Film Festival, 1994. Chicago: Chicago Filmmakers, 1994.
Documents and Counter-Documents: AIDS Activist Video at the Crossroads
Chosen Tapes, 1994. Calgary: Moshe Ozeri, 1994.
Documents and Counter-Documents: AIDS Activist Video at the Crossroads
David Tomas: Chemical Skins, 1994. Oakville: Oakville Galleries, 1994.
Dance leaps onto screens big, small
by William Littler. The Toronto Star, Oct. 19, 1994.
Samuel looks through European mirror
by Chris Sheridan. McGill Daily, Feb. 17, 1994.
Review of Ethel on Fire: What Wants to be Spoken, What Remains to...
by Pam Patterson. Ontario Institute for Studies in Education (Toronto), 1994, v. 21, no. 3/4.
The First Experiments of SKB "Prometei" in Video Art
by Bulat M. Galeyev. Leonardo, 1994, v. 27, no. 5.
A Deleuzian politics of hybrid cinema
by Laura U. Marks. Screen, Fall 1994, v. 35, no. 3.
Perspectives Of the Body In Canadian Video Art
by Dot Tuer. C Magazine, Winter 1993, no. 36.
Personal Journeys: Personal Views: Gita Saxena, identity quest
by Seema Ahluwalia. Rungh, 1993, v. 1, no. 3.
Sexual Hybrids: From Oriental Exotic to Postcolonial Grotesque
by Laura U. Marks. Parachute, Apr. 1993, no. 70.
Manifest Diversity: Toward A Video Literature of Community Activism
by Barbara Lattanzi. Fuse, Spring 1993, v. 16, no. 2.
Video and Orality
by Peggy Gale. Canadian Art, Summer 1993, v. 10, no. 2.
The Collaboration Programme: Video Positive 91/93
by Helen Cadwallader. Variant, 1993, no. 14.
What's Wrong With Video Criticism?
by Sean Cubitt. Variant, 1993, no. 14.
Robert Morin: Caught Between - Entre deux chaises
by Claire Valade. Take One, Winter 1993.
Legal Memory
by Jane Perdue. Take One, Winter 1993.
Video Collaborators: A report from the interior
by Nelda Rodger and Nina Czegledy. Azure, Nov. 1993, v. 10, no. no. 91.
Video Art Croation-Style
by Mary-Lou Zeitoun. EYE WEEKLY, June 10, 1993.
Don't Go to Dat Place and Fool Around Like Rich Girls:: Black...
by Gabrielle Hezekiah. Cineaction, Fall 1993, no. 32.
Vera Frenkel probes grief and loss
by Deirdre Hanna. Now, Sept. 23, 1993, v. 13, no. 4.
Self-Government in Art: To Create Anew...
by Marjorie Beaucage. Parallelogramme, 1993, v. 19, no. 1.
Desiring Daughters
by Renee Baert. Screen, Summer 1993, v. 34, no. 2.
Trinity series sign of where T.O.'s at
by Cameron Bailey. Now, Jan. 14, 1993, v. 12, no. 20.
Video Art Identity and the Processes of Cultural Mapping
by John Byrne. Variant, 1993, no. 14.
Last man hanged in B.C. focus of honored film
by Grania Litwin. Times-Colonist, Nov. 22, 1993.
Artists' film re-examines old case
by Nancy Tousley. Calgary Herald, Nov. 5, 1993.
Through Deconstruction to Reconstruction
by Catherine Elwes. Desmontaje: Film/Video/Apropiacion/Reciclaje (Demontage: Film/Video/ Appropriation/Recycling), 1993. Valencia: Institut Valencia d'Art Modern, 1993.
Film about Oka crisis tells two tales of courage
by Sid Adilman. The Toronto Star, Sept. 25, 1993.
Oka story wins national film fest
by Janice Duncan. Windspeaker, Sept. 27, 1993.
"It's a Cultural Thing"
by Cheryl L'Hirondelle. Parallelogramme, 1993, v. 19, no. 3.
Dreaming With Eyes Open: The First Nation's Dreamspeakers Festival
by Sally Berger. The Independent, Jan. 1993, v. 16, no. 1.
Acts of Defiance more like an act of genuflection
by John Haslett Cuff. The Globe and Mail, July 15, 1993.
Cutting through the razor wire at Mohawk barricades
by Ronald Wright. The Globe and Mail, Sept. 25, 1993.
Bitches Spew
by David Aaron Clark. Screw, May 3, 1993.
Chez Nous: A Woman of Influence
by Cheryl Cornacchia. The Gazette, Feb. 22, 1993.
And they're at the post...: Noises Off
by Unknown. The Globe and Mail, Apr. 7 Spring, 1993. Toronto: The Globe and Mail, 1993.
Art and Aids: Artists join fight for awareness with public video...
by Nancy Tousley. Calgary Herald, Dec. 1, 1993.
Worlds Between:: An Examination of the Thematics of Exile and...
by Dot Tuer. Vera Frenkel: Raincoats Suitcases Palms, 1993. Toronto: Art Gallery of York University, 1993.
The Power of Video
by Jenny Burman. Hours, Aug. 12, 1993, v. 1, no. 28.
Personal narratives and painterly qualities
by Sue Langlois. McGill Daily Culture, Mar. 11, 1993.
Stuart Marshall 1949-1993
by Lisa Steele. Xtra!, June 25, 1993, no. 226.
Art's Birthday Video Screening: Trinity Square Video, Toronto, Ontario
by Unknown. Parallelogramme, 1993, v. 18, no. 4.
Interview: Vera Frenkel & Dot Tuer
by Vera Frenkel and Dot Tuer. Vera Frenkel: Raincoats Suitcases Palms, 1993. Toronto: Art Gallery of York University, 1993.
Pursuing Nature
by Sheridan Forbes. Parallelogramme, 1993, v. 18, no. 4.
Subjects on the Threshold: Problems with the Pronouns
by Renee Baert. Parachute, Winter 1993, no. 69.
Larger Than Life: The 11th International Art Film Festival
by Steve Kokker. Montreal Mirror, Mar. 1993.
The Image of Art in Video
by Maureen Turim. Les Lieux de Video, International Video Art Exhibition, 1993. Durham: United Media Arts Studies, 1993.
Up the Hill: The Making of Broken Crowns
by David Clark. Artifax, Winter 1993.
Raise the Ironic
by Unknown. Artifax, Winter 1993.
The Power Plant
by Unknown. Art Line, Sept. 1993.
Interview with Bill Viola
by Jorg Zutter. Art & Design Magazine, 1993, no. 31.
Legal Memory investigates Dark Ages of gay rights
by Katherine Monk. Vancouver Sun, June 4, 1993.
Legal Memory
by Mark Harris. The Georgia Straight, June 4, 1993.
Historic gay sex scandal mined in Legal Memory
by Cameron Bailey. Now, May 20, 1993, v. 12, no. 38.
Jogging the Memory
by Patricia Cuthbert. EYE WEEKLY, May 20, 1993.
Muckenhirn Explores, Promotes Asian Culture
by Josh Feit. Wedge, Oct. 1993.
Art is... camels and APCs
by Jamie Robertson. Sentinel, Dec. 1993, v. 29, no. 6.
Video Description: (Talaeen a Junuub) Up to the South: A Videotape...
by Jayce Salloum. Up to the South (Talaeen a Junuub), 1993.
Film society to present video artist Halpern
by Joe DeChick. The Cincinnati Enquirer, Jan. 16, 1993.
As Barbie Talks Tough, G.I. Joe Goes Shopping
by David Firestone. The New York Times, Dec. 31, 1993.
Family Portrait
by Luc Courchesne. Interactive Portraits, 1993. Ottawa: National Gallery of Canda, 1993.
Close Encounter
by Fred Ritchin. Interactive Portraits, 1993. Ottawa: National Gallery of Canada, 1993.
Luc Courchesne: Interactive Games and Dialogues
by Unknown. Interactive Portraits, 1993. Ottawa: National Gallery of Canada, 1993.
Colin Campbell: Invention
by Peggy Gale. Colin Campbell: Invention, 1993. Toronto: Art Metropole, 1993.
Mix: The 7th New York Lesbian and Gay Experimental Film and Video...
by Robert F. Reid-Pharr. Fuse, Winter 1993, v. 17, no. 2.
Corpus In Video: An Interview with Bill Viola
by Christine Ross. Parachute, Apr. 1993, no. 70.
Thierry Kuntzel: Le temps dans l'oeil de la finitude
by Jacinto Lageira. Parachute, Apr. Spring 1993.
MA Student hits CBC bigtime with "Road Movies"
by Barbara Black. The Thursday Report, Sept. 17, 1993.
Day makes it happen on electronic canvas: Video artist at the...
by Elissa Barnard. Halifax Chronicle Herald, July 1993.
Avant-Garde Camp: Shock Corridor
by Manohla Dargis. The Village Voice, Feb. 1993.
Retrofitting History: 'The Raft of the Medusa' - directed by...
by Chloe Town. McGill Daily, Feb. 18, 1993.
Road Movies up for Gemini
by Barbara Black. The Thursday Report, Feb. 4, 1993.
Crossing Borders: Building Communities
by Shanti Thakur and Leith Hamilton. Clips, Apr. 1993.
Pink In Public: Andy Paterson's Video is Just One Images Festival...
by Lynda Landstreet. Xtra!, Apr. 16, 1993, no. 221.
No Rewind
by R. Pitman. Video Librarian, Mar. 1993, v. 8, no. 1.
Hot Pics
Nightlines, Mar. 17, 1993.
Biennale: Bond Store 3/4 and Art Gallery of New South Wales
by Charles Green. Artforum, Apr. 1993, v. 31, no. 8.
Culture in a Cage
by Donald Garfield. Museum News, Mar. Spring 1993.
The Inside Out Festival of Toronto
by Randi Spires. Fuse, Summer 1993, v. 16, no. 5 & 6.
Screen Scene: 'Crossdressing' series at ICA
by Betsy Sherman. The Boston Globe, May 13, 1993, v. 19, no. 29.
Art is About Energy
by Marina Abramovic. Art and Design, June Summer 1993, no. 31.
Nouvelles Chines: Introduction
by Bérénice Reynaud. Nouvelles Chines, 1993. Paris: Galerie nationale du Jeu de Paume, 1993.
Monumental exhibits leave deepest impressions: THE BEST OF 93 ART
by Deirdre Hanna. NOW, Dec. 30 Winter, 1993, v. 13, no. 18.
Francesc Torres: Silk Stockings
by John Hanhardt. Art & Design Magazine, 1993, no. 31.
Interviewed Interview
by Gary Hill. Art & Design, 1993, no. 31.
1993 Toronto Arts Recipients Announced
by Tom Wong. Arts Foundation News, Fall 1993, v. 5, no. 3.
Banned Film Screened by Foundation
by Tom Wong. Arts Foundation News, Fall 1993, v. 5, no. 3.
SASKATOON VIDEO CULTURE: (it ain't painting and drawing)
by John Morgan. NeWest Review, Apr. 1993, v. 18, no. 2.
Montreal Image & Nation
by Elana Wright and Aileen McBride. Montreal Image & Nation, Nov. 11, 1993.
Heretic Experience: Deleuze's Bergsonian Cinema
by Jay Murphy. Afterimage, Feb. 1993, v. 20, no. 7.
Reviews: AIDS Activism Critiqued
by Cynthia Chris. Afterimage, Feb. 1993, v. 20, no. 7.
Images 93 an exercise in temptation
by Cameron Bailey. NOW, Apr. 22, 1993, v. 12, no. 34.
The Kinney Brothers: Expressing their pride by nurturing a growing...
by David Hirsch. The Boston Reader, June 15, 1993, v. 3, no. 4.
Rumours of Our Breath
by Len Findlay. Border Crossings, July 1993, v. 12, no. 3.
Unendurable Boredom Not Part of This Show
by Robin Laurence. The Georgia Straight, May 14, 1993.
VIVA award winners' works provide a powerful display
by Ann Rosenberg. Vancouver Sun, May 1, 1993.
Man of Flowers: Video Artist Mike MacDonald's Newest Instillation,...
by Donald Goodes. Hour, Mar. 4, 1993, v. 1, no. 5.
Indian Legends-1
by Kerri Sakamoto. Banff: Walter Phillips Gallery, 1993.
Chinaman's Peak: Walking the Mountain
by Larissa Lai. Banff: Walter Phillips Gallery, 1993.
Memories Springing, Waters Singing
by Joane Cardinal-Schubert. Banff: Walter Phillips Gallery, 1993.
finding the DIFFEREN(t)CE: looking for the self and the other in...
[Activating the Archive] 3: Lisa Steele, 1993. Toronto: Art Metropole, 1993.
Envisioning Communities
by E. Deirdre Pribram. Afterimage, Apr. 1993, v. 20, no. 9.
Video Activism and Critical Pedagogy: Sexuality at the End of The...
by Brian Goldfarb. Afterimage, May 1993, v. 20, no. 10.
Satellite Skirmishes: An Interview with Paper Tiger West's Jesse Drew
by Douglas Kahn and Jesse Drew. Afterimage, May 1993, v. 20, no. 10.
Straight Outta Money: Institutional Power and Independent Film Funding
by E. Deidre Pribram. Afterimage, Summer 1993, v. 21, no. 1.
Fetal Tissue: Reproductive Rights and Amateur Activist Video
by Patricia R. Zimmermann. Afterimage, Summer 1993, v. 21, no. 1.
Daunting Inferno
by Zeinabu Irene Davis. Afterimage, Summer 1993, v. 21, no. 1.
Potential Pictures
by Gabriel Gomez. Afterimage, May 1993, v. 20, no. 10.
Sweet 'n' Sour: Sugar 'n' Spice
by Holly Willis. Afterimage, May 1993, v. 20, no. 10.
Sweet 'n' Sour: Sugar 'n' Spice
Culture Lab: Symposium Series 1993 1994, 1993. Toronto: Culture Lab, 1993.
Sweet 'n' Sour: Sugar 'n' Spice
Colin Campbell: Invention, 1993. Toronto: Art Metropole, 1993.
Sweet 'n' Sour: Sugar 'n' Spice
Les Cinemas du Canada: Quebec, Ontario, Prairies, Cote Ouest, Atlantique, 1993. Paris: Telefilm Canada, 1993.
Images 93: Outings, racism and Asian-American politics
by Noah Cowan. EYE WEEKLY, Apr. 22, 1993.
Ecostructure, gender equality, subtly explored on video
by Ann Rosenberg. Vancouver Sun, May 1, 1993.
Whose Nation?
by Scott Watson. Canadian Art, Spring 1993, v. 10, no. 1.
Deep Dish TV: Community Video from Geostationary Orbit
by DeeDee Halleck. Leonardo, 1993, v. 26, no. 5.
Double the Trouble, Twice the Fun
by Shelley Tremain. Canadian Woman Studies, 1993, v. 13, no. 4.
Black Gay Men in Independent Film
by Kobena Mercer. cineACTION, Fall 1993, no. 32.
Don't Go to Dat Place and Fool Around Like Rich Girls: Black...
by Gabrielle Hezekiah. cineACTION, Fall 1993, no. 32.
Confessions of a Snow Queen: Director's Notes on the Making of The...
by Isaac Julien. cineACTION, Fall 1993, no. 32.
David Rimmer. Films & Tapes 1984-1993
by Dawn Caswell and Jim Shedden.
Reinke work conceptually swift and sophisticated
by Cameron Bailey. Now, July 2, 1992, v. 11, no. 44.
Vera Frenkel: Canada's pre-eminent video artist, storyteller and...
by Jay Scott. Canadian Art, Summer 1992, v. 9, no. 2.
Video: Legal Memory
by Regina Cornwell. Canadian Art, Winter 1992, v. 10, no. 1.
Communicable Democracy
by Laura U. Marks. Fuse, Winter 1992, v. 15, no. 3.
The Colours of Culture: Film and Video by Artists of Colour
by Zainub Verjee. Parallèlogramme, 1992, v. 17, no. 4.
Video Technology and the Feminine
by Nell Tenhaaf. Parallelogramme, 1992, v. 18, no. 3.
Colouring the Screen: Four Strategies in Anti-racist Film and Video
by Richard Fung. Parallèlogramme, 1992, v. 18, no. 3.
Ayumee-Aawach Oomama-Mowan: Speaking to their Mother
by Unknown. Parallelogramme, 1992, v. 18, no. 3.
The History of Video in the USA
by Mindy Faber and Kate Horsfield. VideoFest, 1992.
Neo-Native Art: New Approaches to Traditional Thinking
by Rick Hill. Revisions, 1992. Banff: Paperworks Press, 1992.
Doubling Narratives
by Jessica Bradley. Cineaction, 1992, no. 30.
Electronic totem pole airs Gitksan culture
by Adrian Chamberlain. Times-Colonist, Aug. 1, 1992.
The Trappings of Racism
by Jorge Daniel Venciano. Artweek, Nov. 19, 1992.
Cross-over communicator: Michael Balser makes video art that...
by Corneil Van der Spek. Xtra!, Dec. 25, 1992, no. 213.
Land Spirit Power: First Nations at The National Gallery
by Mary Anne Barkhouse. Matriart, 1992, v. 3, no. 2.
Zacharias Kunuk
by Diana Nemiroff. Land, Spirit, Power / First Nations at the National Gallery of Canada, Sept. 25, 1992. Ottawa: National Gallery of Canada, 1992.
Lesbian road show: baby dykes make videos for the cbc
by Kathleen Pirrie Adams. Xtra!, June 27, 1992, no. 461.
Signs of a generational shift on indie production scene
by Cameron Bailey. Now, Dec. 24, 1992, v. 12, no. 17.
Worshipping at the alter of false images
by David Rutherford. The Toronto Star, May 13, 1992.
Survey samples Images' scintillating indie talents: Images 92...
by Cameron Bailey. Now, Apr. 23, 1992, v. 11, no. 34.
Indies impressive in year of plenty
by Cameron Bailey. Now, Jan. 2, 1992, v. 11, no. 18.
Periodically speaking: David Clark lights bunsen burners of the...
by Ian Johnston. The Daily News, Nov. 11, 1992.
Monty Cantsin Retrospective: Video Madness: All you ever wanted to...
by Martin Siberok. Mirror, Apr. 16, 1992, v. 7, no. 43.
Calgary duo Crazy about movie
by Louise B. Hobson. The Calgary Sun, July 17, 1992.
Hundreds lost jobs after RCMP hunt for homosexuals
by Dan Beeby. Times-Colonist, 1992.
Lesbian Sexual Imagery in Film: Smashing up the Salad: Visibly...
by Kathleen Oliver. Kinesis, June Spring 1992.
UWM films explore race and gender issues
by Elfrieda Abbe. Milwaukee Journal, Dec. 13, 1992.
Constructive Dialogue: Video fights racial tensions created by media
by Kristina Stockwood. The Montreal Mirror, Nov. 26, 1992.
Public forum to probe N.D.G. race relations
by Aaron Derfel. The Gazette, Nov. 26, 1992.
Fresh Talk: Locally-produced video opens the lines of...
by Randy Shore. The Vancouver Echo, Feb. 19, 1992.
Will the real history please stand up...: Histories-In-The-Making...
by Christian Leigh. Quotations: the Second History of Art, 1992. Ridgefield, CT: The Aldrich Museum of Conemporary Art, 1992.
Phantom Indians, Some Observations on Recent Cinema
by Scott Ellis. Border Crossings, 1992, v. 11, no. 4.
SHAKE IT UP, BABY: Works of Intervention by Ardele Lister
by Lisa Steele. Images Festival of Independent Film and, 1992. Toronto: Northern Visions, 1992.
Salman Rushdie in the Age of Reason: "Us/Them - Translation,...
by Julian Samuel. Cross/Cultures 6: Readings in the Post/Colonial Literatures in English, Jan. 1992. Amsterdam/Atlanta, GA: Rodopi, 1992.
Lesbians and Gays Make the Movies
by Richard Lippe. cineACTION, Fall 1992, no. 30.
True art inverted
by Heather Reiger. 29 Angles, May 1992.
Persimmon Blackbridge
by Diane Lees. research paper, 1992. Contemporary Canadian Art, 1992.
Video Tapes by Women 1986-1992: A Critical Review
by Katherine Szadkowski. Poolside, Summer 1992, no. 6.
Kiss and Tell: Coming out to mom
by Kathleen Oliver. Kinesis, Nov. 1992.
The Art of Ethnic Tensions: Guillermo Gomez-Pena uses theatrics to...
by Miriam Horn. U.S. News & World Report, Dec. 30, 1992.
Smart documentary wins at Yorkton
by Anon. The Globe and Mail, June 2, 1992.
A Parade of Memorable Images
by Noah Cowan. EYE WEEKLY, Apr. 23, 1992, no. 98.
Crazy 8's Its a Wrap!
by Brian Hutchinson. EM/Media News, Summer 1992, v. 4, no. 3.
Queer Is Smart
by Lynna Landstreet. Xtra!, Apr. 17, 1992, no. 195.
Paula Mozen Won't Pause
by Toni Hanna. Cue Magazine, Nov. 1992.
In the Name of Desire
by LaRose Parris. Color Life: The Lesbian, Gay, Twospirit + Bisexual People of Color Magazine, May Spring 1992, v. 1, no. 1.
Glazer's inferno on Film: "Fire on the Water"
by Karynne Naftolin. Images, Winter 1992.
The Wedding Album: Part 1 - The Ed Nasello Story
by Michael Balser. foreground, 1992.
Roxie hosts Film Arts Festival, celebrates local independents
by Michael Fox. FILM/TAPE WORLD, Nov. 1992, v. 10, no. 58.
White People In the Native Camera: Subverting Anthropology
by Laura U. Marks. Afterimage, May 1992, v. 19, no. 10.
SEX, LIES AND...CAMCORDERS: ASIAN PACIFIC AMERICAN LIVES IN ACTION
by Valerie Soe. CineVue, Mar. 1992, v. 7, no. 2.
The Site of Memory
by Larissa Lai. As Public As Race, July 24, 1992. Alberta: Walter Phillips Gallery, 1992.
The End of Nature: Open Space, Victoria, B.C.
by Parallelogramme. Parallelogramme, 1992, v. 18, no. 1.
Black Women Together: Visiting Video Artist Takes a New Approach
by Diane Thibault. Xtra!, May 1, 1992, no. 167.
Learning How to Laugh: Filmmaker Cheryl Dunye at Image et Nation,...
by Judith Nicholson. Rites, Jan. 1992, no. 76.
Female Persuasions
by Julianne Pidduck. Montreal Mirror, Jan. 23, 1992.
Gay and Lesbian Film Fest Suddenly a Must
by Cameron Bailey. NOW, Apr. 30, 1992, v. 11, no. 35.
Nunaqpa (Going Inland): Zacharias Kunuk
Northern Lights Exhibition, 1992.
Teenagers will listen when their peers talk about sex
by Gabor Mate. Vancouver Sun, Feb. 1, 1992.
Monster in a box: The seventh annual Dallas Video Festival...
by Tom Sime. Dallas Observer, Nov. 5, 1992.
We Are All Living With AIDS
by Catherine Saalfield.
After Avant-Garde Film
by J. Hoberman. Art After Modernism: Rethinking Representation, 1992. New York: The New Museum of Contemporary Art with David R. Godine, 1992.
Totem Pall
by Alison Boston. Monday Magazine, Aug. 13, 1992.
Arrows of Desire: The Second ICA Biennial of Independent Film & Video
by Simon Field and Tim Highsted. London: Institute of Contemporary Arts, 1992.
Totem Pall
Can-Asian Perspectives: A Film and Video Series Exploring Asian Experiences in Canada, 1992. London: The Canadian High Commission and Bazaar Magazine/South Asian Arts Forum, 1992.
From Portapak to Camcorder: A Brief History of Guerilla Television
by Deirdre Boyle. Journal of Film and Video, 1992, v. 44, no. 1/2.
À la découverte des Amériques
by Daniel Carrière. Le Devoir, Aug. 29, 1992.
5 Feminist Videotapes: Redefining the Female Subject
by Shonagh Adelman. C Magazine, Winter 1991, no. 28.
Remodeling Asian Media
by Lloyd Wong. Afterimage, May 1991, v. 18, no. 10.
This feminist film is drop-dead funny
by Craig MacInnis. The Toronto Star, Jan. 15, 1991.
Well-made film unmasks hidden genocide in Papua
by MacDonald Scott. The ACTivist, Apr. 1991.
Visual Arts
by Unknown. Vancouver Sun, Apr. 25, 1991.
Retrospective tracks career of video visionary Campbell
by Deirdre Hanna. Now, Dec. 12, 1991, v. 11, no. 15.
Video retrospective dallies with sexuality
by John Bentley Mays. The Globe and Mail, Dec. 26, 1991.
Toronto Lesbian and Gay Film and Video Festival
by Colin Campbell. Fuse, Fall 1991, v. 15, no. 1-2.
Local Channels / Zach Kunuk Remodels T.V.: Chaînes locales / Zach...
by Kass Banning. Parallelogramme, 1991, v. 17, no. 1.
No Skin off His Ass
by Michael Jones. Edge 212, Aug. 28, 1991.
Ways in Being Gay
by Elizabeth Licata. High Performance, Spring 1991.
Mom's The Word
by Barbara Osborn. AfterImage, Jan. 1991, v. 18, no. 6.
Earth Spirit cultures celebrate similar visions
by Christopher Hume. The Toronto Star, June 28, 1991.
Colin Campbell: Media Works 1972-1990
by Bruce W. Ferguson. The National Art Gallery, 1991. Ottawa: The National Gallery of Canada, 1991.
Otherwise Worldly
by Bruce W. Ferguson. Colin Campbell : Media Works, 1991. Winnipeg: Winnipeg Art Gallery, 1991.
A different look at the nightly news: Artists put their own slant...
by Richard Huntington. Buffalo News, Feb. 17, 1991.
Video is suffering from being a medium
by Lysianne Léchot. 4e Semaine Internationale de Vidéo, 1991. Geneva: les auteurs et Saint-Gervais Genève, 1991.
Mutandas' Eye: 1991
by Peggy Gale. 4e Semaine Internationale de Vidéo, 1991. Geneva: les auteurs et Saint-Gervais Genève, 1991.
Muntadas: Working Between the Frames
by Peggy Gale. 4e Semaine Internationale de Vidéo, 1991. Geneva: les auteurs et Saint-Gervais Genève, 1991.
From Fluxus to Post-Conceptualism
by Christine Van Assche. 4e Semaine Internationale de Vidéo, 1991. Geneva: les auteurs et Saint-Gervais Genève, 1991.
Fluxus Arborescence
by Erwan Huon Depenanster. 4e Semaine Internationale de Vidéo, 1991. Geneva: les auteurs et Saint-Gervais Genève, 1991.
Electronic Collages
by Anne-Marie Duguet. 4e Semaine Internationale de Vidéo, 1991. Geneva: les auteurs et Saint-Gervais Genève, 1991.
Projected Identities
by David Joselit. Art in America, Nov. 1991, v. 79, no. 11.
No Christmas Carrol, Few Expectations
by Arlene Raven. Village Voice, Dec. 17 Winter, 1991.
Images 91's huge selection shows best of independents
by Cameron Bailey. Now, June 6, 1991, v. 10, no. 39.
radical splendor: letting serindipity and synchronicity have their way
by Karen L. Walton. The Edmonton Bullet, July 17, 1991.
Film about outrageous incident
by Ron Fair. Share, Dec. 5, 1991.
Hunting gold for the silver screen: Ignored by governements,...
by Brian Hutchinson. Alberta Report, Sept. 9, 1991.
Fritz Bacher: Serenade to CNN
by Alan Bigelow. High Performance, Fall 1991, v. 14, no. 55.
Virtual Memories: Various Artists
by Christine Tamblyn. High Performance, Fall 1991.
From Receiver to Remote Control: The TV Set
by Ardele Lister. Felix, Spring 1991, v. 1, no. 1.
Staged Inquisition masks complexity of trials women face
by mike steele. Star Tribune, Jan. 19, 1991.
On the North-South Border Patrol, in Art and Life: A road...
by Ruben Martinez. The New York Times, Oct. 13, 1991.
Zacharias Kunuk: Video Maker and Inuit Historian
by Steven Hendrick and Kathleen Fleming. Inuit Art Quarterly, Summer 1991.
Fourth New York Lesbian and Gay Experimental Film Festival
by Susan Kealey. Fuse, Winter 1991, v. 14, no. 3.
The Physics of (High) Light(s): Michael Klein Review
by Alethea Lahofer. Poolside, Summer 1991, no. 5.
Culture Jocks: Race to the Screen in review
by Larissa Lai. Fuse, Fall 1991, v. 15, no. 1-2.
No Skin off My Ass
by Amy Taubin. Voice, Nov. 12, 1991.
Identity and Consciousness:: (Re)Presenting the Self
by Sheila Petty. Dunlop Art Gallery, 1991. Regina, SK: Dunlop Art Gallery, 1991.
The Third Space: Interview with Homi Bhabba
by Homi Bhabba and Jonathan Rutherford. Identity and Consciousness: (Re)Presenting the Self, 1991. Regina: Dunlop Art Gallery, 1991.
Exhibition Program
by Sheila Petty. Identity and Consciousness: (Re)Presenting the Self, 1991. Regina: Dunlop Art Gallery, 1991.
News with a View: Video Witnesses Festival of New Journalism
by Janet Sorenson. Afterimage, May 1991, v. 18, no. 10.
Middle East in focus at Images 91 festival
by Randi Spires. The Toronto Star, June 8, 1991.
Performance Artist on the border
by Betsy Pisik. The Washington Times, Apr. 11, 1991.
Smear Campaign offers memories
by Martin Morrow. Calgary Herald, July 18, 1991.
Two Fists Up
by Manohla Dargis. The Village Voice, June 11, 1991, v. 36, no. 24.
Rodeo shows cover wide range: From nudity to a performance in the...
by Martin Morrow and Kate Zimmerman. The Calgary Herald, Apr. 6, 1991.
Beyond First Run:: Bodies in Trouble
by Cameron Bailey. NOW, June 20, 1991, v. 10, no. 41.
Gringostroika: Gómez-Peña's Spanglish Theater: Mariachi-Liberace...
by L. Jamison. Mother Jones: People, Politics and Other Passions, Nov. 1991, v. 16, no. 6.
'Coiffure": From Hair to There
by Janet Wilson. Washington Post, 1991.
Videos Offer New Perspectives
by Elizabeth Licata. The Buffalo News, Feb. 19, 1991.
Gary Hill: Une verbalisation du regard
by Jacinto Lageira. Parachute, Apr. 1991, no. 62.
Colin Campell Media Works 1972 - 1990: Opening: The Video and Film...
Colin Campbell Media Works 1972-1990, 1991. Ottawa: National Gallery of Canada, 1991.
Disrupting the Perfect Picture Flow: Stupid Pleasures by Jayce...
by Harald Fricke. Die Tageszeitung, May 5, 1991.
Deep Contact: An Interactive Video Installation
by Charles Stainback. Video-Feature, May 1991. New York: International Center of Photography, 1991.
Beyond ToonTown: What's On TV? Video Art for Younger Audiences
by Dara Meyers-Kingsley. The Independent, July 1991.
Chapter 6: An Other and Its Other
by Sean Cubitt. Timeshift. On Video Culture, 1991. London, New York: Routledge, Comedia, 1991.
On Campus With Camera: Avademia Provides Video Maker Cheryl Dunye...
by Lorrie Kim. The Advocate, Sept. 24, 1991, no. 586.
Gay Man Fucks With Woman ---And Lives to Tell the Tale!
by Brandon Judell. Bay Area Reporter, July 25, 1991.
Sex You Up
by Robert Julian. Bay Area Reporter, June 27, 1991, v. 21, no. 26.
A Story To Tell You
by Heather Menzies. This Magazine, Aug. Summer 1991, v. 25, no. 2.
Beyond the limit: citing scene in which two men kiss, rogers cable...
by Raymond Taavel. Xtra!, May 10, 1991, no. 172.
chapter 5 How to watch video art: My father will heal you with love
by Sean Cubitt. Timeshift: on video culture, 1991. London: Routledge, 1991.
Movies (Video programming during Vancouver's MayWorks Festival)
by Elizabeth Aird. Vancouver Sun, May 3, 1991.
Arts and Review: Mayworks
by Anisha Virani. The Peak, May 9, 1991, v. 79, no. 1.
Ennui en note
by Mario Côté. 24 Images, Winter 1991, no. 59.
Cuban Energy Crisis
by Coco Fusco. Afterimage, Feb. 1991, v. 18, no. 7.
Asian American Video Visions
Brooklyn, New York: Brooklyn Museum, 1991.
Cuban Energy Crisis
Colin Campbell: Media Works 1972-1990, 1991. Ottawa: National Gallery of Canada, 1991.
The Cool Glass Eye: An Evening of Video
Toronto: Art Gallery of Ontario, 1991.
Cuban Energy Crisis
7a Mostra de Video de Creacio de Catalunya, 1991. Catalonia: Departament de Cultura de la Generalitat de Catalunya, 1991.
Anti-Racism Advertising
by Effie Pow. Video Guide, Spring 1991, v. 11, no. 1.
Turning Japanese
by Zheng Miao Xian. Video Guide, Spring 1991, v. 11, no. 1.
Multimix: The Failure of Technology
by Alteen Glenn. Video Guide, Spring 1991, v. 11, no. 1.
Hitting the Nail on the Head Tax: An Interview with William Dere...
by Larissa Lai. Video Guide, Spring 1991, v. 11, no. 1.
North By Northeast: European Video Festivals
by Nina Czegledy. Video Guide, Fall 1991, v. 11, no. 52.
Tested Fictions & Twisted Fragments
by Susan Rynard. Fuse, Spring 1990, v. 13, no. 4.
The Simulated Society: Four Installations at the AFI Video Festival
by Bill Horrigan. The Independent, Apr. 1990.
Is The Rectum An Asshole?
by Brent Cehan. Fuse, June 1990, v. 13, no. 5.
Self-lessness: Buffalo Gals
by Sandra Haar. Fuse, June 1990, v. 13, no. 5.
The Passionate Queer Documentary
by John Greyson. Video Guide, Nov. 1990, v. 10, no. 5.
Words of Fire: An Interview with John Sanborn at Ed Video
by Don Richardson and Nancy Hallas. Video Guide, Nov. 1990, v. 10, no. 5.
Grande Barrage/Great Divide: Video Work De Daniel Dion
by Bryan Mulvihill. Video Guide, Nov. 1990, v. 10, no. 5.
LA Freewaves
by Valerie Soe. Video Guide, Nov. 1990, v. 10, no. 5.
The New York International Festival of Lesbian and Gay Film: Close...
by Lisa Kennedy. The Village Voice, June 5, 1990, v. 35, no. 23.
Buffalo Gals go 'round feminism
by Donna Lypchuk. Metropolis, Feb. 8, 1990.
Gay and Lesbian Festival Widens Its Film Horizons
by Stephen Holden. The New York Times, May 31, 1990.
Newfoundland co-op merges folk and personal resources
by Cameron Bailey. Now, June 7, 1990, v. 9, no. 39.
Video Visions: An artist explores women's lives: On view at...
by Heather McLennan. The Globe and Mail, June 9, 1990.
Talk diminishes work of art
by John Bentley Mays. The Globe and Mail, June 15, 1990.
Dismything Objectivity: Buffalo's Video Festival of New Journalism
by Richard Thompson. The Independent, June 1990.
Illuminated Manuscripts: Discovering the myth of transformation
by James Macswain. Xtra!, Apr. 13, 1990, no. 146.
Interrogative Video Works From Colin Campbell
by Bruce Ferguson. Tableau, Nov. 1990.
AIDS Video Highlights survey of artist's work
by Randal McIlroy. Winnipeg Free Press, Dec. 22, 1990.
Sexuality and Politics
by Liam Lacey. The Globe and Mail, Aug. 4, 1990.
The River of Swill: Feminist art, Sexual Codes, and Censorship
by Christine Tamblyn. Afterimage, Oct. 1990, v. 18, no. 3.
The Deep: Lures and No Exits
by Amy Taubin. The Village Voice, Nov. 13, 1990.
The Place, The Work, The Dilemma
by Vera Frenkel. This Is Your Messiah Speaking, Aug. 1990.
From A Reservoir of Predictions
by Tom Sherman. From A Reservoir of Predictions, 1990. Toronto: Art Metropole, 1990.
Shopping which didn't fit the bill
by Unknown. The Journal, Aug. 31, 1990.
'Incorrigible' Vera Frenkel lives up to her name
by John Bentley Mays. The Globe and Mail, Feb. 3, 1990.
Fearless Fung taps race complexities
by Cameron Bailey. Now, May 24, 1990, v. 9, no. 37.
Character Study: An Interview with Richard Fung, whose video work...
by Karl Soehnlein. Outweek, Oct. 17, 1990, no. 68.
Stereotypes in the Sand: The Pacific Film Archive screens a new...
by Jill Hamburg. The Sanfranciscno Bay Guardian, 1990.
Imagining Intifada and measures of Distance
by Dennis Harvey. The Daily Californian, Aug. 29, 1990.
Intelligent Artifacts: Technics and Praxis in Tom Sherman's Art
by James D. Campbell. C Magazine, June Summer 1990, no. 26.
Brooklyn Artists Featured in Museum Videos
by Tom Wachunas. The Phoenix, Oct. 4, 1990.
Ardele Lister - Split
by Jude Schwendenwien. High Performance, Summer 1990.
From Resevoir of Predictions
by Tom Sherman. Art Metropole, 1990.
Gays and lesbians break down the walls that keep them isolated
by Geoff Pounsett. The Whig-Standard, June 18, 1990.
Palestinian film defies media norms at truth's expenses
by Nancy Steidtmann. Jewish Bulletin, San Francisco CA, Sept. 29, 1990.
Awareness of image and gender sparked Toronto's top films of 89
by Cameron Bailey. Now, Jan. 4, 1990, v. 9, no. 17.
Clock ticking on AGO video show
by Randi Spires. The Toronto Star, Jan. 12, 1990.
Visible Difference
by Shani Mootoo et al. Fuse, Spring 1990, v. 13, no. 4.
Detonate!: (They Blew Up Real Good)
by Randi Spires. Fuse, Spring 1990, v. 13, no. 4.
Speaking of Colour: Image and Nation: Festival of Gay & Lesbian...
by Molly Shinhat. Fuse, Spring 1990, v. 13, no. 4.
Color Schemes, Le Gout Mon Espoir, Shaving, Sales Images
by Andrew Munger. Fuse, Oct. Fall 1990, v. 14, no. 1+2.
Barcelone: Celine Baril
by Alex Roshuk. Fuse, Fall 1990, v. 14, no. 1+2.
VHS in the CCCP: Independent video in the Soviet Union
by Nina Czegledy. Fuse, June 1990, v. 13, no. 5.
Having the Last Laugh: Margaret Moores & Almerinda Travassos
by Becki Ross. Fuse, June 1990, v. 13, no. 5.
Let's Get Engaged
by Andy Fabo. Fuse, June 1990, v. 13, no. 5.
Black History and Desire: Looking for Langston
by Molly Shinhat. Fuse, June 1990, v. 13, no. 5.
Chick Flicks: Festival de Film et Videos de Femmes de Montreal
by Marusia Bociurkiw. Fuse, Fall 1990, v. 14, no. 1+2.
Video News
by Kim Tomczak. Fuse, Fall 1990, v. 14, no. 1+2.
Qaggiq Video Premiere
by Unknown. Inuit Art Quaterly, Fall 1990.
Computer Art as Conceptual Art
by Christine Tamblyn. Art Journal, Fall 1990, v. 49, no. 3.
Back To School In Rochester
by Douglas Edwards et al. Media Arts, 1990, v. 2, no. 5 and 6.
Regeneration: 13 October - 25 November 1990
by Christine Conley. Regeneration, 1990. Kingston: Agnes Etherington Art Centre, 1990.
Relatively True Stories
by Amy Taubin. Voice, Jan. 9, 1990.
Within and Without: Reconstructing Regional Identity
by Sarah Murphy. Fuse, Spring 1990, v. 13, no. 4.
Coal-Mining Exhibit Unearthed at Everhart
by Katie Mahon. Sunday Times, Apr. 8, 1990.
Three Thumbs Up: Festival International du Nouveau Cinema et de la...
by Molly Shinhat. Fuse, Spring 1990, v. 13, no. 4.
Overheard: Martha Wilson
by Thomas McEvilley. Contemporanea, Oct. 1990.
A Little Groening, a Little Allegory
by Randi Spires. The Toronto Star, Jan. 5, 1990.
Confronting the dark heart of addiction: In one of the most...
by Jay Scott. The Globe and Mail, Sept. 14, 1990.
Places in the Sun: Tribes and Tribulations
by Judith Shulevitz. Film Comment Magazine, Jan. 1990, v. 26, no. 1.
Bodies in Trouble: Excerpts from a new video by Maruisa Bociurkiwi
by Marusia Bociurkiwi. Matriart, Summer 1990, v. 1, no. 2.
Sodom North: Bash Back: A Video Series Curated by Sara Diamond &...
by Sara Diamond. Matriart, Summer 1990, v. 1, no. 2.
Artist Profile: Mona Hatoum
by Mona Hatoum. Matriart, Spring 1990, v. 1, no. 1.
Culture Without a Country
by Ammiel Alcalay. Afterimage, May 1990, v. 17, no. 10.
Some high voltage work on display at the power plant: The dressing...
by John Bentley Mays. The Globe and Mail, Oct. 27, 1990.
Is The Dead Authour a Woman? / L'auteur mort est-ce une femme?:...
by Janine Marchessault and Jeanluc Svoboda. Parallelogramme, Spring 1990, v. 15, no. 4.
Some Film Festival Awards as Crazy as the Atmosphere
by Christopher Potter. Ann Arber News, Mar. 27, 1990.
"Queer Reels" At Lace; New Comedy at Asian Film Festival
by Kevin Thomas. Los Angeles Times, May 7 Spring, 1990, no. 296.
Fine local product deserves new and improved exhibition: Best of 1990
by Cameron Bailey. NOW, Jan. 3, 1990, v. 10, no. 17.
Gay and lesbians break down the walls that keep them isolated
by Geoff Pounsett. The Whig- Standard, June 18, 1990.
Excursions in Catastrophe: Power and Contradiction in ithe Philippines
by Patricia Mellencamp. Afterimage, Apr. 1990, v. 17, no. 9.
Take the Power Not the Pipe
by David Trend. Afterimage, Apr. 1990, v. 17, no. 9.
Settling Accounts: Interviews with Three Chilean Filmmakers
by Coco Fusco. Afterimage, May 1990, v. 17, no. 10.
Teamwork is the Best Work: We Are Not Afraid, Hidden Talents
by Nadine L. McGann and Debby Barkan. Afterimage, Nov. 1990, v. 18, no. 4.
Youthful Persuasions: John Goss Speaks Out
by Gabriel Gomez. Afterimage, Nov. 1990, v. 18, no. 4.
"That's Modulation!": Film and Video at Siggraph
by J. Ronald Green. Afterimage, Dec. 1990, v. 18, no. 5.
From a Hybrid Place: An Interview with Trinh T. Minh-Ha
by Judith Mayne. Afterimage, Dec. 1990, v. 18, no. 5.
Whether Maps: Pedagogic Strategies in Recent Video
by Matthew Sommerville. Afterimage, Dec. 1990, v. 18, no. 5.
For an Imperfect Spectator: Asian Films at the San Francisco...
by Berenice Reynaud. Afterimage, Dec. 1990, v. 18, no. 5.
Alternating Currents: ...Will be Televised: Video Documents from Asia
by Claire Aguilar. Afterimage, Dec. 1990, v. 18, no. 5.
Alternating Currents: ...Will be Televised: Video Documents from Asia
The Art of Video, 1990. Barcelona & Madrid: Imatco-Atanor, 1990.
States of Emergency
by Laura Salmon. Afterimage, May 1990, v. 17, no. 10.
The She-Man: Postmodern bi-sexed performance in film and video
by Chris Straayer. Screen, Summer 1990, v. 31, no. 3.
Video Art: Expanded Forms
by John G. Hanhardt. Leonardo, 1990, v. 23, no. 4.
Inscriptions of Truth to Size
by Gayatri Chakravorty Spivak. Inscription: Jamelie Hassan, 1990. Regina: Dunlop Art Gallery, 1990.
Vista: Video by Canadian Women Artists
by Nina Czegledy. Toronto: N/A, 1990.
Illuminating Video: An Essential Guide to Video Art
by Doug Hall and Sally Jo Fifer. Metuchen, New Jersey: Aperture Foundation Inc., 1990.
Buffalo Gals
A Space (Artists Space), 1990. Toronto: A Space (Artists Space), 1990.
Richard Hancox
by Michael Dorland et al.
Confusing The Script
by Lisa Pottie. Fuse, Jan. 1989.
La Vidéo au Québec
by Jean Tourangeau. Vie Des Arts, Mar. 1989, no. 134.
The Façade of Obsession: By Way of Fiction
by Colin Campbell. Fuse, Apr. 1989, v. 12, no. 5.
Video, for art's sake
by Rodney Gilchrist. Photo Life, May 1989, v. 14, no. 4.
Focus on Michael Balser
by Andrew J. Paterson. Canadian Art, Spring 1989, v. 6, no. 1.
On A Trumped-Up Charge: Two Video-Films
by Nancy Shaw. Vanguard, Summer 1989, v. 18, no. 3.
Canadian Countercurrents: The Images '89 Festival
by Helen Lee. The Independent, Aug. 1989.
Images '89
by Donna Lypchuk. Cinema Canada, Sept. 1989.
Interrogating the Boundaries of Women's Art:: New Work in Video by...
by Liz Kotz. High Performance, Winter 1989, no. 48.
Lattanzi's Latest: An Attentional Waveform
by Chris Hill. The Squealer, 1989.
Feminist foibles target of Campbell's satiric video
by John Bentley Mays. The Globe and Mail, Mar. 3, 1989.
Kibbins stems tide of ceaseless ideas
by Cameron Bailey. Now, Apr. 13, 1989, v. 8, no. 31.
Film challenges "gay-bashers"
by Peter Goddard. The Toronto Star, Apr. 27, 1989.
A camera's eye on intolerance: Images 89 festival takes hard look...
by Isabel Vincent. The Globe and Mail, May 5, 1989.
Glenbow exhibit a critical success for Sujir
by R H. MRC News, Oct. 26, 1989.
Videotape show the fruit of a happy marriage of talents
by John Bentley Mays. The Globe and Mail, Nov. 25, 1989.
Scarlet Fever
by Andrew Sorfleet. Fuse, Winter 1989, v. 13, no. 3.
Wanna Be: Zach Kunuk at Video In
by Elspeth Sage. Front, Nov. 1989.
Video at the Crossroads: A review of the 1988 AFI Festival
by Margaret Morse. Video Networks, 1989, v. 13, no. 314.
If It's Tuesday...
by Amy Taubin. The Village Voice, Oct. 17, 1989.
Lesbian chronicler sends up pleasure
by Susan G. Cole. Now, Sept. 21, 1989, v. 9, no. 3.
Beyond History is disturbing and powerful show by Indian artists
by Regina Hackett. Seattle Post Intelligencer, May 31, 1989.
Show of Native Art Not Limited by Traditional Images
by Laura Busheikin. The Georgia Straight, June 16, 1989.
Indian art bares both meanings of spirit world: Beyond history...
by Elizabeth Godley. The Vancouver Sun, June 7, 1989.
Critical text feeds on cultural fantasy
by Jon Kaplan. Now, Sept. 7, 1989, v. 9, no. 1.
Our Own Story: The Video Work of Sara Diamond
by Dinah Dossor. Independent Media, Apr. 1989, no. 88.
Images 89: New festival celebrates Canada's film and video...
by Helen Lee. Now, May 4, 1989, v. 8, no. 34.
Lisa Steele and Kim Tomczak: The groundbreaking dynamic duo of...
by Cameron Bailey. Now, Nov. 9, 1989, v. 9, no. 10.
'Sex was just the preamble': Artful revelations for an audience...
by John Bentley Mays. The Globe and Mail, Sept. 8, 1989.
Video mixed with performance used to explore nature of myths
by Randi Spires. The Toronto Star, Sept. 8, 1989.
Performance art mad for lucid journalism
by Ray Deonandan. The Varsity, Sept. 11, 1989.
What the hell's going on in that bathroom?
by Steven Gaydos. The Advocate, Apr. 11, 1989.
The World is Sick (Sic)
by Mark Turrel. Video Guide, Nov. 1989, v. 10, no. 3-4.
AIDS Media: Counter-Representations
by Lucinda Furlong. New American Film and Video Series, 1989. New York: Whitney Museum of American Art, 1989.
4 hours and 38 minutes: Videotapes by Steele and Tomczak
by Philip Monk. AGO NEWS, Nov. 1989, v. 11, no. 10.
Utopias of Resistance: Strategies of Cultural Self-Determination
by Dot Tuer. catalogue, 1989. Art Gallery of Ontario, 1989.
Hot Tramp, I Love You So!: Rebel Girls: A Survey of Canadian...
by Christine Conley. Fuse, Fall 1989, v. 13, no. 1 & 2.
Disclosure: Lisa Steele and Kim Tomczak: The Collaborative Tapes
by Philip Monk. catalogue, 1989. Art Gallery of Ontario, 1989.
Separate Voices
by Peggy Gale. Separate Voices, 1989. The Third Fukui International Video Biennale, 1989.
The Videos of Norman Cohn: Beyond Seduction
by Karen Henry. Video Guide, Sept. 1989, v. 10, no. 2.
The Digital Image or the Technological Catastrophy of Images
by Alain Renaud. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Out of Order
by Wolfgang Preikschat. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Steina and Woody Vasulka Retrospective: Necessary Risk
by Roy Durfee. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Analog-Digital (A matter of images)
by Anne-Marie Duguet and Raymond Bellour. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Celebrating Intimacy
by C.M Judge. UMZ Research Press, 1989.
None of Meryl's tears
by Nenna Ahluwalia. The Edmonton Bullet, Nov. 29, 1989.
Cut & Paced
by Mary Anne Moser. Fuse, Winter 1989.
Cinema Canada: Festivals
by *Not Documented. Cinema Canada, Sept. 1989.
Videotape picks apart white liberal guilt: Indians are everwhere...
by Geoff Pevere. The Toronto Star, Aug. 4, 1989.
Dark Vision: Vancouver filmmaker finds herself taken more...
by Jeff Buttle. Vancouver Sun, Sept. 2, 1989.
Wake up, 'color blind' feminists
by Louise Brown. The Toronto Star, Mar. 14, 1989.
Inuit Video Recreates Life in 30's: Far North in New Light
by Elizabeth Godley. Vancouver Sun, Sept. 20, 1989.
Collaborative Videotapes: Descriptions by the Artist
by Lisa Steele and Kim Tomczak. 4 Hours and 38 Minutes, 1989. Toronto: Art Gallery of Ontario, 1989.
The subject in History: The new autobiography in film and video
by Michael Renov. Afterimage, July Summer 1989, v. 17, no. 1.
Canadian Artists to Present 3 Provocative Videos at IMAGE
by Reidy Robin. The Atlanta Journal, Feb. 15, 1989.
Northern Light: Video and the Avant-Garde in Finland
by Nina Czegledy. Fuse, Jan. 1989, v. 12, no. 4.
Private Parts in Public Places
by Andrew J. Paterson. Fuse, Jan. 1989.
Video News
by Kim Tomczak. Fuse, Apr. 1989, v. 12, no. 5.
Putting All your Eggs in One Basket: A Survey of Single-Shot Film
by Scott Macdonald. Afterimage, Mar. 1989, v. 16, no. 8.
New Technologies: Perils and Pleasures
by Micki Mcgee. High Performance, Winter 1989, no. 48.
Video-sculpture
by Johannes Lothar Schroder. High Performance, Winter 1989, no. 48.
Portrait of an artist in the age of AIDS
by John Bentley Mays. The Globe and Mail, May 6, 1989.
Qaggiq
by Pat Thompson. Cinema Canada, Sept. 1989.
Three Sisters: In Her Trilogy of Performance Works, Tanya Mars...
by Elke Town and David Hlynsky. Canadian Art, Summer 1989, v. 6, no. 2.
Anarchy in the PDA: Independent Filmmaker Philip B. Roth on...
by Cliff Schwartz. New York Native, Dec. 11, 1989, no. 347.
Video and Language: September 7- October 17, 1989
by Barbara London. The Museum of Modern Art Department of Film, 1989.
Film Features Poundmaker's Lodge: Poundmaker's Lodge- A Healing Place
by Dale Stelter. Alberta Native News, Aug. 1989.
No Address premieres in Alberta: Film follows homeless through...
by Elaine O'Farrell. Windspeaker, Mar. 24, 1989.
Uprising: Videotapes on the Palestinian Resistance
by Elia Suleiman and Dan Walwroth. Uprising, 1989.
The Revolver: The Embattled Body: Aids and the Current Crisis of...
by Dot Tuer. Canadian Art, Summer 1989, v. 6, no. 2.
Alanis Obomsawin, Artist and Philanthropist
by Gilles Chaumel. Rencontre, Dec. 1989.
Independent Images
by Elizabeth Schroder et al. Fuse, Aug. 1989.
Class Pictures
by Laura Marks. Afterimage, Sept. 1989, v. 17, no. 2.
Feminist Films Air Minority Concerns
by Randi Spires. The Toronto Star, Dec. 8, 1989.
Technology with a twisted aura
So Toronto Computes!, Dec. 1989, v. 5, no. 12.
Video a Handshake with Chinese Relatives: A family look at...
by Elizabeth Godley. The Vancouver Sun, Mar. 29 Spring, 1989.
La Vidéo Dans le monde: De la vidéo-outil à la vidéo-icône
by Jean Tourangeau. Les yeux fertiles: Bilan cinématographique et vidéographique 1989, 1989. Montréal: Les herbes rouge, 1989.
Documentary Shows Pain of Incest
by Ursula Cafaro. The Varsity, Apr. 12, 1989.
"Witnesses" Show Presents AIDS as a Complex Issue: Witnesses: The...
by Suzanne Muchnic. The Los Angeles Times, Nov. 16 Winter, 1989.
New film shows what women face as mothers speak out about incest
by Doris Anderson. The Toronto Star, Jan. 28, 1989.
Startling Images In Native Art Show
by David Lang. Times-Colonist, June 4, 1989.
Individuals: New Video From Canada
by Peggy Gale. Aspetti e Tendenze della Ricerca Video Canadese, 1989. Ferrara: Ferrara: Centro Video Arte, 1989.
It's Evening in America: Video Drive In
by Carole Ann Klonarides. Encontros Luso-Americanos De Arte Contemporanea / Portuguese-American Meetings on Contemporary Art, 1989. Lisboa: Fundacao Calouste Gulbenkian - Fundacao Luso-Americana Para O Desenvolvimento, 1989.
Obomsawin: Film and song bridge cultures
by Elaine O'Farrell. Windspeaker, Mar. 24, 1989, v. 7, no. 3.
Acting Out
by Manohla Dargis. The Village Voice, Sept. 19, 1989.
Festival of Pluralism
by Edward Ball. Afterimage, Dec. Winter 1989, v. 17, no. 5.
Policing Desire
by Cynthia Chris. Afterimage, Dec. Winter 1989, v. 17, no. 5.
Wit and Absurdity Ooze From the Ordinary: Videographer Jeanne...
by Calvin Ahlgren. San Francisco Chronicle (Datebook), Mar. 26 Spring, 1989.
Experiments in gay filmmaking
by Gregg Bordowitz. The Guardian, Sept. 13, 1989.
MAYWORKS: arts
by Teresa Marshall and Craig Berggold. OUR TIME: INDEPENDENT CANADIAN LABOUR MAGAZINE, May Spring 1989, v. 8, no. 3.
Videodance:Fine Fusions
by Alan M. Kreigsman. The Washington Post, Aug. 14, 1989.
Video attacks police tactics
by Michelle Melady. The Charlatan, Feb. 2, 1989.
Document & Dream
by Dan Walworth.
Bloodstained Works: The Glasnost Film Festival
by Amos Vogel. Afterimage, Nov. 1989, v. 17, no. 4.
Testing the Limits: An Interview
by Lorraine Kenny. Afterimage, Oct. 1989, v. 17, no. 3.
Striptease East and West: Sexual Representation in Documentary Film
by Liz Kotz. Afterimage, Oct. 1989, v. 17, no. 3.
Crises of Language and Difference
by Liz Kotz. Afterimage, Nov. 1989, v. 17, no. 4.
The Student Body
by David Trend. Afterimage, Oct. 1989, v. 17, no. 3.
Notes Toward a Morphology of Labor Video
by Fred Glass. Afterimage, Sept. 1989, v. 17, no. 2.
Toronto '88: In Black and White and Color
by Berenice Reynaud. Afterimage, Jan. 1989, v. 16, no. 6.
Breaking Stereotypes: The Chicago Latino Film Festival
by Christine List. Afterimage, Jan. 1989, v. 16, no. 6.
Acting Up: Independent Video and the AIDS crisis
by Alexis Danzig. Afterimage, May 1989, v. 16, no. 10.
Sexuality and Video Narrative
by Chris Straayer. Afterimage, May 1989, v. 16, no. 10.
Exploring the Limits: Experimental Filmmakers at Work
by Peter Miller. New York Native, Sept. 23, 1989, v. 9, no. 42.
Exploring the Limits: Experimental Filmmakers at Work
by Lynne Sowder and Norman Cohn. Bank: Norman Cohn: A Video Portrait Process, 1989. Minneapolis: First Bank System, Division of Visual Arts, 1989.
Exploring the Limits: Experimental Filmmakers at Work
6a Mostra Video de Creacio de Catalunya, 1989. Catalonia: Departament de Cultura de la Generalitat de Catalunya, 1989.
"In These Times of Diminishing Visual Returns ...:"
by Karen Henry. Video Guide, Mar. 1989, v. 10, no. 1.
Underneath the Arches
by Malcolm Dickson. Video Guide, Spring 1989, v. 10, no. 46.
"Now Playing": David MacLean in conversation with Sue Jenkins
by Sue Jenkins. Video Guide, Fall 1989, v. 10, no. 48.
Video and the Vth International Conference on AIDS: Accessibility...
by Ken Morrison. Video Guide, Fall 1989, v. 10, no. 48.
Towards T.V.:: Video Art in the Late '80s - A Few Thoughts
by Nik Houghton. Video Guide, Mar. 1989, v. 10, no. 1.
Making It With Tape: Documenting Performance with Skip Blumberg
by Elspeth Sage. Video Guide, Mar. 1989, v. 10, no. 46.
Art as a way of life in festival show; [Final Edition]
by Nancy Baele. Ottawa Citizen, Sept. 16, 1989.
Grierson Documentary Seminar '85: Broadening Perspective
by Cameron Bailey. Cinema Canada, Jan. 1988, no. 148.
Francois Girard
by Francois Girard. ArtViews, Spring 1988.
It Works: Labour and Video
by Karen Knights. Fuse, Sept. 1988, v. 12, no. 1 & 2.
Cultural Icons And Technological Change
by Marita Sturken. AfterImage, Oct. 1988, v. 16, no. 3.
Hybrid TV: Feature-length video
by Mark O'Neill. Cinema Canada, Dec. 1988, no. 158.
Touching the film and video edge at Images 88
by Robert Everett-Green. The Globe and Mail, June 24, 1988.
Recasting images of AIDS to counter media distortions
by Cameron Bailey. Now, Oct. 20, 1988, v. 8, no. 7.
Glimpses of the future of video art
by Liam Lacey. The Globe and Mail, Sept. 16, 1988.
Locked Out of the Women's Room: Montreal International Festival of...
by José Arroyo and Jamie Gaetz. Cinema Canada, 1988, no. 155.
Cold Snaps: Images 88, Northern Visions showcase of new film and video
by Andrew J. Patterson. Cinema Canada, Sept. 1988, no. 155.
Culture For Sale: Recent Toronto Works
by Kass Banning. Cinema Canada, Feb. 1988, no. 155.
Film/Video Interface
by Geoffrey Shea. Cinema Canada, Feb. 1988, no. 149.
Where The Buffalo Roam
by John Worden. Afterimage, Dec. 1988, v. 16, no. 5.
Art Beyond the Galleries: Olympic festival takes visual exhibits...
by Stephen Godfrey. The Globe and Mail, Feb. 20, 1988.
Wilderness as Reentrant Form: Thoughts on the Future of Electronic...
by David Dunn. Leonardo, 1988, v. 21, no. 4.
Working
by Sandra Haar. Vanguard, Sept. 1988, v. 17, no. 4.
Local Artists stand out as east meets west in video olympics
by Elizabeth Licata. Gusto, Apr. 29, 1988.
Video & Television
by Michael Nash. High Performance, Winter 1988, no. 44.
Cornell Hails Buffalo's Media Art
by Richard Huntington. The Buffalo News, Oct. 9, 1988.
Landscapes of Address
by Chris Hill. Infermental 7, 1988. Buffalo: Hallwalls, Inc., 1988.
Safe Sexual Imagery
by Helen Lee. Cinema Canada, Sept. 1988, no. 155.
Histories: New Video Art
by Bob Riley. ICA Currents, 1988. Boston: Institute of Contemporary Art, 1988.
Sex, Fleas and Or-Phelia:: Vera Frenkel and Ulrike Rosenbach at...
by Nik Houghton. Independent Media, Nov. 1988.
Bad Acting: Performing and Characterization on Screen
by Sara Diamond and Gary Kibbins. Trade initiatives; 3 programmes of Canadian video, 1988. Vancouver: Satelite Video Exchange Society, 1988.
Bearing Witness: Tidings from South Africa
by Lisa Steele. South Africa Tapes: Living in a State of Emergency, 1988. New England Foundation for the Arts, 1988.
Elemental Instincts: a matter of course
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Mark Dicey
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Wanda Ellerbeck
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Miriam Fabijan
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Joyce Fraser
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Bart Habermiller
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Nelson Henricks
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Colleen Kerr
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Stephen Peterson
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
In the Realm of the Senses
by Gwen McGregor. Fuse, Sept. 1988, v. 12, no. 1 & 2.
Toronto just doesn't get this clever General idea
by Christopher Hume. The Toronto Star, May 27, 1988.
Getting the General Idea
by Linda Genereux. Metropolis, Nov. 17, 1988, v. 1, no. 27.
Despair
by Shonagh Adelman and Bryan Gee. Fuse, Winter 1988, v. 11, no. 4.
Towards a Representation of Human: Only Human: Sex, Gender, and...
by Erika Sunderberg. Video Guide, 1988, v. 9, no. 4.
Bech, Marianne
by Guy Durand. Immedia Concerio - Performances. Installations. Arts Media., 1988. Quebec: Inter/Le Lieu, 1988.
Knowles, Alison
by Guy Durand. Immedia Concerio - Performances Installations Arts Media, 1988. Quebec: Inter/Le Lieu, 1988.
Swidzinski, Jan
by Guy Durand. Immedia Concerio - Performances Installations Arts Media, 1988. Quebec: Inter/Le Lieu, 1988.
On (Experimental) Film: How we sit and just watch it all
by Barbara Sternberg. Cinema Canada, Sept. 1988.
A medium of contemporary memory: Canadian Art Video Festival at...
by Francine Dagenais. Cinema Canada, June 1988.
Bruno's Leg
by Mark Currah. Performance Magazine, 1988.
Sex Advertised and Sex Displayed
by not specified. Ottawa Citizen, Aug. 12, 1988.
David Askevold: Political Modernism and Postmodernity
by Frederick Dolan. Vanguard, Feb. Spring 1988, v. 17, no. 1.
Series takes a look at women by women
by David McCracken. Chicago Tribune, June 3, 1988.
Fantasies of Oppositionality
by Coco Fusco. Afterimage, Dec. 1988, v. 16, no. 5.
Where the doys Are
by Robert Rackza. Afterimage, Oct. 1988, v. 16, no. 3.
Video Cross Dressing
by Lauren Rabinovitz. Afterimage, Mar. 1988, v. 15, no. 8.
Politics and the Everyday: An Interview with Sherry Millner
by Micki McGee. Afterimage, Apr. 1988, v. 15, no. 9.
To Live and Die in LA
by Christine Tamblyn. Afterimage, Jan. 1988, v. 15, no. 6.
The Form my Gaze goes through
by Raymond Bellour. Afterimage, Nov. 1988, v. 16, no. 4.
Image Forum and the Tokyo Underground
by Edward Ball. Afterimage, Feb. 1988, v. 15, no. 7.
Black Filmmaking in Britain's Workshop Sector
by Coco Fusco. Afterimage, Feb. 1988, v. 15, no. 7.
Video News
by Kim Tomczak. Fuse, Nov. 1988, v. 12, no. 3.
In Flagrante: Canadian Video Caught in the Act
by Sara Diamond and Gary Kibbins. 1988 American Film Institute Video Festival, Fall 1988.
Looking for the Wild Things4: Gates and Gatekeepers on the Banks...
by DeeDee Halleck. 1988 American Film Institute Video Festival, Fall 1988.
Art After the Coup: Interventions by Chilean Women
by Sara Diamond. Fuse, Apr. Spring 1988, v. 11, no. 5.
Vintage Dogma
by Jane Farrow. Fuse, Apr. Spring 1988, v. 11, no. 4.
Dreams, Memories, Realities: Recent Black Video and Television...
by Karen Alexander and Ben Gibson. 1988 American Film Institute Video Festival, 1988.
Territories of the Forbidden: Lesbian Culture, Sex & Censorship;...
by Marusia Bociurkiw. Fuse, Apr. 1988, v. 11, no. 49.
Interactive Videodisc: Creative Issues
by Elizabeth Daley. 1988 American Film Institute Video Festival, Oct. 1988.
The Glaring Light: TV Coverage of Civil Rights in the Peabody...
by Barry L. Sherman and Patricia J. Priest. 1988 American Film Institute Video Festival, Oct. 27, 1988.
In Living Color: Representation of Race and Civil Rights
by Claire Aguilar and Reginald Woolery. 1988 American Film Institute Video Festival, Oct. 27, 1988.
Film and Video: Something to Say
by Chuck Kleinhans. Dialogue: An Art Journal, July 1988, v. 11, no. 4.
Film
by Joseph Lanz. New York Native, Apr. 25, 1988, no. 262.
Electronic Impulses: The Videos of Peter Callas
by Ross Harley. Art + Text, Aug. Summer 1988.
Norman Cohn
by Kathleen Fleming. Parachute, Dec. Winter 1988, v. 53.
Alphabyte Cities: The Architecture of Peter Callas
by Ross Harley. Art + Text, Spring 1988, no. 28.
Filmmaker has golden touch
by James Auer. The Milwaukee Journal, May 13, 1988.
Consuming Passions: Feminist Video and the Home Market
by Nadine McGann. Afterimage, Summer 1988, v. 16, no. 1.
Durational Perception: The Art Work of Peter Campus
by Hearne Pardee. Arts Magazine, Dec. Winter 1988, v. 63, no. 4.
Home video winners
by Jefferson Graham. USA Today, May 2, 1988.
So You Want To Be Popular
by Ben Kallen. Los Angeles Weekly, Oct. 24, 1988.
Die Video Offensive
by Peter Erik Hillenbach. Marabo, June 1988, no. 6.
Peter Campus: Projected Images
by John G. Hanhardt. Peter Campus: Projected Images, 1988. New York: Whitney Museum of American Art, 1988.
Chicagoan Wins First Place Award in Video Contest
Chicago Tribune, July 22, 1988, no. 204.
Angry Initiatives/Defiant Strategies
Deep Dish TV, Mar. 1 Spring, 1988.
Documentary Against the Grain
by Edward Ball. Afterimage, Summer 1988, v. 16, no. 1.
American Documentary: Video Subject to Change
by Deirdre Boyle. American Documentary Video Subject to Change, 1988. San Francisco: American Federation Of Arts, 1988.
Text in photography provices a thought-provoking exhibit
by Elizabeth Godley. Vancouver Sun, Mar. 24 Spring, 1988.
Video Exhibition: Total Recall
by Sarah Diamond and Gary Kibbins.
Norman Cohn: Banff Centre, July 19
by Kathleen Fleming. Parachute, Dec. 1988, no. 53.
First-generation Video
by Carole Corbeil. The Globe and Mail, June 14, 1988.
Film From Canadian Penelope Buitenhuis
by Anke Sterneborg. Der Tages Spiegel, Mar. 23, 1988, no. 12918.
Transgressions: Experimental Works at the Fourth Short Film...
by Johannes Tritschler. Out of Depression, Feb. 1988.
Die Kanada-Connection
Tip, July 1988.
Introduction
by Clive Robertson. Forbidden Representations: An exhibit of lesbian art, 1988. Ottawa: Galerie Saw Video, 1988.
In Absentia Video
by Karen Knights. Video Guide, Aug. 1988, v. 9, no. 4.
VIDEO ON AIDS AT AFI
by John Greyson. The Independent, Mar. 1988, v. 11, no. 2.
The Canada Connection: Cinema Eiszeit Presents the Unusual Films...
by A H. TIP Berlin Magazin, Mar. 1988, v. 7, no. 88.
Former painter puts visual effects in focus
by Christopher Hume. The Toronto Star, Mar. 11, 1988.
New series showcases Calgary artists' video
by Nancy Tousley. Calgary Herald, Sept. 30, 1988.
Spectacular Peek at Videoland
by Christopher Humme. The Toronto Star, Jan. 11, 1988.
Video Detour: What does she want?
by Barton Weiss. DETOUR: Monitoring Metro Dallas, Mar. 1988, v. 1, no. 9.
Art Given Social Voice: Six artists probe experiences and images
by Nancy Tousley. Calgary Herald, Jan. 23 Winter, 1988.
Writing on the wall: Image and Text at the Woman's Building, Los...
by Robert Raczka. Artforum, May 1988, v. 15, no. 10.
Indians have culture, whites just get art
by Jon Whyte. Banff Crag & Canyon, Jan. 13, 1988.
Changing the Subject: From Reproduction to Resistance in Media...
by David Trend. Afterimage, Nov. 1988, v. 16, no. 4.
Art in Jeopardy
Montreal: Galerie Articule, 1988.
Video Verities
by Andrew O'Hehir. San Francisco Sentinel, June 17, 1988, v. 16, no. 25.
A Genealogy of Video
by Paul Ryan. Leonardo, 1988, v. 21, no. 1.
A Genealogy of Video
The CAT Fund: The Contemporary Art Television Fund, 1988. Boston: The Contemporary Art Television Fund, The Institute of Contemporary Art, 1988.
Segue Ways: Everything In Its Time And In Its Place
by Jill Pollack. Video Guide, Dec. 1988, v. 9, no. 45.
Women & Video Exploration: Three Halifax Videos
by Robin Metcalfe. Video Guide, Dec. 1988, v. 9, no. 45.
Joyan Saunders Interview
by Robin Metcalfe. Video Guide, Dec. 1988, v. 9, no. 45.
Onzième Festival des filles des vues: Voir grand avec des courts...
by Léonce Gaudreault. Le Soleil, Mar. 29, 1988.
Un portrait inédit des films de femmes
by Léonce Gaudreault. Le Soleil, Apr. 2, 1988.
11e Festival des Filles des vues: Coups de coeur assurés
by Julie Stanton. Le Devoir, Apr. 6, 1988.
Créteil sollicite les "filles des vues"
by Léonce Gaudreault. Le Soleil, Apr. 9, 1988.
La vidéo via l'espace féminin
by Daniel Carrière. Le Devoir, Apr. 21, 1988.
Share the Blame:: I. "The Spirit Sings II. "Revisions"
by Marie Morgan and Peter Gzowksi. Vanguard, Apr 1988, v. 17, no. 2.
Muntadas: A Man Of His Time
by Karen Henry. Video Guide, Dec. 1988, v. 9, no. 5.
Le 11e Festival des Filles des Vues
by unknown. Québec Scope, Apr. 1988.
Something about Day
by Wendy Edwards. nexpress, Winter 1988.
In Search of Global Perception: The aesthetics of communications
by Derrick de Kerckhove. nexpress, Winter 1988.
Video Structures: Back to Basic Memory
by Clive Robertson. Parallelogramme, Summer 1987, v. 12, no. 5.
Video In Drag: Trans-sexing the Feminine
by Dot Tuer. Parallelogramme, Feb. 1987, v. 12, no. 3.
Another World
by Colin Campbell. Fuse, Fall 1987, v. 11, no. 3.
Randy & Berenicci: Tanya Mars
by Linda Genereux. Vanguard, Sept. 1987, v. 16, no. 4.
Videos Blend Art and Politics
by Anonomous. The New York Times, Mar. 1, 1987.
Artform Emerges From Murky-Jerky Videos: Where to screen and be...
by Christopher Hume. The Toronto Star, Dec. 4, 1987.
The Long Walk of Alanis Obomsawin
by Maurie Alioff and Susan Schouten Levine. Cinema Canada, June 1987, no. 142.
Grierson '86
by Magnus Isacsson. Cinema Canada, Jan. 1987, no. 137.
Video Tales
by Geoffrey Shea. Cinema Canada, Sept. 1987, no. 144.
An Artist Finds Poetry in Videotape
by Don Shewey. The New York Times, Nov. 8, 1987.
Colin Campbell Interviewed
by Kathleen Maitland-Carter and Bruce LaBruce. CineAction!, Summer 1987, no. 9.
An official guide to the periphery
by Geoffrey James. Maclean's, Aug. 3, 1987, v. 100, no. 31.
Statement of Intention
by Lisa Steele and Kim Tomczak. Toronto: A Play of History, 1987. Toronto: The Power Plant, 1987.
No Illusions about video
by Darlene Gavron. The Chicago Tribune, Apr. 26, 1987.
Virtual Worlds Digital Images
by Catherine Richards. American Film Institute Video Festival, 1987. New York: American Film Institute, 1987.
Four Redheads: Four New Toronto Videotapes
by Andrew J. Paterson. Fuse, July 23 Fall, 1987, v. 11, no. 3.
New Video: A 698515 Inc. Presentation
by Dot Tuer. Vanguard, Nov. 1987, v. 16, no. 5.
Janet Cardiff: Review of exhibition at Glendon Gallery
by Jerry McGrath. Vanguard, Summer 1987, v. 16, no. 3.
Re:Placing the Lost Memory or Re:Presenting Ourselves: The...
by Leila Sujir. Parallelogramme, Dec. 1987, v. 12, no. 2.
Technology as Territory: Video and Desire in Japan
Technology As Territory, 1987. Fremantle: Praxis, 1987.
International video award winners air on MuchMusic
by Tony Wong. The Sunday Star, June 28, 1987.
A History of Mistakes
by Christine Tamblyn. Artweek, Mar. 28, 1987, v. 18.
Misplaced Affection: A Computer-Controlled Interactive Household...
by Laura Kikauka and Nancy Paterson. Leonardo, 1987, v. 20, no. 3.
Film shows child victims of warfare
by Lois Sweet. The Toronto Star, Oct. 12, 1987.
Homosexual videos: Where We Are Now: Attempting to deal with the...
by Martha Gever. Art in America, July 1987, v. 75, no. 7.
An Interview With Istvan Szabo
by Ioan Davies. CineAction, Winter 1987, no. 11.
From Dada to Junk: Bruce Conner and the found-footage film
by Michael O'Pray. Monthly Film Bulletin, Oct. 1987, v. 54, no. 645.
eyes on Black Britain: an Interview with Isaac Julien
by Richard Fung. Fuse, Winter 1987, v. 11, no. 4.
Whose Life Is It, Anyway?
by Christine Tamblyn. Afterimage, Summer 1987, v. 15, no. 1.
Asian New World Video
by Elspeth Sage. Fuse, Summer 1987, v. 11, no. 1.
Chicago Video: Visual Narratives: New Chicago Video
by John Minkowsky. Afterimage, Summer 1987, v. 15, no. 1.
Tales from the dark side: Dark Rooms
by Robert Morgan. Afterimage, Summer 1987, v. 15, no. 1.
Doing the Documentary-Suggestive and Didactic
by Gary Kibbins. Fuse, Summer 1987, no. 46.
On Signs & Sex: Visual Evidence "A series of video screenings,...
by Kathy McLeod and Nancy Shaw. Fuse, Fall 1987, v. 11, no. 3.
Rubber Snakes and Paper Tigers: The AFI Nation Video Festival
by Chris Straayer. Afterimage, Feb. 1987, v. 14, no. 7.
The Architecture of Representation: Video Works by Judith Barry
by Margaret Morse. Afterimage, Oct. 1987, v. 15, no. 3.
Video and the Art World
by Michael Starenko. Afterimage, Feb. 1987, v. 14, no. 7.
Women in the Director's Chair
by Chris Straayer. Afterimage, May 1987, v. 14, no. 10.
Magic Reclaimed: An Interview with Diana Barrie
by Scott Macdonald. Afterimage, Feb. 1987, v. 14, no. 7.
The Margaret Mead Festival
by Edward Ball. Afterimage, Nov. 1987, v. 15, no. 4.
Reading Between the Lines
by Christine Tamblyn. Afterimage, Mar. 1987, v. 14, no. 8.
The Center Will Not Hold: The Other New York: Regional Reflections
by Laura Hoptman. Afterimage, Oct. 1987, v. 15, no. 3.
Gleaming Reflections of Pseudo-Reality
by Tineke Reijnders. Dutch Art & Architecture, 1987, no. 21.
Video Culture
by Colin Campbell. Cinema Canada, Sept. 1987, no. 144.
Video Theatrics
by Daina Augaitis and Helga Pakasaar. Walter Phillips Gallery Exhibition Brochure, Aug. 4, 1987. Banff: Walter Phillips Gallery, 1987.
Artist Paul Wong takes VAG to court again
by Unknown. The Globe and Mail, Apr. 11, 1987.
Images from Japan's new nature: Galleries
by Bruce Adams. The Sydney Morning Herald, Mar. 13, 1987.
Structure without Substance: Video as Architecture
by Peter Callas. Artlink, 1987, v. 4, no. 3.
New Video Documents: The Struggle for Abortion Rights
by Susan Rosenthal. Socialist Worker, June 1987.
Video Theatrics
by Daina Augaitis and Helga Pakasaar. Video Theatrics, Aug. 4 Summer, 1987.
Peter Campus Selected Works 1973-1987
by David S. Ruben and Judith Tannenbaum.
Power Plant energy just fails to connect
by John Bentley Mays. The Globe and Mail, May 2, 1987.
Critics' Choices-Art
by Andy Grundberg. The New York Times, Nov. 8, 1987.
The Video Blizzard of '86: Bravo Breslin
by Bob Brewin. The Village Voice, Jan. 6, 1987, v. 32, no. 1.
On Show: The Working Artist, a group show at A Space, to May 30
by John Bentley Mays. The Globe and Mail, May 21, 1987.
The Image
by Dorine Mignot. The Arts For Television, 1987. Amsterdam: Stedelijk Museum, 1987.
Flight Lodge: By Karen Hoeberg
by Alison Gillmor. Border Crossings, Mar. 1987.
Bill Viola's Re-Visions of Mortality
by Michael Nash. High Performance, 1987, v. 10, no. 3.
Brandstifter und Feuerwehrmann
by Torsten Alisch. Die Tageszeitung, June 4, 1987.
Gay and Lesbian Film Festival '87: An Advance Look
by Mark Michael Leonhart. Windy City Times, Sept. 17, 1987.
Seeing Is Believing: The Arts on TV
by Kathy Rae Huffman. The Arts for Television, 1987. Amsterdam: Stedelijk Museum, 1987.
Comic Horror: The Presence of Television in Video Art
by Bob Riley. The Arts for Television, 1987. Amsterdam: Stedelijk Museum, 1987.
Performing Miracles
by Linda Genereux. Canadian Art, June Summer 1987, v. 4, no. 2.
Visual Evidence: Monitoring Sex: Part 1 & 2 Going All the Way
by Elspeth Sage. Composition, Fall 1987, v. 2, no. 2.
Nancy Nicol's The Struggle for Choice
by Leila Marshy. Cinema Canada, Apr. 1987, no. 140.
Artropolis Video
by Elizabeth Vander Zaag. Artropolis, 1987.
Screening the choice fight
by Penny Kome. NOW, May 21, 1987, v. 6, no. 37.
An Interview wth Lizzie Borden: We interviewed Lizzie Borden last...
by Maureen Judge and Lori Spring. CineAction, Mar. Spring 1987, no. 8.
Video series chronicles abortion issue in Canada
by Lois Sweet. The Toronto Star, May 22, 1987.
Video Wonderlands Created For Museums and Galleries
by William Zimmer. New York Times, Mar. 6, 1987.
Private Money and Personal Influence: Howard Klein and the...
by Marita Sturken. Afterimage, Jan. 1987, v. 14, no. 6.
After 'Desert Hearts': The Los Angeles International Gay & Lesbian...
by Bill Horrigan. Afterimage, May 1987, v. 14, no. 10.
'Alcohol Lake': THe Honour of All: The Alkali Story
by David Trend. Afterimage, May 1987, v. 14, no. 10.
Video at Documenta
by Coco Fusco. Afterimage, Sept. 1987, v. 15, no. 2.
A Whitney sampler: 1987 Biennial Exhibition at the Whitney Museum...
by Robert C. Morgan. Afterimage, Sept. 1987, v. 15, no. 2.
Artropolis
by Maja Grip and Annette Hurtig. Vancouver: Artropolis, 1987.
Art and Community
by Jane Northey. Toronto, Ontario: A Space, 1987.
The Arts for Television
by Kathy Rae Huffman and Dorine Mignot. Los Angeles: The Museum of Contemporary Art, 1987.
The Arts for Television
Los Angeles and Amsterdam: The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam, 1987.
Asian New World: Video Art and Documentary
by Karen Henry and Paul Wong. Video Guide, 1987, v. 8, no. 5.
In His Own Image
by Karen Knights. Video Guide, 1987, v. 8, no. 5.
Video as a Social Tool
by Annie Goodwynne. Video Guide, Oct. 1987, v. 9, no. 1.
Audience Culture and the Video Screen
Rough Edits: Popular Image Video: Works 1977-1980, 1987. Halifax, Nova Scotia: The Press of the Nova Scotia College of Art + Design, 1987.
Video News
by Kim Tomczak. Fuse, Summer 1987, no. 46.
Shirley Wiitasalo
by Philip Monk.
The Grierson Seminar
by Unknown. Cinema Canada, Feb. 1986, no. 127.
"Habits" by YYZ, Toronto: Invitation To A Screening
by Phil Van Steenburgh. Cinema Canada, July 1986, no. 132.
Hot Art In A Cool Medium
by Brian D. Johnson and Mark Budgen. Maclean's, Mar. 3, 1986.
La Video S'en Va...
by Renee Baert et al. Parachute, Spring 1986, no. 42.
V Tape: Canadian Video Central
by Joyce Mason. The Independent, Aug. 1986.
The 1986 New Work Show
by Geoffery Shea. Cinema Canada, Nov. 1986.
John Greyson: Colliding Atoms Of A Gay Culture
by Clive Robertson. High Performance, Dec. 1986, no. 36.
Vera Frenkel: Interviewed by Cornelia Wyngaarden
by Cornelia Wyngaarden. Video Guide, 1986, v. 8, no. 3.
Making privateness public in stunning art
by Christopher Hume. The Toronto Star, Apr. 4, 1986.
Snapshots from Halifax: an uneven portrait
by Robert Everett-Green. The Globe and Mail, June 27, 1986.
Video Artists Find New Channels
by John Bentley Mays. The Globe and Mail, Sept. 22, 1986.
Hope Arrives For Documentaries
by Salem Alaton. The Globe and Mail, Nov. 10, 1986.
Les vidéos de Bill Viola: une poétique de l'espace-temps: The...
by Anne-Marie Duguet. Parachute, Winter 1986, no. 45.
More delightful subversion from Greyson
by Gary Kinsmen. Rites, Apr. 1986, v. 2, no. 10.
Aboo
by Rodney Werden. Impulse, Spring 1986.
Take Two Rivers
by John Greyson. Impulse, Spring 1986, v. 12, no. no 3. Toronto, Canada: Eldon Garnet, 1986.
14e Festival International Du Nouveau Cinéma et de la Vidéo
by Michael Larouch. Parachute, Spring 1986, no. 42.
Visual Democracy: An interview with Lisa Steele and Kim Tomczak
by Sara Diamond. Video Guide, Dec. 1986, v. 8, no. 4.
Explicit But Equal : Toward A New Pornography
by Karen Knights. Video Guide, Dec. 1986, v. 8, no. 4.
Sex on the Video Screen
by Jamirte Trott. Video Guide, Dec. 1986, v. 8, no. 4.
Exploring the Space Between Heaven and Hell: The work of Rodney Werden
by Karen Knights. Video Guide, Dec. 1986, v. 8, no. 4.
True Enough
by Paul Wong. Video Guide, Dec. 1986, v. 8, no. 4.
Lydia Schouten: The Persistence of Myth
by Karen Henry. Video Guide, Dec. 1986, v. 8, no. 4.
Topsy vs Autopsy
by Reece Metcalfe and Byron Black. Video Guide, Dec. 1986, v. 8, no. 4.
The art and life of a "Vidiot"
by Sys Richards. The Hazelton Sentinel, July 3, 1986, v. 1, no. 6.
Videotape by Colin Campbell
by Kerri Kwinter. Videoseries 86/87, 1986. New York: 49th Parallel Centre for Contemporary Art, 1986.
No Voice Over
by Colin Campbell. Video by Artists 2, 1986. Toronto: Art Metropole, 1986.
Habits:Five Video Premieres
by Varda Burstyn. Canadian Art, Fall 1986, v. 3, no. 3.
"The heat is on!":conference notes on women's sexuality in art
by Varda Burstyn. Canadian Art, Spring 1986, v. 3, no. 3.
Vera Frenkel: Lost Art: A Cargo Cult Romance
by Vera Frenkel. Luminous Sites, 1986.
Lost Art: A Cargo Cult Romance
by Vera Frenkel. Video Guide, 1986, v. 8, no. 37/2.
Fung and Greyson's queer habits at YYZ
by Unknown. Free Trade, Apr. 1986.
Clichette sponsors performance art series
by Carole Corbeil. The Globe and Mail, Feb. 17, 1986.
But in Moscow, it seems, a gay simply doesn't exist
by Derrick Toth. The Vancouver Sun, Feb. 18, 1986.
Sara Diamond: Issues of Identity
by Jill Medvedow. 911 Contemporary Arts Newsletter, Jan. 1986.
Domestic Disharmony: Mako Idemitsu's Psychodramas
by Mickie McGee. The Independent, Apr. 1986.
The Land of the Rising Sony
by J Hoberman. Village Voice, Jan. 21 Winter, 1986, v. 171.
Video artists air slick new works
by Christopher Hume. The Toronto Star, Sept. 21, 1986.
Video As A Social Tool: Video As A Social Tool/Video Is A Social Tool
by Karen Henry. Satellite Video Exchange Society, Dec. 1986, v. 15, no. 5.
Sex and Violence Through Television
by Tom Sherman. Impulse, Spring 1986.
Francois Girard
Video and the Arts, Winter 1986, no. 11.
Love Means Never Having to Tell a Story
by Gary Kibbins. Fuse, Feb. 1986.
Direct Medium artisic heaven
by Salem Alaton. The Globe and Mail, June 2, 1986.
'Uncanny' Feminism: The Exquisite Corpses of Cecelia Condit
by Patricia Mellencamp. Afterimage, Sept. 1986, v. 14, no. 2.
Half the Sky and then Some: Talking Sex
by Jackie Larkin. Canadian Dimension, Apr. 1986, v. 20, no. 2.
Artists in search of a canvas for a new kind of art: The Video Game
by Salem Alaton. The Globe and Mail, Nov. 17, 1986.
Life like it: some Halifax video
by Earl Miller. Canadian Art, Winter 1986, v. 3, no. 4.
How Television Covered The McDuffie Riot in May 1980
by Mohamed Hamaludin. The Miami Times, May 15, 1986, v. 63, no. 36.
Steve McCaffery: "V Beyond Ideo" Video by Steve McCaffery "A Book...
by Marina LaPaima. High Performance, 1986, no. 33.
Signaux Poetiques/Poetic Signals
by Daina Augaitis and Manon Blanchette. Signaux Poetiques/Poetic Signals, July 21 Summer, 1986.
A luminous site
by Art Perry. The Province, Mar. 24, 1986.
Censored
by Ken Anderlini. The Ubyssey, Feb. 13, 1986.
Shorts, real life and courts
by John Harkness. NOW, Nov. 6, 1986, v. 6, no. 10.
New Tapes
by Brendan Cotter and Kim Tomczak. Video News, 1986.
Video: The Aesthetics of Narcissism
by Rosalind Krauss. Video Culture, 1986. Rochester: Visual Studies Workshop Press, 1986.
Danceworks' Innovation refreshing
by Deirdre Kelly. The Globe and Mail, May 3 Spring, 1986.
Performance Art Re-Visited: Rhonda Abrams: The Sugar Bushman
by Clive Robertson. Fuse, May 1986, v. 9, no. 6.
It's showtime at the Ice House: Inaugural performance boasts...
by Ray Conlogue. The Globe and Mail, Apr. 4, 1986.
Passports of Love
by Andrew J Paterson. Impulse, Spring 1986, v. 12, no. 3.
Artists paint bleak picture but cheer guaranteed income
by Stephen Godfrey. The Globe and Mail, June 6, 1986.
Féminin Pluriel: Une nouvelle étape pour le Centre des femmes
by Renée Rowan. Le Devoir, Mar. 10, 1986.
Strike While the Camera's Hot
by Donna Gollan. Broadside, Winter 1986, v. 7, no. 4.
Behind the Eye Lies the Hand of William Henry Fox Talbot
by Dave Thomas and Diana Nemiroff. Dave Thomas: Behind the Eye lies the Hand of William Henry Fox Talbot, Oct. 2 Fall, 1986. New York: 49th Parallel: Centre for Contemporary Canadian Art, 1986.
Bateson: Through the Looking Glass
by Steven Kolpan. SAW Gallery International Festival of Video Art, 1986. Pembroke: SAW Gallery, 1986.
"Framing and Editing": Marie Andre
by Albert Wulfers. SAW Gallery International Festival of Video Art, 1986. Pembroke, On: SAW Gallery, 1986.
New Video Realities
by Glen Lewis. Cologne Art Fair Exhibition Catalogue 1986, 1986. Cologne: Cologne Art Fair, 1986.
Best of the Fest:: Saskatchewan Film & Video Showcase
by Dale Winnotowy. Cinema Canada, Oct. 1986, no. 134.
Last man a mind-boggler
by Graham Hicks. The Edmonton Sunday Sun, Oct. 12, 1986.
The Video Game:: New Media Forge Japanese Links
by Salem Alaton. The Globe and Mail, June 30, 1986.
Letters
by Renee Baert et al. Parallelogramme, 1986, v. 11, no. 3.
Made in Japan: New Video: Japan at the Museum of Modern Art, New...
by Ann-Sargent Wooster. Afterimage, Summer 1986, v. 14, no. 1.
Some people just don't get it: Music Video: The Industry and its...
by Ann-Sargent Wooster. Afterimage, Mar. 1986, v. 13, no. 8.
Modern times: Appropriation of Culture: The IBM Tramp by Stephen...
by David Trend. Afterimage, Apr. 1986, v. 13, no. 9.
What Goes Up Must Come Down
by Patricia Thomson. Afterimage, Apr. 1986, v. 13, no. 9.
Television Fictions: An Interview with Ed Bowes
by Marita Sturken. Afterimage, May 1986, v. 13, no. 10.
TV Stories: The Adventures of Ilene Segalove
by Robin Reidy. Afterimage, Oct. 1986, v. 14, no. 3.
Lynn Hershman's Narrative Anti-narratives
by Christine Tamblyn. Afterimage, Summer 1986, v. 14, no. 1.
Theresa Cha: Recalling Telling ReTelling
by Susan Wolf. Afterimage, Summer 1986, v. 14, no. 1.
Manhattan shortcuts: Media Hostages: A Video Triptych, at Exit...
by Robert C. Morgan. Afterimage, Summer 1986, v. 14, no. 1.
Festival of Festivals
by Berenice Reynaud. Afterimage, Dec. 1986, v. 14, no. 5.
Thinking Out Loud: Scenario du Film "Passion" and Soft and Hard
by Edward Ball. Afterimage, Oct. 1986, v. 14, no. 3.
As A Wife Has A Cow
by Sara Diamond and Cornelia Wyngaarden. Video Guide, 1986, v. 8, no. 37/2.
Clay Cove, Newfoundland; Park Place, Vancouver
by Sara Diamond and Kate Craig. Video Guide, 1986, v. 8, no. 37/2.
Body Fluid (1986)
by Keith Wallace and Paul Wong. Video Guide, 1986, v. 8, no. 37/2.
Spawning Sockeyes
by Jackie Goodwin and Tomiyo Sasaki. Video Guide, 1986, v. 8, no. 37/2.
National Gallery Cuts Video Program: Artists Protest
by Renee Baert et al. Video Guide, 1986, v. 8, no. 1.
Everyday Events
by Karen Knights. Video Guide, 1986, v. 8, no. 1.
Video As Personal Expression
by Jamirte Trott. Video Guide, 1986, v. 8, no. 1.
Development with Video: CENDIT
by Anuradha. Video Guide, 1986, v. 8, no. 1.
Rune
by Karen Knights and Randy & Berenicci. Video Guide, 1986, v. 8, no. 2.
Cénotaphe
by Jill Pollack and Barbara Steinman. Video Guide, 1986, v. 8, no. 2.
Prototype, 1986
by Todd Davis and Max Dean. Video Guide, 1986, v. 8, no. 2.
Big Screen/Small Screen
by Jamirte Trott. Video Guide, 1986, v. 8, no. 2.
Kim Tomczak: Interview
by Jeannette Reinhardt. Video Guide, 1986, v. 3, no. 2.
IN THE DARK:TALKING SEX
by Jackie Larkin. Video Guide, Dec. 1986, v. 8, no. 4.
TWO MEN EMBRACING: GAY VIDEO IMAGES
by John Greyson. Video Guide, Dec. 1986, v. 8, no. 4.
We Interrupt You For This Message: A review of "A Retrospective of...
by Mary Ellen Lower. Video Guide, Sept. 1986, v. 8, no. 38.
Lost Art: A Cargo Cult Romance: Installation by Vera Frenkel
by Jill Pollack. Video Guide, Sept. 1986, v. 8, no. 38.
Winnipeg Perspective 1985 Video
by Shirley Madill. The Winnipeg Perspective, 1985. Winnipeg: The Winnipeg Art Gallery, 1985.
Video 84
by Bruce Ferguson. Vanguard, Feb. 1985, v. 14, no. 1.
The Topology of Poetic Simulation: Anne Ramsden
by Manon Blanchette. Vanguard, Mar. 1985, v. 14, no. 2.
Les Vidéos de Thierry Kuntzel: entre, dessus/dessous, á peine,...
by Anne-Marie Duguet. Parachute, Spring 1985, no. 38.
Lisa Steele
by Dot Tuer. Parachute, Spring 1985, no. 38.
New Media Age In Japan
by Fujiko Nakaya. Video Guide, May 1985, v. 7, no. 3.
A Personal Video Documentary by Marlin Oliveros & Byron Black
by Karen Knights. Video Guide, May 1985, v. 7, no. 3.
Brit Bright Bill: Private Members Public Tools
by Shirley Cameron and Roland Miller. Fuse, Spring 1985, v. 8, no. 6.
Collision In The Capital: Politics and Art Hit head-On in Video...
by Geoff Pevere. Fuse, Summer 1985, v. 9, no. 1 & 2.
Working The Double Shift
by Marvisia Bociurkiw. Video Guide, Winter 1985, v. 7, no. 1.
Night Exercise
by Limar Tasha. Video Guide, 1985, v. 7, no. 1.
VIDEO 84: Oppositional Aesthetics
by Karen Henry. Video Guide, Winter 1985, v. 7, no. 1.
Martha Rosler / A Simple Case For Torture
by Karen Henry. Video Guide, 1985, v. 6, no. 3.
Video Sampling Just a Taste of Artist's Homespun Talent
by John Bentley Mays. The Globe and Mail, Feb. 26, 1985.
Narratives
by Peggy Gale. Parachute, Winter 1985, no. 41.
The Art of Denial / The Practice of Pain
by Vera Frenkel. Issues of Censorship, 1985. Toronto: A Space, 1985.
Introduction
by Colin Campbell. Videotapes from Brazil and Chili, 1985. Ottawa: The National Gallery of Canada, 1985.
Diamond's Heroics art and documentary
by Elissa Barnard. The Chronicle Herald The Mail Star, Nov. 9, 1985.
Interview: Sara Diamond
by Lisa Hebert. Video Guide, 1985, v. 7, no. 5.
Going Public
by Dot Tuer. Vanguard, Feb. 1985, v. 14, no. 1.
Videotape: by Lisa Steele and Kim Tomczak
by Renee Baert. Videoseries 85/86, 1985. New York: 49th Parallel Centre for Contemporary Art, 1985.
Artful political plunge
by Susan G. Cole. Now, Sept. 19, 1985, v. 5, no. 3.
Remaking desire
by Gary Kinsman. Rites, Mar. 1985.
Introduction
by Lisa Steele and Bruce Grenville. Vera Frenkel The video tapes, 1985. Ottawa: National Gallery of Canada, 1985.
Possibly in Michigan
by Unknown. Spiral, Jan. 1985, no. 2.
untitled
by Helen DeMichiel. The Independent, Apr. 1985.
Video alive and well despite censors
by John Bentley Mays. The Globe and Mail, Oct. 12, 1985.
Not Dead Yet: A Performance Documentary
by Elspeth Sage. victory video arts, 1985.
The Screens of San Francisco
by David Weissman. The Independent, Mar. 1985, v. 8, no. 2.
Speculations: Narrative Video by Women
by Helen deMichiel. The Independent, Apr. 1985, v. 8, no. 3.
Are Misslie Movies On Target?
by David Riker. The Independent, July 1985, v. 8, no. 6.
Hostile Realities
by P.D Burwell. High Performance, 1985, v. 8, no. 30.
Style Wars: What's News in the '80s
by Mary Beth Crain. L.A. Weekly, Sept. 19, 1985.
Present Tense: In Conversation with Edward Mowbray
by Karen Knights and Edward Mowbray. Video Guide, Mar. Spring 1985, v. 7, no. 2.
Breaking Through: Conscience and the Status Quo
by Renee Baert. Breaking Through: Conscience and the Status Quo, 1985. Toronto: A Space/ Vtape/ The Toronto Arts Council, 1985.
An Interview with Barbara Buckner
by Martina Sturken. Afterimage, May Spring 1985, v. 12, no. 10.
Manhattan Shortcuts: Video and Ritual
by Ann-Sargent Wooster. Afterimage, Feb. Spring 1985, v. 12, no. 7.
To Have and Have Not: The AFI National Video Festival
by Fenton Johnson. Afterimage, Nov. 1985, v. 13, no. 4.
I say I am: Feminist Performance Video in the 70's
by Chris Straayer. Afterimage, Nov. 1985, v. 13, no. 4.
Waterlogged
by Lorraine Kenny. Afterimage, Summer 1985, v. 13, no. 1.
Manhattan Shortcuts
by Ann-Sargent Wooster. Afterimage, Summer 1985, v. 13, no. 1.
Techno-Pop
by Christine Tamblyn. Afterimage, Summer 1985, v. 13, no. 1.
The New Old Documentary
by Neil Sieling. Afterimage, Mar. 1985, v. 12, no. 8.
Hotel California: The 1985 San Francisco International Video Festival
by Christine Tamblyn. Afterimage, Dec. 1985, v. 13, no. 5.
Postmodern TV Wegman and Smith
by Patricia Mellencamp. Afterimage, Dec. 1985, v. 13, no. 5.
The Circle Game
by Marita Sturken. Afterimage, Dec. 1985, v. 13, no. 5.
1985 Los Angeles International Film Exposition
by Peter Broderick. Afterimage, Summer 1985, v. 13, no. 1.
The Films of Moholy-Nagy
by Jan-Christopher Horak. Afterimage, Summer 1985, v. 13, no. 1.
Video content much better than viewing environment
by Nancy Baele. The Ottawa Citizen, Jan. 11, 1985.
Inside Out: Peter Campus
by Ingrid Sischy. Artforum, Mar. 1985.
Media exploitation
by Celia Brayfield. Sunday Times Review, Nov. 24, 1985.
Town Without Pity
by Leila Sujir. Last Issue, Summer 1985.
The art of anti-censorship
by John Bentley Mays. The Globe and Mail, June 7, 1985.
Video and Electoral Appeal
by Patricia Thompson. Afterimage, Feb. 1985, v. 12, no. 7.
Canada - Video: A Medium in Search of its Task
by René Coëlho. Canadian Video Art, 1985. S.N., 1985.
Through Television and Back
by Manon Blanchette. Canadian Video Art, 1985. S.N, 1985.
Video Vancouver
by Karen Henry. Canadian Video Art, 1985. S.N., 1985.
Consolidation and Resistance:: Video in Toronto, An Overview
by Elke Town. Canadian Video Art, 1985. S.N, 1985.
Pyche and Senses
by Gary Reynolds. New Works, 1985.
Drawing From Memory
by David Deitcher. The Art of Memory/The Loss of History, 1985. New York City: The New Museum of Contemporary Art, 1985.
Storyteller of Struggles: An Interview With Haile Gerima
by Rob Edelman. The Independent, Oct. 1985.
ART IS COMMUNICATIONS: On Curating This Videotex Exhibition
by Geoffrey Shea. Art is Communications, Nov. 15, 1985. Toronto: ASpace, 1985.
CONTEMPORARY ART AND TECHNOLOGY: The New Ecological Era
by Nancy Paterson. Art is Communications, Nov. 25, 1985. Toronto: Aspace, 1985.
Voice Over: Contemporary Art Gallery Convertible Showroom
by Ellen Ramsey. Vanguard, Dec. Winter 1985, v. 14, no. 10.
S.F. Festival Videos That Pack a Punch
by Berhard Weiner. San Francisco Chronicle, Sept. 27, 1985.
Feminist Video: Reiterating the difference
by Marita Sturken. Afterimage, Apr. 1985, v. 12, no. 9.
An Interview with Julia Lesage
by Lorraine Kenny. Afterimage, Oct. 1985, v. 13, no. 3.
Subject to Change: Guerrilla Television Revisited
by Deirdre Boyle. Art Journal, Fall 1985, v. 45, no. 3.
Art in Situ
by Justin Wonnacott. Ottawa: Festival of the Arts, 1985.
Art is Communications
by Paul Petro. Toronto: United Media Arts Studies, 1985.
Subject to Change: Guerrilla Television Revisited
The Art of Memory: The Loss of History, 1985. New York: The New Museum of Contemporary Art, 1985.
The Passion for Perceiving: Expanded Forms of Film and Video Art
by John Hanhardt. Art Journal, Fall 1985, v. 45, no. 3.
Ulises Carrion at Video Inn: Lilia Prado: Superstar Twin Butlers
by Karen Knights. Video Guide, 1985, v. 7, no. 4.
Double Lunar Dogs: A Videotape by Joan Jonas
by Jamirte Trott. Video Guide, 1985, v. 7, no. 4.
URA-ARU: The Acoustic Palindrome
by Gary Hill. Video Guide, 1985, v. 7, no. 4.
Impossible love: Video tape by Candice Reckinger
by Jamirte Trott. Video Guide, Mar. 1985, v. 7, no. 2.
Not Dead Yet: Celebration or Obituary?
by Karen Knights. Video Guide, Mar. 1985, v. 7, no. 2.
Gábor Bódy: "Caution my beautiful unknown..."
Video Guide, 1985, v. 7, no. 31.
Swedish Television's "Night Exercise"
by Iimar Taska. Video Guide, Jan. Winter 1985, v. 7, no. 31.
Either/Or in Chinatown: Part ll of the Anthology of Seduction
Video Guide, Jan. Winter 1985, v. 7, no. 31.
Wider Angle, Sharper Focus for Tape Show
by Steven Winn. San Francisco Chronicle, Sept. 22, 1985.
Video Works: Western Front Video
by Karen Knights. Video Guide, 1985, v. 8, no. 1.
Editor's Statement: Video: The Reflexive Medium
by Sara Hornbacher. Art Journal, Fall 1985, v. 45, no. 3.
Visual Intelligence: The First Decade of Computer Art
by Frank Dietrich. Computer Graphics and Applications, July 1985, v. 5, no. 6.
The New Sleep: Stasis and the Image-Bound Environment
by Tricia Collins and Richard Milazzo. Art Journal, Fall 1985, v. 45, no. 3.
Electra Myths: Video, Modernism, Postmodernism
by Katherine Dieckmann. Art Journal, Fall 1985, v. 45, no. 3.
Tracking Video Art: "Image Processing" as a Genre
by Lucinda Furlong. Art Journal, Sept. 1985, v. 45, no. 3.
Breaking the Box: The Electronic Operas of Robert Ashley and Woody...
by Charles Hagen. Artforum, Mar. 1985, v. 23, no. 7.
Snafus Snip Video Perspective
by Randal McIlroy. Winnipeg Free Press, Mar. 2, 1985.
Revising Romance: New Feminist Video
by Marita Sturken. Art Journal, Fall 1985, v. 45, no. 3.
Un pont entre le vidéo d'art et le vidéoclip
by Alain Brunet. La Presse, July 28, 1985, no. 275.
Film Video Plains
by Verne Hume et al. Calgary: EM/MEDIA, 1985.
Vera Frenkel: The Videotapes
by Robert McFadden et al. Ottawa: National Gallery Of Canada, 1985.
Love Stories
by Kathleen Hulser. American Film, Nov 1, 1985, v. 11, no. 2. New York: MediaBistro Inc., 1985.
Homo Video
by John Greyson. Jump Cut, Mar 1985, no. 30.
Issues of Censorship
by Jim Miller et al. Issues of Censorship, 1985.
Public Address. 7 Billboards by Artists
by Doug Sigurdson and Bryan Gee.
The 1983 Grierson Seminar: Sparks of Illumination
by Christopher Majka. Cinema Canada, 1984, no. 103.
The New Narrative: Video In The 80's
by Marie Morgan. Banff Letters, Winter 1984.
Video Art In Hong Kong
by Michael Goldberg. Video guide, Mar. 1984, v. 6, no. 2.
Manzana Por Manzana
by Jeannine Mitchell. Video Guide, Mar. 1984, v. 6, no. 2.
Electronic Totem
by Julie Healey. Video Guide, Mar. 1984, v. 6, no. 2.
Norman Cohn
by René Blouin. Parachute, Mar. 1984.
Appearances,N.S.
by Ron Shuebrook. Vanguard, Apr. 1984, v. 13, no. 3.
Michéle Waquant
by Serge Murphy. Vanguard, May 1984, v. 13, no. 4.
Television Interference
by Karen Henry. Vanguard, May 1984, v. 13, no. 4.
Television Interference
by Merike Talve. Video Guide, May 1984, v. 6, no. 3.
Street Culture
by Merike Talve. Video Guide, Aug. 1984, v. 6, no. 4.
Vera Frenkel
by Bruce Grenville. Parachute, Fall 1984, no. 36.
British/Canadian Video Exchange '84
by Renee Baert. Parachute, Fall 1984, v. 36.
Mythologies and Militarism: "Just Some Women Trying to Change History"
by Lisa Steele. Fuse, Fall 1984, v. 8, no. 3.
Vidéo 84
by Christine Ross. Parachute, Winter 1984, no. 37.
The Balance of Convenience
by Barbara Daniel. Parallelogramme, 1984, v. 9, no. 5.
Introduction
by Jane Wright. British/Canadian Video Exchange '84, 1984. Toronto: A Space, 1984.
Video in Canada: Process and Production
by Renée Baert. Video '84, - Recontres Vidéo Internationales de Montreal, 1984, v. sept.
Tapes by a Tribe of Storytellers: New Work Show evidence that...
by John Bentley Mays. The Globe and Mail, Sept. 1, 1984.
Performance in Moment'Homme
by Colin Campbell. Moment'Homme, 1984. Montreal: Tangente Danse Actuelle, 1984.
La Vidéo canadienne et les procédés de l'ironie
by Jean Gagnon. 24 Images, Fall 1984, no. 22.
Frenkel's video fantasy a stunning achievement
by John Bentley Mays. The Globe and Mail, June 4, 1984.
Vera Frenkel
by Jennifer Oille. Vanguard, Oct. 1984, v. 13, no. 8.
Going Public - three evenings of videotapes by women
by Unknown. Going Public - three evenings of videotapes by women, 1984.
The Case of the Missing "Flying Toilet": An All-Out Search for a...
by Dianne MacDougall. Centre Letters, Aug. 31, 1984, v. 5, no. 18.
Vera Frenkel
by Michael Tooby. The Last Screening Room: A Valentine, 1984. Glasgow: Third Eye Centre, 1984.
Portrait of a revolution: Something about Nicaragua warms artists'...
by John Bentley Mays. The Globe and Mail, Feb. 22, 1984.
New Video: 'Defending reconstruction in Nicaragua'
by Jon Hillson. The Militant, Apr. 27, 1984, v. 48, no. 15.
Learning To See
by Peggy Gale. Norman Cohn : Portraits, 1984. Toronto: Art Gallery of Ontario, 1984.
Norman Cohn=Conscious Attention
by Peggy Gale. 2nd International Video Demonstration, In Montbelliard, France, 1984.
Norman Cohn: Portraits
by Peggy Gale. Art Gallery of Ontario, Dec. 1984.
The Use of the Self to Structure Narrative
by Peggy Gale. Musee d'Art Contemporain, 1984.
A neglected art gets the attention it truly deserves
by John Bentley Mays. The Globe and Mail, Aug. 23, 1984.
Naughty Video Art Fascinating
by Christopher Hume. The Toronto Star, Apr. 23, 1984.
Video too explicit , VAG cancels show
by John Bentley Mays. The Globe and Mail, Feb. 23, 1984.
Notes on Nicaraguan Media: Video LIBRE O MORIR
by Deedee Halleck. The Independent, Nov. 1984, v. 7, no. 10.
Dutch Treat: Amsterdam's Luminous Image
by Shelley Rice. The Independent, Dec. 1984, v. 7, no. 11.
Interview: Barb Daniel Interviews Alan Wood for Issue
by Barb Daniel. Issue, Mar. 1984, no. 5.
Interview: Barb Daniel Interviews Paul Wong for Issue
by Barb Daniel. Issue, Mar. 1984, no. 5.
The Young and Restless Talk Sex
by John Bentley Mays. The Globe and Mail, Apr. 21, 1984.
International Video: Seeing the Big Picture
by Joyce Woods. Georgia Straight, May 18, 1984.
Production and the Axis of Sexuality
by Barbara Fischer and Anna Gronau. Production and the Axis of Sexuality, July 31, 1984. Banff: The Banff Centre, 1984.
Video Installation 1983: November 5-December 2
by Shelley Rice. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Analogs: Barbara Buckner
by Barbara Buckner. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Knowing with Televsion: Tony Conrad
by Tony Conrad. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Machinery for the Re-education of a Delinquent Dictator: Doug Hall
by Doug Hall. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Progress (Memory): Margia Kramer
by Margia Kramer. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Belief Sandwich Relief Gauntlet: Bill Stephens
by Bill Stephens. Afterimage, Summer 1984, v. 12, no. 1 & 2.
From the Center: Eugenia Balcells
by Eugenia Balcells. Afterimage, Summer 1984, v. 12, no. 1 & 2.
In the Shadow of the City: Judith Barry
by Judith Barry. Afterimage, Summer 1984, v. 12, no. 1 & 2.
A Jury of One's Peers: Terry Berkowitz
by Terry Berkowitz. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Shifts: Richard Bloes
by Richard Bloes. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Double You (and X, Y, Z.): Peter D'Agostino
by Peter D'Agostino. Afterimage, Summer 1984, v. 12, no. 1 & 2.
It's Time to Turn the Record Over: Gary Hill
by Gary Hill. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Black Holes/Heavenly Bodies: Nora Ligorano and Marshall Reese
by Nora Ligorano and Marshall Reese. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Raster Masters: Review of Video Art: A History
by Lucinda Furlong. Afterimage, Mar. 1984, v. 11, no. 8.
Designer video: The AFI National video festival
by Christine Tamblyn. Afterimage, Dec. 1984, v. 12, no. 5.
Story of the eye
by Blaine Allan. Afterimage, Oct. 1984, v. 12, no. 3.
Manhattan Shortcuts: Recent Acquisitions at the MOMA, New York
by Ann-Sargent Wooster. Afterimage, Nov. Winter 1984, v. 12, no. 4.
Atomic Reactions
by Patricia Thomson. Afterimage, Apr. 1984, v. 11, no. 9.
An Interview With George Stoney
by Marita Sturken. Afterimage, Jan. 1984, v. 11, no. 6.
Under The Influence: AFI's National Video Festival
by Lauren Glenn Davitian. Afterimage, Jan. 1984, v. 11, no. 6.
Cuts and Sketches
by Valerie Ellis. Afterimage, Jan. 1984, v. 11, no. 6.
Gehr's sensuous audacity proves refreshing: Swiss Transplant makes...
by John Bentley Mays. The Globe and Mail, Feb. 2, 1984.
The Luminous Image: Video Installations at the Stedelijk Museum
by Shelley Rice. Afterimage, Dec. 1984, v. 12, no. 5.
A Tower of Babel: 'Video 84' in Montreal
by Patricia Thomson. Afterimage, Dec. Winter 1984, v. 12, no. 5.
More is Better: British and U.S. Features at Filmex
by Peter Broderick. Afterimage, Nov. 1984, v. 12, no. 4.
An Interview with Vito Acconci: Video Works 1970-78
by Florence Gilbard. Afterimage, Nov. 1984, v. 12, no. 4.
REVIEWS: Poor America
by Lydia Iacono. Afterimage, Nov. 1984, v. 12, no. 4.
Ordinary People
by Patricia Thomson. Afterimage, Oct. Fall 1984, v. 12, no. 3.
Barbara Latham, 1947-1984
by Christine Tamblyn. Afterimage, Oct. 1984, v. 12, no. 3.
Canada (cont.)
by Unknown. Video 84, 1984.
Angleterre (cont.)
by Unknown. Video 84, 1984.
Allemagne (cont.)
by Unknown. Video 84, 1984.
Belgique
by Unknown. Video 84, 1984.
France (cont.)
by Unknown. Video 84, 1984, no. 1.
Hollande
by Unknown. Video 84, 1984.
Italie (cont.)
by Unknown. Video 84, 1984.
Japon: A History of Japanese Video Art
by Norio Nishijima. Video 84, 1984.
Japon (cont.)
by Unknown. Video 84, 1984.
Suisse (cont.)
by Unknown. Video 84, 1984.
USA
by Marita Sturken. Video 84, Sept. 1984.
Yogoslavia (cont)
by Jesa Denegri. Video 84, Sept. 1984.
Future for video bright, despite fuzzy picture
by Bart Testa. The Globe and Mail, Nov. 5, 1984.
Interview with Merata Mita
by Pascale Lamche and Merata Mita. Framework, 1984, no. 25.
Seized Youth
by Richard Fung. The Body Politic, Sept. 1984, no. 106.
Ruling expected as video artist seeks injunction
by Mark Budgen. The Globe and Mail, Feb. 27, 1984.
Artist fails to get injunction
by Mark Budgen. The Globe and Mail, Feb. 28, 1984.
Video In/ Video Out
by unknown. Canadian Images, 1984.
No one can win gallery - Wong dispute
by Max Wyman. The Province, Feb. 28 Winter, 1984.
Sex Video Artist Defends his Work
by Douglas Sagi. The Sun, Feb. 28 Winter, 1984.
Artist Takes Fight to Court
The Globe and Mail, Feb. 25 Winter, 1984.
TV Exhibit not art, court told
by Miguel Moya and Dave Smith. The Sun, Feb. 25 Winter, 1984.
Morality vs. Art
by Editorial. The Sun, Feb. 25 Winter, 1984.
Introduction
by Renée Baert. Video Refractions, 1984. London: London Regional Art Gallery, 1984.
Artist Fails to Get Injunction
by Mark Budgen. The Globe & Mail, Feb. 28, 1984.
Wong's Video Show Won't Be Seen Here
by Max Wyman. The Province [Vancouver], Feb. 28, 1984.
Provincial Censorship
by Lorraine Kenny. Afterimage, Nov. 1984, v. 12, no. 1.
Introduction
by Bruce Ferguson. 1984 Ottawa International Festival of Video Art, 1984. Ottawa: SAW Gallery, 1984.
Artist Appeals to Court
by Doug Todd. The Sun, Feb. 24, 1984.
Gallery Faces Court Fight
by Max Wyman. The Province, Feb. 24, 1984.
Artist's request on hold
by Staff Reporter. The Province, Feb. 26, 1984.
Video Canada
by Marc Paradis. Montreal International Film & Video Catalogue, 1984.
Artists Call
by Charlotte Townsend-Gault. Vanguard, Apr. 1984, v. 13, no. 3.
Norman Cohn: Portraits: Garry Neill Kennedy, Norman Cohn,...
by Peggy Gale. 49th Parallel, 1984. New York: 49th Parallel, 1984.
Garry Neill Kennedy, Norman Cohn, Krzysztof Wodiczko: Krzysztof...
49th Parallel, 1984. New york: 49th Parallel Centre for Contemporary Canadian Art, 1984.
Collection demonstrates flexibility of film
by Fred Haeseker. Calgary Herald, Dec. 10, 1984.
Artist's Markings in the TV Landscape
by Renee Baert. Prime Time Video, 1984. Saskatoon: Mendel Art Gallery, 1984.
Last Call for the Ithaca Video Festival
Afterimage, Feb. 1984, v. 11, no. 7.
Talk, talk: When Words Become Works Video Program at the...
by Helen De Michiel. Afterimage, Feb. 1984, v. 11, no. 7.
...It's How You Play the Game: The 1984 Los Angeles Olympic Arts...
by David Trend. Afterimage, Apr. 1984, v. 11, no. 9.
Video Interruptus
by Rebecca Lewis. Afterimage, Apr. 1984, v. 11, no. 9.
TV as a creative medium: Howard Wise and Video Art
by Marita Sturken. Afterimage, May 1984, v. 11, no. 10.
Venetian shortcuts: Video Installations at the Venice Biennale...
by Ann-Sargent Wooster. Afterimage, Dec. 1984, v. 12, no. 5.
Introduction
by Renee Baert. Television Interference, Mar. 1984. Vancouver: Presentation House Gallery, 1984.
Altered Situations, Changing Strategies: The Canadian Worker in...
by Harriet M. Sonne. Toronto: A Space, 1984.
videovideovideovideovideovideo
by Liz Gilbert. The East Ender, May 17, 1984.
videovideovideovideovideovideo
British/Canadian Video Exchange '84, 1984. London: Canada House Cultural Centre, 1984.
videovideovideovideovideovideo
Canadian Images: Canada's National Film Festival, 1984. Peterborough: Canadian Images Film Festival, 1984.
Under 5
by Karen Knights. Video Guide, Oct. 1984, v. 6, no. 5.
Ulrike Rosenbach: An Interview
by Karen Henry. Video Guide, Oct. 1984, v. 6, no. 5.
Community-Based Feminist Video Production in Toronto
by Marusia Bociurkin. Video Guide, Oct. 1984, v. 6, no. 5.
Modern Times: A Review
by Kim Tomczak. Video Guide, Oct. 1984, v. 6, no. 5.
Fujiko Nakaya
by Michael Goldberg. Video Guide, Oct. 1984, v. 6, no. 5.
The Videopioneer
by Michaela-Elisabeth Buscher. Video Guide, Oct. 1984, v. 6, no. 5.
Clear about Confused
by Sara Diamond. Video Guide, Mar. 1984, v. 6, no. 2.
Artists Call: Against U.S. Intervention in Latin America
by Jeannine Mitchell. Video Guide, Mar. 1984, v. 6, no. 2.
La vidéo fameuse fête: ou les 10 ans de Vidêo Femmes
by Genevieve Boutry. Video Guide, Mar. 1984, v. 6, no. 2.
The New Work Show
by Victor Coleman. Vanguard, Nov. 1984, v. 13, no. 9.
Sax Island: Eric Metcalfe/Frank Bull
by Stokely Seip. Issue, Summer 1984, v. 1, no. 8.
Going Public - Three Evenings of Videotapes by Women
by Lisa Steele. Toronto: N/A, 1984.
Material Knowledge: A Moral Art of Crisis
by Christopher Dewdney. Material Knowledge: A Moral Art of Crisis, 1984. London, Ontario: London Regional Art Gallery, 1984.
Video as Art
by Bill Viola. Journal of Film and Video, 1984, v. 36, no. 1.
The New Work Show
by B.D. Hershorn. Toronto: Litho Offset, 1984.
Void Space New Media (Out of Context)
by Paul Wong. Video Guide, Winter 1983, v. 5, no. 5.
Wallflower Order
by Merike Talve. Video Guide, 1983, v. 5, no. 2.
Video Roma
by Michael Goldberg. Video Guide, Apr. 1983, v. 5, no. 2.
Why Exchange? Time To Change
by Sara Diamond. Video Guide, Apr. 1983, v. 5, no. 2.
In Video is Canada Invisible?
by Jean Tourrageau. Vanguard, Sept. 1983, v. 12, no. 7.
Peter Wronski: Rodney Werden
by Jennifer Oille. Vanguard, Nov. 1983, v. 12, no. 9.
Tom Sherman
by Trevor Gould. Parachute, Fall 1983, no. 32.
Video Culture for the Masses
by James Marck. Now, Oct. 27, 1983, v. 3, no. 8.
Rodney Werden
by Andrew Paterson. Parachute, Winter 1983, no. 33.
Capturing Desire's Prisoners
by John Bentley Mays. The Globe and Mail, Sept. 17, 1983.
Erotic Amateurs, Part Two: The Lives of Rodney Werden
by Gene Youngblood. Video Magazine, Winter 1983.
Exhibition examines shifting viewpoints
by Nancy Tousley. Calgary Herald, July 14, 1983.
Tribal T.V.: New Video and Democracy on the Praries after Modernism
by A. Rushton. Arts Manitoba, Summer 1983, v. 2, no. 3.
Vital videos in a sensory salad
by Mark Nicholson. The Charlatan, June 9, 1983.
Taking apart rock-video
by Evelyn Erskine. The Ottawa Citizen, June 3, 1983.
Notes Toward a History of Image-Processed Video: Steina and Woody...
by Lucinda Furlong. Afterimage, Dec. 1983, v. 11, no. 5.
It's the thought that counts: video as attitude
by Catherine Lord. Afterimage, Oct. 1983, v. 11, no. 3.
The Whitney Museum and the Shaping of Video Art: An Interview with...
by Marita Sturken. Afterimage, May 1983, v. 10, no. 10.
Bringing the Truth back home
by Valerie Ellis. Afterimage, Summer 1983, v. 11, no. 1&2.
Some Contemporary Documentary
by Martha Rosler. Afterimage, Summer 1983, v. 11, no. 1&2.
Video Politics: Early Feminist Projects
by Martha Gever. Afterimage, Summer 1983, v. 11, no. 1&2.
Independents on Television
by Pat Thomson. Afterimage, Summer 1983, v. 11, no. 1&2.
Notes towards a history of image-processed video: Eric Siegel,...
by Lucinda Furlong. Afterimage, Summer 1983, v. 11, no. 1&2.
Through A Screen, Dimly: "...Some of the video at MOMA is...
by Larson Kay. The New York Times, Sept. 12, 1983.
Stayin' Alive: Independents Prepare For A Showdown with Public TV
by Marita Sturken. Afterimage, Dec. 1983, v. 11, no. 5.
Out of Sync
by Marita Sturken. Afterimage, Nov. 1983, v. 11, no. 4.
The Aesthetics of the Subject: James Byrne's Video Projects
by Marita Sturken. Afterimage, Apr. 1983, v. 10, no. 9.
A Manner of Speaking: An Interview with Gary Hill
by Furlong Lucinda. Afterimage, Mar. 1983, v. 10, no. 8.
A Space chooses evolution over revolution: New shows a return to...
by John Bentley Mays. The Globe and Mail, Nov. 26, 1983.
Wnet Loss? TV Lab Suspends Operations in Dispute with New York...
by David Trend. Afterimage, Summer 1983, v. 11, no. 1&2.
The Making of 'Who Killed Colin Roach': Experiences
by Isaac Julien. Independent Video, Nov. 1983, no. 23 & 24.
The World Between Subject and Object
by Sarah Murphy. CSIF Film Video Journal, Summer 1983, v. 1, no. 1.
Leila Sujir and Douglas Berquist "Technologically Native"
by Don Mabie. Vanguard, Sept. 1983, v. 12, no. 7.
Meet the Press: On Paper Tiger Television
by Martha Gever. Afterimage, Nov. 1983, v. 11, no. 4.
Video Makes Gains in the Art World
by John Bentley Mays. The Globe & Mail, Aug. 20, 1983.
Capturing Desire's Prisoners
by John Bentley Mays. The Globe & Mail, Sept. 17, 1983.
Angels rush to give video a lift
by Bart Testa. The Globe and Mail, Nov. 5, 1983.
Artists learn to work with community
by Cathy Malayas. The Toronto Clarion, Dec. 1983, v. 3, no. 19.
Rodney Werden
by Andrew Paterson. Parachute, Winter 1983, no. 33.
Choregraphies d'Artistes
by Stephen Schofield. Vanguard, Mar. 1983, v. 12, no. 2.
Video culture bridges gap between art, culture: Canadian artists...
by Adrian Iwachiw. Excalibur, Nov. 1983, v. 18, no. 10.
On becoming media literate
by Peter Blue McLaren. NEWS, Dec. 1, 1983.
Art is an Excuse: An Interview with Felipe Ehrenberg
by Martha Gever. Afterimage, Apr. 1983, v. 10, no. 9.
Choreography of Cinema: An Interview with Shirley Clarke
by Lauren Rabinovitz. Afterimage, Dec. 1983, v. 11, no. 5.
If the Vision is intense enough, everything is grist for the mill:...
by Scott MacDonald. Afterimage, Oct. 1983, v. 11, no. 3.
Manhattan short cuts: Ed Emshwiller, at the Whitney Museum of...
by Ann-Sargent Wooster. Afterimage, May 1983, v. 10, no. 10.
Manhattan short cuts: Robert Wilson/Video 50, at the Kitchen, New...
by Ann-Sargent Wooster. Afterimage, Feb. 1983, v. 10, no. 7.
Manhattan short cuts: Robert Wilson/Video 50, at the Kitchen, New...
Michael Buthe & Marcel Odenbach, 1983. Banff: The Banff Centre, 1983.
Manhattan short cuts: Robert Wilson/Video 50, at the Kitchen, New...
Photo/Electric Art Show, 1983. Toronto: The Photo/Electric Arts Foundation, 1983.
Video Pool Inc.
by Andrea Philp. Video Guide, Winter 1983, v. 5, no. 5.
Women Speak Out:: Amelia Productions 3 Labour Issues
by Karen Henry. Video Guide, Jan. 1983, v. 5, no. 1.
Visual Music
by Michael Greenhouse. Videography, Dec. 1983, v. 8, no. 12.
Drawing The Lines: A Videotape by Andy Harvey
by Daryl Lacey. Video Guide, 1982, v. 4, no. 4.
Sabotage: A performance and installation
by Jill Swartz. Video Guide, 1982, v. 4, no. 4.
Changeless Channels: As video artists clean up their act, they're...
by Lisa Steele. Fuse, Jan. 1982, v. 5, no. 10.
Language and Representation
by Tim Guest. Parachute, Spring 1982, no. 26.
Video Art's Guru
by D.C. Denison. New York Times Magazine, Apr. 25, 1982.
Hummer Sisters
by Chris Dewdney. Vanguard, Apr. 1982, v. 11, no. 3.
Lisa Steele-Kitchen Sync
by Jane Northey. Vanguard, May 1982, v. 11, no. 4.
Vera Frenkel
by Victor Coleman. Vanguard, May 1982, v. 11, no. 4.
Patsi McMurchy
by Ellen Thompson. Vanguard, May 1982, v. 11, no. 4.
Vidéo Du Québec
by Jean Touangeau. Parachute, Summer 1982, no. 27.
Vera Frenkel
by Bruce Grenville. Parachute, Summer 1982, no. 27.
Randy and Berenicci
by Don Stanley. Vanguard, Sept. 1982, v. 11, no. 7.
Colour Video/Vulgar Potential
by Peggy Gale. Parachute, Sept. Winter 1982, no. 25.
Media And The Means: Muntadas
by Ronald Christ. ArtsCanada, Nov. 1982, v. 39, no. 4.
Sophisticated N.Y. Video Artists Babes From High-Tech Toyland
by John Bentley Mays. Globe, Feb. 19, 1982.
Television Means, Video Is
by Bruce Ferguson. O Kanada, 1982. Toronto: Canada Council for the Arts, 1982.
Graham Smith
by Michael Ethan Brodzky. Vanguard, Sept. 1982, v. 11, no. 7.
La vidéo, un art engagé
by Jean Tourangeau. La Presse, Jan. 9, 1982.
Historique de la vidéo au Québec
by Andrée Duchaine. O Kanada, 1982. Toronto: Canada Council for the Arts, 1982.
Intervention
by Clive Robertson. O Kanada, 1982. Toronto: Canada Council for the Arts, 1982.
Colin Campbell
by Colin Campbell. Mannersm A Theory of Culture; Mannerism: A Theory of Culture, 1982. Vancouver: The Vancouver Art Gallery, 1982.
Colin Campbell: Margaret Dragu
by Irene Szylinger. Vanguard, Sept. 1982, v. 11, no. 7.
An Ordering Madness: The 40th Venice Biennale
by Vera Frenkel. Vanguard, Dec. 1982, v. 11, no. 9 & 10.
John Greyson
by Scott Watson. Vanguard, Dec. 1982, v. 11, no. 9/10.
Introduction
by Louise Dompierre. Likely Stories; Works by Vera Frenkel, 1982. Kingston: Agnes Eterington Art Centre, 1982.
Prime Time Video bears the look of acceptance
by Liam Lacey. The Globe and Mail, Sept. 17, 1982.
Temporal Interventions: The videotapes of Bill Viola
by Marita Sturken. Afterimage, Summer 1982, v. 10, no. 1&2.
An Armoury of Mirrors: Juan Downey's 'Looking Glass'
by Wooster Ann-Sargent. Afterimage, Summer 1982, v. 10, no. 1&2.
A Mixed Blessing: 1981 San Francisco International Travelling...
by Lucinda Furlong. Afterimage, May 1982, v. 9, no. 10.
Video to salvage TV Wasteland
by John Bentley Mays. The Globe and Mail, Sept. 10, 1982.
Mythic Space: The Video Installations of Rita Meyers
by Shelley Rice. Afterimage, Jan. 1982, v. 9, no. 6.
State of the Art Scan:: The Ithaca Video Festival
by Lucinda Furlong. Afterimage, Jan. 1982, v. 9, no. 6.
Tale Spins
by Marita Sturken. Afterimage, Nov. 1982, v. 10, no. 4.
Artists Making the News: Artists Re-making the News
by Micki Mcgee. Afterimage, Nov. 1982, v. 10, no. 4.
Tomczak bashes the senses
by Tibor Kolley. The Globe and Mail, Jan. 9 Winter, 1982.
Art
by Lisa Balfour Bowen. The Toronto Star, Jan. 16 Winter, 1982.
Grants supporting disgusting exhibits
by Lorrie Goldstein. The Toronto Sun, June 23 Spring, 1982.
York mayor takes on arts: Avant garde art debate
by Stephen Dale. NOW, July 1, 1982, v. 1, no. 42.
Art arbiter
by Unknown. The Globe and Mail, Oct. 22, 1982.
A more elevated sort of ordure
by Les Bewley. Vancouver Sun, Nov. 20, 1982.
Metro withholds funds from four arts groups
by Unknown. The Globe and Mail, June 12, 1982.
Art watchdogs
by Chris Temple. The Globe and Mail, Nov. 1, 1982.
Protest Against Censor: Two Canadian artists pull out of VideoFest
by Jonathan Gross. The Toronto Sun, Sept. 9, 1982.
NEIL ARMSTRONG: Videotapes. May 12.
by G.S.W. Jones. Parallelogramme, Aug. 1982, v. 7, no. 6.
Agit.Prop: Walter Philips Gallery / Banff / July 9 to 25
by Leila Surji. Vanguard, Oct. Fall 1982.
Photo Sampler Immature
by John Bentley Mays. The Globe and Mail, Sept. 17, 1982.
New Canadian Photography
by Jeanne Randolph. Parachute, Winter 1982, no. 29.
Video Video: See what's being Said
by Bruce Kirkland. The Toronto Sun, Sept. 2, 1982.
Demain soir à Radio-Québec, c'est "Tous les jours..."
by Yves Bernier. Le Soleil, Mar. 3, 1982.
The Influences of My Mother
by Sara Diamond. Fireweed, 1982, no. 12.
Video in Canada: A Context of Production
by René Baert. O Kanada, 1982. Toronto: Canada Council for the Arts, 1982.
Kim Tomczak: Paradise Lost
by Jennifer Oille. Vanguard, Dec. 1982, no. 9/10.
Living Video
by Christopher Hume. The Toronto Star, Sept. 11, 1982.
I don't go to the movies anymore: An interview with Bruce Conner
by Scott Macdonald. Afterimage, Summer 1982, v. 10, no. 1 & 2.
An Armory of Mirrors: Juan Downey's 'Looking Glass'
by Ann-Sargent Wooster. Afterimage, Summer 1982, v. 10, no. 1 & 2.
Temporal Interventions: The videotapes of Bill Viola
by Marita Sturken. Afterimage, Summer 1982, v. 10, no. 1 & 2.
Color my world: Chicago Video
by Lucinda Furlong. Afterimage, Oct. 1982, v. 10, no. 3.
Pomp and Circumstance: The Coronation of Nam June Paik
by Martha Gever. Afterimage, Oct. 1982, v. 10, no. 3.
Manhattan Short Cuts
by Ann-Sargent Wooster. Afterimage, May 1982, v. 9, no. 10.
Mary Lucier's Elemental Investigations
by Martha Gever. Afterimage, Feb. 1982, v. 9, no. 7.
"I Never understood Anything about Cowboys": an interview with...
by Scott MacDonald. Afterimage, Feb. 1982, v. 7, no. 9.
Traveling Light: Caps Video Goes National
by Martha Gever. Afterimage, Apr. 1982, v. 9, no. 9.
Francesc Torres: The Tyranny of the Past
by Shelley Rice. Afterimage, Dec. 1982, v. 10, no. 5.
Manhattan shortcuts: Roger Welch/Drive-In: Second Feature, at the...
by Ann-Sargent Wooster. Afterimage, Dec. 1982, v. 10, no. 5.
New York Council on the Arts Revokes Rochester's TV Workshop Funding
by Lucinda Furlong. Afterimage, Jan. 1982, v. 9, no. 6.
High Tech in Lower Manhattan
by Claudia Blaine. Video Guide, 1982, v. 4, no. 20.
New Imagery: At the Museum of Modern Art, New York
by Lori Zippay. Video Guide, 1982, v. 4, no. 20.
Introduction: Transmissions
by Elke Town. Transmissions, 1982. Cambridge: Cambridge Library/Art Center, 1982.
Paikvision
by Bruce Kurtz. Artforum, Oct. 1982, v. 21, no. 2.
California Video: Art or Television
by Mary Stofflet. Studio International, June 1982, v. 195, no. 995.
Phantasmagoria of the Media
by Craig Owens. Art in America, May 1982, v. 70, no. 5.
Vidéo Femmes et le harcèlement sexuel
by unknown. Le Peuple, Mar. 3, 1982.
Great Expectations:: Artists' TV Guide
by Robin White. Artforum, June Summer 1982, v. 20, no. 10.
"Waiting For Lancelot" by Lisa Steele
by Claire Gravel. Circuits Video/Art Magazine, Winter 1981, no. 1.
General Idea Le "Conte" Du Temps
by Johanne Lamoureux. Parachute, Winter 1981, no. 25.
The Raymonds Documentary Video & Film
by Paul Wong. Video Guide, Mar. 1981, v. 3, no. 4.
Television By Artists
by Martha Fleming. Video Guide, Mar. 1981, v. 3, no. 4.
Ed Mowbray: Excerpts and Euphoria
by Paul Wong. Video Guide, 1981, v. 4, no. 1.
Vancouver's Feminist Art Gallery: Sacrificial Burnings
by Julie Healey. Video Guide, 1981, v. 4, no. 2.
Television By Artists
by Philip Monk. Canadian Forum, May 1981, v. 61, no. 709.
Identification In Difference: German Performance
by Martha Fleming. Vanguard, May 1981, v. 10, no. 4.
Less Medium, More Message: Marcia Pitch. Adrian Piper
by Russell Keziere. Vanguard, May 1981, v. 10, no. 4.
Max Dean
by Max Dean. Impressions, June 1981.
Tom Sherman
by Barbara Daniel. Vanguard, Oct. 1981, v. 10, no. 8.
Vera Frenkel
by Andrea Kunard. Vanguard, Oct. 1981, v. 10, no. 8.
Byron Black
by Andrea Kunard. Vanguard, Nov. 1981, v. 10, no. 9.
A Question of Place 2
by Jennifer Oille. Vanguard, Nov. 1981, v. 10, no. 9.
VIDEO/VIDEO: If this event was a dry run for PAY-TV, one must view...
by Clive Robertson. Fuse, Nov. 1981, v. 5, no. 8 & 9.
Test Tube: Some General Instructions for Media Artists
by Virginia Wilde. Parallelogramme, Dec. 1981, v. 7, no. 2.
Paul Wong Can't Be All Wrong: A Tonge in Cheek Review
by Lulu Keating. Parallelogramme, Dec. 1981, v. 7, no. 2.
Labour Struggle: A history of de-development in the Maritimes and...
by Kenneth Coutts-Smith. Fuse, Mar. 1981, v. 5, no. 2 & 3.
Oppositional Television: Instead of a 'balanced story' these are...
by Lisa Steele. Fuse, Mar. 1981, v. 5, no. 2+3.
Feminist Film and Video: Women at this international conference...
by Nancy Johnson. Fuse, Aug. 1981, v. 5, no. 6 & 7.
In View Of Feminism: LA/London Lab's film and video: Hitchcockian...
by Tony Whitfield. Fuse, Nov. 1981, v. 5, no. 8 & 9.
LA/London Lab: The long-distance symbiosis didn't materialize, and...
by Tony Whitfield and Lisa Liebman. Fuse, Nov. 1981, v. 5, no. 8+9.
No missing the warning in visitors' video art
by John Bentley Mays. The Globe and Mail, Feb. 2, 1981.
Harding's Fish and Salads; An Ironic Commentary
by John Bentley Mays. The Globe and Mail, June 12, 1981.
Fromer aims to project talent onto buidings all over town
by Vicky Sanderson. The Globe and Mail, Aug. 29, 1981.
Persona
by Lynn Gumpert and Ned Rifkin. Persona, 1981. New York: The New Museum, 1981.
Discontinuous Notes on and After a Meeting of Critics, By One of...
by Vera Frenkel. artscanada, Mar. 1981, no. 240.
Colin Campbell, 'Peripheral Blur'
by Martha Fleming. Artforum, Jan. 1981, v. 19, no. 5.
Stranger in a Strange Land: Vera Frenkel
by Vera Frenkel. VISOR Impressions, 1981.
Vera Frenkel: Interview by Elizabeth Chitty
by Elizabeth Chitty. Vancouver Guide, 1981.
Videotape reaches beyond the senses
by Carole Corbeil. The Globe and Mail, Mar. 21, 1981.
Sleepless Nights
by Jonathan Buchsbaum. Millennium Film Journal, 1981, no. 10/11.
The Past Restructured: Bruce Conner and Others
by Warren Bass. Journal of the University Film Association, Spring 1981, v. 33, no. 2.
An Interview with Martha Rosler
by Martha Gever. Afterimage, Oct. 1981, v. 9, no. 3.
Festival aims to put video into the pay-TV picture
by Carole Corbeil. The Globe and Mail, Sept. 12, 1981.
Joyan Saunders: Forest City Gallery
by Goldie Rans. Vanguard, Summer 1981.
The Exhibition
by David Nasby. Realism: Structure & Illusion Towards a Definition of Representational Art, 1981. Burlington: Burlington Cultural Centre, 1981.
Barbara Steinman
by Martha Fleming. Vanguard, Feb. 1981, v. 12, no. 1.
Minimal Exercise: William Anastasi/Coincidents
by Maria Sturken. Afterimage, Mar. 1981, v. 8, no. 8.
An Interview with Joyce Wieland
by Lauren Rabinovitz. Afterimage, May 1981, v. 8, no. 10.
Snow Screened
Afterimage, Summer 1981, v. 9, no. 1 & 2.
Curatorial Quirks and the Camera Arts: 1981 Biennial Exhibition at...
by Marita Sturken. Afterimage, Summer 1981, v. 9, no. 1 & 2.
All the Faces are Us: An Interview with Tom Chomont
by Scott Macdonald. Afterimage, Summer 1981, v. 9, no. 1 & 2.
State-of-the-art Marketing for Artists' Video
by Peter Mitchell. Afterimage, Mar. 1981, v. 8, no. 8.
AFI Frames the Field: The National Video Festival
by Cindy Furlong. Afterimage, Oct. 1981, v. 9, no. 3.
The Long and Short of It: Some Thoughts on Film Length
by Scott Macdonald. Afterimage, Mar. 1981, v. 8, no. 8.
(Another) National Video Festival
Afterimage, Nov. 1981, v. 9, no. 4.
Recipes For Television: theory creams practice at the Kitchen
by Cindy Furlong. Afterimage, Jan. 1981, v. 8, no. 6.
Against The Frame: George Griffin's Alphabet of Anti-Animation
by Marita Sturken. Afterimage, Feb. 1981, v. 8, no. 7.
Interview with Martha Rosler
by Martha Rosler and Jane Weinstock. October, Summer 1981, v. 17.
Paul Wong: Prime Cuts
by Julie Healey and Elizabeth Chitty. Video Guide, 1981, v. 4, no. 3.
Vera Frenkel
by Elizabeth Chitty. Video Guide, 1981, v. 4, no. 2.
Marshalore
by Elizabeth Chitty. Video Guide, 1981, v. 4, no. 1.
Joan Jonas: The Mirror Staged
by Howard Junker. Art in America, Feb. 1981, v. 69, no. 2.
Introduction
by Clive Robertson. Fuse, Jan. 1980, v. 4, no. 2.
Modern Love
by Kerri Kwinter. Fuse, Jan. 1980, v. 4, no. 2.
On Video Distribution
by Lisa Steele. Fuse, May 1980, v. 4, no. 4.
Chaperons Rouge: vidéo primé par le Second Annual Canadian Video...
by Andrée Duchaine. Parachute, Spring 1980, no. 18.
Tour De 4
by Barbara Shainbaum. Video Guide, Summer 1980, v. 3, no. 1.
A Crime Against Women
by Jillian Ridington. Video Guide, Summer 1980, v. 3, no. 1.
Biennale 1980: A View from Venice
by Theodore Allen Heinrich. Vanguard, Oct. 1980, v. 9, no. 8.
222 Warehouse
by Judith Doyle. Parachute, Fall 1980, no. 20.
11e Biennale De Paris: Les Canadiens
by Unknown. Parachute, Fall 1980, no. 20.
On the Screen of Influence
by Tony Whitfield. Fuse, July 1980, v. 4, no. 5.
Noel Harding
by Jane Perdu. Parachute, Fall 1980, no. 20.
Kim Tomczak
by Andrea Anderson. Vanguard, Summer 1980, v. 9, no. 5/6.
Paul Wong's gruesome visions deal with death's agony
by John Bentley Mays. The Globe and Mail, Feb. 26, 1980.
B-84: Work and Wages
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Mr. Klein: Mother Daughter Mother Daughter
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
The Secret Life of Cornelia Lumsden: Automaton 79
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
The Canamama Lectures: Juan Geuer: The Unknown as Function of Time...
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Blue Sky Dialogue: Tape Produced at CBC Television Vancouver
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Echoes of Eden: Convicted But Not Convicted
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Pirhana Farms: Winding Down
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Performance Kim Tomczak
by Kim Tomczak. Parachute, Fall 1980, no. 20.
The Living Art Performance Festival
by John Bentley Mays. Vanguard, Feb. 1980, v. 19, no. 1.
Long Playing: Liquid Legs
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Pesticides:The Hidden Assassins: Ars Gratis Artis
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Secret Action: Digit Recalls the Future
by Lisa Steele. Fuse, January 1980, v. 4, no. 2.
No Masters Yet: Very Delicate Invasion
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Introduction: Colin Campbell
by Bruce Ferguson. Canada Video, 1980. Ottawa: The National Gallery of Canada, 1980.
Colin Campbell: Peripheral Blur
by Colin Campbell. Performance Text(e)s & Documents, 1980. Montreal: Parachute, 1980.
Video is not television, Performance is not theatre
by Martha Fleming and Douglas Durand. Body Politic, June 1980, no. 64.
Hetero-geneous: L'histoire d'une ville dessinée
by Lutgart Reynen. Anna R., June 1980, no. 1.
Video Art in Germany/in the USA
by Wulf Herzogenrath. GERMAN VIDEO AND PREFORMANCE, 1980. Toronto: Type A, 1980.
The Video Scene in the Federal Republic of Germany and in North...
by Wulf Herzogenrath. German Video and Performance, 1980.
Ulrike Rosenbach
by Stephan von Wiese. German Video and Performance, 1980.
Marcel OdenBach
by Marcel Odenbach. Germany Video and Performance, 1980.
What does performance mean to you?
by Phillipe du Vignal et al. German Video and Performance, 1980.
Video art exhibit compelling but botched
by John Bently Mays. The Globe and Mail, May 3, 1980.
Art Against Incest: Feminist Artists Challenge the Conspiracy of...
by Terry Wolverton. Fuse, July 1980, v. 4, no. 5.
The Use of the Static
by Stuart Marshall. Fuse, Mar. 1980, v. 4, no. 3.
Access to Public Television?
by Cinétracts. Fuse, May 1980, v. 4, no. 4.
Reel Life-from Us to Us: This Halifax women's media collective...
by Jay Maclean. Fuse, May 1980, v. 4, no. 4.
Developing Feminist Resources: The Work of Carolee Schneeman &...
by Jane Springer. Fuse, Jan. 1980, v. 4, no. 2.
The Lisa Steele Tapes: Investigation and Vision
by Catherine Russell. North of Everything: English Canadian Cinema Since 1980, 1980. University of Alberta Press, 1980.
Video show off to promising start
by John Bentley Mays. The Globe and Mail, Mar. 19, 1980.
Far riapparire il quadro è umano, far scomparire la performance...
by Laura Viotti. Lotta Continua, June 10, 1980.
Introduction
by Bruce Ferguson. University of Chicago Press, Aug. 1980.
James Byrne's Video Environments
by Marie Cieri. Afterimage, Feb. Winter 1980, v. 7, no. 7.
An interview with Carolee Schneemann
by Scott MacDonald. Afterimage, Mar. 1980, v. 7, no. 8.
Media independents push for access
by Marita Sturken. Afterimage, Apr. 1980, v. 7, no. 9.
FILMMAKER'S EXPO: animation, documentaries shine
by Scott MacDonald. Afterimage, Apr. 1980, v. 7, no. 9.
Discovering Pure Cinema: avant-garde film in the 20's
by Jan-Christopher Horak. Afterimage, Summer 1980, v. 8, no. 1 & 2.
CAPS Video: Brady, Cohen, DeWitt, Levine, Gusella, Buckner,...
by Janis Croft-Williams et al. Afterimage, Dec. 1980, v. 8, no. 5.
Susan Britton: New Tapes: Bakunin Meets British Vogue
by Lisa Steele. Centerfold, Feb. 1979, v. 3, no. 3.
Mediart: Notes From Graz and Barcelona
by Jo-Anne Birnie Danzker. Vanguard, Mar. 1979, v. 8, no. 2.
Explaining Pictures To Dead Air: The Robertson/Beuys Admixture
by Peggy Gale. Parachute, Spring 1979, no. 14.
Fabio Mauri
by Rene Blouin. Parachute, Spring 1979, no. 14.
Autobiography: Real By Reel
by Landon MacKenzie. Parachute, Spring 1979, no. 14.
Quelques-uns des Nouveaux titres du Catalogue de Art Metropole
by Rene Blouin. Parachute, Spring 1979, no. 14.
Susan Britton
by Andrew Scott. Vanguard, Apr. 1979, v. 8, no. 3.
Modern Love
by Tim Guest. Centerfold, Apr. 1979, v. 3, no. 4.
Telling Tales
by Jane Ellison. Video Guide, June 1979, v. 2, no. 2.
Susan Britton
by Kim Tomczak. Video Guide, June 1979, v. 2, no. 2.
Fantasia Video Plastica: 10,000 viewers at Festival in Caracas
by Tom Sherman. Centerfold, June 1979, v. 3, no. 5.
A Room With A View
by John Noel Chandler. artscanada, Aug. 1979, v. 36, no. 2.
Orwell Lost In Videocab Staging
by Kathleen Fleming. Centerfold, Aug. 1979, v. 3, no. 6.
Tape Exchange Network - Not Reality Yet
by John Greyson. Centerfold, Aug. 1979, v. 3, no. 6.
The Nine Tape Test: New Videos at Pumps, Vancouver
by Kim Todd. Centerfold, Aug. 1979, v. 3, no. 6.
Re-Visions at the Whitney: Schwartz, Snow,: Watts, Behrman,...
by John Locke. Parachute, Fall 1979, no. 16.
Antoni Muntadas: Personal/Public Information
by Niloufer Marker. Vanguard, Sept. 1979, v. 8, no. 7.
Video from Tokyo to Fukui and Kyoto: Kyoto/Canada Video Exchange Show
by Andrew Scott. Vanguard, Oct. 1979, v. 8, no. 8.
Miniature Theatre: Nancy Nicol
by John Greyson. Centerfold, Oct. 1979, v. 4, no. 1.
Untitled
by Margaret Dragu. Video Guide, 1979, v. 2, no. 4.
In Gory Detail
by Martha Fleming. Centerfold, Oct. 1979, v. 4, no. 1.
Modern Love
by Colin Campbell. Toronto, New York: Art Metropole, The Foundation for Art Resources, 1979.
Automatons/Auto Morons
by AA Bronson. Performance By Artists, 1979. Toronto: Art Metropole, 1979.
Ithaca Video: Margine Notes on A movable Feast
by Victor Ancona. Videography, Sept. 1979.
Video et Performance
by Rene Blouin. Living Art, Mar. 1979.
But is it art?
by John Bentley Mays. Maclean's, Nov. 5, 1979.
Video Lunch
by Susan Britton. International Video Art Symposium - Queen's University, Mar. 5, 1979.
Introduction:: International Video Art Symposium
by Linda J. Milrod. International Video Art Symposium - Queen's University, Mar. 5, 1979.
Video Art: Verboe,shallow or just plain tinkering with gadgets?
by Brian Hoey and Wendy Brown. Artists Video: An Alternative Use of The Medium, 1979. Tyne & Wear: Biddick Farm Arts Centre, 1979.
Review: Kate Craig's Delicate Issue
by Margaret Dragu. Video Guide, 1979, v. 2, no. 4 & 5.
Paul Wong at the Vancouver Art Gallery
Art Magazine, May Spring 1979.
A princess visits Briarwood
by Jeanette Tremblay Burley. News & Chronicle, May 24, 1979.
Video of the Seventies in Japan
by Fujiko Nakaya. Video from Tokyo to Fukui and Kyoto, 1979. New York: Museum of Modern Art, 1979.
Video From Tokyo and Fukui and Kyoto
by Barbara J. London. Video from Tokyo to Fukui and Kyoto, 1979. New York: Museum of Modern Art, 1979.
Ralph Steiner's "H20": simple signficance, abstract beauty
by Scott Hammen. Afterimage, Summer 1979, v. 7, no. 1&2.
Film und Foto: Towards a language of silent film
by Jan-Christopher Horak. Afterimage, Dec. 1979, v. 7, no. 5.
Heroic Jounrey: Seven Events Illustrating a Heroic Journey
by Jeanne R. Forstenzer. Afterimage, Dec. 1979, v. 7, no. 5.
Toronto conference on autobiographical films
by Marita Sturken. Afterimage, Jan. 1979, v. 6, no. 6.
Sheeler and Strand's "Manhatta": a neglected masterpiece
by Scott Hammen. Afterimage, Jan. 1979, v. 6, no. 6.
CAPS VIDEO:: Wegman, Hill, Koplan, Lucier
by Janis Croft Williams et al. Afterimage, Nov. 1979, v. 7, no. 4.
Samuel Beckett's "Ghost Trio"
by Peter Gidal. Artforum, May 1979, v. 17, no. 9.
John Baldessari's "Blasted Allegories"
by Hal Foster. Artforum, Oct. 1979, v. 18, no. 2.
Aesthetics, Video Art and Television
by Curtis L. Carter. Leonardo, Fall 1979, v. 12, no. 4.
Re-visions: Whitney Museum
by Jonathan Crary. Flash Art, Oct. 1979, no. 92-3.
James Byrne
by Marie Cieri. Design Quarterly, 1979, no. 111.
Test-Tube Television: Imagination Gets Free Rein at WNET's Workshop
by Debra Weiner. American Film Institute, Mar. 1979, v. 4, no. 5.
Artists Video: An Alternative Use of the Medium
by Brian Hoey and Wendy Brown. Tyne and Wear: Biddick Farms Art Centre, 1979.
BARBARA BUCKNER: Psychic Poetry Exemplified
by Victor Ancona. Videography, Aug. 1979.
Vibeke Sorensen: Demystifying video technology
by Victor Ancona. Videography, Feb. 1979, v. 4, no. 2.
Introduction
by John Stuart Katz. Autobiography: Film/Video/Photography, Sept 1978. Toronto: Art Gallery of Ontario, 1978.
I Am Here, This Is Real
by Peggy Gale. Autobiography: Film/Video/Photography, 1978. Toronto: Art Gallery of Ontario, 1978.
Fifth Network, Cinquiéme Réseau: Conférence Vidéo à Toronto
by Andrée Duchaine. Parachute, Winter 1978, no. 13.
The 1978 Canadian Video Open
by Lisa Steele. Centerfold, Apr. 1978, v. 2, no. 4.
Rodney Werden's 'Baby Dolls'
by Lisa Steele. Centerfold, Sept. 1978, v. 2, no. 6.
Women In And Out Of Focus
by Petra Robinson. Vanguard, Nov. 1978, v. 7, no. 8.
Networks And The Eternal Frame
by Andrew Scott. Vanguard, Nov. 1978, v. 7, no. 8.
Jean-Francois Cantin: Propos Type
by Robert Racine. Centerfold, Dec. 1978, v. 3, no. 1.
Daniel Dion and Daniel Guimond: Valeur Extra Regle/Extra Rule
by Paul Wong. Centerfold, Dec. 1978, v. 3, no. 1.
Randy and Berneche: Centre of a Tension
by Clive Robertson. Centerfold, Dec. 1978, v. 3, no. 1.
Video In Vancouver: Pumps on Cable 10
by Russell Keziere. Centerfold, Dec. 1978, v. 3, no. 1.
We All Sing The Same Song
by Glenn Lewis. Video Guide, Nov. 1978.
Vancouver Video Works At The VAG
by Ross Gentleman. Video Guide, Nov. 1978, v. 1, no. 1.
Fabio Mauri
by Carol Hackett. Video Guide, Nov. 1978.
Télé-performances/ Toronto
by Rober Racine. Parachute, Winter 1978, no. 13.
Brushing up on TV as an art form: Toronto Conference of video...
by Steven Davey. Sunday Star, Sept. 3, 1978.
The alternative to the tube
by Ray Conlogue. Fanfare, Sept. 6, 1978.
Video: The Martini of the Visual Arts: Notes on the newest (and...
by Jay Scott. The Globe and Mail, Apr. 19, 1978.
Montreal Tapes: Video as a Community or Political Tool
by Jo-Anne Birnie Danzker. Montreal Tapes, 1978. Vancouver: Vancouver Art Gallery, 1978.
Foreward
by Luke Rombout. Lies and Truth, 1978. Vancouver: Vancouver Art Gallery, 1978.
Lies & Truths
Vanguard, May 1978.
As the world burns
by Carl Loeffler. Centerfold, June 1978, no. 5.
Ernest Gusella: Pleasing Artists and Public Alike
by Victor Ancona. Videography, Feb. 1978.
The Use of Music in Video Art
by Larry Kucharz. Ear Magazine, 1978, v. 4, no. 7.
The End of Video: White Vapor
by Douglas Davis. New Artist Video: A Critical Anthology, 1978. New York: E.P Dutton, 1978.
This Time Don't Call it the Boob Tube
by Jay Scott. The Globe and Mail, Jan. 31, 1978.
Juan Downey's recent videotapes
by Deirdre Boyle. Afterimage, Summer 1978, v. 6, no. 1&2.
The Videotape Collection at Media Study/Buffalo: a report
by John Minkowsky. Afterimage, Feb. 1978, v. 5, no. 8.
Hollis Frampton's "Hapax Legomena"
by Scott MacDonald. Afterimage, Jan. 1978, v. 5, no. 7.
Independent film: where's the audience?
by Scott MacDonald. Afterimage, Mar. 1978, v. 5, no. 9.
In visual anthropolgy, objectivity is still the question
by Marita Sturken. Afterimage, Apr. 1978, v. 5, no. 10.
The films of Taka Iimura
by Scott MacDonald. Afterimage, Apr. 1978, v. 5, no. 10.
Video Reviews: tapes by CAPS recipients
by Arthur Tsuchiya et al. Afterimage, Apr. 1978, v. 5, no. 10.
Larry Gottheim's "webs of subtle relationships": an interview
by Scott MacDonald. Afterimage, Nov. 1978, v. 6, no. 4.
Museum and Guerrilla Television
by Jo- Anne Birnie Danzker. Art Artist and the Media, 1978. Graz: Audiovisual Zentrum, 1978.
Peter Watkins's "The Trap": dealing with problems that won't go away
by Scott MacDonald. Afterimage, Dec. 1978, v. 6, no. 5.
Performance Artist: Endangered Species
by Tanya Mars. Parallelogramme, 1978, v. 12, no. 2.
Menage A Trois
by General Idea. Toronto: Art Metropole, 1978.
Pauli Schell
by Rodney Werden. Toronto: Art Metropole, 1978.
The Ballad Of Dan Peoples
by Lisa Steele. Toronto: Art Metropole, 1978.
Art, Love and Politics; a preamble
by Vera Frenkel. ArtsCanada, Jan 24, 1977, v. 34, no. 2.
Video Has Captured Our Imagination
by Peggy Gale. Parachute, Summer 1977, no. 7.
L'usage de la vidéo en Europe / Use And Misuse Of Videotape In...
by Maria Bicocchi. Parachute, Fall 1977, no. 8.
Documenta Et Les Artistes
by France Morin. Parachute, Fall 1977, no. 8.
Quelques Réflections sur le Régionalism
by Morin France. Parachute, Spring 1977, no. 6.
Time and a Birthday
by Ann-Sargent Wooster. SoHo Weekly, Mar. 3, 1977.
Vidéo: regard introspectif: Toronto Video: Looking Inward
by Peggy Gale. vie des arts, Spring 1977, v. 21, no. 86.
Definitly New Work in "A Different Kind of Romance"
by Avis Lang Rosenberg. Criteria, Feb. 1977, v. 3, no. 1.
Film shorts to return to movie theatres
by Marita Sturken. Afterimage, Dec. 1977, v. 5, no. 6.
Whatever happens between the pictures
by David S. Lenfest and Werner Nekes. Afterimage, Nov. Fall 1977, v. 5, no. 5.
Preview program started for independent film, video
by Fran Keenan. Afterimage, Feb. 1977, v. 4, no. 8.
Video artists, PBS stations: getting the twain to meet.
by Martha Gever. Afterimage, Jan. 1977, v. 4, no. 7.
Chicago: "The Chicago Connection," E.B. Crocker Art Gallery,...
by C.L Morrison. Artforum, Feb. 1977, v. 15, no. 6.
"Earth, Mars, Moon and Jupiter," The Kitchen; POPPY JOHNSON, Leo...
by Ross Skoggard. Artforum, Mar. 1977, v. 15, no. 7.
Video Art:: A medium discovering itself
by Jonathan Price. Artnews, Jan. 1977, v. 76, no. 1.
Video-Kunst
by Wulf Herzogenrath. das kunstwerk, June 1977, v. 30, no. 3.
About Faces: The New Work of Peter Campus
by Roberta Smith. Art in America, Mar. 1977, v. 65.
Video From Outside: M. L. D'Arc Gallery, New York
by Barbara Cavaliere. Arts Magazine, Feb. 1977, v. 51, no. 6.
Nancy Holt: Whitney Museum of American Art, New York
by Carrie Rickey. Arts Magazine, Nov. 1977, v. 52, no. 3.
Shigeko Kubota: René Block Gallery, New York
by Richard Lorber. Arts Magazine, Feb. 1977.
A Provisional Overview Of Artists' Television In The U.S.
by David Ross. Studio International Journal Of Modern Art, May 1976, no. 191.
Colin Campbell - Windows and Mirrors
by Peggy Gale. Video by Artists, 1976. Toronto: Art Metropole, 1976.
Pablum For The Pablum Eaters
by A.A. Bronson. Video by Artists, 1976. Toronto: Art Metropole, 1976.
Lisa Steele: Looking very closely
by Peggy Gale. Video by Artists, 1976. Toronto: Art Metropole, 1976.
Structural Videotape in Canada
by Eric Cameron. Video Art: An Anthology, 1976. Toronto: Harcourt Brace Jovanovich, 1976.
Dan Graham: Sperone Westwater Fischer Gallery
by Barbara Baracks. Artforum, May 1976, v. 14, no. 9.
Canadian Film Development Corporation
by Michael Spencer. Criteria, Feb. 1976, v. 2, no. 1.
A Producer's View
by Chalmers Adams. Criteria, Feb. 1976, v. 2, no. 1.
N.F.B.
by Peter Jones. Criteria, Feb. 1976, v. 2, no. 1.
A.C.P.A.V
by Jean-Guy Nöel. Criteria, Feb. 1976, v. 2, no. 1.
Joyce Wieland
by Joyce Wieland. Criteria, Feb. 1976, v. 2, no. 1.
A Distributor's View (New Cinema Enterprises)
by Linda Beath. Criteria, Feb. 1976, v. 2, no. 1.
Canadian Film Institute
by Frederick Manter. Criteria, Feb. 1976, v. 2, no. 1.
Advising the Secretary of State on Film
by John Boundy. Criteria, Feb. 1976, v. 2, no. 1.
Dennis Oppenheim, M.L. D'Arc Gallery; Barry Leva, Sonnabend...
by Nancy Foote. Artforum, Apr. 1976, v. 14, no. 8.
Ace Space's electronic vaudeville show
by Laddy Kite. Afterimage, Feb. 1976, v. 3, no. 8.
On Jona Mekas' "Diaries, Notes, and Sketches"
by Scott Hammen. Afterimage, Feb. 1976, v. 3, no. 8.
Howard Guttenplan's "New York Diary"
by Scott Hammen. Afterimage, Mar. 1976, v. 3, no. 9.
Visual Anthropology meets in Philadelphia
by Elsa Voelcker. Afterimage, Apr. 1976, v. 3, no. 10.
Bienal politics: Vetoed video and the American protest
by Owen Findsen. Art News, Feb. 1976, v. 75, no. 2.
The Mona Lisa without a mustache: Art in the media age
by Harold Rosenberg. Art News, May 1976, v. 75, no. 5.
The Ins and Outs of Video
by Jeff Perrone. Artforum, June 1976, v. 14, no. 10.
Video Report
by David Hall. Studio International, Jan. 1976.
Video Report
by David Hall. Studio International, Mar. 1976, v. 191, no. 980.
Video Report
by David Hall. Studio International, July 1976, v. 192, no. 982.
Video Report
by David Hall. Studio International, Sept. 1976, v. 193, no. 983.
Art vidéo: création et culture
by Dominique Darzacq. Connaissance des arts, Mar. 1976, no. 289.
Video: The Distinctive Features of the Medium
by David Antin. Video Art: An Anthology, 1976.
Chris Burden
by Robert Horvitz. Artforum, May 1976, v. 14, no. 9.
Doris Chase
by Richard Lorber. Arts Magazine, Sept. 1976, v. 51, no. 1.
The Pains and Pleasures of Rebirth: Women's Body Art
by Lucy Lippard. Art in America, May 1976, v. 64, no. 3.
Peter Campus: Leo Castelli downtown gallery
by Nancy Grove. Arts Magazine, May 1976, v. 50, no. 9.
Eleanor Antin
by Jonathan Crary. Arts Magazine, Mar. 1976, v. 50, no. 7.
Nam June Paik: René Block and Bonino Galleries and WNET-TV
by Nancy Grove. Arts Magazine, May 1976, v. 50, no. 9.
Dan Graham: Apperearing in Public
by Eric Cameron. Artforum, Nov. 1976, v. 15, no. 3.
Video Art in Canada: Four Worlds
by Peggy Gale. Studio International, May 1976, v. 191, no. 981.
René Bauermeister
by René Bauermeister. Studio International, June 1976, v. 191, no. 981.
James Byrne: with excerpts from an interview with the artist by...
by Lisa Lyons. Studio International, June 1976, v. 191, no. 981.
NAM JUNE PAIK: Portrait of the Electronic Artist
by Victor Ancona. Videography, July Summer 1976, v. 1, no. 4.
Video Art: An Anthology
by Ira Schneider and Beryl Korot. New York; London: Harcourt Brace Jovanovich, 1976.
True Confessions: A Description of Recent Videotapes
by Ernest Gusella. Video Art: An Anthology, 1976. New York; London: Harcourt Brace Jovanovich, 1976.
Video Star Talks on Telephone
by Ilene Segalove. Video Art: An Anthology, 1976. New York; London: Harcourt Brace Jovanovich, 1976.
Video Gets a One
by Russell Connor. Video Art: An Anthology, 1976. New York; London: Harcourt Brace Jovanovich, 1976.
Videoperformance
by Willoughby Sharp. Video Art: An Anthology, 1976. New York; London: Harcourt Brace Jovanovich, 1976.
Colin Campbell: La belle histoire d'Art Star: Colin Campbell: The...
by Eric Cameron. vie des arts, Spring 1975, v. 20, no. 78.
At Video Inn
by Unknown. Cantrills Filmnotes, Apr. 1975, no. 21, 22.
Walter Wright and his amazing video machine
by Charles Hagen and Laddy Kite. Afterimage, Apr. 1975, v. 2, no. 10.
Four films by Pat O'Neill
by Scott Hammen. Afterimage, Mar. 1975, v. 2, no. 9.
Video at VSW: a workshop with John Randolph Carter
by Laddy Kite. Afterimage, Jan. 1975, v. 2, no. 7.
Long Beach: Going to a restaurant and eating the menu
by Melinda Wortz. Art News, Oct. 1975, v. 74, no. 8.
Wilde About Harry
by Peter Plagens. Artforum, Apr. 1975, v. 13, no. 8.
Notes on William Wegman
by Maud Lavin. Artforum, Mar. 1975, v. 13, no. 7.
Dan Graham and Mowry Baden, Otis Art Institute, Los Angeles
by Peter Plagens. Artforum, Dec. 1975, v. 14, no. 4.
Daniel Buren, New York City (sponsored by John Weber Gallery);...
by Susan Heinemann. Artforum, Sept. 1975, v. 14, no. 1.
Television: Video's Frightful Parent: Part 1
by David Antin. Artforum, Dec. 1975, v. 14, no. 4.
The Video Show
by David Hall. Art and Artists, May 1975, v. 10, no. 110/2.
La vidéographie dans un contexte d'art
by Eric Cameron. Vie des arts, Fall 1975, v. 20, no. 80.
Crónica de Milán
by Pedro Fiori. Goya Revista de Arte, May 1975, no. 126.
Bruce Nauman: The Center of Yourself
by Jan Butterfield. Arts Magazine, Feb. 1975, v. 9, no. 6.
Four Artists of Sensuality
by Cindy Nemser. Arts Magazine, Mar. 1975, v. 49, no. 7.
In Time, of Time
by Hermine Freed. Arts Magazine, June 1975, v. 49, no. 10.
Roger Welch and the Sculpture of Memory
by Philip Smith. Arts Magazine, Oct. 1975, v. 50, no. 2.
Video Installation: Paul Kos and the Sculptured Monitor
by Howard Junker. Arts Magazine, Nov. 1975, v. 50, no. 3.
Video Against Video
by Jole de Sanna. Domus, Feb. 1975.
Story Art
by Barbara Radice and Rodney Stringer. Data, Aug. 1975.
Video Show
by Glyn Davies. Architectural Design, July 1975, v. 45, no. 7.
Truth & Beauty
by A.A. Bronson. File, Fall 1975, v. 3, no. 1.
Videotape & The University Art Programme
by Eric Cameron. Studio International, June 1974, v. 187, no. 967.
Global Groove, TV Opera, Nam June Paik
by Arthur Cantrill and Corinne Cantrill. Cantrills Filmnotes, Dec. 1974, no. 20.
The Technologies of Vision: A Survey of the Artist's Encounter...
by Richard Hill. Art Magazine, Fall 1974, v. 6, no. 19.
Videoscape in Toronto: An Interview with Ian Birnie
by Pat Fleisher. Art Magazine, Fall 1974, v. 6, no. 19.
Leacock at M.I.T.
by Louis Marcorelles. Sight and Sound, Spring 1974, v. 43, no. 2.
James Herbert: Visions of the Nude
by Scott Hammen. Afterimage, Feb. 1974, v. 1, no. 10.
The TV Aesthetic
by Toni del Renzio. Art and Artists, Nov. 1974, v. 9, no. 8.
Video Politic
by Jennifer Oille. Art and Artists, Nov. 1974, v. 9, no. 8.
The Withering Away of the State of Art
by Hollis Frampton. Artforum, Dec. 1974, v. 13, no. 4.
Letters: Douglas David and Allan Kaprow
by Douglas Davis and Allan Kaprow. Artforum, Nov. 1974, v. 13, no. 3.
Video Art: Old Wine, New Bottle
by Allan Kaprow. Artforum, June 1974, v. 12, no. 10.
Reviews: Hannah Wilke, Keith Sonnier, Douglas Davis, Peter Campus,...
by James Collins et al. Artforum, June 1974, v. 12, no. 10.
Reviews: William Wegman and Dennis Oppenheim
by Roberta Smith. Artforum, May 1974, v. 12, no. 9.
Joan Jonas: Making the Image Visible
by Noel Carroll. Artforum, Apr. 1974, v. 12, no. 8.
Reviews: Nam June Paik, Al Hansen, and Dennis Oppenheim
by Robert Pincus-Witten and Alan Moore. Artforum, Apr. 1974, v. 12, no. 8.
Project '74
by Charles Harrison and Lynda Morris. Studio International, Nov. 1974, v. 188, no. 969.
Abstract Time: Nam June Paik
by Paul Schimmel and Nam June Paik. Arts Magazine, Dec. 1974, v. 49, no. 4.
Children's Tapes
by Terry Fox. Arts Magazine, Dec. 1974, v. 49.
The Grammar of the Video Image
by Eric Cameron. Arts Magazine, Dec. 1974, v. 49, no. 4.
Douglas Davis: Video Against Video
by David Ross. Arts Magazine, Dec. 1974, v. 49, no. 4.
Video and Abstract Expressionism
by Hermine Freed. Arts Magazine, Dec. 1974, v. 49, no. 4.
Video Time in Walter
by Bob Wiegand and Ingrid Wiegand. Arts Magazine, Dec. 1974, v. 49, no. 4.
The Video Window of Davidson Gigliotti
by Russel Connor. Arts Magazine, Dec. 1974, v. 49, no. 4.
Difference and Resemblance: Precis for Track/Trace, a Video Work...
by Frank Gillette. Design Quarterly, 1974, no. 90.
Public Service Video
by Joyce Klepp et al. Design Quarterly, 1974, no. 90.
Xll Bienal de Sao Paulo: A prototype for Vaudeville
by Regina Cornwell. Studio International, Mar. 1974, v. 187, no. 964.
Artvideotape: Does it Work?
by Jole de Sanna. Domus, May 1974.
The Form and Sense of Video
by Robert Arn. artscanada, Oct. 1973, v. 30, no. 4.
Japan - VIDEO HIROBA
by Fujiko Nakaya. artscanada, Oct. 1973, v. 30, no. 4.
Video Activity of N.E THING Co. Ltd.
by Joyce Zemans. artscanada, Oct. 1973, v. 30, no. 4.
W.O.R.K.S A Conceptographic Reading of Our World Thermometer
by Paul Woodrow. artscanada, Oct. 1973, v. 30, no. 4.
Transcript of a videotape interview with Joe Bodolai
by Joe Bodolai. artscanada, Oct. 1973, v. 30, no. 4.
Paik, Gillette, Downey: Process and Ritual
by David Ross. artscanada, Oct. 1973, v. 30, no. 4.
Women and Video: an introduction to the community of video
by Carol Zemel. artscanada, Oct. 1973, v. 30, no. 4.
Chapter 7
by John Berger. Ways Of Seeing, 1973. New York: Penguin Books, 1973.
Two Women in Personal Space
by Redon Xrist. Ethos, June 28, 1973, v. 7, no. 3.
New York Letter: Videocassettes Exhibited at Leo Castelli Gallery
by April Kingsley. Art International, Jan. 1973, v. 17, no. 1.
Reviews: Lynda Benglis, Paula Cooper Gallery
by Bruce Boice. Artforum, May 1973, v. 11, no. 9.
Theater of the Conceptual: Autobiography and Myth
by Robert Pincus-Witten. Artforum, Oct. 1973, v. 12, no. 2.
Hybrid...: a collaborative video piece
by Gary Lee-Nova and Al Razutis. artscanada, Oct. 1973, v. 30, no. 4.
Listening to VTR
by Bruce Parsons. artscanada, Oct. 1973, v. 30, no. 4.
Video at NSCAD
by Gary Neill Kennedy. artscanada, Oct. 1973, v. 30, no. 4.
Explorations in Video
by Gregory Battcock. Art and Artists, Feb. 1973, v. 7, no. 11.
Video is being invented
by Bruce Kurtz. Arts Magazine, Jan. 1973, v. 47, no. 3.
Fields: Peter Campus
by Bruce Kurtz. Arts Magazine, May 1973, v. 47, no. 7.
Gerry Schum
by Georg Jappe and John Wheelwright. Studio International, May 1973, v. 185, no. 955.
'Identifications' at the Hayward Gallery, From 7-11 March
by Rosetta Brooks. Studio International, Apr. 1973, v. 185, no. 954.
Visons: Twenty Four Frames going into video-tape distribution, The...
by Malcolm Le Grice. Studio International, May 1973, v. 185, no. 955.
Vision: Opus II, III, and IV, Gavin Bryars - Steve Dwoskin - Music Now
by Malcolm Le Grice. Studio International, Apr. 1973, v. 185, no. 954.
Vision: Arts Council Film Tour, Gilbert and George, Roger...
by Malcolm Le Grice. Studio International, Jan. 1973, v. 185, no. 951.
Idea demonstrations: body art and 'video freaks' in Sydney
by Donald Brook. Studio International, Nov. 1973, v. 185, no. 956.
When Festival Is 10, Is It Avant-Garde?
by Michael T. Kaufman. The New York Times, Dec. 10, 1973, no. 42324.
Para-television daydreams
by John Perreault. The Village Voice, Oct. 11, 1973, no. 41.
Joan Jonas: Organic Honey's Vertical Roll
by Constance de Jong. artsmagazine, Mar. 1973, v. 47, no. 5.
Video
by Jasia Reichardt. Architectural Design, May 1973, v. 43, no. 5.
Man Ray, Do You Want To...: An Interview with William Wegman
by Lisa Béar. Avalanche, Winter 1973, no. 7.
Exchange '73: From A Videotape by Robert Morris
by Robert Morris. Avalanche, Summer 1973, no. 8.
"Video is Being Invented"
by Bruce Kurtz. Arts Magazine, Dec. 1973, v. 47, no. 3.
The Other Channel
by Jan Dawson. Sight and Sound, Fall 1972, v. 41, no. 4.
Video Obscura
by Douglas Davis. Artforum, Apr. 1972, v. 10, no. 8.
Keith Sonier:: Video and Film as Colour- Field
by Robert Pincus Witten. Artforum, May 1972, v. 10, no. 9.
Video Artists
by Klaus U. Reinke. Studio International, Feb. 1972, v. 183, no. 941.
Video Recycled
by Renee Baert. artscanada, Oct. 1972, v. 29, no. 172, 173.
Video Revolution: Patricia Sloane discusses the work of Nam June Paik
by Patricia Sloane. Art and Artists, Mar. 1972, v. 6, no. 12.
Books: Guerilla Television, by Michael Shamberg & Raindance...
by David Zack. Art and Artists, July 1972, v. 11.
People Spaced - Performing Myself Through Another Agent
by Vito Acconci. Avalanche, Fall 1972, no. 6.
Rumbles
by Willoughby Sharp and Liza Bear. Avalanche, Spring 1972, no. 4.
Concentration-Container-Assimilation
by Vito Acconci. Avalanche, Fall 1972, no. 6.
TV as Art as TV
by Fred Barzyk. Print, Jan. 1972, v. 26, no. 1.
Body as Place-Moving in on Myself, Performing Myself
by Vito Acconci. Avalanche, Fall 1972, no. 6.
Occupied Zone-Moving in, Performing on Another Agent
by Vito Acconci. Avalanche, Fall 1972, no. 6.
Video Pioneers: From banality to beauty: TV as a new form of...
by Jonathan Price. Harper's Magazine, June 1972, v. 244, no. 1465.
Eight Pieces by Dan Graham: 1966-72
by Dan Graham. Studio International, 1972, v. 183, no. 944.
Keith Sonnier:: Video and Film as Color-Field
by Robert Pincus-Witten. Artforum, May Spring 1972, v. 10, no. 9.
Art on TV
by Charles Harrison. Studio International, Jan. 1971, v. 181, no. 929.
San Francisco
by Jerome Tarshis. Artforum, Feb. 1971, v. 9, no. 6.
Andy Warhol as a film-maker: A discussion between Paul Morrissey...
by Derek Hill and Paul Morrissey. Studio International, Feb. 1971, v. 181, no. 930.
Dutch artists on television
by Carel Blotkamp. Studio International, June 1971, v. 181, no. 934.
Los Angeles
by Melinda Terbell. Arts Magazine, Apr. 1971, v. 45, no. 6.
Subject-Object Body Art
by Cindy Nemser. Arts Magazine, Sept. 1971, v. 46, no. 1.
Statements: On Frame, On Color-aid
by Richard Serra. Artforum, Sept. 1971, v. 10, no. 1.
A Computer Art for the Video Picture Wall
by John H. Whitney. Art International, Sept. 1971, v. 15, no. 7.
Keith Sonnier At The Modern
by Kenneth Baker. Artforum, Oct. 1971, v. 10, no. 2.
Projection: the new trend at Prospect 71
by George Jappe. Studio International, Dec. 1971, v. 181, no. 940.
Letter to the Editor
by Mike Goldberg. artscanada, Oct. 1971, v. 28, no. 160, 161.
Kunstkritisches Tagebuch XVII: Identifikationen: Gerry Schums...
by Klaus Jürgen-Fischer. das kunstwerk, Jan. 1971, v. 24, no. 1.
Film: Videotape Program at Whitney
by Roger Greenspun. The New York Times, Dec. 10, 1971, no. 41593.
Bruce Nauman
by San Jose State College. Avalanche, Winter 1971, no. 2.
Terry Fox
Avalanche, Winter 1971, no. 2.
"Shocked and outraged as I was, it was nice seeing you again.'
by William Wegman. Avalanche, Winter 1971, no. 2.
New York: Keith Sonnier: Exhibition at Castelli Warehouse
by Robert Pincus-Witten. Artforum, May 1970, v. 8, no. 9.
Los Angeles: Keith Sonnier: Exhibition at Ace Gallery
by Peter Plagens. Artforum, Oct. 1970, v. 9, no. 2.
PheNAUMANNology
by Marcia Tucker. Artforum, Dec. 1970, v. 9, no. 4.
Nauman Interview
by Willoughby Sharp. Arts Magazine, Mar. 1970, v. 44, no. 5.
Los Angeles: Bruce Nauman Exhibition at the Nicholas Wilder Gallery
by Joseph Young. Art International, Summer 1970, v. 14, no. 6.
TV as a Creative Medium: at Howard Wise
by Jud Yalkut. Arts Magazine, Sept. 1969, v. 44, no. 1.
For Immediate Release
by Les Levine. Art and Artists, May 1969, v. 4, no. 2.
Videotape and Special Education
by Paul Ryan. Audiovisual Instruction, Nov. 1969, v. 14, no. 9.
TV - The Next Medium
by John S. Margolies. Art in America, Sept. 1969, v. 57, no. 5.
Art in the Electric Age
by John Chandler. Art International, Feb. 1969, v. 13, no. 2.
Computer Sculpture:: Six Levels of Cybernetics
by Robert Mallary. Artforum, May 1969, v. 7, no. 9.
Art and Technology of Nam June Paik
by Jud Yalkut. Arts Magazine, Apr. 1968, v. 42, no. 6.
Mother, turn off the picture
by Otto Piene. artscanada, June 1968, v. 25, no. 2.
A conversation on electronics and Black TV
by Aldo Tambellini et al. artscanada, Apr. 1968, v. 25, no. 1.
Art & Technology- The New Combine
by Douglas Davis. Art in America, Jan. 1968, v. 56, no. 1.
Art & Technology- Conversations: Gregory Kepes: Searcher in the...
by Douglas M. Davis. Art in America, Jan. 1968, v. 56, no. 1.
Art & Technology- Conversations: James Seawright: From Electronic...
by Douglas M. Davis. Art in America, Jan. 1968, v. 56, no. 1.
Warhol as Filmmaker
by David Bourdon. Art in America, Jan. 1968, v. 56, no. 1.
Electromedia: a movement
by Elsa Tambellini. artscanada, Nov. 1967, v. 24, no. 10.
Black
by Aldo Tambellini et al. artscanada, Oct. 1967, v. 24, no. 9.
The Way-Out West: Interviews with 4 San Francisco Artists: Nauman
by Joe Raffaele and Elizabeth Baker. Art News, Summer 1967, v. 66, no. 4.
Notes on Sculpture
by Robert Morris. Art Journal, Feb. 1966, v. 4, no. 6.
She sang up a swim pool for her village
by Anon. Sault Daily Star, Jan. 4, 1965.
Euro-Vision: Reflections of the New Face of Europe
by Marcy Goldberg. POV, Winter, no. 36.
There's Too Much Love in the World-: Reviewing Everybody Loves...
by Andrew James Patterson. POV, Winter, no. 60.
Video's Second Link
by Barb Leckie. Artnews.
Spotlight: Douglas Gordon
by Melissa Dunn. Flash Art, Feb., no. 228.
La vie quotidienne d'une prisonnière à la Maison Gomin
by Author of article. Publication name.
Public Works: A Short Talk With Cao Fei
by Brian Joseph Davis. Broken Pencil, Winter, no. 29.
ESSAY: Question
by Bill Horrigan.
Stan Douglas: Talks About Klatsassin, 2006
by Stan Douglas. Artforum, Oct. Winter.
Radical Raad
by Kevin Temple. NOW, Sept. 23, v. 24, no. 4.
VideoGuide Interviews Paul Wong
by Video Guide and Paul Wong. Video Guide, Nov..
Kenneth Doren
by Zoe Williams.
Politics of the Heart: Recognition of Homoparental Families
by Nancy Nicol. Florida Philosophical Review, Summer, v. 8, no. 1.
How Woman Changed the World: Or, How the Feminist Revolution...
by Lynn Mitges. The Province, Oct. 2 Fall.
AIDS Media: Counter-Representations
by Lucinda Furlong. The New American Film and Video Series - Whitney Museum of American Art, Jan..
Montreal Image & Nation
by Elana Wright and Aileen McBride. GoinfO, Nov..
Reconstructing Berlin
by Jeffrey Skoller. Afterimage, July, v. 26, no. 1.
Mo' Better News: A Discussion on Media Education
by Diana Agosta. Afterimage, Nov., v. 18, no. 4.
Sorting Daemons
by Jan Allen. Sorting Daemons: Art, Surveillance Regimes and Social Control. Kingston: Agnes Etherington Art Centre.
Les Absences de la photographie/The Absence of Photography
by Nicole Gingras and Claude Forget. Montreal: Cinema Libre.
Karla Berry and Mark Resh: Video Installations at Chicago Filmmakers
Visions Urbanes: Cicle de Vídeo Creació. Barcelona: Centre de Cultura Contemporània de Barcelona.
Colin Campbell
by Elizabeth Chitty. Video Guide, Mar., v. 3, no. 4.
"Are We Going Backwards?": Producer David Tuff in conversation...
by Ken Mann. Video Guide, Fall, v. 10, no. 48.
Lois Andison
by Ashley Johnson. Canadian Art, Spring, v. 27, no. 1.
Sharp Focus on Zacharias Kunuk
by Jerry White. New Internationalist, Apr., no. 344.
Northern Light
by Bryne McLaughlin. Canadian Art, Winter, v. 27, no. 4.
From Compilation to Collage: The Found-Footage Films of Arthur...
by William C. Wees. Canadian Journal of Film Studies, Fall, v. 16, no. 2.
Nam June Paik's "Real Plant/Live Plant"
by Amy Canonico. Yale University Art Gallery Bulletin.
Synthetic Pleasures
by Gogo Begonia. CyberStage, Winter, v. 2, no. 2.
DNA Sluts: VNS Matrix
by Gogo Begonia. CyberStage, Winter, v. 2, no. 2.
Kenneth Anger Me
by Jon Davies. C Magazine, Spring, no. 93.
Making a Scene with Live Video
by Laura U. Marks. The Independent.
Accessing Other Dimensions: Paul Pfeiffer
by Brian Curtin. ArtAsianPacific, July, no. 64.
Destination: Montreal
by Cheryl Simon and Fred McSherry. C Magazine, Jan., no. 60.
Her Dagestan: Taus Makhacheva
by Stephanie Bailey. Art AsiaPacific, Mar/Apr, no. 87.
The Making Of...: Sophia al-Maria
by Stephanie Bailey. Art AsiaPacific, Sept/Oct, no. 90.
A History of Vidding
by Morgan Dawn.
VASULKA: Steina. Machine Vision. Woody. Descriptions.
by Linda L. Cathcart and Robert T. Buck Jr..
4 Hours and 38 Minutes
by Philip Monk and Dot Tuer. 1989. Toronto: Art Gallery of Ontario (AGO).
ecstatic memory. sublime souvenir. A series of 5 video programs.
by Peggy Gale et al. 1999. Toronto: Art Gallery of Ontario (AGO).
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press.