Artist

The Clichettes were active in Toronto from 1978 to 1992. With choreography in their collective backgrounds, Louise Garfield, Janice Hladki and Johanna Householder came together to form The Clichettes, a highly suspect girl-group which used lip-sync as a vehicle for political satire. Throughout the 80s they performed at countless benefits and art events.They developed four feature-length theatrical extravaganzas: Half- Human, Half-Heartache (1980), She-Devils of Niagara (1985), Up Against the Wallpaper (1988/89) and Out for Blood (1990), all of which received popular and critical acclaim for their bizarre blend of pop culture spoof and sci-fi feminism laced with a high camp aesthetic. In 1984, The Clichettes won the National Lip-Sync Championships in Houston, Texas.

Videography

Go to Hell

1986, 02:15 minutes, colour, English

She Devils of Niagara: Act 2

1985, colour, English

She Devils of Niagara: Act 1

1985, colour, English

Critical Writing

Consciously Incoherent: Anti-aesthetics & Associational Networks...
by Zach Pearl.
Night Raiders director Danis Goulet on why setting Indigenious...
by Radheyan Simonpillai. Night Raiders director Danis Goulet on why setting Indigenious stories in the future is activism, Mar 2, 2021. Now Toronto, 2021.
Woody Vasulka, Whose Video Art Extended Boundaries, Dies at 82
by Richard Sandomir. The New York Times, January 1, 2020.
Videopoetry Vol. 1
by Daniel H. Dugas and Valerie LeBlanc. Small Walker Press, 2020.
Planetary thinking: Re-encountering Nancy Holt's and Robert...
by Maria Walsh. Moving Image Review & Art Journal, 2020, v. 9, no. 2. Intellect Ltd, 2020.
Inuit artists featured for 1st time at Venice Art Biennale
by Megan Williams. CBC, May 11, 2019.
Inside Out 2019 Women Directors
by Rachel Montpelier. Women and Hollywood, May 24, 2019.
Isuma Is a Cumulative Effort
by assinnajaq. Canadian Art, april 22, 2019.
Outer Worlds
by Jesse Cumming. Canadian Art, May 23, 2019.
To Salvage an Archive
by Jasmine Jamillah Mahmoud. Canadian Art, June 6, 2019.
You Want Our Art but Not Our People
by Lindsay Nixon. Canadian Art, May 23, 2019. Canadian Art, 2019.
Sky Hopinka: Cloudless Blue Egress of Summer
by Sheila Regan. C Magazine, 2019, no. 142.
Who's Afraid of the Lesbian Haunted House?
by Ariel Levy. The New Yorker, Nov 4, 2019.
Beyond These Kastle Walls
by Tausif Noor. Artforum, nov 4, 2019.
A closer look at Seven Sisters
At the Met, Cree artist Kent Monkman asks visitors to confront...
by Kate Taylor. The Globe and Mail, 2019.
Transitions
by James Cullingham. ActiveHistory.ca, Mar 5, 2018. History Department at the University of Saskatchewan and Huron University College, 2018.
Inuit Filmmaking That Sparks a Fire
by Camille Georgeson-Usher. Canadian Art, Jan 23, 2018.
The Chaos of Displacement
ArtStars, Nov 14, 2018.
O PIONEER!
by Rachel Churner. Artforum, Apr 2018.
Second International Handbook of Internet Research
by Jeremy Hunsinger et al. Cham: Springer Link, 2018.
LORNA MILLS, Or the Uses of Ugliness
by Seth Berry Watter. Millennium Film Journal, 2018, v. 2, no. 67.
KINO SKULPTUR PROJEKTE
by Annie Dell'Aria. Millennium Film Journal, 2018, v. 5, no. 67.
THE OLD AND THE NEW, IN SITU at the 2017 Berwick Film & Media Arts...
by Greg De Cuir Jr. Millennium Film Journal, 2018, v. 2, no. 67.
Ways of Seeing After the Internet
by Johanna Gosse. Millennium Film Journal, 2018, v. 2, no. 67.
Kent Monkman
by Robert Everett-Green. The Globe and Mail, Jan 6, 2017. The Globe and Mail, 2017.
Kent Monkman marks Indigenous response to Canada 150 at Toronto Pride
by Kenny Sharpe. The Globe and Mail, June 23, 2017. The Globe and Mail, 2017.
'To Think the Home in Terms of the Factory'
by Elisa Adami and Alex Fletcher. Third Text, Jan 2017, v. 31, no. 1. Routledge, 2017.
Oral history interview with AA Bronson, 2017 March 3, 5, and 6
by Theodore Kerr. Archives of American Art, March 2017.
From Reel to Real -- an epilogue
by Maud Jacquin. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Discoveries in the biscuit tin
by Sarah Neely. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Artists' dialogues - Transnational exchanges
by Nooshin Farhid et al. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Mediatized memories in Mark Leckey's Dream English Kid 1964-1999 AD
by Sarah Durcan. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
In memoriam Stuart Croft (1970-2015)
Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
The Performance of Trauma in Moving Image Art, Dirk de Bruyn...
by Maria Walsh. Moving Image Review & Art Journal (MIRAJ), 2017, v. 6, no. 1&2.
Inuit Art Collective Isuma to Represent Canada at 2019 Venice Biennale
Canadian Art, Dec 13, 2017.
The Diaspora That Never Happened
by Aaditya Aggarwal. Canadian Art, Dec 4, 2017.
Using Art to Rethink the Legacy of Nazi Germany
by R.M. Vaughan. the Walrus, Oct 27, 2017.
The Invention of Glitch Video
by Michael Betancourt. Millennium Film Journal, 2017, v. 2, no. 65.
Dinh Q. Le
by Denise Tsui. Art AsiaPacific, Jan 2016.
Conflict, Coercion, and Settler Colonialism in Western Canada
by Sean Carleton. Canadian Dimension, Spring 2016, v. 50, no. 2.
Kunstlerhaus Stuttgart
by Travis Jeppesen. Art in America, July 2016, v. 104, no. 6.
Pleasure, Pain, and Politics Ellen Cantor in New York
by Dana Kopel. Art in America, Oct 19, 2016.
The Disquieting Muses
by Leslie Jamison. The White Review, Sept 2016, no. 18.
Canadian Film Week
by Janet Smith et al. The Georgia Straight, Apr 13, 2016.
Park Chan-Kyong's Asian Gothic as 'the Most Sublime Hysteria' in...
by Choi Jong-chul. Third Text, 2016, v. 30, no. 5-6. Routledge, 2016.
Sexual Assault
by Leah Sandals. Canadian Art, Sept 13, 2016. Canadian Art, 2016.
Playing and Dying Between the Real and the Hyperreal
by Laura M F Bertens. Third Text, Mar 2016, v. 30, no. 1-2. Routledge, 2016.
Much ado about medium
by Liz Kim. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
1970s British experimental film
by Patti Gaal-Holmes. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Expanded cinema
by Chris Welsby. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Deictic transformers
by Nevena Ivanova. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Hiding in plain sight
by Laura Guy. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Projective art and the ‘staging’ of empathic projection
by Ken Wilder. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Melanie Manchot in conversation with Pratap Rughani
by Melanie Manchot and Pratap Rughani. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Jennet Thomas in conversation with Kyran Joughin
by Jennet Thomas and Kyran Joughin. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Karen Mirza and Brad Butler in conversation with Andrew Vallance
by Karen Mirza et al. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
The Inoperative Community, Raven Row, London, 3 December 2015 to...
by Catherine Elwes. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Pastoral Idyll
by Dan Hays. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Feminisms
by Maria Walsh. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Video Void, Australian Video Art, Matthew Perkins (ed.) (2014)
by Steven Ball. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
Installation and the Moving Image, Catherine Elwes
by Kim Knowles. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
'Electronic Superhighway', curated by Omar Kholeif
by Paul O'Kane. Moving Image Review & Art Journal (MIRAJ), 2016, v. 5, no. 1&2.
The Extended Scene
by Francisco-Fernando Granados. Drain, 2016, v. 13:2. Drain Mag, 2016.
Serious Games: Harun Farocki
by Ming Lin. Art AsiaPacific, Mar/Apr 2015, no. 92.
CABAC: New Moving Image from Scotland
by Luke Collins. Glasgow: LUX Scotland, 2015.
Sara Angelucci, A Mourning Chorus: Exhibition Review
by Magdalena Vasko. The Senses and Society, Apr 2015, v. 10, no. 1.
This Director Edited 400 (Pretty Shitty) Canadian Movies Into One...
by Chris Dart. Vice, July 9, 2015.
Cancon Cinematic Crap Compressed into one Batshit Crazy Film
by Craig Takeuchi. The Georgia Straight, July 13, 2015.
Dwelling
by Simon Frank. Art AsiaPacific, Oct 2015.
The Singular Voice(s) of Vera Frenkel
by Catherine Elwes. Moving Image Review & Art Journal (MIRAJ), Dec 1, 2015, v. 4, no. 1&2. Intellect Ltd, 2015.
Reading the Strange Case of Woman-as-Appliance
by August Jordan Davis. Third Text, Sept 2015, v. 29, no. 4-5. Routledge, 2015.
They Made a Day be A Day Here: Prairie Positive
by Alison Cooley. Canadian Art, Jan. 16, 2014.
In Search of Blind Joe Death: The Saga of John Fahey
by Dennis Rozanski. Mojoworkin.com, Feb. 2014.
Paul McCarthy: Black and While Tapes: Everyone Agrees: Meetings...
by Anna Gritz. Art Monthly, Mar. 2014, no. 374.
Post-Medium Condition and Intericonic Art Theory: On the...
by Nina Gerlach. Journal of Art History, 2014, v. 83, no. 1.
Kailey Bryan: Bits & Places Rogue Gallery, Eastern Edge Artist Run...
by Gloria Hickey. C Magazine, Spring 2014, no. 121.
Artists' Walks: The Persistence of Peripateticism
by Michael Vass. C Magazine, Spring 2014, no. 121.
Amalie Atkins, Brian Cauley, Kathryn Ruppert-Dazai and Ellyn...
by Penelope Smart. C Magazine, Spring 2014, no. 121.
Juliana Pivato, Maura Doyle and Laura Taler: bones kneel in company
by Anna Khimasia. C Magazine, Winter 2014, no. 120.
NILBAR GÜREŞ
by Berin Golonu. Art in America, Jan 1 Winter, 2014, v. 107, no. 1.
Akram Zaatari: All is Well
by Amber Berson. C Magazine, Summer 2014, no. 122.
Drink in Vera Frenkel's art homecoming at MOCCA: One of Canada's...
by Murray Whyte. The Toronto Star, Nov. 26, 2014.
Must-see mischief: The fundamental strangeness of Frenkeland at MoCCA
by James Adams. The Globe and Mail, Nov. 28, 2014.
New Vistas? Aboriginal animations and digital dreams at the...
by Jennifer Gauthier. Continuum: Journal of Media & Cultural Studies, 2014, v. 28, no. 4.
V-Tape Founder Shares All
by Clarrie Feinstein. The Newspaper, 2014, v. 37, no. 3.
Life of Always a Mirror
by Joo Han. Art AsiaPacific, Dec 2014.
Motion Sketch: Len Lye
by Paul Laster. Art AsiaPacific, Sept/Oct 2014, no. 90.
Translation and Transcription:: A Conversation with Shelagh Keeley
by Ben Portis. Momus, Dec 23, 2014.
Home Video Returns: A Conversation with Shelagh Keeley
by Alexandra Juhasz and Ted Kerr. Cineaste, 2014, v. 39, no. 3. Cineaste Publishers, 2014.
Nathaniel Mellors
by Ilaria Gianni. Artforum, 2013.
In the Mosaic: Jewish Identities in Canadian Performance and...
by Carol Zemel. Canadian Theatre Review, Winter 2013, no. 153.
David Askevold: Art Gallery of Nova Scotia
by Gabrielle Moser. Artforum, May 21, 2013.
In Another Time: Nostalgic Pasts and Utopian Futures in Yael...
by Laliv Melamed. Artpapers.org, Jan. 21, 2013, no. 37:01.
Richard Rhodes's Top 3 of 2013: Imagination and Reality
by Richard Rhodes. Canadian Art, Dec. 20, 2013.
Isuma: Inuit Video Art by Michael Robert Evans, and: The Fast...
by Kristin G. Congdon. Journal of American Folklore, Summer 2013, v. 126.
Apichatpong Weerasethakul
by Lawrence Chua. New Art Publications, 2013.
True Confessions of a Video Art Pioneer: How the Influential...
by Pac Pobric. art basel Miami Beach Daily Edition, Dec. 6, 2013.
Reversing Time's Arrow in Nam June Paik's Guadalcanal Requiem
by Gabrielle Gopinath. Quarterly Review of Film and Video, 2013, no. 30.
Agenda British Columbia: VIEW Keith Wallace
by Keith Wallace. Canadian Art, Fall 2013.
Building Community through Filming Community: The process behind...
by Shannon Walsh. POV, Winter 2013, no. 92.
David Askevold: Once Upon a Time in the East
by Jane Affleck. C Magazine, Fall 2013, no. 119.
The Success of Failure
by Anonymous. Border Crossings, Mar. 2013, v. 32, no. 1.
Images Festival
by Cotter Sam. C Magazine, Fall 2013, no. 119.
Jordan Wolfson: Raspberry Poser
by Jen Hutton. C Magazine, Summer 2013, no. 118.
Sara Angelucci: Provenance Unknown
by Jennifer Rudder. C Magazine, Fall 2013, no. 119.
Part One: Language and Interdisciplinarity: (Re-)contextualizing...
by Karl E. Jirgens. Trans/acting culture, writing, memory: essays in honour of Barbara Godard, 2013. Waterloo: Wilfrid Laurier University Press, 2013.
Patrimonialization and Filiation at the National Film Board of...
by Marion Froger. American Journal of Canadian Studies, 2013.
Jamelie Hassan:: At the Center of Marginality
by Amra Ali. Nutka Art, 2013, v. 8, no. 2.
Embedded Aggression Implied or Enacted
by Grahame Weinbren. Millennium Film Journal, Spring 2013, no. 57.
'Media is Sensational'
by Duncan White. Moving Image Review & Art Journal (MIRAJ), Oct 2013, v. 2, no. 2. Intellect Ltd, 2013.
Jason de Haan and Miruna Dragan
by Jan Peacock. Canadian Art, Spring 2012, v. 29, no. 1.
Toronto festival spotlights an indigenous new wave that's...
by Guy Dixon. The Globe and Mail, June 24, 2012.
I Say I Am: Women's Performance Video from the 1970s
by Maria Troy. Video Data Bank, 2012.
MOUNIRA AL-SOLH: The Ventriloquist's Humor
by Nat Muller. ArtAsiaPacific, Mar. 2012, no. 77.
Monopolies and Maquiladoras: The Resistant Re-encoding of Gaming...
by Claire Taylor. Journal of Iberian and Latin American Research, Dec. 2012, v. 18, no. 2.
The Representations of the Female Body in the Multimedia Works of...
by Jane Lavery and Sarah Bowskill. Bulletin of Latin American Research, 2012, v. 31, no. 1.
In Search of Lost Space: Stan Douglas' Archaeology of Cinematic...
by Noam M. Elcott.
Oh, Canada Amalie Atkins
by Leah Taylor. BlackFlash Magazine, Sept. 2012, v. 29, no. 3.
Pressed into the Service of Canada: Issues in Preserving the...
by Andy Uhrich. The Moving Image, Spring 2012.
Queer Film Classic Series: Cutting-edge books on gay and lesbian...
by Nik Sheehan. POV, Spring 2012, no. 85.
Two or three things I know about him
by Mark Westmoreland. MIT List Visual Arts Center, 2012.
The Thing About Obomsawin's Indianness: Indigenous Reality and the...
by Bruce Cornellier. Canadian Journal of Film Studies, Fall 2012, v. 21, no. 2.
Sounding Selves
by Mireille Bourgeois. C Magazine, Winter 2012, no. 116.
Alona Rodeh and the Art of Camouflage
by Robert Enright and Meeka Walsh. Border Crossings, Dec. 2012, v. 31, no. 4.
Wavelengths and Future Projections
by Sky Goodden. C Magazine, Winter 2012, no. 116.
Declining Democracy
by Emmy Skensved. C Magazine, Summer 2012, no. 114.
Video is a Perceptual Prosthetic: Tom Sherman
by Tom Sherman.
James Richards
by Steve Reinke. ==, 2012, no. 2.
Modern Women: Single Channel
by Colin Perry. Moving Image Review & Art Journal (MIRAJ), 2012, v. 1, no. 1.
"Situações-Limites": the emergence of video art in Brazil in the...
by Nick Finch and Anne-Sophie Dinant. Moving Image Review & Art Journal (MIRAJ), 2012, v. 1, no. 1.
David Claerbout: The Time that Remains
by Pryle Behrman. Moving Image Review & Art Journal (MIRAJ), 2012, v. 1, no. 1.
Anri Sala
by Ken Wilder. Moving Image Review & Art Journal (MIRAJ), 2012, v. 1, no. 2. Intellect Ltd, 2012.
Daniel Barrow
by Aaron W. Graham. Side St. Review, Spring 2011, no. 7.
Tadasu Takamine shocks us, yet again
by C.B. Liddell. The Japan Times, Jan. 2011.
Yael Bartana
by Anthony Downey. ArtReview, Summer 2011, no. 51.
KATIE BETHUNE-LEAMEN: OLDER, SADDER, AND ALL IN WHITE THIS TIME:...
by Amanda Rataj. C Magazine, Spring 2011, no. 109.
Perception as Transcendence: Interview with Pawel Wojtasik
by Scott MacDonald. Film Quarterly, Winter 2011, v. 65, no. 2.
Man Standing: Zacharias Kunuk brings contemporary relevance to...
by Timothy Taylor. Canadian Art, Fall 2011.
Location and Dislocation: The Media Performances of Valie Export
by Mechtild Widrich. PAJ: A Journal of Performance and Art, Sept. 2011, v. 33, no. 3.
Gimme (Tax) Shelter: The '70s and '80s Were an Especially Fertile...
by Jason Tannis. Fangoria, Nov 2011, no. 309.
What is a remix, exactly?: The '70s and '80s Were an Especially...
by Elisa Kreisinger.
What is a remix, exactly?: The '70s and '80s Were an Especially...
Through a looking glass and beyond: Media art and museums
by Elaine Tolmatch and Laurie Filgiano. Muse, Jan. 2010, v. 28, no. 1.
"arrives asking, demanding something of us"
by Janice Hladki. Fierce: Women's Hot Blooded Film/Video, Mar. 2010. Hamilton: McMaster Museum of Art, 2010.
Myths of the Heart: The Film and Video World of Mako Idemitsu
by Norio Nishijima.
Geopolitics & The Videos of b.h.Yael
by Richard Fung. Fierce: Women's Hot Blooded Film and Video, Mar. 10, 2010. Hamilton: McMaster Museum of Art, 2010.
Spirit in the Blood
by Lisa Steele. Fierce: Women's Hot Blooded Film/Video, Mar. 10, 2010. Hamilton: McMaster Museum of Art, 2010.
The Ongoing Powers of Dana Claxton
by Jeremy Todd. Fierce: Women's Hot Blooded Film/Video, Mar. 2010. Hamilton: McMaster Museum of Art, 2010.
Shame on Her: Allyson Mitchell
by Julia Bryan-Wilson. Fierce: Women's Hot Blooded Film/Video, Mar. 10, 2010. Hamilton: McMaster Museum of Art, 2010.
Ardent Spaces, Formidable Environments
by Patricia R. Zimmerman. Fierce: Women's Hot Blooded Film/Video, Mar. 2010. Hamilton: McMaster Museum of Art, 2010.
Mooswa, Muskwa, PuskwaMoostoos - Digital Creations with Immemorial...
by Tannis Nielsen. Hamilton Artists Inc., Mar. 6, 2010.
A Bright, Shiny, Fabricated Family Life: Mothers, Sons, and...
by Hiroko Hagiwara.
The Seen and The Unseen
by Akira Tochigi.
Tales from the Creeped: The Animated Films of Barry Doupe
by Lee Henderson. Border Crossings, 2010, v. 29, no. 113.
Beautiful, Useless Things: the work of Ryoji Ikeda
by Christopher Olson. Border Crossings, 2010, v. 29, no. 113.
Rocky Mountain Rag: Ragnar Kjartansson
by Tatiana Mellema. Canadian Art, Spring 2010, v. 27, no. 1.
War Artist: Althea Thauberger on the Cultural Front Lines
by Deborah Campbell. Canadian Art, Spring 2010, v. 27, no. 1.
Trap and Snare: Omer Fast's 'Nostalgia'
by Brenda Goldstein. Fuse, 2010, v. 33, no. 1.
Structural Legacies: Lessons in How to Assimilate the 'Seminal'
by Lucy Reynolds. Switch, Spring 2010, no. 3.
Michael Snow: Screen Writing
by Martha Langford. Switch, Spring 2010, no. 3.
Michael Snow's Films 1966-1971
by Elizabeth Legge. Switch, Spring 2010, no. 3.
The Other Night Sky
by Amanda Happe. Switch, Spring 2010, no. 3.
Screen Space
by Gregory Burke and Helena Reckitt. Switch, Spring 2010, no. 3.
"Try to Walk With the Sound of my Footsteps": The Surveillant Body...
by Kirsty Robertson. Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.
Captured and Controlled: Critiquing Surveillance through The Camera
by Sarah E. K. Smith. Sorting Daemons: Art, Surveillance Regimes and Social Control, 2010. Kingston: Agnes Etherington Art Centre, 2010.
Digital Spectrum of the Body
by Caroline Rodrigues. Kika Nicolela works: 2003-2010, 2010. blurb.com, 2010.
Artist Paul Wong Puts a Gay Spin on Macho Cowboys: ART / Catch his...
by Jenn Ruddy. Xtra!, Jan. 21, 2010.
Cool Jewish Curator of the YouTube Generation: Montréal's...
by Maurie Alioff. POV, Summer 2010, no. 78.
Disaster Docs: Features, reality TV series, blogs and websites...
by Peter Wintonick. POV, Summer 2010, no. 78.
The Lives and Death of Carolee's Cats:Intimate Encounters, Gentle...
by Carla Benzan. C Magazine, Fall 2010, no. 107.
In Conversation: David Han, Samina Mansuri, Sara Graham
by Sky Goodden and Rebecca Carson. One Hour Empire, Summer 2010, no. 3.
Growing Pains and High Value Targets
by Mike Landry.
Alberta bound: Video recalls western black farms
by Fran Schechter. NOW, Mar. 24, 2010, v. 29, no. 30.
Narrative mashups engage viewers: Presentation House Gallery...
by Kevin Griffin. Vancouver Sun, May 6, 2010.
Ways of seeing explored in new exhibit
by Jessica Barrett. North Shore News, Apr. 30, 2010.
Caged Rage
by Zaheen K. No More Potlucks, Nov. 2010, no. 12.
Vera Frenkel:Archive Fevers: Galerie SBC, Montreal Oct 2 - Dec 4
by Amy Marshall Furness. Canadian Art, Dec. 2, 2010.
Vera Frenkel:Archive Fevers: Galerie SBC, Montreal Oct 2 - Dec 4
by Marie-Helene Leblanc and Steve Loft. objet indirect object, 2010. Gatineau: Centre de production DAIMON, 2010.
Economies of Faith
by Richard Ibghy and Marilou Lemmens. C Magazine, Winter 2010, no. 108.
Both teams cannot win: Natasha Bissonauth interviews Divya Mehra
by Natasha Bissonauth. C Magazine, Winter 2010, no. 108.
Projections: Music Video
by Saelan Twerdy. C Magazine, Winter 2010, no. 108.
Guy Ben-Ner: Thursday the 12th: Mass MoCA, North Adams, Massachusetts
by Rebecca Weisman. C Magazine, Winter 2010, no. 108.
A Slow and Painful Crawl: the videos of Kent Anderson Butler
by Thomas McGovern. Afterimage, Nov. 2010, v. 38, no. 3.
Video Spa: Krisna Murti's treatment of the senses
by Edwin Jurriens. Bijdragen tot de Taal-, Land-en Volkenkunde, 2010, v. 166, no. 1.
Henderson: Recovering Love is about reclaiming lives
by Helen Henderson. The Toronto Star, Nov. 19, 2010.
Motorcycling Through the Pop-Culture Library
by Sam Gould et al. Front, Spring 2010, v. 21, no. 1.
Judy Radul
by Aaron Peck. Canadian Art, Spring 2010, v. 27, no. 1.
Tacita Dean
by James D Campbell. Border Crossings, Mar. 2010, no. 113.
The Horror, The Horror
by Border Crossings. Border Crossings, Dec. 2010, no. 116.
Queer Eyes: David Velasco on A.K. Burns and A.L. Steiner's...
by David Velasco. Artforum, Nov. 2010.
The Discovery of Slowness: T.J. Demos on the films of Manon de Boer
by T.J. Demos. Artforum, Nov. 2010.
Committed to Memory: Dan Adler on Renee Green
by Dan Adler. Artforum, May 2010.
Claire Hooper
by Ian Hunt. Flash Art, Nov. 2010.
Ryan Trecartin
by Jonathan T.D. Neil. ArtReview, Sept. 2010, no. 43.
Calling the Shots: Are the video artists of the 1990s leading the...
by Laura Allsop. ArtReview, Oct. 2010, no. 44.
Isaac Julien: Ten Thousand Waves
by Mark Rappolt. ArtsReview, Oct. 2010, no. 44.
Doug Fishbone: Elmina
by J.J. Charlesworth. ArtReview, Oct. 2010, no. 44.
Shadowed by Images: Rafael Lozano-Hemmer and the Art of Surveillance
by Kriss Ravetto-Biagioli. Representations, Summer 2010, v. 111, no. 1.
Christian Marclay: The Clock, White Cube Mason's Yard
by Oliver Basciano. ArtReview, Oct. 2010, no. 44.
Marginal Mainstream
by Martin Herbert. ArtReview, Oct. 2010, no. 44.
We Care A Lot
by Mark Rappolt. ArtReview, Oct. 2010, no. 44.
Ming Wong
by Alex Lapp. ArtReview, Apr. 2010, no. 40.
Shirin Neshat: Women Without Men
by Lina Bertucci. Flash Art, Oct. 2010.
Sriwhana Spong
by Danae Mossman. Flash Art, Mar. 2010.
Tacita Dean: Slowness' Panegyric
by Massimiliano Gioni. Flash Art, Jan. 2010.
John Smith: Solo Show
by J.J. Charlesworth. ArtReview, Summer 2010, no. 42.
Lars Laumann: Cinéma Verité
by Aimee Walleston. Flash Art, Oct. 2010.
Dana Claxton and the Graceful Art of Rage
by Dayna McLeod. No More Potlucks, Nov. 2010, no. 12.
Some Say Love: Kim Sheppard's Films
by Lauren Howes. No More Potlucks, May 2010, no. 9.
Auto/Pathographies: Re-constructing Identity through...
by Jolene Pozniak. No More Potlucks, Jan. 2010, no. 7.
The Tragic Optimist: You, The Living, directed by Roy Andersson
by Robert Enright. Border Crossings, Mar. 2010, no. 113.
Interview with Manon de Boer
by Barbara Dierickx and Rony Vissers. PACKED, 2010.
Carolee Schneeman
by M J Thompson. Border Crossings, May 2010, v. 29, no. 4.
Isuma: Inuit Art Video
by Bruno Cornellier. Canadian Journal of Film Studies, Spring 2010, v. 19, no. 1.
Operation Atropos
by Coco Fusco. Journal of Media Practice, 2010, v. 11, no. 1.
LA VIE DES AUTRES : UN HOMMAGE A L'ART
by Sophie Bastien. Canadian Journal of Film Studies, Fall 2010, v. 19, no. 2.
Emmanuel Licha
by Anja Bock. Canadian Art, Fall 2010, v. 27, no. 3.
Here You Are, Part One, (Stan Douglas, Kevin Romaniuk, Jamie...
by Rachelle Sawatsky. C Magazine, Summer 2010, no. 106.
Ryan Trecartin: Any Ever
by Nadja Sayej. C Magazine, Fall 2010, no. 107.
Isuma: Inuit Video Art
by Bruno Cornellier. Canadian Journal of Film Studies, Spring 2010, v. 19, no. 1.
Cinema of Prayoga: A Theory Under Construction
by Amrit Gangar. Art iT, July 16, 2010.
Congo Memories: Isabelle Pauwels's Adventures in History
by Sara Mameni. Canadian Art, Fall 2010, v. 27, no. 3.
Realism and Realistic Representation in the Digital Age
by Gabriel F. Giralt. Journal of Film and Video, 2010, v. 62, no. 3.
Astro Dub Morphologies
by Edward George and Anna Piva. Journal of Media Practice, 2010, v. 11, no. 1.
Indigenous women in film and video: Three generations of...
by Jennifer A Machiorlatti. Post Script- Essays in Film and the Humanities, Summer 2010, v. 29, no. 3.
Claudia Joskowicz: Artists on Artists
by Omer Fast. BOMB, Winter 2010, no. 114.
Structuring Knowledges: Caching Inuit Architecture Through...
by Erin Morton. Post Script - Essays in Film and the Humanities, Summer 2010, v. 29, no. 3.
"A joke's a very serious thing": Subversive Camp Humour in Benny...
by Wendy L. Moir. Carelton University - M.A. Dissertation, 2010.
Travelling Eye: The Elusive Digital Frame and the Elasticity of...
by Anne Robinson. Journal of Media Practice, 2010, v. 11, no. 3.
Duplicated Replications: The Interventions of Omer Fast
by Tina Wasserman. Afterimage, 2010, v. 37, no. 5.
The Motorization of Video Art: Van McElwee's Liquid Crystal...
by Robert Kohn. Afterimage, May 2010, v. 37, no. 6.
Mika Rottenberg's Productive Bodies
by Hsuan Hsu. Camera Obscura, 2010, v. 25, no. 2.
Steve Reinke's Archival Imaginary
by Gavin Butt and Jon Cairns. Critical Quarterly, Oct. 2010, v. 42, no. 3.
Chen Chieh-Jien
by David Frazier. ArtAsianPacific, May 2010, no. 68.
Canadian Artist Spotlight: Ross McLaren
by Eldon Garnet. Images Festival, 2010. Toronto: Images Festival, 2010.
We Are Here, We Could Be Everywhere: Freewaves and the Use Value...
by Kenneth Rogers. Video on the Loose, 2010.
New Documentary Recounts Bizarre Climate Changes Seen by Inuit Elders
by Guy Dixon. The Globe and Mail, Oct 19, 2010.
DIY Media 2010: Fan Vids (Part Three)
by Francesca Coppa. CONFESSIONS OF AN ACA-FAN, Nov 29, 2010.
DIY Media 2010: Fan Vids (Part Four)
by Francesca Coppa. CONFESSIONS OF AN ACA-FAN, Nov 30, 2010.
DIY Video 2010: Political Remix (Part Three)
by Henry Jenkins and Jonathan McIntosh. CONFESSIONS OF AN ACA-FAN, Nov 17, 2010.
Inside Images: Festival offers a look at the cutting edge of...
by Jessica Padykula. SceneandHeard.ca, Mar. 28, 2009, v. 8, no. 7.
GALLERIES
by David Balzer. EYE WEEKLY, Jan. 29, 2009, v. 18, no. 14.
private Regina: the poetics of memory
by Christina Strojanova. Splice Magazine, Winter 2009.
John Cage's Secret
by Laura Paolini. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
Unfurnished Pornography for Rent
by Meg Walker. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
Private Video: Autobiographies, Diaries and Families' Stories: How...
by Elena Marcheschi. Les Fleurs Du Mal, Jan. 2009, v. 3, no. 1.
mispon: a celebration of indigenous filmmaking
by Nora Gardner. Splice Magazine, Winter 2009.
Where the Wild Things Are
by Erik Martinson. The Dark Arts: magic + intuition (curatorial incubator 6), 2009. Toronto: Vtape, 2009.
marvelous! ruin! collapse!
by Leigh Fisher. The Dark Arts: magic + intuition (curatorial incubator 6), 2009. Toronto: Vtape, 2009.
Peep Art: Two Canadians and the new surveillance art
by Hal Niedzviecki. Canadian Art, Spring 2009, v. 26, no. 1.
A Spy in the House of History (with apologies to Anais Nin): Nina...
by R.M. Vaughan. Canadian Art, Spring 2009, v. 26, no. 1.
The Lap, the Fur
by Rodney LaTourelle. C Magazine, Spring 2009, no. 101.
Drean Scenes: The Lethbridge artist David Hoffos takes centre stge...
by Nancy Tousley. Canadian Art, Spring 2009, v. 26, no. 1.
The Making of Monsters: John Greyson's sublime short, revisited
by Matthew Hays. POV, Spring 2009, no. 73.
Art and the Documentary
by Marc Glassman. POV, Spring 2009, no. 73.
Stan Douglas produces Films That Don't Begin or End - They are in...
by Nancy Lanthier. POV, Spring 2009, no. 73.
Videoworks: Wish We Could Tell: Joana Hadjithomas and Khalil Joreige
by Tess Takahashi. Videoworks: Wish We Could Tell, 2009. Toronto: A Space Gallery, 2009.
What can cinema do?
by Jon Davies. C Magazine, Spring 2009, no. 101.
Those of Us Who Know About These Darkened Rooms, and Go There
by Jacob Korczynski. C Magazine, Spring 2009, no. 101.
PCP: Pop / Conceptual / Psychedelic
by Lars Bang Larsen. C Magazine, Spring 2009, no. 101.
what makes a music video: the video or the music?
by Leah Sandals. The Globe and Mail, May 2, 2009.
Creating and Capturing Reality: The Director Takes Us Behind the...
by Pepita Ferrari. POV, Summer 2009, no. 74.
Before Tomorrow
by Susan G. Cole. NOW, Mar. 26, 2009, v. 28, no. 30.
A pianist and a camera make music of the id
by Gary Michael Dault. The Globe and Mail, Apr. 25, 2009.
Gunilla Josephson Artist-in-Residence: E.V.E. Absolute Matrix
by Sewil Otosed. Gunilla Josephson Artist-in-Residence, Apr. 4, 2009. Toronto: Trinity Square Video, 2009.
The long and the tall of it: Art and Outrage: The Films of Ian Toews
by Gerald Saul. Splice Magazine, Winter 2009.
Alana Obomsawin: Then and Now
by Alioff Maurie. POV, Summer 2009, no. 74.
Tomorrow hits today: The odds stack up against two unlikely heroes...
by Jason Anderson. EYE WEEKLY, Mar. 26, 2009, v. 18, no. 20.
Chilling Out: Northern Stories are Suddenly Hot
by Susan Cole. NOW, Mar. 26 Spring, 2009, v. 28, no. 30.
Pictures are out - experience is in
by Sarah Milroy. Globe and Mail, Feb. 14, 2009.
25th year of Boston LGBT Film Festival is a hit
by Melissa Woods. The Somerville News, May 20, 2009.
Situation Hacker: Wayne Koestenbaum on the art of Ryan Trecartin
by Wayne Koestenbaum. Artforum, Summer 2009, v. 47, no. 10.
So Much To See: The Films of Mark Lewis
by Nancy Tousley. Canadian Art, Summer 2009, v. 26, no. 2.
Mpenzi empowers: Mpenzi Black Women's International Film and Video...
by Susan G. Cole. NOW, Mar. 25, 2009, v. 28, no. 30.
Are we past the age of an aboriginal art show?: Aboriginal art...
by Sarah Milroy. The Globe and Mail, Apr. 22, 2009.
Found Images: Experiments pay off in indie fest
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Interview: Marie-Hèléne Cousineau: Chilling Out: Nothern stories...
by Susan Cole. NOW, Mar. 26, 2009, v. 28, no. 30.
Dark Thought: on Darryl Miller's Dark One
by Nora Gardner. Splice Magazine, Summer 2009.
Prairie Poet Accidental Hero: David Geiss' Stubblejumper in the...
by Christina Stojanova. Splice Magazine, Summer 2009.
Sarah Gregg Millman: A fun time is a great time
by Erinn Beth Langille. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Johanna Billing: This is how we walk on the moon
by Brian Kuan Wood. Mercer Union, July 3, 2009. Toronto: Mercer Union, 2009.
Jim's Reviews/Jarman: The films of Derek Jarman
by Jim Clark. GLBT Literature, 2009.
Open letter from John Greyson to TIFF
by John Greyson. Greyzone, Aug. 27, 2009.
Tel Aviv program protest to rear head at opening
by Bruce DeMara. The Toronto Star, Sept. 4, 2009.
Group plans presser over TIFF City-to-City program
by Staff. The Globe and Mail, Sept. 5, 2009.
We don't feel like celebrating with Israel this year
by Naomi Klein. The Globe and Mail, Sept. 8, 2009.
TIFF focus on Tel Aviv draws protests: International group of...
by Michael Posner. The Globe and Mail, Sept. 2, 2009.
Pro-Palestinian letter has uncovered debate
by Antonia Zerbisias. The Toronto Star, Sept. 9, 2009.
Enough is enough: The TIFF boycott is an attack on our freedom
by Robert Lantos. The National Post, Sept. 11, 2009.
STARS VS. STARS: Everyone's taking sides on Tel Aviv
by Raju Mudhar. The Toronto Star, Sept. 15, 2009.
Two sides of TIFF debate trade barbs
by Kenyon Wallace. The National Post, Sept. 15, 2009.
Boycotts don't equal censorship: Film-makers should support the...
by Ken Loach et al. The Guardian, Sept. 1, 2009.
The Valerie Project: resounding the forgotten treasure of Czech...
by Alex Molotkow. Musicworks, Summer 2009, no. 104.
One Summer in New Paltz: A Cautionary Tale: Celebrating the...
by S. James Wegg. James Wegg Review, Oct. 14, 2009.
Fun with Mythmaking: What General Idea taught us about Canadian...
by Philip Monk. Canadian Art, Winter 2009, v. 26, no. 4.
Crossing Lines, Building Bridges
by Srimoyee Mitra. Crossing Lines: an Intercultural Dialogue, 2009. Toronto: SAVAC, 2009.
Barns, Brits, and Birthrights: Philip Hoffman's All Fall Down:...
by Scott Mackenzie. POV, Winter 2009, no. 76.
Ragnar Kjartansson
by Nicholas Brown. Color, Fall 2009, v. 7, no. 4.
Candice Breitz: Same Same
by Nicholas Brown. Color, Winter 2009, v. 7, no. 5.
Collided, Crashed and Assimilated: Mark Lewis makes art with...
by Annette Mangaard. POV, Fall 2009, no. 75.
In the Orbit of Nelson Henricks
by Robert Milthorp. Expanded Standard Timeline: Artists and Electronic Media in Calgary, EMMEDIA 1980 Through 2005, 2009. Calgary, Alberta: EMMEDIA, 2009.
Abundant Harvest: The Recordings of Calgary Video Artists and...
by Karen Knights. Expanded Standard Timeline: Artists and Electronic Media in Calgary, EMMEDIA 1980 Through 2005, 2009. Calgary, Alberta: EMMEDIA, 2009.
Elizabeth Klinck and the Art of Archives
by Merrily Weisbord. POV, Fall 2009, no. 75.
Between Image and Remembrance: The Psychic Residences of Body Missing
by Dot Tuer. Prefix Photo, Spring 2009, no. 19.
Arcs Poetica: The Life and Death of Lightning
by Robert Enright. Border Crossings, June 2009, no. 110.
Projections:: A major survey of projection-based works in Canada,...
by David Garneau. Border Crossings, Aug. 2009, no. 111.
Lynne Marsh
by James D Campbell. Border Crossings, Mar. 2009, no. 109.
Real Vlogs: The Rules and Meanings of Online Personal Videos
by Jean Christian Aymar. First Monday, Nov. 2009, v. 14, no. 11-2.
Western? Just the Packaging
by Andrzej Lawn. Flash Art, Oct. 2009.
Getting Messy and Complicated with Dana Inkster
by Dayna McLeod. No More Potlucks, July 2009, no. 4.
Catching up to the Past Catching up to the Present: A Response to...
by Lynn Kazymerchyk. No More Potlucks, Mar. 2009, no. 2.
The Importance of Being Divya Mehra
by Shawna Dempsey. No More Potlucks, Mar. 2009, no. 2.
Black House, Brilliant Film: Forough Farrokhzad's The House is Black
by Robert Enright. Border Crossings, Mar. 2009, no. 109.
Experimental Documentary Questionnaire/Responses
by Lucas Hilderbrand and Lynne Sachs. Millennium Film Journal, Spring 2009, no. 51.
Isuma: Inuit Video Art by Michael Robert Evans
by Sandra Tober. Arctic, Mar. 2009, v. 62, no. 1.
If We Can't Get It Together
by Tatiana Mellema. Canadian Art, Spring 2009, v. 26, no. 1.
Rafael Lozano-Hemmer
by Dea Vanagan. Canadian Art, Spring 2009, v. 26, no. 1.
Berlin: Johnen Galerie
by Wojciech Olejnik. Canadian Art, Winter 2009, v. 26, no. 4.
Mika Rottenberg: Maison Rouge, Paris
by Katie Bethune-Leamen. C Magazine, Fall 2009, no. 103.
Gareth Long, Second, Third, Fourth: Oakville Galleries, Ontario
by Ryan English. C Magazine, Spring 2009, no. 101.
Lynne Marsh
by David Jagr. Canadian Art, Fall 2009, v. 26, no. 2.
The Avant-Garde Archive Online
by Danny Birchall. Film Quarterly, Fall 2009, v. 63, no. 1.
Video as art: collecting artists' moving image in academic art...
by Gustavo Grandal Montero. Art Libraries Journal, 2009, v. 34, no. 3.
"In Between" the Moving Image: Mutant Media:: Essays on Cinema,...
by Sean Lowry. Sense of Cinema, July 9, 2009, no. 51.
Colin Campbell
by Nadja Sayej. ArtUS, 2009, no. 26.
Au coeur de l'intime
by Réjean Beaucage. ETC, 2009, no. 86.
TV Against TV: Video Art on Television
by John Wyver. Film and Video Art, 2009.
Vulnerabilities and Contingencies in Film and Video Art
by Pip Laurenson. Film and Video Art, 2009.
Soft Focus, Sharp Tools
by Monika Szewczyk. Canadian Art, Fall 2009, v. 26, no. 3.
The Radiant Real
by David Jager. Canadian Art, Fall 2009, v. 26, no. 3.
Masterpiece Theatre: Adad Hannah brings the art of the past into...
by Mark Clintberg. Canadian Art, Fall 2009, v. 26, no. 3.
Lisa Lipton
by Laura Kenins. Canadian Art, Spring 2009, v. 26, no. 1.
Michal Rovner
by Cameron Skene. Canadian Art, Winter 2009, v. 26, no. 4.
Capturing "Authenticity": Digital Aesthetics in the Post-Studio...
by Mitsuyo Wada-Marciano. Canadian Journal of Film Studies, Spring 2009, v. 18, no. 1.
Whither Film Studies (in a Post-Film Studies World)
by Rick Altman. Cinema Journal, Fall 2009, v. 49, no. 1.
Inappropriate Bodies: Contemporary Filmmakers Challenging Gender...
by Jaimie Baron. UCLA Center for Study of Women Update Newsletter, 2009.
Arnait Video Productions: Women Telling Their Stories
by Sonia Gunderson. Inuit Art Quarterly, Summer 2009, v. 24, no. 2.
Jubal Brown
by Nadja Sayej. ArtUS, 2009, no. 26.
Gender, Power, and Pedagogy in Coco Fusco's Bare Life Study #1...
by Karen Beckman. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Introduction: What Now?: Presenting Reenactment
by Jonathan Kahana. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
New Left-Wing Melancholy: Mark Tribe's "The Port Huron Project"...
by Paige Sarlin. Framework: The Journal of Cinema and Media, Spring 2009, v. 50, no. 1.
Koken Ergun: Personal Works of Public Ceremonies
by Ian White. Labyrinth of Memory, Fall 2009.
Pou Rewa: The Liquid Post, Maori Go Digital?
by Maree Mills. Third Text, 2009, v. 23, no. 3.
Moving Pictures: Cinema and Its Obsolescence in Contemporary Art
by Matilde Nardelli. Journal of Visual Culture, 2009, v. 8, no. 3.
Visionary Video: The Archive and the National Center for...
by Phil Wagner. Afterimage, July 2009, v. 37, no. 1.
Rooted in the Experimental: A Conversation with Gary Hill
by Colette Copeland. Afterimage, Nov. 2009, v. 37, no. 3.
On the Nature of Light: The Cinematic Experience as Occult Ritual
by Raymond Salvatore Harmon. PAJ: A Journal of Performance and Art, 2009, v. 31, no. 1.
Staging the Image: Video in Contemporary Performance
by Patricia Milder. PAJ: A Journal of Performance and Art, Sept. 2009, v. 31, no. 3.
On Films and Videos by Deirdre Logue, Shawna Dempsey and Lorri Millan
by Jenny Bisch. Winnipeg Film Group, 2009.
Decapitation and Protestation -Cut, Burn, Stitch and Draw: Mike Parr
by Michael Young. ArtAsianPacific, Mar. 2009, no. 62.
Set Video to Record
by Brian Mertens. ArtAsianPacific, Mar. 2009, no. 62.
Handmade Memories Yeondoo Jung
by Michael Connor. ArtAsianPacific, Mar. 2009, no. 62.
Talking Cure: Raqs Media Collective
by HG Masters. ArtAsianPacific, July 2009.
Solitary Refinement: Guy Ben-ner
by HG Master. ArtAsianPacific, Nov. 2009, no. 66.
From Media to Remediation: Transitions in Early Video Culture
by Kenneth Rogers. Mediated, Jan 31 Winter, 2009.
Capital Implications: the function of labor in the video art of...
by Kenneth Rogers. Social Identities, May 2009, v. 15, no. 3.
Walking the Wall: Global Flaneuse with Local Dilemmas
by Kinga Araya. Wagadu, Fall 2009, v. 7.
To the Power of Three: an interview with Chris Chong Chan Fui
by Andrea Picard. Cinema Scope, 2009, no. 39.
The Archival Fourth Dimension
by Sarah Pierce. Afterall, Nov 23, 2009.
Objectivity, Absurdity, and Social Critique
by Michael Zheng. Yishu-Journal of Contemporary Chinese Art , Jan 12, 2009, v. 8.5.
Total Recut Interviews Jonathan McIntosh About Buffy vs. Edward
by Jonathan McIntosh and lkat381. Total Recut, Dec 24, 2009.
Queering Sex and Love: Queer Here videos preache free love but...
by Leah Sandals. NOW, Jan. 17, 2008, v. 27, no. 20.
Whose Life Are We Talking About Anyway?: Michael Fernandes' One...
by Christopher Regimbal. Fuse, Jan. Winter 2008, v. 31, no. 1.
Asserting The Right To Sovereingty, Audio-Visually: RED EYE First...
by James Missen. Fuse, Jan. 1 Winter, 2008, v. 31, no. 1.
An Artist Connects the Dots
by Sarah Milroy. The Globe and Mail, Jan. 19, 2008.
Isuma.tv: Indigenous internet TV is extraordinary and free
by Michael Lithgow. Art Threat, Jan. 28, 2008.
Member Focus: Heather Harkins
Workprint, Winter 2008.
Marina Abramovic: Nobody Escapes
by Alanna Heiss and Ingela Lind. P.S.1 Newspaper Special Edition, Winter 2008.
Lynn Hershman Leeson History=Future
by Laura Parnes. P.S.1 Newspaper Special Edition, Winter 2008.
The Cat's Eye View: Carolee Schneeman
by M.M. Serra. P.S.1 Newspaper Special Edition, Winter 2008.
Up Close
by David Balzer. EYE WEEKLY, Apr. 10, 2008, v. 17, no. 27.
Shame & Anxiety: Dangerous drawing room games
by Jon Davies. Xtra!, Mar. 28, 2008, no. 611.
Bug Eyed: Green Porno directed by Isabella Rossellini and Jody Shapiro
by Robert Enright. Border Crossings, Feb. 2008, v. 27, no. 105.
A Strong Crop of Images: The 21st Images Festival expands its...
by Norman Wilner. NOW, Apr. 3, 2008, v. 27, no. 31.
So You Want to Make Social Change...
by Nora Gardner. Splice Magazine, Spring 2008.
Bad-Boy Artist Still Spewing Anger: Infamous Local artist Jubal...
by Peter Goddard. The Toronto Star, Sept. 18, 2008.
Life and Nothing Else
by Pablo Llorca. Buffer, Apr. 22, 2008.
Manuel Saiz interviewed
by Cecilia Canziani. Parallel Universes, Jan. 2008.
Playing Indian: imagineNative 2008 tells the rest of the world...
by Drew Hayden Taylor. NOW, Oct. 9, 2008, v. 28, no. 6.
Street Spirit: Representin' the lollipop guild
by Sarah Liss. EYE WEEKLY, Apr. 3, 2008.
Made You Look: While feast of moving imagery is many things, it's...
by Peter Goddard. The Toronto Star, Apr. 3, 2008.
Must do: if you only do five things this week
by National Post. The National Post, Mar. 29, 2008.
Images Festival: Live Images Programme
by tiffreviews. TIFFReviews, Mar. 16, 2008.
Strategic Approximation: Independent Videographers Revise the...
by Janice Hladki. Feminist Media Studies Journal, Mar. 2008, v. 6, no. 1.
Jubal Brown: Shock and Blah
Canadian Art, Oct. 16, 2008.
Women, Star Trek, and the early development of fannish vidding
by Francesca Coppa. Transformative Works and Cultures, Sept 15, 2008, v. 1. Organization for Transformative Works, 2008.
Seattle Art Through the Feminist Lens
by Regina Hackett. Art To Go, 2008.
Learning to Talk About Naked Bodies in Art: Sex Educator Meg...
by Kevin Griffin. Vancouver Sun, Oct. 23, 2008.
Feminist Blockbuster Helps Women Make Claims to Their Own Personal...
by Kevin Griffin. Vancouver Sun, Oct. 11, 2008.
In Art News
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Candice Breitz: Speaks to Gregory Burke
by Gregory Burke. Switch, Summer 2008, no. 1.2.
From the Archive: Vera Frenkel: ...From the Transit Bar at the...
by Tess Takahashi. Switch, Summer 2008, no. 1.2.
From the Archive: Vera Frenkel: ...From the Transit Bar at the...
Brunt: Grunt Gallery in Print, 2008. Vancouver: Visible Arts Society: Grunt Gallery, 2008.
In Media Res: Mass Media in Art's Field of Tension
by Raimar Stange. Flash Art, Oct. 2008.
Pipilotti Rist: Cubic Meters
by Klaus Biesenbach. Flash Art, Nov. 2008.
Amar Kanwar: Collecting Evidence
by Martijn van Nieuwenhuyzen. Flash Art, Jan. 2008.
Vanessa Beecroft: Pietra Brettkelly's The Art Star and the...
by Clayton Campbell. Flash Art, Mar. 2008.
Babette Mangolte: Being Right in the Middle of It
by Lina Bertucci. Flash Art, Jan. 2008.
Perspectives: Negotiating the Archive
by Sue Breakell. Tate Papers, Spring 2008.
The Dad Tapes/The Mom Photographs: Kim Waldron
by Jean-Michel Ross and Mona Filip. C Magazine, Fall 2008, no. 99.
The Spectre and The Sphere
by Leah Turner. C Magazine, Winter 2008, no. 100.
Entre fils de soie, bitume, bergères et Lolitas, une politique...
by Christiane Palmiéri. ETC, 2008, no. 83.
Redressing Invisibility
by Beth Mauldin. Film Quarterly, Fall 2008, v. 62, no. 1.
Carry a Big Shtick
by Rachel Wolff. ARTnews, Sept. 2008, v. 107, no. 8.
Provocation: dead-in-iraq
by Joseph DeLappe. The Drama Review, Spring 2008, v. 52, no. 1.
In Times of Trouble
by Nancy Princenthal. Art in America, June 2008.
Bird Watching: An Introduction to Amateur Satellite Spotting
by Kathy Marmor. Leonardo, Aug. 2008, v. 41, no. 4.
Scopic Regime Change: The War of Terror, Visual Culture, and Art...
by David Dart et al. Studies in Art Education, 2008, v. 49, no. 3.
The infinitude of cool Marcel Dzama's Grave New World
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Looking through Hannah's Eyes: Interview with Donald Goddard
by Tina Takemoto. Art Journal, Summer 2008, v. 67, no. 2.
Sites of Micro-Political
by Dorinda Hulton. PAJ: A Journal of Performance and Art, Sept. 2008, v. 30, no. 3.
"This Guitar Has Seconds to Live": Guitar Drag's Archaeology of...
by Carlos Kase. Discourse, Fall 2008, v. 30, no. 3.
Narrative Skin Repair: Bearing Witness to Representations of Self-Harm
by Angela Failler. ESC: English Studies In Canada, Mar. 2008, v. 34, no. 1.
Performing the State of Exception: Coco Fusco's Operation Atropos...
by Jose Esteban Munoz. TDR: The Drama Review, 2008, v. 52, no. 1.
Media of Now: An Interview with David Hall
by Joanna Heatwole. Afterimage, 2008, v. 36, no. 1.
Video Presence: Tony Oursler's Media Entities
by Nick Kaye. PAJ: A Journal of Performance and Art, Jan. 2008, v. 30, no. 1.
Corporeal Pedagogy and Contemporary Video Art
by Stephanie Springgay. Art Education, Mar. 2008, v. 61, no. 2.
Auto-mnemonic Six Nations: To aid the memory, automatically
by Maria Hupfield. Brunt, Sept. 2008, no. 4.
Patrick Bernatchez: Skol, Montreal
by Jacob Wren. Canadian Art, Fall 2008, v. 25, no. 3.
My Winnipeg (with apologies to Guy Maddin)
by Steve Loft. BlackFlash, 2008, v. 25, no. 2.
Allison Hrabluik: The Poetics of Work
by Diana Sherlock. BlackFlash, 2008, v. 25, no. 2.
Adapting Sufism to Video Art: Bill Viola and the Sacred
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Teaching Perception through Video Art
by Dan Nadaner. Art Education, Jan. 2008, v. 61, no. 1.
Mario's Furniture: A Wireless Interactive Video Installation and Game
by Hillary Mushkin and S.E. Barnet. Leonardo, 2008, v. 41, no. 3.
Full Color Video
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The Signs of Avant-Garde Cinema in Amateur Nonprofessional Cinema
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Mining the Home Movie
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Mining the Home Movie
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Cecelia Condit
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Cecelia Condit
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Fascism as Burlesque: The baroque perversity of Miguel Ventura
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Memorable Mexican Video: Vtape brings in fascinating works as a...
by Stephanie Rogerson. Now, Jan. 3, 2007, v. 27, no. 18.
Reinke Rankles: Installation and video artist has habit of putting...
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Skin Trade: Cockiness, copyright & colour
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Traumatic Landscape
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As seen on screen: Art Event: Analogue co-curator Chris...
by Mark Powell. Metro, Mar. 2 Spring, 2007.
Before YouTube: Plunge into the archives of the Video Data Bank
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The Art of Technology (and the technology of art): Plunge into the...
by Anna Feigenbaum. Fuse, Jan. Winter 2007, v. 30, no. 1.
The Witness: Althea Thauberger's Too-Real Video Art
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Toward a Feminist "Coney Island of the Avant-Garde"
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Pleasure Dome Brochure: Fall 2007
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Interview with Miranda July (Online Exclusives): Performance...
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At the Galleries
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True Confessions: Guelph multimedia artist Dawn Matheson calling...
by Joanne Shuttleworth. Guelph Mercury, Sept. 12, 2007.
On Creaturely Life
by Pleasure Dome. Possible Worlds, 2007. Nowich: Aurora, 2007.
MUFF diving: Shaved Barbies, condoms, chickens and more at the...
by Matthew Hays. Montreal Mirror, May 2007, v. 22, no. 47.
Interview Brett Kashmere
by Nancy Keefe Rhodes. Stylusmagazine.com, May 18, 2007.
Aesthetic Libertines
by Philippe Hamelin.
Issues of access, representation and diversity in the Canadian milieu
by Carol Podedworny. Re-Mediations: Stephen Foster And James Gillespie, 2007. Hamilton: McMaster Museum of Art, 2007.
The Indian Film Crews of Challenge For Change: Representation and...
by Michelle Stewart. Canadian Journal of Film Studies, Fall 2007, v. 16, no. 2.
Hyunki Park: Neo-Metaphysical Video and Conceptual Art
by Robert C. Morgan. PAJ: A Journal of Performance and Art, Sept. 2007, v. 29, no. 3.
Scott Treleaven
by York Lethbridge. C Magazine, Spring 2007, no. 93.
"Collective Orgasm": The Eco-Cyber-Pornography of Shu Lea Cheang
by Eva Oishi. Women's Studies Quarterly, Spring/Summer 2007, v. 35, no. 1. The Feminist Press, 2007.
Coming to a screen no where near you: Inuit filmmaker Zacharias...
by Gayle MacDonald. The Globe and Mail, Jan. 25, 2006.
Yael's Potent Palestine Trilogy
by Fran Schechter. Now, Jan. 5, 2006, v. 25, no. 19.
Guy maddin's The Brand Upon the Brain: An Autobiography of my house
by Guy Maddin. Border Crossings, 2006, no. 96.
Witnesses to History:: New works by B.H Yael and Richard Fung
by Dot Tuer. Sketch, Spring 2006.
The Power of Light: aluCine 7th Toronto Latin@ Media Festival's...
by Richard Fung. Fuse, 2006, v. 29, no. 3.
Silent Speech
by Susan Walker. The Toronto Star, Sept. 7, 2006.
Between the Lines, Jude Norris: Reading Between the Lines
by Aubrey Reeves. Between the Lines, Jude Norris, 2006. Toronto: Trinity Square Video and imagineNATIVE Festival, 2006.
Out of Beirut: Living Contradiction
by T. J. Demos. Artforum, Oct. 2006, v. 45, no. 2.
Yael Bartana: Kunstverein
by Nina Montmann. Artforum, Oct. 2006, v. 45, no. 2.
Dream Homes: Far-out ideas for rebooting the 'burbs: Toronto Free...
by Murray Whyte. The Toronto Star, Apr. 23, 2006.
The Island at the Centre of the Earth
by Trinity Square Video.
The Lingering Present: Canadian Video Art in its Youth: 1968-1986
by Lisa Steele. Analogue, 2006. Preston: Electronic and Digital Art Unit, 2006.
Decolonizing Colonial Violence: The Subversive Practices of...
by Janice Hladki. Canadian Woman Studies, 2006, v. 25, no. 1-2.
Making Things Our Own: The Indigenous Aesthetic in Digital...
by Candice Hopkins. Leonardo, 2006, v. 39, no. 4.
The Temporalities of Video: Extendedness Revisited
by Christine Ross. Art Journal, Fall 2006, v. 65, no. 3.
Pile Driver: Philippe Donadini messes things up
by Benny Nemerofsky Ramsay. C Magazine, Winter 2006, no. 92.
Reel Books
by Andrew James Paterson. POV, Winter 2005, no. 56.
Participation, Flow, and the Redistribution of Authorship: The...
by Sara Diamond. Museums and the Web 2005: Proceedings, Mar. 31 Spring, 2005.
We Loved Getting Tested!
by Shawna Dempsy. Poolside, 2005.
Accepting Rejection: Annual Salon des Refuses & Silent Auction
by Kathleen Olmstead. FILMPRINT - The magazine of Independent Filmmakers of Toronto, Nov. 2005, v. 25, no. 6.
Untitled: Annual Salon des Refuses & Silent Auction
by Unknown. 11th BIM Biennial of Moving images, 2005. Geneva: Biennial Press Office, 2005.
Diamond In the Rough
by Unknown. YYZ newsletter, Dec. 17, 2005.
Very,very high numbers at TIFF
by Sean Davidson. Playback, Sept. 26, 2005.
agYU: A Very Personal Look: Toronto Video Art from the '7-'s to...
by Shay Gibson. agYU, 2005. Toronto: Art Gallery of York University, 2005.
L'Autre Amerique: Art Contemporain du Bresil: A Very Personal...
by Duncan MacDonald. C Magazine, Winter 2005, no. 88.
Metropolitan Chords and Discords
by Vera Frenkel. Public, Apr. 2005, no. 32.
Donigan Cumming: Museum of Contemporary Canadian art, Toronto
by Carla Garnet. Canadian Art, Fall 2005, v. 22, no. 3.
Plurimedia and the snr of s+r: v7: Museum of Contemporary Canadian...
by Jake Moore. Poolside, 2005. Winnepeg: Video Pool Inc., 2005.
Video art 'trailblazers' win Gov. Gen. awards: Museum of...
by Pacienza Angela. Winnepeg Free Press, Mar. 9, 2005.
Reel Asian International Film Festival: 2005
by Unknown. Reel Asian International Film Festival, 2005.
Leaves of ass: a conversation with Tim Miller
by John Greyson. Fuse, Nov. 2005, v. 28, no. 4.
Vancouver's Paul Wong among Gov. Gen. winners in visual, media arts
by Angela Pacienza. The National Post- Vancouver Edition, Mar. 9, 2005.
Homemade Porn: Do it yourself
by Linda Feesey. Broken Pencil, Winter 2005, no. 29.
Cans and Cassettes
by George Kuchar. Journal of Film and Video, Spring 2005, v. 57, no. 1 / 2.
Locus Suspectus: where the hidden comes to light
by Kay Burns. Artichoke, Spring 2005, v. 17, no. 1.
What Franklin Furnace Learned from Presenting and Producing Live...
by Martha Wilson. Leonardo, 2005, v. 38, no. 3.
Frozen but Always in Motion:: Arctic Film, Video, and Broadcast
by Jerry White. The Velvet Light Trap, Spring 2005, no. 55.
Animutations and the Measure of Madness in Colin
by James King. Broken Pencil, 2005, no. 29.
Nowhere to Run: Filmmaker Nick Taylor gives us a snap shot of life...
by Nick Taylor. Dazed & Confused, May Spring 2004, v. 2, no. 13.
Rack Focus: Twelve individuals whose place in the film world will...
by Dayla Corcoran. Anthem, Spring 2004.
Silver: dreams, screens, and theories
by Allan Antliff. Canadian Art, Summer 2004, v. 21, no. 2.
Video Acts
by Catherine Elwes. Border Crossings, 2004, v. 23, no. 89.
Not Just for Laughs: Women, Performance, and Humour
by Tanya Mars. Caught In the Act: an anthology of performance art by Canadian women, 2004. Toronto: YYZ, 2004.
Minutes of Video Glory
by John Terauds. The Toronto Star, Nov. 18, 2004.
Untitled
by Unknown. Tyranny Of Bliss, 2004. Toronto: Fado Performance Art Inc, 2004.
The Projectionist
by David Balzer. EYE WEEKLY, Sept. 9, 2004.
Foreword: VS Program
by Jon Davies. VS (Event Program), Dec. 2004.
Nothing Ventured, Nothing Gained: (Vs. Program)
by Scott SØrli. VS (Event Program), Dec. 2004.
Night Terrors
by David Jager. NOW, Sept. 16 Fall, 2004, v. 24, no. 3.
Videos Ante up the Fear Factor: This year's video-art feast marks...
by Catherine Osborne. The National Post, Apr. 10, 2004.
VS: 640 480 - original programme
by Jon Davies et al. VS, Dec. 2004.
Video In The Villages Exhibition: Through Indian Eyes: Moi, un Indien
by Vincent Carelli. Video in the Villages: Through Indian Eyes., Apr. 20, 2004. Carmo Olinda: Banco do Brasil, 2004.
Immanent death
by Brenda Goldstein. Mix, Summer 2004, v. 30, no. 1.
Poughkeepsie powwow: Paul Arthur visits the 50th Robert Flaherty...
by Paul Arthur. Film Comment Magazine, Sept. 2004, v. 40, no. 5.
Masters of Ceremony: Media Demonstration as Performance in Three...
by Roy Grundmann. The Velvet Light Trap, Fall 2004, no. 54.
Jolie laid: The beautiful ugly world of Steve Reinke
by Nicholas Davies. Xtra!, Dec. 12 Winter, 2003, no. 499.
Source fresh
by Thomas Hirschmann. Now, Apr. 16, 2003, v. 22, no. 33.
A World Of Their Own: General Idea Made Art from Cultures...
by C Carr. Village Voice, June 21 Spring, 2003.
Art Star: Video Art Biennial
Art Star, 2003. Ottawa: Saw Gallert, 2003.
Been around the world and...: Manuel Saiz goes globe trotting in...
by Manuel Saiz. The Independent, May 2003.
Exceptional Routines: Video Art Since 1990
by Manuel Saiz. 25 hrs. International Video Art Festival, 2003.
Image overkill and what to do about it: Independent film and video...
by Peter Goddard. The Toronto Star, Apr. 10, 2003.
Shifts and Transfers: On some tendencies in Canadian video
by Nicole Gingras. Shifts and Transfers. On some tendencies in Canadian video, Mar. 28, 2003. Ottawa: Ottawa Art Gallery, 2003.
Citizen Salloum
by Laura U. Marks. Fuse, 2003, v. 26, no. 3.
Untitled
by Daniel Cockburn. Pleasure Dome presents Apotheoses of Everything, 2003.
The Saint(s) and the Cynic
by Chris Kennedy. Pleasure Dome presents Apotheoses of Everything, 2003.
The wwworst ever
by Linda Feesey. Pleasure Dome presents Apotheoses of Everything, 2003.
Jubal Brown: Mr. Misunderstood
by R. M. Vaughan. Pleasure Dome presents Apotheoses of Everything, 2003.
Round Table: The Projected Image In Contemporary Art
by Malcolm Turvey et al. October, Spring 2003, no. 104.
Vera Frenkel Body Missing: Freud Museum, London, March 19 to April...
by Sigrid Schade et al. Freud Museum catalogue., Mar. 2003.
Art's Animal Instinct: A chimp, a dog and plenty of heat at the...
by Aaron Wherry. The National Post, June 17 Summer, 2003.
Walking the Walk: The Artist As Flâneur
by James Trainor. Border Crossings, Nov. Fall 2003, v. 22, no. 88.
REPREZENTIN': Series Takes Moccasin Flats. Saskatchewan to Park...
by Marty Spellerberg. Half Empty, Spring 2003, no. 1.
ImagineNative Media Arts Festival: Series Takes Moccasin Flats....
by Tom Lyons. Take One, Mar. 2003, v. 11, no. 41.
Alors, La Chine?
Paris: Centre Pompidou, 2003.
"Atanarjuat" Off-Screen:: From "Media Reservations" to the World Stage
by Faye Ginsburg. American Anthropologist, Dec. 2003, v. 105, no. 4.
What Is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
Interview with Patty Chang
by Eve Oishi. Camera Obscura, 2003, v. 18, no. 3.
A New Europe
by Johannes Birringer. Journal of Performance and Art, Sept. 2003, v. 25, no. 3.
The Singular of Seeing (Al Marra min Nazar)
by Akram Zaatari. HomeWorks: A Forum on Cultural Practices in the Region (Egypt, Iran, Iraq, Lebanon, Palestine and Syria), 2003. Beirut: Lebanese Association for Plastic Arts, 2003.
Talking Back to Primitivism: Divided Audiences, Collective Desires
by Lucas Bessire. American Anthropologist, Dec. 2003, v. 105, no. 4.
Towards an Artbeat: New Media in Los Angeles
by Erika Hernandez. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
Everyday Miracles: The Videos of Oliver Herring
by Elisabeth Kley. PAJ: A Journal of Performance and Art, May 2003, v. 25, no. 2.
What is That and between Arab Women and Video?: The Case of Beirut
by Laura U. Marks. Camera Obscura, 2003, v. 18, no. 3.
Art of the image takes centre stage
by Liam Lacey. The Globe and Mail, Apr. 11, 2002.
The 4th Biannual Lesbian and Gay Film and Video Festival of...
by Gary Varro. QCC 4: Queer City Cinema Four, 2002.
Of myths and men
by Margaret Atwood. The Globe and Mail, Apr. 13, 2002.
The running man: Inuit filmmaker Zacharias Kunuk sprints in with...
by Ingrid Randoja. Now, Apr. 11, 2002, v. 21, no. 32.
Local talent featured at 15th annual Images Festival: Video and...
by Lydia Hanson. The Liberty Gleaner, Apr. 2002.
True North: Atanarjuat: The Fast Runner
by Jason Anderson. EYE WEEKLY, Apr. 11, 2002.
Leader of the pack: Scott Treleaven unleashes The Salvation Army
by Catharine Tunnacliffe. EYE WEEKLY, Apr. 11, 2002, v. 11, no. 26.
Wild wild west end: Parkdale film festival REHAB gives independent...
by Kim Linekin. EYE WEEKLY, June 13, 2002, v. 11, no. 36.
Canadians make themselves seen and heard: Crazy for Fubar
by Jim Holt. The National Post, Jan. 14, 2002.
Video art, and how to survive it: It confounds most viewers, so...
by Sarah Milroy. The Globe and Mail, Mar. 6, 2002.
North by northwest film festival review: Rock 'n' reel
by Ingrid Randoja. Now, June 6, 2002, v. 21, no. 39.
Wild Kingdom: There's no life like it
by Margot Francis. Xtra!, May 16, 2002, no. 458.
Inside Out
by Jason McBride. LIFT, May 2002, v. 22, no. 3.
The enjoyment of seeing: Images Festival 2002
by Daniel Cockburn. LIFT, May 2002, v. 22, no. 3.
Cheezie Vogue: The essential modern cinema povera of Colin Campbell
by Randy Gledhill. Take One, Mar. 2002, v. 10, no. 36.
Native artist to be featured at expose: Short film festival part...
by Diane Gilhula. Northern Life, Aug. 7, 2002.
The great pretender: Homage to video maker and performance artist...
by Bambi Acconci and dj Blazay. Lola, Summer 2002, no. 12.
Michael Campbell
by Paul Robert. Border Crossings, Feb. 2002, v. 21, no. 1.
Images Festival of Independent Film and Video
by Stephen Lam. Take One, May 2002, no. 37.
Julie_On_Line: Julie-Christine Fortier
by Ingrid Mueller. Arts Atlantic, Apr. 1 Spring, 2002, no. 71.
Mixed Company: Art Fags Map Alt Histories
by Ed Halter. The Village Voice, Nov. 20, 2002.
Spit & polish: Good things come in small packages
by Nick Davies. Xtra!, May 30, 2002, no. 459.
Best Of Toronto 2002 supplement, Critic's Pick: Film, best...
by Matt Galloway. Now, Oct. 31, 2002, v. 22, no. 9.
More Dead Artists!?: Casualties of the Last Decade, the New...
by Tom Sherman. Before and After the I-Bomb: An Artist in the Information Environment, 2002. Banff: Banff Centre Press, 2002.
Systematically Observing Surveillance: Paradoxes of Observation...
by Christian Katti. CTRL[SPACE]: Rhetorics of Surveillance, 2002. Karlsruhe: ZKM, 2002.
Nature is Perverse Sometimes (Version 6.1)
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
The Face of the Machine
by Tom Sherman. Before and After the I-Bomb, 2002. Banff: Banff Centre Press, 2002.
Zombies and Cyborgs: Obsolete, involuntary and automated bodies
by Andreas Kahre. Front, Jan. 2002.
Video's Body, Analog and Digital
by Laura U. Marks. Touch: Sensuous Theory and Multisensory Media, 2002. Minneapolis: University of Minnesota Press, 2002.
Intimate Dwelling: Finding Our Way Home: Do you feel you belong,...
by Anne Brydon. Home Show, Sept. 12 Summer, 2002.
Home Show
by Amy Karlinsky. Home Show, Sept. 12 Summer, 2002.
Weird Geographies: Video Art from the Atlantic Region/Translantique
by Sarah Hollenberg. Arts Atlantic, Fall 2002, v. 19, no. 73 / 4.
Eleanor Antin: The Adventures of a Nurse (Parts 1 and 2), 1976
by John B. Ravenal. Outer & Inner Space, 2002. Richmond: Virginia Museum of Fine Art, 2002.
The Singing Dunes: Colin Campbell, 1943-2001
by John Greyson. C Magazine, Summer 2002, no. 74.
Moving Images of Home
by John Di Stefano. Art Journal, Winter 2002, v. 61, no. 4.
Peter Campus
by Talya Halkin. The New York Sun, Sept. 12, 2002.
MAWA, Mentoring Artists for Women's Art: MAWA PRESENTS Joanne Bristol
Mawa, May Summer 2002.
Fringe Experientiality
by James Missen. Public, 2002, v. 25.
Dance and Media Technologies
by Johannes H. Birringer. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
Floating Worlds: Amy Jenkins's Dream Videos
by Fred Camper. PAJ: A Journal of Performance and Art, 2002, v. 24, no. 3.
Live Performance and Technology: The Example of Jet Lag
by Philippa Wehle. PAJ: A Journal of Performance and Art, Jan. 2002, v. 24, no. 1.
The Experience and the Object: Making a Documentary Video Installation
by Inga Burrows. Journal of Media Practice, 2002, v. 3, no. 1.
The Long Road: Isaac Julien in Conversation with B. Ruby Rich
by B. Ruby Rich and Isaac Julien. Art Journal, Summer 2002, v. 61, no. 2.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Middle Eastern Media Arts: An Introduction
by Dorit Naaman. Framework: The Journal of Cinema and Media, Fall 2002, v. 43, no. 2.
Come to Life
by John Kelsey. TimeOut New York, Dec 2002, no. 378.
Aida Ruilova
by Elizabeth Schambelan. Artforum, Dec 11, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press, 2002.
Northern Exposure
by Peter Howell. The Toronto Star, May 13, 2001.
The grace of aging: Video artist Colin Campbell's multple personae
by Andrew Griffin. Capital Xtra!, Feb. 16, 2001.
Remaking Home Movies
by Richard Fung. Subclip, Winter 2001, no. 7.
A way of imagining film: In Conversation with Loretta Todd
by Richard William Hill. Fuse, Feb. 2001, v. 23, no. 3.
Video Inn and the CRTC
by N/A N/A. In Vision, 2001.
Alternative viewing: DVD's offer new weapon in attacking public...
by Peter Goddard. The Toronto Star, Dec. 6, 2001.
A family's battle with cancer
by Gillian Clair. Orangeville Citizen/Free Press and Economist, Oct. 5, 2001.
Reel experimental: Michael Snow's latest film, Corpus Callosum, is...
by Barbara Goslawski. The Globe and Mail, Jan. 29, 2001.
Focusing on the ReelWorld
by Gayle MacDonald. The Globe and Mail, Apr. 6, 2001.
Colin Campbell: Video Fictions
Colin Campbell: Video Fictions, 2001. Ottawa: Available Light Screening Collective, 2001.
Top 20 Toronto Films since 1981
by Cameron Bailey. Now, Oct. 25, 2001, v. 21, no. 8.
Hefty program for second aboriginal film festival: 10 screenings...
by Susan Walker. The Toronto Star, Nov. 16, 2001.
AGO exhibit remains to be seen: Human remains is disturbing but...
by Rob O'Flanagan. The Sudbury Star, May 5, 2001.
Specifically Video
by Katharine Meynell. Filmwaves, Winter 2001, no. 14.
A universe to Discover: what the new technologies offer to us
by Wim Wenders. POV, Summer 2001, no. 43.
cyberman
by Peter Wintonick. POV, Winter 2001, no. 43.
Film: A medium to remember
by Shannon Brownlee. Lift, May 2001, v. 21, no. 3.
Kika Thorne's Shifting Focus: Protest and collective process shape...
by Emily Pohl-Weary. Trade, Fall 2001.
States of Alterity: A screen capture of Vancouver video
States of Alterity, 2001. Toronto: Pleasure Dome, 2001.
Sex and Noise and Neoism: Artcrime mastermind Istvan Kantor...
by Chris Barry. Montreal Mirror, Nov. 8, 2001, v. 17, no. 23.
Photophobia3
by Anya Wassengerg. Artsbeat, Aug. 2001, v. 14, no. 2.
Passionate pioneer of video art: He made important, often funny...
by Sarah Milroy. The Globe and Mail, Nov. 17, 2001.
Feelings: About a girl
by Bruce LaBruce. EYE WEEKLY, Nov. 22, 2001, v. 11, no. 7.
Colin Campbell: June 7, 1942 - Oct 31, 2001
by Andrew Paterson. Xtra!, Dec. 27, 2001, no. 448.
occupied territories
by Molly Hankwitz. Front, Nov. 2001, v. 12, no. 5.
Lisa Steele: On Trinity's Beginings
by Lisa Steele. Video Vogue, Spring 2001.
Magnetic Force
by Cameron Bailey. NOW, Dec. 6, 2001, v. 21, no. 14.
Tell me a story: The Web Works of Elizabeth Fischer
by Bart Gazzola. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Ahasiw Maskegon-Iskwew: Language, Realism, Webs, Domains
by Terry Billings. Writing for Electronic Media, 2001. Saskatoon: Video Verite Artist Centre, 2001.
Wanda Koop: In Your Eyes
In Your Eyes. book two, 2001. St. Norbert: St. Norbert Arts Centre, 2001.
Reel Addictive
by Adam Nayman. EYE WEEKLY, June 14, 2001, v. 10, no. 36.
Quaking in his presence: Artist Kenneth Doren challenges his viewers
by Jennifer McVeigh. FFWD, Sept. 20, 2001.
Young filmakers' erections and reflections
by Mireille Juchon. RealTime, June 2001, no. 43.
Filmmaker's Pet Project is Part of 'Digital Divas'
by Alison Macor. Austin-American Statesman, Sept. 6, 2001.
What Is Church?: Rural Churches of Nova Scotia & Prince Edward Island
by Ingrid Jenkner and David Askevold. What Is Church? - Rural Churches of Nova Scotia & Prince Edward Island, 2001. Halifax: Mount Saint Vincent University (MSVU) Art Gallery, 2001.
Bare-assed kugel takes township by design: Being near naked in...
by Caroline Hooper-Box. Sunday Independent, 2001.
Guy Brett & Deanna Patherbridge
by Guy Brett and Deanna Petherbridge. The Producers: Contemporary Curators in Conversation (2), 2001. Gatshead: BALTIC, 2001.
Colin Campbell: 1945 - 2001
by Unknown. Colin Campbell 1945 - 2001, 2001. Toronto: Vtape, 2001.
the Turner Prize 2001: Isaaic Julien
by Jessica Lack. The Tate, Winter 2001, no. 27.
Trespassing beyond the frame: John Smith talking film with Cate Elwes
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Tacita Dean at Tate Britain
by Catherine Elwes. Filmwaves, 2001, v. 2, no. 15.
Transit visa to the Labyrinth
by Jalal Tawfiq. Transit visa on video and cities, 2001. Beirut: Transit visa, 2001.
Bill Viola: Five Angels for th Millennium and Other New Works
by Nicky Hamlyn. Filmwaves, 2001, no. 15.
Video In Venice
by Laura Malacart. Filmwaves, 2001, v. 15.
Spaced Out
by Paul Hithersay. Filmwaves, 2001, v. 15, no. 1.
Uri Tzaig
by Cedar Levinson. Filmwaves, 2001, v. 2, no. 15.
The Novelty Hustle
by Barbara London. Trans Double Issue, 2001, no. 9/10.
Neither/ Or: in conversastion with Stan Douglas
by Daniel Jewesbury. Mix, 2001, no. 243.
Carnegie International
by Sylvie Fortin. Fuse, Apr. 2001, v. 23, no. 4.
Richard Fung's Sea in the Blood: Visualizing Memory, Complicity...
by Margo Francis. Fuse, Apr. 2001, v. 23, no. 4.
Wounds Become Scars
by Barbara Fischer. Love Gasoline, 2001. Toronto: Mercer Union, 2001.
Galerie Der Stadt Stuttgart - Joan Jonas - Brief Article
by Noemi Smolik. Artforum, Sept. 2001, v. 40, no. 1.
Everything Happens at once: The everyday becomes the infinite in...
by Jacqueline Cooper. Canadian Art, Spring 2001, v. 18, no. 1.
A Story in Six Parts
by Lara Bradley. The Sudbury Star, Aug. 24, 2001.
Toronto's Window Galleries: all you need is love
by Suzanne Farkas. Year01 forum, Spring 2001, no. 8.
The Spectacle of Noise: Istvan Kantor's recent video work. a selection
by A.K Nort. ArgosFestival, 2001. Brussel: Argos, 2001.
What happens when cancer returns?: Editorial page, guest column
by Jennifer Keck. Northern Life, Sept. 28, 2001.
Daring to say the M word: Toronto T.O. DO Selected Listings
by Helen Buttery. The National Post, Jan. 27, 2001.
Aernout Mik: Video Installation
Absolute Arts, 2001.
The Neutron Hazer and the Mystic Gulf: Remembering Remembrance Day
by Robin Pacific. Fuse, Feb. Winter 2001, v. 25, no. 1.
Of Arabs and Museum and Civilizations
by Rawi `Hage. Fuse, Feb. Winter 2001, v. 25, no. 1.
Laurel Woodcock: Take Me, I'm Yours: Sweet Surrender + Meaning Machine
by Jan Allen. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Bugaboo
by Paul Kelley. Agnes Etherington Art Centre, 2001. Guelph: Agnes Etherington Art Centre, 2001.
Wide Impact
by Deirdre Hanna. NOW, Apr. 12, 2001, v. 20, no. 32.
Interrupting the program...: descrambling TV through video
by Heidi May. Canadian Art, Summer 2001, v. 18, no. 2.
Art Courtesy Services: Artist John Marriott in conversation with...
by Dave Dymnent. Mix, Spring 2001.
Talking Pictures: Screenwriters on the films of Eric Rohmer
by Peter Bowen et al. Filmmaker, Winter 2001, v. 9, no. 2.
Six Degrees of Nosferatu
by Thomas Elsaesser. Sight and Sound, Feb. 2001, v. 11, no. 2.
The Discreet Fury of Luis Buñuel
by Peter Hogue. Film Comment Magazine, Jan. 2001, v. 37, no. 1.
Labyrinth of Chances
by Tony Rayns. Sight and Sound, July 2001, v. 11, no. 7.
REVIEWS: 'Legitimate Theater' at LACMA
by Rick Gilbert. Artweek, Sept. 2001.
REVIEWS: 'Legitimate Theater' at LACMA
Arts Court, 2001. Ottawa: Arts Court, 2001.
REVIEWS: 'Legitimate Theater' at LACMA
Centre For Art Tapes Newsletter, 2001. Halifax: Centre For Art Tapes, 2001.
Developing Strategies for the Conservation of Installations...
by Pip Laurenson. Journal of the American Institute for Conservation, 2001, v. 40, no. 3.
Rhetorical Dimensions of Native American Documentary
by Steven Leuthold. Wicazo Sa Review, Fall 2001, v. 16, no. 2.
Mexican Nationalism, Mass Media and Gender/Sexuality:: Unmasking...
by Laura G. Gutierrez. Latin American Literary Review, 2001, v. 29, no. 57.
Cinema Frames, Videoscapes, and Cyberspace: Exploring Shu Lea...
by Gina Marchetti. Cinema Frames, Videoscapes, and Cyberspace: Exploring Shu Lea Cheang's Fresh Kill, Fall 2001, v. 9, no. 2. Duke University Press, 2001.
Faces of the Future: 100 young Canadians to watch
by Unknown. Maclean's, Jan. 1, 2000.
Exercise your eyes at Images
by Cameron Bailey. Now, Apr. 13, 2000, v. 19, no. 33.
Genealogies of Blood and Breath: The blood records. Dunlop Art...
by Sky Glabush. Border Crossings, May 2000, v. 19, no. 2.
Sometimes Video Art Might Resemble Television
by Andrew James Paterson. Lola, Spring 2000, no. 6.
"Concerning Memory"
by Kay Roberts. Time Out, 2000.
Lux: A decade of Artists' Video and Film
by Marc Glassman. Take One, Fall 2000.
Book Reviews: Video Loupe: a collection of essays by and about the...
by Elaine Kowalsky. n. paradoxa, July Summer 2000, v. 6.
Black Box: The Videos of Steve Reinke
by Robin Metcalfe. Parachute, Dec. 2000, no. 100.
Speaking Bodies
by Nicole Gingras. Exhibition Catalogue, 2000. Ottawa: Gallery 101, 2000.
Asian Invasion vs. The Pristine Nation: Migrants entering the...
by Larissa Lai. Fuse, Sept. Fall 2000, v. 23, no. 2.
i can see your history in the way you move: at present
by Karyn Sandlos. like a dream that vanishes the films of barbara sternberg, 2000. Toronto: The Images Festival of Independent Film and Video and Pleasure Dome, 2000.
LA's Media Renegades
by Steve Anderson. The Independent, Apr. 2000.
Mexican experimental cinema and Ximena Cuevas
by Sergio de la Mora. Jump Cut: A Review of Contemporary Media, July 2000, no. 43.
Attack [retreat]
by Steve Reinke. Attack [retreat], 2000. Brussels: argos, 2000.
On the edge of Madness
by Robert Faulkner. The Toronto Star, Nov. 10, 2000.
TV Afterlife: With their latest work, Chris Petit and Iain...
by Chris Darke. Film Comment Magazine, July Summer 2000, v. 36, no. 4.
TV Afterlife: With their latest work, Chris Petit and Iain...
les Cinemas novembre decembre 2000, 2000. Paris: Centre Pompidou, 2000.
TV Afterlife: With their latest work, Chris Petit and Iain...
Centre d'art contemporain de Basse-Normandie saison 2000-2001, 2000. Herouville Saint-Clair: Centre d'art contemporain de Basse-Normandie, 2000.
TV Afterlife: With their latest work, Chris Petit and Iain...
CD V-D-O, 2000.
Video Triumphs in the Galleries
by Brian Frye. The Independent, July 2000.
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
by Laura U. Marks. Durham and London: Duke University Press, 2000.
Images of Intermedia: 13th Annual Images Festival of Independeent...
by Laura U. Marks. Afterimage, July 2000, v. 28, no. 1.
Images fest has a thing for sex
by Cameron Bailey. Now, Apr. 22, 1999, v. 18, no. 34.
Double the demons
by Richard Burnett. Montreal Gazette, Aug. 1999.
Great Expectations for Indie Festival
by Peter Goddard. The Toronto Star, Apr. 23, 1999.
So faraway So Close
by James Lawrence. Contemporary Visual Arts, 1999, no. 24.
Dimitris Kozaris
by Katerina Gregos. Contemporary Visual Arts, 1999, no. 24.
Eija Liisa Ahtila: Time Wounds All Heals
by Terry Myers. art/text, Oct. 1999, no. 66.
Phyllis Baldino
by Sue Spaid. art/text, Oct. 1999, no. 66.
Stan Douglas
by Scott Watson. art/text, Oct. 1999, no. 66.
Nature Boy
by Katy Siegel. Artforum, Summer 1999, v. 37, no. 10.
Who's Afraid of Film & Video in Scotland?: The Exhibition of...
by Ann Vance. Variant, Summer 1999, v. 2, no. 8.
dirty laundry and clean technology: can computers ever be innocent?
by Laiwan. Unspecified Source, Oct. 14 Fall, 1999.
A moving picture of reel life: Images Festival reflects street heat
by Peter Goddard. The Toronto Star, Apr. 22, 1999.
True Story
by Sue De Beer. FELIX: A Journal of Media Arts and Communication, 1999, v. 2, no. 2.
Church funds spiritual healing: Help offered to residential school...
by Barbara Aggerholm. The Toronto Star, June 26, 1999.
Seeking the spirit
by Unknown. University Affairs, Feb. 1999.
Strength in Numbers
by Deborah Stratman. Afterimage, Summer 1999, v. 26, no. 6.
A Work For the Love of All at Once: Local artist Kenneth Doren...
by Mikko Canini. The Calgary Straight, Feb. 4, 1999.
Filmmaker looking for a few good women for documentary
by Mary Francis Hill. Westender, May 6, 1999.
After AIDS: Michael Balser and Andy Fabo's "Stamina"
by Darien Taylor. Fuse, Apr. 1999, v. 23, no. 1.
Buds unfold, flowers bloom and artists create at EAG
by Gilbert A. Bouchard. SEE Magazine, Apr. 15, 1999.
Documentary tells a story most of us would rather miss
by Tracy Tjaden. Winnipeg Free Press, Sept. 17, 1999.
Art and the Age of the Digital: Net.art in the age of digital...
by David Ross. San Jose State University, Mar. 2, 1999.
The Early Video Project: Les Levine Interview
by Les Levine and Davidson Gigliotti. The Early Video Project, Dec. 9, 1999.
Seeing The Light: Moonstruck: Adam Chodzko illuminates three of...
by Adam Chodzko. The Tate, Summer 1999, no. 18.
Performing the Other: A Consideration Of Two Cages
by Mary Kate Kelly. College Literature, Winter 1999, v. 26, no. 1.
(Brief) Programme Notes
by Ger Zielinski. Dragged out...a studied glance at current radical drag, 1999. home-style, 1999.
Would You Rather Be a Cyborg?
by Reva Stone. Poolside, Fall 1999.
Time Passes: A Review of Nelson Henricks' Video Work: 1986-1999
by Alethea Lahofer. Poolside, Fall 1999.
Beyond the End of Town
by Kathryn Burns. Poolside, Fall 1999.
Don Goodes 'Dangerous' Suburban Videos
by Blair Marten. Poolside, Fall 1999.
Doomsday with Bikini 'Bitches'
by Jaimz Barton. Poolside, Fall 1999.
Shirin Neshat - artist - Interview
by Octavia Zaya. Interview, Sept. Fall 1999.
Surveying The Scene: Excerpts from The D.I.Y. Distro Resource Guide
by Tara Mateik. FELIX VOYEURISM, 1999. New York: The Standby Pogramm, Inc, 1999.
Between Rene Clair and Rene Clemont: The Cool World of Shirley Clarke
by DeeDee Halleck and Shirley Clarke. FELIX, 1999. New York: The Standby Program, Inc., 1999.
Chapter 2: Video Art: Personal Narritives
by Micheal Rush. New Media in Late 20th-Century Art, 1999. New York: Thames & Hudson, 1999.
Profile: Vtape - Studio 452
by Urban Space staff. 401 Richmond Newsletter, 1999.
Plague Years: a life in underground movies.
by Ger. Zielinski. Parachute, Apr. 1999, no. 94.
Janine Antoni at Luhring Augustine
by Nancy Princenthal. Art in America, July 1999, v. 87, no. 7.
Art terrorists mock the vote
by Nate Hendley. EYE WEEKLY, June 10, 1999.
Feature Film
by Charlotte Mullins. Tate, Summer 1999, no. 18.
Manglano-Ovalle: The Poetics of Tolerance
by Ana Sokoloff. Art Nexus, Feb. Spring 1999, no. 31.
Chilli in your Eyes: La Pasión According to Ximena Cuevas
by Sergio de la Mora. Senses of Cinema, Sept. 1999.
Peter Campus
by John Hanhardt. Bomb, Summer 1999, no. 68.
Virtualities: Television, Media Art, and Cyberculture: Margaret Morse
by Elizabeth Seaton. Canadian Journal of Communication, Nov. 2, 1999, v. 24.
Operetta
by Bernard Lamarche. Le Devoir, Apr. 25, 1999.
With magnifying glass in hand...: Marusya Bociukiw's Nancy Drew &...
by Leanne Johnson. Kinesis, Mar. 1999.
Woman of Steele
by Bert Archer. NOW, July 15, 1999, v. 18, no. 46.
Contemporary Visual Festival
by Anon. Mix, Fall 1999, v. 25, no. 2.
Guillaume Paris: H.U.M.A.N.W.O.R.L.D.
by Cecile Dazord. Parachute, 1999, v. 100, no. 66.
Hot New Stuff on Video from All Over the World
by Cameron Bailey. NOW, Oct. 21, 1999, v. 19, no. 8.
28 films brefs sur la vie
by Luc Perreault. La Presse, Oct. 20 Fall, 1999.
Artists in their (liquid) element
by Lehmann Henry. The Gazette, Oct. 23, 1999.
Court Métrages: Festival International Nouveau Cinéma Nouveaux...
by Éric Fourlanty. VOIR Montréal, Oct. 14, 1999, v. 13, no. 41.
Whiff of Sex Wafts over Brazen Desh Pardesh
by Cameron Bailey. NOW, June 10, 1999, v. 18, no. 41.
Art is African Spiritual Odyssey for Jamaican Artist
by David Johnson.
Confessions of an Unrepentant Intellectual: An Interview with...
by Tania Bolskaya. DiSCORDER Magazine, Nov. 12, 1999.
Marriott's Snarl Becomes a Grin
by Gary Michael Dault. The Globe and Mail, June 26, 1999.
Interview With Kenneth Doren: by Matilda Sanchz on Multimedia and...
by Matilda Sanchez. Hand Held Media, Sept. 1999.
The Archaeology of Origin: Transnational Visions of Africa in...
by Sheila Petty. The Archaeology of Origin, 1999. Montreal: ABC Art Books, 1999.
Loretta Todd: Today Is a Good Day: Remembering Chief Dan George
by Cara Mertes. The Independent, May 1999.
NJP Digest: Electronic Art Intermix, New York
WRO99: The 7th Annual International Media Art Biennale, 1999. Wroclaw: WRO99, 1999.
Quietly ruling the roost
by Sheila Johnston and Hadani Ditmars. Sight and Sound, Jan. 1999, v. 9, no. 1.
Steve McQueen
by Barry Schwabsky. Art + Text, Oct. 1999, no. 66.
Steve McQueen
Crossroads, 1999. Halifax: The Centre for Art Tapes, 1999.
Quest for What: Jim Supanick locates the HalfLifers in the video...
by Jim Supanick. Film Comment Magazine, Sept. 1999, v. 35, no. 5.
Artisanal Prefigurations of the Digital: Animating Realities,...
by Maureen Cheryn Turim. Wide Angle, Jan. 1999, v. 21, no. 1.
Body and Screen
by Margaret Morse. Wide Angle, Jan. 1999, v. 21, no. 1.
Jacques Perron: Galerie Oboro, Montreal
by Sylvain Campeau. C Magazine, May 1999, no. 62.
Letter From New York: May 1999
by Dena Shottenkirk. C Magazine, May 1999, no. 62.
Letter from London: May 1999
by Carol Peaker. C Magazine, May 1999, no. 62.
Venitian Views
by Joyce Mason et al. C Magazine, Nov. 1999, no. 63.
Canadian Currents: A Selection of CD-ROMs and Internet Projects
by Nina Gzegledy.
High-concept filmmaking on a low budget
by Robert Everett-Green. The Globe and Mail, Apr. 24, 1998.
Inside Out/Outside In?
by Andrew James Paterson. Fuse, Spring 1998, v. 21, no. 2.
An Uncertain Market for Video Art
by Marina Isola. The New York Times, Feb. 15, 1998.
Art of the Moment, Here to Stay
by Roberta Smith. The New York Times, Feb. 15, 1998.
Cigarettes, Coffee & Dep Wine
by Nelson Henricks. Fuse, Summer 1998, v. 21, no. 3.
The story is always partial: A conversation with Vera Frenkel:...
by Dot Tuer and Clive Robertson. Art Journal, Winter 1998, v. 57, no. 4.
Steve Reinke: Untitled (I saw my mother being kind to a child)
by Emily Vey Duke. I've forgotten your name, 1998. Vancouver: Anna Leonowens gallery, 1998.
A Thousand Words: Gavriel Orozco talks about his recent films
by Daniel Birnbaum. Artforum, Summer 1998, v. 36, no. 10.
Picturing the Toronto Art Community: The Queen Street Years
by Phillip Monk. C Magazine, Sept. 1998, no. 59. Toronto: C International, 1998.
Performance art fights bad rap
by Glenn Sumi. Now, Aug. 20, 1998, v. 17, no. 51.
Sculpture on site: Walker art center
by Patricia Briggs. Artforum, Nov. 1998, v. 37, no. 3.
Our Collective Fears
by Sherri Telenko. id Magazine, Fall 1998.
Machine Age: Senor Stereotype
by Austin Bunn. The Village Voice, June 9, 1998, v. 43, no. 23.
Being In Pictures: Dorit Cypis' film threat
by Marcus Miller. Hour, Oct. 22, 1998.
Stories From a Generation: Early Video at the LA Women's Building
by Cecilia Dougherty. Afterimage, July 1998, v. 26, no. 1.
Biographical Sketch and Video Notes
by Cliff Eyland and David Askevold. David Askevold: Cultural Geographies, 1998. Charlettetown: Confederation Centre Art Gallery and Museum, 1998.
From Chaos to Creation: Ed Video Screening twelve works at the...
by Michelle Elle Pettis. The Ontario Magazine for Artists, Dec. Winter 1998.
Our Collective Fears
by Sherri Telenko. i-D, Nov. 26 Winter, 1998.
Hey You!
Xtra!, Apr. 23, 1998, no. 352.
David Askevold: The California Years
by Mike Kelley. David Askevold: Cultural Geographies, 1998. Charlottetown: Confederation Centre Art Gallery & Museum, 1998.
The Queen Gets a Makeover: Guillermo Gomez-Pena serves up an...
by Jan Breslauer. Los Angels Times, June 14 Spring, 1998.
Biographical sketch & video notes
by Cliff Eyland and David Askevold. David Askevold: cultural geographies and selected works, Oct. 1998, v. 45, no. 2. Charlottetown, P.E.I.: Confederation Centre Art Gallery and Museum, 1998.
Scoring Film
by Elizabeth Licata. Afterimage, July 1998, v. 26, no. 1.
Scoring Film
by Sally McKay and Harold Alegria Ortiz. The Bank of Symbiosis: An Archaeological Intervention, 1998. Toronto: The Symbiosis Collective, 1998.
Scoring Film
de très courts espaces de temps/ very short spaces of time, 1998. Paris: Centre national de la photographie, Paris, and Editions Actes Sud, Arles, 1998.
Scoring Film
Crossings/Traversees, 1998. Ottawa: National Gallery of Canada, 1998.
La vidéo à part entière!
by R. D.. Centre France - Dimanche, Mar. 15, 1998.
The Failure to Assimilate: The Video Works of Cecilia Dougherty
by Leah Gilliam et al. The Failure to Assimilate: The Video Works of Cecilia Dougherty, 1998. New York: Thread Waxing Space, 1998.
Steve Reinke
by Lisa Gabrielle Mark. Poliester, 1997, v. 6, no. 19.
A Rambling Fireside Commentary on the Seven Dukes of Kleinberg
by Andy Fabo. Fuse, June 1997, v. 20, no. 3.
Fresh Blood: A Consideration of Belonging
by Sandra Haar. Fuse, Winter 1997, v. 20, no. 1.
Saskatchewan artists saying it with videos
by Shelia Robertson. The StarPhoenix, Sept. 13, 1997.
Radical Aesthetics: Third annual film fest comes to the Foufounes...
by Alex Halperin. The McGill Daily, Sept. 11, 1997.
Colin Campbell: Video Artist
by Roger Matuz. Contemporary Canadian Artist, 1997. Toronto: Gale Canada, 1997.
Mining the Media Archive: When history meets simulation in the...
by Dot Tuer. Fuse, Nov. 1997, v. 20, no. 5.
Threads of Memory and Exile: Examining the Art of Story Telling in...
by Dot Tuer. Images Festival of Independent Film and, 1997. Toronto: Northern Visions, 1997.
Documentaries show city dangers for blacks and Indians: The Arts:...
by John Allemang. The Globe and Mail, Aug. 14, 1997.
Sundance's big risks and strange mediocrity offer hope for filmmaking
by Susan Gerhard. San Francisco Bay Guardian, Jan. 29, 1997.
Surviving The Goldrus: Sundance '97
by Patricia Thomson. The Independant Film & Video Monthly, Apr. 1997, v. 20, no. 3.
Making a run for united borders
by Brian Levinson. The Yale Herald, Mar. 28, 1997.
The Oxide Mandate: Queer Media in Halifax
by James MacSwain. Queer Looking/ Queer Acting, 1997. Mount St. Vincent: Mount St. Vincent University Press, 1997.
La rentrée vidéo
by Marie-Michèle Cron. VOIR (Montréal edition), Aug. 28, 1997.
Champ libre: De la technologie pauvre
by Bernard Lamarche. Le Devoir, Sept. 24, 1997.
The Festival That Rocks: Toronto's Images Festival of Independent...
by Barbara Mainguy. The Independent, July 1997.
T.O. movie scene boasts inspiring individual effort: Toronto's...
by Cameron Bailey. NOW, Dec. 25, 1997, v. 17, no. 17.
Dreams of Bones and Wires
by Michael Balser. Fuse, Nov. 1 Fall, 1997, v. 20, no. 5.
Dreams of Bones and Wires
by Helen Sloane. Susan Collins: In Conversation, 1997. Brighton: BN1+Lighthouse, 1997.
Loving a Disappearing Image
by Laura U. Marks. Cinemas: Journal of Film Studies, 1997, v. 8, no. 1-2.
Ritual Practices: Projecting Art and Magic Across Borders
by Deborah Root. Fuse, Fall 1996, v. 19, no. 5.
Five Video Artists
by Larry Qualls. Performing Arts Journal, 1996, v. 18, no. 3.
Hanging out at the electronic café: Vera Frenkel's story of a bar...
by John Bentley Mays. The Globe and Mail, Jan. 3, 1996.
Video artist reconstructs shifting Jewish identity: Fresh Blood...
by Cameron Bailey. Now, Sept. 19, 1996, v. 16, no. 3.
Home video makes Yael's tale a true saga: Roots quest covers...
by Peter Goddard. The Toronto Star, Sept. 19, 1996.
Double Agents: Video Art Addressing Aids
by John Greyson. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole and Vtape, 1996.
Pat Ferns Goes West: After 25 years Pat Ferns hangs up his...
by Barri Cohen. POV, Spring 1996, no. 29.
Video: Writing History
by Louise Poissant. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole and V tape, 1996.
Points of Contact: Julian Samuel, the Raft of the Medusa: Five...
by Maurie Alioff. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole and V tape, 1996.
General Idea: Towards an Audience Vocabulary
by Jo-Anne Birnie Danzker. VIDEO re/VIEW: The (best) Source for Critical Writings on Canadian Artists' Video, 1996. Toronto: Art Metropole & V tape, 1996.
The Politics of Video Memory: Electronic erasures and inscriptions
by Marita Sturken. Resolutions: Contemporary Video Practices, 1996. Minneapolis and St. Paul: University of Minnesota Press, 1996.
CONFESSIONS OF A WEBBACK: Guillermo Gomez-Pena uses the anonymous,...
by Evantheia Schibsted. WIRED, Jan. 1996.
CONFESSIONS OF A WEBBACK: Guillermo Gomez-Pena uses the anonymous,...
by Marc Mayer. Time & Being: The Emergence of Video Projection, 1996. Buffalo: Albright-Knox Art Gallery, 1996.
CONFESSIONS OF A WEBBACK: Guillermo Gomez-Pena uses the anonymous,...
Coming (Out) to a Theatre Near You: Queer City Cinema, 1996. Regina: Dunlop Art Gallery, 1996.
Video Spaces
by Barbara London. Performing Arts Journal, Sept. 1996, v. 18, no. 3.
Writing on a White Paper
by Maria Antonella Pelizzari. PAJ: A Journal of Performance and Art, Sept. 1996, v. 18, no. 3.
Profile: Laurie McDonald Video Artist
by Sam Ho. The Independent, Nov. 1995.
Native filmmakers roll into the Big Apple
by Kallen Martin. Aboriginal Voices, Nov. 1995.
Public Space, Virtually
by Earl Miller. Fuse, Summer 1995, v. 18, no. 4.
My So-Called Life
by Tom Folland. Fuse, Summer 1995, v. 18, no. 4.
Pornutopian Premises, Positive Practices: Michael Balser's Video...
by David McIntosh. Fuse, 1995, v. 18, no. 5.
Time, Space & Realities
by Andrew J. Paterson. Time, Space & Realities, Jan. 1995. Toronto: A Space, 1995.
The Alternative Interactivity Blues
by George Lewis. Front, Nov. 1995.
big hip: Women Behind the Camera
by Glace W. Lawrence. The Word, Apr. 13, 1995.
The Body-That-Disappears-Into-Thin-Air: Vera Frenkel's Video Art
by Kay Armatage. Mirror Machine : Video and Identity, 1995. Toronto: YYZ Books, 1995.
High Wire, No Safety Net
by Steve Seid. Art Journal, Winter 1995, v. 54, no. 4.
The Black Clothing of Things
by Martha Langford. Border Crossings, Spring 1995, v. 14, no. 2.
Photography and Death
by Martha Langford. Border Crossings, Spring 1995, v. 14, no. 2.
Culture crosser
by Rachel Kranz. The Women's Review of Books, Sept. 1995, v. 12, no. 12.
Little Orphan Videos: New York Video Festival
by Ernest Larsen. The Independent, Jan. 1995.
Fabo, Balser to receive arts award for influence
by Val Ross. The Globe and Mail, Sept. 14, 1995.
Shu Lea Cheang's Genre-Bending Affirmations
by Lucinda B. Furlong. Art Journal, Winter 1995, v. 54, no. 4.
When the Crowd Rustles the Tiger Roars
by Ernest Larsen. Art Journal, Winter 1995, v. 54, no. 4.
Lip Sync: Private Practice, Public View
by L. A. Trofimova et al. Reverse Shot, Spring 1995, v. 2, no. 4.
Video Art: Selected, New & Reviewing
by John Morgan. NeWest Review, June 1995, v. 20, no. 5.
Native Americans: The Surprising Silents: Race In Contemporary...
by Angela Aleiss. CINEASTE, 1995, v. 21, no. 3.
Interview with Isaac Julien
by Bruce Morrow. Fuse, Summer 1995, v. 18, no. 5.
Video-In-Demand: Up Close With Lisa Steele and V tape
by Anthony Cogliano. Cyberstage, Winter 1995.
Artists' Video From Canada
by Peggy Gale. Bologna, Milano: The Link & Invideo, 1995.
Video-In-Demand: Up Close With Lisa Steele and V tape
Vera Frenkel: The Body Missing (Web) Project, 1995. Montreal: ISEA 95 Montreal: 6th International Symposium on Electronic Art, 1995.
Video-In-Demand: Up Close With Lisa Steele and V tape
Corpus, 1995. Saskatoon: Mendal Art Gallery, 1995.
Video-In-Demand: Up Close With Lisa Steele and V tape
Corporal Economics, 1995. Toronto: Mercer Union, 1995.
Collective Soul
by Elizabeth Mermin. Afterimage, Nov. 1995, v. 23, no. 3.
Art's Revenge in the Time of AIDS
by Douglas Dreishpoon. Art Journal, Winter 1995, v. 54, no. 4.
In Dialogue: The Couple in the Cage: A Guatinaui Odyssey
by Ruth Behar and Bruce Mannheim. Visual Anthropology Review, Spring 1995, v. 11, no. 1.
Mad Priests and the Mimetic Faculty: Ethnographic Film,...
by Scott MacKenzie. cine ACTION, 1994, no. 33. Toronto, Canada: CineAction, 1994.
Desh Pardesh digs deep into diaspora
by Cameron Bailey. Now, Apr. 28, 1994, v. 13, no. 35.
Spirit in the dark: Inside Out gives us a chance to see and cheer...
by Glenn Sumi. Xtra!, May 13, 1994, no. 249.
Video Art: L'art videographique
by James Loran Gillespie. Parallelogramme, 1994, v. 19, no. 4.
Women in focus for independent filmakers' meet
by Susan Walker. The Toronto Star, June 9, 1994.
Beyond Queer Alibis / Thoughts on The Fruit Machine and Little...
by Thomas Waugh. Parallelogramme, 1994, v. 20, no. 3.
What time is it? Zero hour!
by Denis Seguin. EYE WEEKLY, Feb. 24, 1994.
Disease that dares to sing and dance its name
by Rick Groen. The Globe and Mail, Feb. 25, 1994.
The Fruit Machine
by Thomas Waugh. Cinematheque Film Programme Guide, Fall 1994. Toronto: Cinematheque Ontario, 1994.
Video art moves with simplicity
by Regina Hackett. Seattle Post-Intelligencer, Oct. 28, 1994.
Pe'l A'tukwey: Let me...tell a story
by Robin Metcalfe. Arts Atlantic, Winter 1994, v. 12, no. iss. 48 no.4.
Fractally Thinking
by Jain Kurany. The Edmonton, Fall 1994.
VIVA award will help Mike Macdonald's video work bloom
by Peter Wilson. Vancouver Sun, May 27, 1994.
Guillermo Gomez-Pena: True Confessions of a Techno-Aztec...
by Scott T. Cummings. American Theatre, Nov. 1994, v. 11, no. 9.
Art at the Edge: NAFTA sparks interest in politically charged...
by Joyce Valdez. The Arizona Republic, Jan. 16, 1994.
Video Art without fear
by Carolyn Bennett. EYE WEEKLY, Jan. 13, 1994.
Technique Serves Content in Trinity video Collection
by Cameron Bailey. Now, Jan. 13, 1994, v. 13, no. 20.
New Video Realities in a New East Europe
by Nina Czegledy. Fuse, May 1994, v. 17, no. 4.
You're Beautiful Man, You're Beautiful: Beauties and Monstrosities
by Brent Cehan. Fuse, May 1994, v. 17, no. 4.
Women's Work: The Walker's Month-Long Women in the Director's...
by Terri Sutton. City Pages, Jan. 5, 1994.
Philadelphia not a "gay film": There are plenty of homosexual...
by Sky Gilbert. The Toronto Star, Jan. 21, 1994.
Time, Space and Realities
by Andrew Patterson. Parallelogramme, 1994, v. 20, no. 3.
Queer Quality: AIDS Public Service Announcements Reach TV
by Michael Balser. Parallelogramme, 1994, v. 19, no. 4.
Polar Recap
by Ann Kaneko. Afterimage, Nov. 1994, v. 22, no. 4.
Polar Recap
Sex, Lies, and Lawn Grass/Notes for Video Art, 1994. Toronto: Art Metropole, 1994.
Polar Recap
The Fourteenth Chicago Lesbian and Gay Interntational Film Festival, 1994. Chicago: Chicago Filmmakers, 1994.
Polar Recap
Chosen Tapes, 1994. Calgary: Moshe Ozeri, 1994.
Sexual Hybrids: From Oriental Exotic to Postcolonial Grotesque
by Laura U. Marks. Parachute, Apr. 1993, no. 70.
Video and Orality
by Peggy Gale. Canadian Art, Summer 1993, v. 10, no. 2.
Video Collaborators: A report from the interior
by Nelda Rodger and Nina Czegledy. Azure, Nov. 1993, v. 10, no. no. 91.
Separate Spaces: A personal perspective on black art and the new...
by Keith Piper. Variant, 1993, no. 14.
Trinity series sign of where T.O.'s at
by Cameron Bailey. Now, Jan. 14, 1993, v. 12, no. 20.
Dreaming With Eyes Open: The First Nation's Dreamspeakers Festival
by Sally Berger. The Independent, Jan. 1993, v. 16, no. 1.
Acts of Defiance more like an act of genuflection
by John Haslett Cuff. The Globe and Mail, July 15, 1993.
Art and Aids: Artists join fight for awareness with public video...
by Nancy Tousley. Calgary Herald, Dec. 1, 1993.
Worlds Between:: An Examination of the Thematics of Exile and...
by Dot Tuer. Vera Frenkel: Raincoats Suitcases Palms, 1993. Toronto: Art Gallery of York University, 1993.
Stuart Marshall 1949-1993
by Lisa Steele. Xtra!, June 25, 1993, no. 226.
Interview: Vera Frenkel & Dot Tuer
by Vera Frenkel and Dot Tuer. Vera Frenkel: Raincoats Suitcases Palms, 1993. Toronto: Art Gallery of York University, 1993.
Subjects on the Threshold: Problems with the Pronouns
by Renee Baert. Parachute, Winter 1993, no. 69.
The Image of Art in Video
by Maureen Turim. Les Lieux de Video, International Video Art Exhibition, 1993. Durham: United Media Arts Studies, 1993.
Mix: The 7th New York Lesbian and Gay Experimental Film and Video...
by Robert F. Reid-Pharr. Fuse, Winter 1993, v. 17, no. 2.
Culture in a Cage
by Donald Garfield. Museum News, Mar. Spring 1993.
VIVA award winners' works provide a powerful display
by Ann Rosenberg. Vancouver Sun, May 1, 1993.
finding the DIFFEREN(t)CE: looking for the self and the other in...
[Activating the Archive] 3: Lisa Steele, 1993. Toronto: Art Metropole, 1993.
finding the DIFFEREN(t)CE: looking for the self and the other in...
Culture Lab: Symposium Series 1993 1994, 1993. Toronto: Culture Lab, 1993.
finding the DIFFEREN(t)CE: looking for the self and the other in...
Colin Campbell: Invention, 1993. Toronto: Art Metropole, 1993.
Black Gay Men in Independent Film
by Kobena Mercer. cineACTION, Fall 1993, no. 32.
Don't Go to Dat Place and Fool Around Like Rich Girls: Black...
by Gabrielle Hezekiah. cineACTION, Fall 1993, no. 32.
Confessions of a Snow Queen: Director's Notes on the Making of The...
by Isaac Julien. cineACTION, Fall 1993, no. 32.
Reinke work conceptually swift and sophisticated
by Cameron Bailey. Now, July 2, 1992, v. 11, no. 44.
Video: Legal Memory
by Regina Cornwell. Canadian Art, Winter 1992, v. 10, no. 1.
Communicable Democracy
by Laura U. Marks. Fuse, Winter 1992, v. 15, no. 3.
Video Technology and the Feminine
by Nell Tenhaaf. Parallelogramme, 1992, v. 18, no. 3.
Cross-over communicator: Michael Balser makes video art that...
by Corneil Van der Spek. Xtra!, Dec. 25, 1992, no. 213.
Signs of a generational shift on indie production scene
by Cameron Bailey. Now, Dec. 24, 1992, v. 12, no. 17.
Lesbian Sexual Imagery in Film: Smashing up the Salad: Visibly...
by Kathleen Oliver. Kinesis, June Spring 1992.
Fresh Talk: Locally-produced video opens the lines of...
by Randy Shore. The Vancouver Echo, Feb. 19, 1992.
Will the real history please stand up...: Histories-In-The-Making...
by Christian Leigh. Quotations: the Second History of Art, 1992. Ridgefield, CT: The Aldrich Museum of Conemporary Art, 1992.
Salman Rushdie in the Age of Reason: "Us/Them - Translation,...
by Julian Samuel. Cross/Cultures 6: Readings in the Post/Colonial Literatures in English, Jan. 1992. Amsterdam/Atlanta, GA: Rodopi, 1992.
Persimmon Blackbridge
by Diane Lees. research paper, 1992. Contemporary Canadian Art, 1992.
The Art of Ethnic Tensions: Guillermo Gomez-Pena uses theatrics to...
by Miriam Horn. U.S. News & World Report, Dec. 30, 1992.
Smart documentary wins at Yorkton
by Anon. The Globe and Mail, June 2, 1992.
The Wedding Album: Part 1 - The Ed Nasello Story
by Michael Balser. foreground, 1992.
Monster in a box: The seventh annual Dallas Video Festival...
by Tom Sime. Dallas Observer, Nov. 5, 1992.
We Are All Living With AIDS
by Catherine Saalfield.
Arrows of Desire: The Second ICA Biennial of Independent Film & Video
by Simon Field and Tim Highsted. London: Institute of Contemporary Arts, 1992.
We Are All Living With AIDS
Can-Asian Perspectives: A Film and Video Series Exploring Asian Experiences in Canada, 1992. London: The Canadian High Commission and Bazaar Magazine/South Asian Arts Forum, 1992.
Retrospective tracks career of video visionary Campbell
by Deirdre Hanna. Now, Dec. 12, 1991, v. 11, no. 15.
Video retrospective dallies with sexuality
by John Bentley Mays. The Globe and Mail, Dec. 26, 1991.
Toronto Lesbian and Gay Film and Video Festival
by Colin Campbell. Fuse, Fall 1991, v. 15, no. 1-2.
Monitoring the Vital Signs: The American Film Institute Video Festival
by Christine Tamblyn. Visions, Spring 1991.
Mom's The Word
by Barbara Osborn. AfterImage, Jan. 1991, v. 18, no. 6.
Colin Campbell: Media Works 1972-1990
by Bruce W. Ferguson. The National Art Gallery, 1991. Ottawa: The National Gallery of Canada, 1991.
A different look at the nightly news: Artists put their own slant...
by Richard Huntington. Buffalo News, Feb. 17, 1991.
Projected Identities
by David Joselit. Art in America, Nov. 1991, v. 79, no. 11.
Staged Inquisition masks complexity of trials women face
by mike steele. Star Tribune, Jan. 19, 1991.
On the North-South Border Patrol, in Art and Life: A road...
by Ruben Martinez. The New York Times, Oct. 13, 1991.
Fourth New York Lesbian and Gay Experimental Film Festival
by Susan Kealey. Fuse, Winter 1991, v. 14, no. 3.
Culture Jocks: Race to the Screen in review
by Larissa Lai. Fuse, Fall 1991, v. 15, no. 1-2.
Identity and Consciousness:: (Re)Presenting the Self
by Sheila Petty. Dunlop Art Gallery, 1991. Regina, SK: Dunlop Art Gallery, 1991.
The Third Space: Interview with Homi Bhabba
by Homi Bhabba and Jonathan Rutherford. Identity and Consciousness: (Re)Presenting the Self, 1991. Regina: Dunlop Art Gallery, 1991.
Exhibition Program
by Sheila Petty. Identity and Consciousness: (Re)Presenting the Self, 1991. Regina: Dunlop Art Gallery, 1991.
News with a View: Video Witnesses Festival of New Journalism
by Janet Sorenson. Afterimage, May 1991, v. 18, no. 10.
Performance Artist on the border
by Betsy Pisik. The Washington Times, Apr. 11, 1991.
Smear Campaign offers memories
by Martin Morrow. Calgary Herald, July 18, 1991.
Alive 'n' Kicking: High Performance going strong after a shaky start
by Martin Morrow. Calgary Herald, Mar. 1991.
Gringostroika: Gómez-Peña's Spanglish Theater: Mariachi-Liberace...
by L. Jamison. Mother Jones: People, Politics and Other Passions, Nov. 1991, v. 16, no. 6.
Colin Campell Media Works 1972 - 1990: Opening: The Video and Film...
Colin Campbell Media Works 1972-1990, 1991. Ottawa: National Gallery of Canada, 1991.
Chapter 6: An Other and Its Other
by Sean Cubitt. Timeshift. On Video Culture, 1991. London, New York: Routledge, Comedia, 1991.
Asian American Video Visions
Brooklyn, New York: Brooklyn Museum, 1991.
Chapter 6: An Other and Its Other
Colin Campbell: Media Works 1972-1990, 1991. Ottawa: National Gallery of Canada, 1991.
Chapter 6: An Other and Its Other
7a Mostra de Video de Creacio de Catalunya, 1991. Catalonia: Departament de Cultura de la Generalitat de Catalunya, 1991.
North By Northeast: European Video Festivals
by Nina Czegledy. Video Guide, Fall 1991, v. 11, no. 52.
Tested Fictions & Twisted Fragments
by Susan Rynard. Fuse, Spring 1990, v. 13, no. 4.
The Simulated Society: Four Installations at the AFI Video Festival
by Bill Horrigan. The Independent, Apr. 1990.
Media In The Present Tense: Highlights from the 1990 Berlin Video...
by Martha Gever. The Independent, May 1990.
Is The Rectum An Asshole?
by Brent Cehan. Fuse, June 1990, v. 13, no. 5.
The Passionate Queer Documentary
by John Greyson. Video Guide, Nov. 1990, v. 10, no. 5.
Words of Fire: An Interview with John Sanborn at Ed Video
by Don Richardson and Nancy Hallas. Video Guide, Nov. 1990, v. 10, no. 5.
Grande Barrage/Great Divide: Video Work De Daniel Dion
by Bryan Mulvihill. Video Guide, Nov. 1990, v. 10, no. 5.
LA Freewaves
by Valerie Soe. Video Guide, Nov. 1990, v. 10, no. 5.
The New York International Festival of Lesbian and Gay Film: Close...
by Lisa Kennedy. The Village Voice, June 5, 1990, v. 35, no. 23.
Gay and Lesbian Festival Widens Its Film Horizons
by Stephen Holden. The New York Times, May 31, 1990.
Newfoundland co-op merges folk and personal resources
by Cameron Bailey. Now, June 7, 1990, v. 9, no. 39.
Talk diminishes work of art
by John Bentley Mays. The Globe and Mail, June 15, 1990.
Dismything Objectivity: Buffalo's Video Festival of New Journalism
by Richard Thompson. The Independent, June 1990.
Interrogative Video Works From Colin Campbell
by Bruce Ferguson. Tableau, Nov. 1990.
AIDS Video Highlights survey of artist's work
by Randal McIlroy. Winnipeg Free Press, Dec. 22, 1990.
Sexuality and Politics
by Liam Lacey. The Globe and Mail, Aug. 4, 1990.
The River of Swill: Feminist art, Sexual Codes, and Censorship
by Christine Tamblyn. Afterimage, Oct. 1990, v. 18, no. 3.
The Deep: Lures and No Exits
by Amy Taubin. The Village Voice, Nov. 13, 1990.
The Place, The Work, The Dilemma
by Vera Frenkel. This Is Your Messiah Speaking, Aug. 1990.
From A Reservoir of Predictions
by Tom Sherman. From A Reservoir of Predictions, 1990. Toronto: Art Metropole, 1990.
Shopping which didn't fit the bill
by Unknown. The Journal, Aug. 31, 1990.
'Incorrigible' Vera Frenkel lives up to her name
by John Bentley Mays. The Globe and Mail, Feb. 3, 1990.
Fearless Fung taps race complexities
by Cameron Bailey. Now, May 24, 1990, v. 9, no. 37.
Character Study: An Interview with Richard Fung, whose video work...
by Karl Soehnlein. Outweek, Oct. 17, 1990, no. 68.
Stereotypes in the Sand: The Pacific Film Archive screens a new...
by Jill Hamburg. The Sanfranciscno Bay Guardian, 1990.
Imagining Intifada and measures of Distance
by Dennis Harvey. The Daily Californian, Aug. 29, 1990.
Tom Sherman: There's something perverse about this relationship...
by Peggy Gale. Parachute, 1990, no. 58.
Brooklyn Artists Featured in Museum Videos
by Tom Wachunas. The Phoenix, Oct. 4, 1990.
Ardele Lister - Split
by Jude Schwendenwien. High Performance, Summer 1990.
From Resevoir of Predictions
by Tom Sherman. Art Metropole, 1990.
Gays and lesbians break down the walls that keep them isolated
by Geoff Pounsett. The Whig-Standard, June 18, 1990.
Palestinian film defies media norms at truth's expenses
by Nancy Steidtmann. Jewish Bulletin, San Francisco CA, Sept. 29, 1990.
Awareness of image and gender sparked Toronto's top films of 89
by Cameron Bailey. Now, Jan. 4, 1990, v. 9, no. 17.
Clock ticking on AGO video show
by Randi Spires. The Toronto Star, Jan. 12, 1990.
Detonate!: (They Blew Up Real Good)
by Randi Spires. Fuse, Spring 1990, v. 13, no. 4.
Speaking of Colour: Image and Nation: Festival of Gay & Lesbian...
by Molly Shinhat. Fuse, Spring 1990, v. 13, no. 4.
Color Schemes, Le Gout Mon Espoir, Shaving, Sales Images
by Andrew Munger. Fuse, Oct. Fall 1990, v. 14, no. 1+2.
Barcelone: Celine Baril
by Alex Roshuk. Fuse, Fall 1990, v. 14, no. 1+2.
VHS in the CCCP: Independent video in the Soviet Union
by Nina Czegledy. Fuse, June 1990, v. 13, no. 5.
Having the Last Laugh: Margaret Moores & Almerinda Travassos
by Becki Ross. Fuse, June 1990, v. 13, no. 5.
Let's Get Engaged
by Andy Fabo. Fuse, June 1990, v. 13, no. 5.
Black History and Desire: Looking for Langston
by Molly Shinhat. Fuse, June 1990, v. 13, no. 5.
Chick Flicks: Festival de Film et Videos de Femmes de Montreal
by Marusia Bociurkiw. Fuse, Fall 1990, v. 14, no. 1+2.
Video News
by Kim Tomczak. Fuse, Fall 1990, v. 14, no. 1+2.
Computer Art as Conceptual Art
by Christine Tamblyn. Art Journal, Fall 1990, v. 49, no. 3.
Back To School In Rochester
by Douglas Edwards et al. Media Arts, 1990, v. 2, no. 5 and 6.
Relatively True Stories
by Amy Taubin. Voice, Jan. 9, 1990.
Within and Without: Reconstructing Regional Identity
by Sarah Murphy. Fuse, Spring 1990, v. 13, no. 4.
Coal-Mining Exhibit Unearthed at Everhart
by Katie Mahon. Sunday Times, Apr. 8, 1990.
Three Thumbs Up: Festival International du Nouveau Cinema et de la...
by Molly Shinhat. Fuse, Spring 1990, v. 13, no. 4.
A Little Groening, a Little Allegory
by Randi Spires. The Toronto Star, Jan. 5, 1990.
Confronting the dark heart of addiction: In one of the most...
by Jay Scott. The Globe and Mail, Sept. 14, 1990.
Places in the Sun: Tribes and Tribulations
by Judith Shulevitz. Film Comment Magazine, Jan. 1990, v. 26, no. 1.
Bodies in Trouble: Excerpts from a new video by Maruisa Bociurkiwi
by Marusia Bociurkiwi. Matriart, Summer 1990, v. 1, no. 2.
Sodom North: Bash Back: A Video Series Curated by Sara Diamond &...
by Sara Diamond. Matriart, Summer 1990, v. 1, no. 2.
Subject to Change: Program of Works by Women of Color Challenges...
by Helen Lee. The Independent, July 1990.
Culture Without a Country
by Ammiel Alcalay. Afterimage, May 1990, v. 17, no. 10.
Some high voltage work on display at the power plant: The dressing...
by John Bentley Mays. The Globe and Mail, Oct. 27, 1990.
Some Film Festival Awards as Crazy as the Atmosphere
by Christopher Potter. Ann Arber News, Mar. 27, 1990.
"Queer Reels" At Lace; New Comedy at Asian Film Festival
by Kevin Thomas. Los Angeles Times, May 7 Spring, 1990, no. 296.
Gay and lesbians break down the walls that keep them isolated
by Geoff Pounsett. The Whig- Standard, June 18, 1990.
Excursions in Catastrophe: Power and Contradiction in ithe Philippines
by Patricia Mellencamp. Afterimage, Apr. 1990, v. 17, no. 9.
Take the Power Not the Pipe
by David Trend. Afterimage, Apr. 1990, v. 17, no. 9.
Settling Accounts: Interviews with Three Chilean Filmmakers
by Coco Fusco. Afterimage, May 1990, v. 17, no. 10.
Teamwork is the Best Work: We Are Not Afraid, Hidden Talents
by Nadine L. McGann and Debby Barkan. Afterimage, Nov. 1990, v. 18, no. 4.
Youthful Persuasions: John Goss Speaks Out
by Gabriel Gomez. Afterimage, Nov. 1990, v. 18, no. 4.
"That's Modulation!": Film and Video at Siggraph
by J. Ronald Green. Afterimage, Dec. 1990, v. 18, no. 5.
From a Hybrid Place: An Interview with Trinh T. Minh-Ha
by Judith Mayne. Afterimage, Dec. 1990, v. 18, no. 5.
Whether Maps: Pedagogic Strategies in Recent Video
by Matthew Sommerville. Afterimage, Dec. 1990, v. 18, no. 5.
For an Imperfect Spectator: Asian Films at the San Francisco...
by Berenice Reynaud. Afterimage, Dec. 1990, v. 18, no. 5.
For an Imperfect Spectator: Asian Films at the San Francisco...
The Art of Video, 1990. Barcelona & Madrid: Imatco-Atanor, 1990.
States of Emergency
by Laura Salmon. Afterimage, May 1990, v. 17, no. 10.
Video Installation Art: The Body, the Image and the Space-in-Between
by Margaret Morse.
Video Art: Expanded Forms
by John G. Hanhardt. Leonardo, 1990, v. 23, no. 4.
Vista: Video by Canadian Women Artists
by Nina Czegledy. Toronto: N/A, 1990.
Illuminating Video: An Essential Guide to Video Art
by Doug Hall and Sally Jo Fifer. Metuchen, New Jersey: Aperture Foundation Inc., 1990.
Confusing The Script
by Lisa Pottie. Fuse, Jan. 1989.
La Vidéo au Québec
by Jean Tourangeau. Vie Des Arts, Mar. 1989, no. 134.
The Façade of Obsession: By Way of Fiction
by Colin Campbell. Fuse, Apr. 1989, v. 12, no. 5.
Video, for art's sake
by Rodney Gilchrist. Photo Life, May 1989, v. 14, no. 4.
Focus on Michael Balser
by Andrew J. Paterson. Canadian Art, Spring 1989, v. 6, no. 1.
On A Trumped-Up Charge: Two Video-Films
by Nancy Shaw. Vanguard, Summer 1989, v. 18, no. 3.
Canadian Countercurrents: The Images '89 Festival
by Helen Lee. The Independent, Aug. 1989.
Images '89
by Donna Lypchuk. Cinema Canada, Sept. 1989.
Interrogating the Boundaries of Women's Art:: New Work in Video by...
by Liz Kotz. High Performance, Winter 1989, no. 48.
Lattanzi's Latest: An Attentional Waveform
by Chris Hill. The Squealer, 1989.
Feminist foibles target of Campbell's satiric video
by John Bentley Mays. The Globe and Mail, Mar. 3, 1989.
Kibbins stems tide of ceaseless ideas
by Cameron Bailey. Now, Apr. 13, 1989, v. 8, no. 31.
Film challenges "gay-bashers"
by Peter Goddard. The Toronto Star, Apr. 27, 1989.
A camera's eye on intolerance: Images 89 festival takes hard look...
by Isabel Vincent. The Globe and Mail, May 5, 1989.
Glenbow exhibit a critical success for Sujir
by R H. MRC News, Oct. 26, 1989.
Scarlet Fever
by Andrew Sorfleet. Fuse, Winter 1989, v. 13, no. 3.
Wanna Be: Zach Kunuk at Video In
by Elspeth Sage. Front, Nov. 1989.
Video at the Crossroads: A review of the 1988 AFI Festival
by Margaret Morse. Video Networks, 1989, v. 13, no. 314.
If It's Tuesday...
by Amy Taubin. The Village Voice, Oct. 17, 1989.
Lesbian chronicler sends up pleasure
by Susan G. Cole. Now, Sept. 21, 1989, v. 9, no. 3.
Beyond History is disturbing and powerful show by Indian artists
by Regina Hackett. Seattle Post Intelligencer, May 31, 1989.
Show of Native Art Not Limited by Traditional Images
by Laura Busheikin. The Georgia Straight, June 16, 1989.
Indian art bares both meanings of spirit world: Beyond history...
by Elizabeth Godley. The Vancouver Sun, June 7, 1989.
Critical text feeds on cultural fantasy
by Jon Kaplan. Now, Sept. 7, 1989, v. 9, no. 1.
Our Own Story: The Video Work of Sara Diamond
by Dinah Dossor. Independent Media, Apr. 1989, no. 88.
'Sex was just the preamble': Artful revelations for an audience...
by John Bentley Mays. The Globe and Mail, Sept. 8, 1989.
What the hell's going on in that bathroom?
by Steven Gaydos. The Advocate, Apr. 11, 1989.
The World is Sick (Sic)
by Mark Turrel. Video Guide, Nov. 1989, v. 10, no. 3-4.
AIDS Media: Counter-Representations
by Lucinda Furlong. New American Film and Video Series, 1989. New York: Whitney Museum of American Art, 1989.
Hot Tramp, I Love You So!: Rebel Girls: A Survey of Canadian...
by Christine Conley. Fuse, Fall 1989, v. 13, no. 1 & 2.
Disclosure: Lisa Steele and Kim Tomczak: The Collaborative Tapes
by Philip Monk. catalogue, 1989. Art Gallery of Ontario, 1989.
Separate Voices
by Peggy Gale. Separate Voices, 1989. The Third Fukui International Video Biennale, 1989.
The Videos of Norman Cohn: Beyond Seduction
by Karen Henry. Video Guide, Sept. 1989, v. 10, no. 2.
The Digital Image or the Technological Catastrophy of Images
by Alain Renaud. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Out of Order
by Wolfgang Preikschat. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Steina and Woody Vasulka Retrospective: Necessary Risk
by Roy Durfee. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Analog-Digital (A matter of images)
by Anne-Marie Duguet and Raymond Bellour. 3e Semaine Internationale de Vidéo, 1989. Geneva: les auteurs et Saint-Gervais Genève, 1989.
Celebrating Intimacy
by C.M Judge. UMZ Research Press, 1989.
None of Meryl's tears
by Nenna Ahluwalia. The Edmonton Bullet, Nov. 29, 1989.
Cut & Paced
by Mary Anne Moser. Fuse, Winter 1989.
Cinema Canada: Festivals
by *Not Documented. Cinema Canada, Sept. 1989.
Videotape picks apart white liberal guilt: Indians are everwhere...
by Geoff Pevere. The Toronto Star, Aug. 4, 1989.
Dark Vision: Vancouver filmmaker finds herself taken more...
by Jeff Buttle. Vancouver Sun, Sept. 2, 1989.
Wake up, 'color blind' feminists
by Louise Brown. The Toronto Star, Mar. 14, 1989.
Inuit Video Recreates Life in 30's: Far North in New Light
by Elizabeth Godley. Vancouver Sun, Sept. 20, 1989.
Collaborative Videotapes: Descriptions by the Artist
by Lisa Steele and Kim Tomczak. 4 Hours and 38 Minutes, 1989. Toronto: Art Gallery of Ontario, 1989.
The subject in History: The new autobiography in film and video
by Michael Renov. Afterimage, July Summer 1989, v. 17, no. 1.
Canadian Artists to Present 3 Provocative Videos at IMAGE
by Reidy Robin. The Atlanta Journal, Feb. 15, 1989.
Northern Light: Video and the Avant-Garde in Finland
by Nina Czegledy. Fuse, Jan. 1989, v. 12, no. 4.
Private Parts in Public Places
by Andrew J. Paterson. Fuse, Jan. 1989.
Video News
by Kim Tomczak. Fuse, Apr. 1989, v. 12, no. 5.
New Technologies: Perils and Pleasures
by Micki Mcgee. High Performance, Winter 1989, no. 48.
Video-sculpture
by Johannes Lothar Schroder. High Performance, Winter 1989, no. 48.
Portrait of an artist in the age of AIDS
by John Bentley Mays. The Globe and Mail, May 6, 1989.
Qaggiq
by Pat Thompson. Cinema Canada, Sept. 1989.
Anarchy in the PDA: Independent Filmmaker Philip B. Roth on...
by Cliff Schwartz. New York Native, Dec. 11, 1989, no. 347.
Film Features Poundmaker's Lodge: Poundmaker's Lodge- A Healing Place
by Dale Stelter. Alberta Native News, Aug. 1989.
The Revolver: The Embattled Body: Aids and the Current Crisis of...
by Dot Tuer. Canadian Art, Summer 1989, v. 6, no. 2.
Alanis Obomsawin, Artist and Philanthropist
by Gilles Chaumel. Rencontre, Dec. 1989.
Independent Images
by Elizabeth Schroder et al. Fuse, Aug. 1989.
Class Pictures
by Laura Marks. Afterimage, Sept. 1989, v. 17, no. 2.
Feminist Films Air Minority Concerns
by Randi Spires. The Toronto Star, Dec. 8, 1989.
Technology with a twisted aura
So Toronto Computes!, Dec. 1989, v. 5, no. 12.
La Vidéo Dans le monde: De la vidéo-outil à la vidéo-icône
by Jean Tourangeau. Les yeux fertiles: Bilan cinématographique et vidéographique 1989, 1989. Montréal: Les herbes rouge, 1989.
Documentary Shows Pain of Incest
by Ursula Cafaro. The Varsity, Apr. 12, 1989.
"Witnesses" Show Presents AIDS as a Complex Issue: Witnesses: The...
by Suzanne Muchnic. The Los Angeles Times, Nov. 16 Winter, 1989.
New film shows what women face as mothers speak out about incest
by Doris Anderson. The Toronto Star, Jan. 28, 1989.
Startling Images In Native Art Show
by David Lang. Times-Colonist, June 4, 1989.
It's Evening in America: Video Drive In
by Carole Ann Klonarides. Encontros Luso-Americanos De Arte Contemporanea / Portuguese-American Meetings on Contemporary Art, 1989. Lisboa: Fundacao Calouste Gulbenkian - Fundacao Luso-Americana Para O Desenvolvimento, 1989.
Obomsawin: Film and song bridge cultures
by Elaine O'Farrell. Windspeaker, Mar. 24, 1989, v. 7, no. 3.
Acting Out
by Manohla Dargis. The Village Voice, Sept. 19, 1989.
Festival of Pluralism
by Edward Ball. Afterimage, Dec. Winter 1989, v. 17, no. 5.
Policing Desire
by Cynthia Chris. Afterimage, Dec. Winter 1989, v. 17, no. 5.
Wit and Absurdity Ooze From the Ordinary: Videographer Jeanne...
by Calvin Ahlgren. San Francisco Chronicle (Datebook), Mar. 26 Spring, 1989.
Experiments in gay filmmaking
by Gregg Bordowitz. The Guardian, Sept. 13, 1989.
Videodance:Fine Fusions
by Alan M. Kreigsman. The Washington Post, Aug. 14, 1989.
Video attacks police tactics
by Michelle Melady. The Charlatan, Feb. 2, 1989.
Document & Dream
by Dan Walworth.
Bloodstained Works: The Glasnost Film Festival
by Amos Vogel. Afterimage, Nov. 1989, v. 17, no. 4.
Testing the Limits: An Interview
by Lorraine Kenny. Afterimage, Oct. 1989, v. 17, no. 3.
Striptease East and West: Sexual Representation in Documentary Film
by Liz Kotz. Afterimage, Oct. 1989, v. 17, no. 3.
The Student Body
by David Trend. Afterimage, Oct. 1989, v. 17, no. 3.
Notes Toward a Morphology of Labor Video
by Fred Glass. Afterimage, Sept. 1989, v. 17, no. 2.
Toronto '88: In Black and White and Color
by Berenice Reynaud. Afterimage, Jan. 1989, v. 16, no. 6.
Breaking Stereotypes: The Chicago Latino Film Festival
by Christine List. Afterimage, Jan. 1989, v. 16, no. 6.
Acting Up: Independent Video and the AIDS crisis
by Alexis Danzig. Afterimage, May 1989, v. 16, no. 10.
Sexuality and Video Narrative
by Chris Straayer. Afterimage, May 1989, v. 16, no. 10.
Exploring the Limits: Experimental Filmmakers at Work
by Peter Miller. New York Native, Sept. 23, 1989, v. 9, no. 42.
Exploring the Limits: Experimental Filmmakers at Work
by Lynne Sowder and Norman Cohn. Bank: Norman Cohn: A Video Portrait Process, 1989. Minneapolis: First Bank System, Division of Visual Arts, 1989.
Exploring the Limits: Experimental Filmmakers at Work
6a Mostra Video de Creacio de Catalunya, 1989. Catalonia: Departament de Cultura de la Generalitat de Catalunya, 1989.
"In These Times of Diminishing Visual Returns ...:"
by Karen Henry. Video Guide, Mar. 1989, v. 10, no. 1.
Underneath the Arches
by Malcolm Dickson. Video Guide, Spring 1989, v. 10, no. 46.
"Now Playing": David MacLean in conversation with Sue Jenkins
by Sue Jenkins. Video Guide, Fall 1989, v. 10, no. 48.
Video and the Vth International Conference on AIDS: Accessibility...
by Ken Morrison. Video Guide, Fall 1989, v. 10, no. 48.
Towards T.V.:: Video Art in the Late '80s - A Few Thoughts
by Nik Houghton. Video Guide, Mar. 1989, v. 10, no. 1.
Art as a way of life in festival show; [Final Edition]
by Nancy Baele. Ottawa Citizen, Sept. 16, 1989.
Grierson Documentary Seminar '85: Broadening Perspective
by Cameron Bailey. Cinema Canada, Jan. 1988, no. 148.
Francois Girard
by Francois Girard. ArtViews, Spring 1988.
It Works: Labour and Video
by Karen Knights. Fuse, Sept. 1988, v. 12, no. 1 & 2.
Hybrid TV: Feature-length video
by Mark O'Neill. Cinema Canada, Dec. 1988, no. 158.
Touching the film and video edge at Images 88
by Robert Everett-Green. The Globe and Mail, June 24, 1988.
Recasting images of AIDS to counter media distortions
by Cameron Bailey. Now, Oct. 20, 1988, v. 8, no. 7.
Glimpses of the future of video art
by Liam Lacey. The Globe and Mail, Sept. 16, 1988.
Cold Snaps: Images 88, Northern Visions showcase of new film and video
by Andrew J. Patterson. Cinema Canada, Sept. 1988, no. 155.
Culture For Sale: Recent Toronto Works
by Kass Banning. Cinema Canada, Feb. 1988, no. 155.
Film/Video Interface
by Geoffrey Shea. Cinema Canada, Feb. 1988, no. 149.
Art Beyond the Galleries: Olympic festival takes visual exhibits...
by Stephen Godfrey. The Globe and Mail, Feb. 20, 1988.
Wilderness as Reentrant Form: Thoughts on the Future of Electronic...
by David Dunn. Leonardo, 1988, v. 21, no. 4.
Working
by Sandra Haar. Vanguard, Sept. 1988, v. 17, no. 4.
Local Artists stand out as east meets west in video olympics
by Elizabeth Licata. Gusto, Apr. 29, 1988.
Video & Television
by Michael Nash. High Performance, Winter 1988, no. 44.
Cornell Hails Buffalo's Media Art
by Richard Huntington. The Buffalo News, Oct. 9, 1988.
Safe Sexual Imagery
by Helen Lee. Cinema Canada, Sept. 1988, no. 155.
Histories: New Video Art
by Bob Riley. ICA Currents, 1988. Boston: Institute of Contemporary Art, 1988.
Bad Acting: Performing and Characterization on Screen
by Sara Diamond and Gary Kibbins. Trade initiatives; 3 programmes of Canadian video, 1988. Vancouver: Satelite Video Exchange Society, 1988.
Awakening to the power of the union: History retrieved
by Faith Jones. Kinesis, June 1988.
Bearing Witness: Tidings from South Africa
by Lisa Steele. South Africa Tapes: Living in a State of Emergency, 1988. New England Foundation for the Arts, 1988.
Mark Dicey
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Wanda Ellerbeck
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Miriam Fabijan
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Joyce Fraser
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Bart Habermiller
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Nelson Henricks
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Colleen Kerr
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
Stephen Peterson
by Donna McAlear. Elemental Instincts : a matter of course, 1988. Clagary, Alberta: The Nickle Arts Museum, 1988.
In the Realm of the Senses
by Gwen McGregor. Fuse, Sept. 1988, v. 12, no. 1 & 2.
Toronto just doesn't get this clever General idea
by Christopher Hume. The Toronto Star, May 27, 1988.
Getting the General Idea
by Linda Genereux. Metropolis, Nov. 17, 1988, v. 1, no. 27.
Despair
by Shonagh Adelman and Bryan Gee. Fuse, Winter 1988, v. 11, no. 4.
Towards a Representation of Human: Only Human: Sex, Gender, and...
by Erika Sunderberg. Video Guide, 1988, v. 9, no. 4.
Bech, Marianne
by Guy Durand. Immedia Concerio - Performances. Installations. Arts Media., 1988. Quebec: Inter/Le Lieu, 1988.
Knowles, Alison
by Guy Durand. Immedia Concerio - Performances Installations Arts Media, 1988. Quebec: Inter/Le Lieu, 1988.
Swidzinski, Jan
by Guy Durand. Immedia Concerio - Performances Installations Arts Media, 1988. Quebec: Inter/Le Lieu, 1988.
On (Experimental) Film: How we sit and just watch it all
by Barbara Sternberg. Cinema Canada, Sept. 1988.
A medium of contemporary memory: Canadian Art Video Festival at...
by Francine Dagenais. Cinema Canada, June 1988.
Bruno's Leg
by Mark Currah. Performance Magazine, 1988.
Sex Advertised and Sex Displayed
by not specified. Ottawa Citizen, Aug. 12, 1988.
David Askevold: Political Modernism and Postmodernity
by Frederick Dolan. Vanguard, Feb. Spring 1988, v. 17, no. 1.
Series takes a look at women by women
by David McCracken. Chicago Tribune, June 3, 1988.
Fantasies of Oppositionality
by Coco Fusco. Afterimage, Dec. 1988, v. 16, no. 5.
Where the doys Are
by Robert Rackza. Afterimage, Oct. 1988, v. 16, no. 3.
Video Cross Dressing
by Lauren Rabinovitz. Afterimage, Mar. 1988, v. 15, no. 8.
Politics and the Everyday: An Interview with Sherry Millner
by Micki McGee. Afterimage, Apr. 1988, v. 15, no. 9.
To Live and Die in LA
by Christine Tamblyn. Afterimage, Jan. 1988, v. 15, no. 6.
The Form my Gaze goes through
by Raymond Bellour. Afterimage, Nov. 1988, v. 16, no. 4.
Image Forum and the Tokyo Underground
by Edward Ball. Afterimage, Feb. 1988, v. 15, no. 7.
Black Filmmaking in Britain's Workshop Sector
by Coco Fusco. Afterimage, Feb. 1988, v. 15, no. 7.
Video News
by Kim Tomczak. Fuse, Nov. 1988, v. 12, no. 3.
Looking for the Wild Things4: Gates and Gatekeepers on the Banks...
by DeeDee Halleck. 1988 American Film Institute Video Festival, Fall 1988.
Vintage Dogma
by Jane Farrow. Fuse, Apr. Spring 1988, v. 11, no. 4.
Dreams, Memories, Realities: Recent Black Video and Television...
by Karen Alexander and Ben Gibson. 1988 American Film Institute Video Festival, 1988.
Territories of the Forbidden: Lesbian Culture, Sex & Censorship;...
by Marusia Bociurkiw. Fuse, Apr. 1988, v. 11, no. 49.
Interactive Videodisc: Creative Issues
by Elizabeth Daley. 1988 American Film Institute Video Festival, Oct. 1988.
The Glaring Light: TV Coverage of Civil Rights in the Peabody...
by Barry L. Sherman and Patricia J. Priest. 1988 American Film Institute Video Festival, Oct. 27, 1988.
In Living Color: Representation of Race and Civil Rights
by Claire Aguilar and Reginald Woolery. 1988 American Film Institute Video Festival, Oct. 27, 1988.
Film and Video: Something to Say
by Chuck Kleinhans. Dialogue: An Art Journal, July 1988, v. 11, no. 4.
Film
by Joseph Lanz. New York Native, Apr. 25, 1988, no. 262.
Electronic Impulses: The Videos of Peter Callas
by Ross Harley. Art + Text, Aug. Summer 1988.
Norman Cohn
by Kathleen Fleming. Parachute, Dec. Winter 1988, v. 53.
Alphabyte Cities: The Architecture of Peter Callas
by Ross Harley. Art + Text, Spring 1988, no. 28.
Filmmaker has golden touch
by James Auer. The Milwaukee Journal, May 13, 1988.
Consuming Passions: Feminist Video and the Home Market
by Nadine McGann. Afterimage, Summer 1988, v. 16, no. 1.
Durational Perception: The Art Work of Peter Campus
by Hearne Pardee. Arts Magazine, Dec. Winter 1988, v. 63, no. 4.
Home video winners
by Jefferson Graham. USA Today, May 2, 1988.
So You Want To Be Popular
by Ben Kallen. Los Angeles Weekly, Oct. 24, 1988.
Die Video Offensive
by Peter Erik Hillenbach. Marabo, June 1988, no. 6.
Peter Campus: Projected Images
by John G. Hanhardt. Peter Campus: Projected Images, 1988. New York: Whitney Museum of American Art, 1988.
Chicagoan Wins First Place Award in Video Contest
Chicago Tribune, July 22, 1988, no. 204.
Angry Initiatives/Defiant Strategies
Deep Dish TV, Mar. 1 Spring, 1988.
Documentary Against the Grain
by Edward Ball. Afterimage, Summer 1988, v. 16, no. 1.
Text in photography provices a thought-provoking exhibit
by Elizabeth Godley. Vancouver Sun, Mar. 24 Spring, 1988.
Video Exhibition: Total Recall
by Sarah Diamond and Gary Kibbins.
Transgressions: Experimental Works at the Fourth Short Film...
by Johannes Tritschler. Out of Depression, Feb. 1988.
Introduction
by Clive Robertson. Forbidden Representations: An exhibit of lesbian art, 1988. Ottawa: Galerie Saw Video, 1988.
Art in Jeopardy
Montreal: Galerie Articule, 1988.
Introduction
The CAT Fund: The Contemporary Art Television Fund, 1988. Boston: The Contemporary Art Television Fund, The Institute of Contemporary Art, 1988.
Joyan Saunders Interview
by Robin Metcalfe. Video Guide, Dec. 1988, v. 9, no. 45.
Share the Blame:: I. "The Spirit Sings II. "Revisions"
by Marie Morgan and Peter Gzowksi. Vanguard, Apr 1988, v. 17, no. 2.
Festival des filles des vues: On abandonne
by Denise Martel.
Le 11e Festival des Filles des Vues
by unknown. Québec Scope, Apr. 1988.
In Search of Global Perception: The aesthetics of communications
by Derrick de Kerckhove. nexpress, Winter 1988.
Video Structures: Back to Basic Memory
by Clive Robertson. Parallelogramme, Summer 1987, v. 12, no. 5.
Another World
by Colin Campbell. Fuse, Fall 1987, v. 11, no. 3.
The Long Walk of Alanis Obomsawin
by Maurie Alioff and Susan Schouten Levine. Cinema Canada, June 1987, no. 142.
Video Tales
by Geoffrey Shea. Cinema Canada, Sept. 1987, no. 144.
Colin Campbell Interviewed
by Kathleen Maitland-Carter and Bruce LaBruce. CineAction!, Summer 1987, no. 9.
No Illusions about video
by Darlene Gavron. The Chicago Tribune, Apr. 26, 1987.
Four Redheads: Four New Toronto Videotapes
by Andrew J. Paterson. Fuse, July 23 Fall, 1987, v. 11, no. 3.
New Video: A 698515 Inc. Presentation
by Dot Tuer. Vanguard, Nov. 1987, v. 16, no. 5.
Re:Placing the Lost Memory or Re:Presenting Ourselves: The...
by Leila Sujir. Parallelogramme, Dec. 1987, v. 12, no. 2.
Technology as Territory: Video and Desire in Japan
Technology As Territory, 1987. Fremantle: Praxis, 1987.
International video award winners air on MuchMusic
by Tony Wong. The Sunday Star, June 28, 1987.
Homosexual videos: Where We Are Now: Attempting to deal with the...
by Martha Gever. Art in America, July 1987, v. 75, no. 7.
eyes on Black Britain: an Interview with Isaac Julien
by Richard Fung. Fuse, Winter 1987, v. 11, no. 4.
On Signs & Sex: Visual Evidence "A series of video screenings,...
by Kathy McLeod and Nancy Shaw. Fuse, Fall 1987, v. 11, no. 3.
Reading Between the Lines
by Christine Tamblyn. Afterimage, Mar. 1987, v. 14, no. 8.
Video Culture
by Colin Campbell. Cinema Canada, Sept. 1987, no. 144.
Video Theatrics
by Daina Augaitis and Helga Pakasaar. Walter Phillips Gallery Exhibition Brochure, Aug. 4, 1987. Banff: Walter Phillips Gallery, 1987.
Images from Japan's new nature: Galleries
by Bruce Adams. The Sydney Morning Herald, Mar. 13, 1987.
Buying In and Selling Out: Dealing with the Forms of Broadcast...
by Dan Walworth.
Structure without Substance: Video as Architecture
by Peter Callas. Artlink, 1987, v. 4, no. 3.
Video Theatrics
by Daina Augaitis and Helga Pakasaar. Video Theatrics, Aug. 4 Summer, 1987.
The Image
by Dorine Mignot. The Arts For Television, 1987. Amsterdam: Stedelijk Museum, 1987.
Gay and Lesbian Film Festival '87: An Advance Look
by Mark Michael Leonhart. Windy City Times, Sept. 17, 1987.
Performing Miracles
by Linda Genereux. Canadian Art, June Summer 1987, v. 4, no. 2.
Artropolis Video
by Elizabeth Vander Zaag. Artropolis, 1987.
Video Wonderlands Created For Museums and Galleries
by William Zimmer. New York Times, Mar. 6, 1987.
Artropolis
by Maja Grip and Annette Hurtig. Vancouver: Artropolis, 1987.
Art and Community
by Jane Northey. Toronto, Ontario: A Space, 1987.
The Arts for Television
by Kathy Rae Huffman and Dorine Mignot. Los Angeles: The Museum of Contemporary Art, 1987.
The Arts for Television
Los Angeles and Amsterdam: The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam, 1987.
In His Own Image
by Karen Knights. Video Guide, 1987, v. 8, no. 5.
Audience Culture and the Video Screen
Rough Edits: Popular Image Video: Works 1977-1980, 1987. Halifax, Nova Scotia: The Press of the Nova Scotia College of Art + Design, 1987.
Video News
by Kim Tomczak. Fuse, Summer 1987, no. 46.
"Habits" by YYZ, Toronto: Invitation To A Screening
by Phil Van Steenburgh. Cinema Canada, July 1986, no. 132.
La Video S'en Va...
by Renee Baert et al. Parachute, Spring 1986, no. 42.
V Tape: Canadian Video Central
by Joyce Mason. The Independent, Aug. 1986.
The 1986 New Work Show
by Geoffery Shea. Cinema Canada, Nov. 1986.
John Greyson: Colliding Atoms Of A Gay Culture
by Clive Robertson. High Performance, Dec. 1986, no. 36.
Vera Frenkel: Interviewed by Cornelia Wyngaarden
by Cornelia Wyngaarden. Video Guide, 1986, v. 8, no. 3.
Making privateness public in stunning art
by Christopher Hume. The Toronto Star, Apr. 4, 1986.
Snapshots from Halifax: an uneven portrait
by Robert Everett-Green. The Globe and Mail, June 27, 1986.
Video Artists Find New Channels
by John Bentley Mays. The Globe and Mail, Sept. 22, 1986.
Hope Arrives For Documentaries
by Salem Alaton. The Globe and Mail, Nov. 10, 1986.
Les vidéos de Bill Viola: une poétique de l'espace-temps: The...
by Anne-Marie Duguet. Parachute, Winter 1986, no. 45.
More delightful subversion from Greyson
by Gary Kinsmen. Rites, Apr. 1986, v. 2, no. 10.
Aboo
by Rodney Werden. Impulse, Spring 1986.
Take Two Rivers
by John Greyson. Impulse, Spring 1986, v. 12, no. no 3. Toronto, Canada: Eldon Garnet, 1986.
14e Festival International Du Nouveau Cinéma et de la Vidéo
by Michael Larouch. Parachute, Spring 1986, no. 42.
Explicit But Equal : Toward A New Pornography
by Karen Knights. Video Guide, Dec. 1986, v. 8, no. 4.
Sex on the Video Screen
by Jamirte Trott. Video Guide, Dec. 1986, v. 8, no. 4.
Exploring the Space Between Heaven and Hell: The work of Rodney Werden
by Karen Knights. Video Guide, Dec. 1986, v. 8, no. 4.
True Enough
by Paul Wong. Video Guide, Dec. 1986, v. 8, no. 4.
Lydia Schouten: The Persistence of Myth
by Karen Henry. Video Guide, Dec. 1986, v. 8, no. 4.
The art and life of a "Vidiot"
by Sys Richards. The Hazelton Sentinel, July 3, 1986, v. 1, no. 6.
No Voice Over
by Colin Campbell. Video by Artists 2, 1986. Toronto: Art Metropole, 1986.
Vera Frenkel: Lost Art: A Cargo Cult Romance
by Vera Frenkel. Luminous Sites, 1986.
Lost Art: A Cargo Cult Romance
by Vera Frenkel. Video Guide, 1986, v. 8, no. 37/2.
Fung and Greyson's queer habits at YYZ
by Unknown. Free Trade, Apr. 1986.
But in Moscow, it seems, a gay simply doesn't exist
by Derrick Toth. The Vancouver Sun, Feb. 18, 1986.
Domestic Disharmony: Mako Idemitsu's Psychodramas
by Mickie McGee. The Independent, Apr. 1986.
The Land of the Rising Sony
by J Hoberman. Village Voice, Jan. 21 Winter, 1986, v. 171.
Video artists air slick new works
by Christopher Hume. The Toronto Star, Sept. 21, 1986.
Sex and Violence Through Television
by Tom Sherman. Impulse, Spring 1986.
Francois Girard
Video and the Arts, Winter 1986, no. 11.
Love Means Never Having to Tell a Story
by Gary Kibbins. Fuse, Feb. 1986.
Direct Medium artisic heaven
by Salem Alaton. The Globe and Mail, June 2, 1986.
'Uncanny' Feminism: The Exquisite Corpses of Cecelia Condit
by Patricia Mellencamp. Afterimage, Sept. 1986, v. 14, no. 2.
Half the Sky and then Some: Talking Sex
by Jackie Larkin. Canadian Dimension, Apr. 1986, v. 20, no. 2.
Life like it: some Halifax video
by Earl Miller. Canadian Art, Winter 1986, v. 3, no. 4.
How Television Covered The McDuffie Riot in May 1980
by Mohamed Hamaludin. The Miami Times, May 15, 1986, v. 63, no. 36.
Steve McCaffery: "V Beyond Ideo" Video by Steve McCaffery "A Book...
by Marina LaPaima. High Performance, 1986, no. 33.
Censored
by Ken Anderlini. The Ubyssey, Feb. 13, 1986.
Shorts, real life and courts
by John Harkness. NOW, Nov. 6, 1986, v. 6, no. 10.
New Tapes
by Brendan Cotter and Kim Tomczak. Video News, 1986.
Danceworks' Innovation refreshing
by Deirdre Kelly. The Globe and Mail, May 3 Spring, 1986.
Performance Art Re-Visited: Rhonda Abrams: The Sugar Bushman
by Clive Robertson. Fuse, May 1986, v. 9, no. 6.
Passports of Love
by Andrew J Paterson. Impulse, Spring 1986, v. 12, no. 3.
Artists paint bleak picture but cheer guaranteed income
by Stephen Godfrey. The Globe and Mail, June 6, 1986.
Le double combat des travailleuses du vêtement: <
by Michel Venne. Journal Liason St-Louis, Mar. 26, 1986.
Féminin Pluriel: Une nouvelle étape pour le Centre des femmes
by Renée Rowan. Le Devoir, Mar. 10, 1986.
Strike While the Camera's Hot
by Donna Gollan. Broadside, Winter 1986, v. 7, no. 4.
Behind the Eye Lies the Hand of William Henry Fox Talbot
by Dave Thomas and Diana Nemiroff. Dave Thomas: Behind the Eye lies the Hand of William Henry Fox Talbot, Oct. 2 Fall, 1986. New York: 49th Parallel: Centre for Contemporary Canadian Art, 1986.
New Video Realities
by Glen Lewis. Cologne Art Fair Exhibition Catalogue 1986, 1986. Cologne: Cologne Art Fair, 1986.
Best of the Fest:: Saskatchewan Film & Video Showcase
by Dale Winnotowy. Cinema Canada, Oct. 1986, no. 134.
Last man a mind-boggler
by Graham Hicks. The Edmonton Sunday Sun, Oct. 12, 1986.
The Video Game:: New Media Forge Japanese Links
by Salem Alaton. The Globe and Mail, June 30, 1986.
Letters
by Renee Baert et al. Parallelogramme, 1986, v. 11, no. 3.
Modern times: Appropriation of Culture: The IBM Tramp by Stephen...
by David Trend. Afterimage, Apr. 1986, v. 13, no. 9.
What Goes Up Must Come Down
by Patricia Thomson. Afterimage, Apr. 1986, v. 13, no. 9.
Television Fictions: An Interview with Ed Bowes
by Marita Sturken. Afterimage, May 1986, v. 13, no. 10.
TV Stories: The Adventures of Ilene Segalove
by Robin Reidy. Afterimage, Oct. 1986, v. 14, no. 3.
Lynn Hershman's Narrative Anti-narratives
by Christine Tamblyn. Afterimage, Summer 1986, v. 14, no. 1.
Theresa Cha: Recalling Telling ReTelling
by Susan Wolf. Afterimage, Summer 1986, v. 14, no. 1.
Festival of Festivals
by Berenice Reynaud. Afterimage, Dec. 1986, v. 14, no. 5.
Thinking Out Loud: Scenario du Film "Passion" and Soft and Hard
by Edward Ball. Afterimage, Oct. 1986, v. 14, no. 3.
Clay Cove, Newfoundland; Park Place, Vancouver
by Sara Diamond and Kate Craig. Video Guide, 1986, v. 8, no. 37/2.
Body Fluid (1986)
by Keith Wallace and Paul Wong. Video Guide, 1986, v. 8, no. 37/2.
Spawning Sockeyes
by Jackie Goodwin and Tomiyo Sasaki. Video Guide, 1986, v. 8, no. 37/2.
National Gallery Cuts Video Program: Artists Protest
by Renee Baert et al. Video Guide, 1986, v. 8, no. 1.
Video As Personal Expression
by Jamirte Trott. Video Guide, 1986, v. 8, no. 1.
Development with Video: CENDIT
by Anuradha. Video Guide, 1986, v. 8, no. 1.
Rune
by Karen Knights and Randy & Berenicci. Video Guide, 1986, v. 8, no. 2.
Cénotaphe
by Jill Pollack and Barbara Steinman. Video Guide, 1986, v. 8, no. 2.
Prototype, 1986
by Todd Davis and Max Dean. Video Guide, 1986, v. 8, no. 2.
Big Screen/Small Screen
by Jamirte Trott. Video Guide, 1986, v. 8, no. 2.
Kim Tomczak: Interview
by Jeannette Reinhardt. Video Guide, 1986, v. 3, no. 2.
IN THE DARK:TALKING SEX
by Jackie Larkin. Video Guide, Dec. 1986, v. 8, no. 4.
TWO MEN EMBRACING: GAY VIDEO IMAGES
by John Greyson. Video Guide, Dec. 1986, v. 8, no. 4.
Lost Art: A Cargo Cult Romance: Installation by Vera Frenkel
by Jill Pollack. Video Guide, Sept. 1986, v. 8, no. 38.
Video 84
by Bruce Ferguson. Vanguard, Feb. 1985, v. 14, no. 1.
The Topology of Poetic Simulation: Anne Ramsden
by Manon Blanchette. Vanguard, Mar. 1985, v. 14, no. 2.
Les Vidéos de Thierry Kuntzel: entre, dessus/dessous, á peine,...
by Anne-Marie Duguet. Parachute, Spring 1985, no. 38.
Lisa Steele
by Dot Tuer. Parachute, Spring 1985, no. 38.
New Media Age In Japan
by Fujiko Nakaya. Video Guide, May 1985, v. 7, no. 3.
A Personal Video Documentary by Marlin Oliveros & Byron Black
by Karen Knights. Video Guide, May 1985, v. 7, no. 3.
Brit Bright Bill: Private Members Public Tools
by Shirley Cameron and Roland Miller. Fuse, Spring 1985, v. 8, no. 6.
Working The Double Shift
by Marvisia Bociurkiw. Video Guide, Winter 1985, v. 7, no. 1.
Night Exercise
by Limar Tasha. Video Guide, 1985, v. 7, no. 1.
VIDEO 84: Oppositional Aesthetics
by Karen Henry. Video Guide, Winter 1985, v. 7, no. 1.
Martha Rosler / A Simple Case For Torture
by Karen Henry. Video Guide, 1985, v. 6, no. 3.
Video Sampling Just a Taste of Artist's Homespun Talent
by John Bentley Mays. The Globe and Mail, Feb. 26, 1985.
Narratives
by Peggy Gale. Parachute, Winter 1985, no. 41.
Diamond's Heroics art and documentary
by Elissa Barnard. The Chronicle Herald The Mail Star, Nov. 9, 1985.
Interview: Sara Diamond
by Lisa Hebert. Video Guide, 1985, v. 7, no. 5.
Artful political plunge
by Susan G. Cole. Now, Sept. 19, 1985, v. 5, no. 3.
Remaking desire
by Gary Kinsman. Rites, Mar. 1985.
Introduction
by Lisa Steele and Bruce Grenville. Vera Frenkel The video tapes, 1985. Ottawa: National Gallery of Canada, 1985.
Possibly in Michigan
by Unknown. Spiral, Jan. 1985, no. 2.
untitled
by Helen DeMichiel. The Independent, Apr. 1985.
Video alive and well despite censors
by John Bentley Mays. The Globe and Mail, Oct. 12, 1985.
The Screens of San Francisco
by David Weissman. The Independent, Mar. 1985, v. 8, no. 2.
Speculations: Narrative Video by Women
by Helen deMichiel. The Independent, Apr. 1985, v. 8, no. 3.
Are Misslie Movies On Target?
by David Riker. The Independent, July 1985, v. 8, no. 6.
Style Wars: What's News in the '80s
by Mary Beth Crain. L.A. Weekly, Sept. 19, 1985.
Present Tense: In Conversation with Edward Mowbray
by Karen Knights and Edward Mowbray. Video Guide, Mar. Spring 1985, v. 7, no. 2.
Breaking Through: Conscience and the Status Quo
by Renee Baert. Breaking Through: Conscience and the Status Quo, 1985. Toronto: A Space/ Vtape/ The Toronto Arts Council, 1985.
Manhattan Shortcuts: Video and Ritual
by Ann-Sargent Wooster. Afterimage, Feb. Spring 1985, v. 12, no. 7.
To Have and Have Not: The AFI National Video Festival
by Fenton Johnson. Afterimage, Nov. 1985, v. 13, no. 4.
Waterlogged
by Lorraine Kenny. Afterimage, Summer 1985, v. 13, no. 1.
Manhattan Shortcuts
by Ann-Sargent Wooster. Afterimage, Summer 1985, v. 13, no. 1.
Techno-Pop
by Christine Tamblyn. Afterimage, Summer 1985, v. 13, no. 1.
The New Old Documentary
by Neil Sieling. Afterimage, Mar. 1985, v. 12, no. 8.
Hotel California: The 1985 San Francisco International Video Festival
by Christine Tamblyn. Afterimage, Dec. 1985, v. 13, no. 5.
Postmodern TV Wegman and Smith
by Patricia Mellencamp. Afterimage, Dec. 1985, v. 13, no. 5.
1985 Los Angeles International Film Exposition
by Peter Broderick. Afterimage, Summer 1985, v. 13, no. 1.
The Films of Moholy-Nagy
by Jan-Christopher Horak. Afterimage, Summer 1985, v. 13, no. 1.
Video content much better than viewing environment
by Nancy Baele. The Ottawa Citizen, Jan. 11, 1985.
Inside Out: Peter Campus
by Ingrid Sischy. Artforum, Mar. 1985.
Media exploitation
by Celia Brayfield. Sunday Times Review, Nov. 24, 1985.
Town Without Pity
by Leila Sujir. Last Issue, Summer 1985.
The art of anti-censorship
by John Bentley Mays. The Globe and Mail, June 7, 1985.
Video and Electoral Appeal
by Patricia Thompson. Afterimage, Feb. 1985, v. 12, no. 7.
Through Television and Back
by Manon Blanchette. Canadian Video Art, 1985. S.N, 1985.
Pyche and Senses
by Gary Reynolds. New Works, 1985.
Drawing From Memory
by David Deitcher. The Art of Memory/The Loss of History, 1985. New York City: The New Museum of Contemporary Art, 1985.
Storyteller of Struggles: An Interview With Haile Gerima
by Rob Edelman. The Independent, Oct. 1985.
ART IS COMMUNICATIONS: On Curating This Videotex Exhibition
by Geoffrey Shea. Art is Communications, Nov. 15, 1985. Toronto: ASpace, 1985.
CONTEMPORARY ART AND TECHNOLOGY: The New Ecological Era
by Nancy Paterson. Art is Communications, Nov. 25, 1985. Toronto: Aspace, 1985.
Voice Over: Contemporary Art Gallery Convertible Showroom
by Ellen Ramsey. Vanguard, Dec. Winter 1985, v. 14, no. 10.
S.F. Festival Videos That Pack a Punch
by Berhard Weiner. San Francisco Chronicle, Sept. 27, 1985.
Images of Sexuality/Images de la Sexualité
by Frederick J. Tatlow.
Feminist Video: Reiterating the difference
by Marita Sturken. Afterimage, Apr. 1985, v. 12, no. 9.
An Interview with Julia Lesage
by Lorraine Kenny. Afterimage, Oct. 1985, v. 13, no. 3.
Subject to Change: Guerrilla Television Revisited
by Deirdre Boyle. Art Journal, Fall 1985, v. 45, no. 3.
Art in Situ
by Justin Wonnacott. Ottawa: Festival of the Arts, 1985.
Art is Communications
by Paul Petro. Toronto: United Media Arts Studies, 1985.
Subject to Change: Guerrilla Television Revisited
The Art of Memory: The Loss of History, 1985. New York: The New Museum of Contemporary Art, 1985.
The Passion for Perceiving: Expanded Forms of Film and Video Art
by John Hanhardt. Art Journal, Fall 1985, v. 45, no. 3.
Ulises Carrion at Video Inn: Lilia Prado: Superstar Twin Butlers
by Karen Knights. Video Guide, 1985, v. 7, no. 4.
Double Lunar Dogs: A Videotape by Joan Jonas
by Jamirte Trott. Video Guide, 1985, v. 7, no. 4.
URA-ARU: The Acoustic Palindrome
by Gary Hill. Video Guide, 1985, v. 7, no. 4.
Impossible love: Video tape by Candice Reckinger
by Jamirte Trott. Video Guide, Mar. 1985, v. 7, no. 2.
Not Dead Yet: Celebration or Obituary?
by Karen Knights. Video Guide, Mar. 1985, v. 7, no. 2.
Gábor Bódy: "Caution my beautiful unknown..."
Video Guide, 1985, v. 7, no. 31.
Swedish Television's "Night Exercise"
by Iimar Taska. Video Guide, Jan. Winter 1985, v. 7, no. 31.
Either/Or in Chinatown: Part ll of the Anthology of Seduction
Video Guide, Jan. Winter 1985, v. 7, no. 31.
Wider Angle, Sharper Focus for Tape Show
by Steven Winn. San Francisco Chronicle, Sept. 22, 1985.
Video Works: Western Front Video
by Karen Knights. Video Guide, 1985, v. 8, no. 1.
Editor's Statement: Video: The Reflexive Medium
by Sara Hornbacher. Art Journal, Fall 1985, v. 45, no. 3.
Visual Intelligence: The First Decade of Computer Art
by Frank Dietrich. Computer Graphics and Applications, July 1985, v. 5, no. 6.
The New Sleep: Stasis and the Image-Bound Environment
by Tricia Collins and Richard Milazzo. Art Journal, Fall 1985, v. 45, no. 3.
Electra Myths: Video, Modernism, Postmodernism
by Katherine Dieckmann. Art Journal, Fall 1985, v. 45, no. 3.
Tracking Video Art: "Image Processing" as a Genre
by Lucinda Furlong. Art Journal, Sept. 1985, v. 45, no. 3.
Breaking the Box: The Electronic Operas of Robert Ashley and Woody...
by Charles Hagen. Artforum, Mar. 1985, v. 23, no. 7.
Snafus Snip Video Perspective
by Randal McIlroy. Winnipeg Free Press, Mar. 2, 1985.
Revising Romance: New Feminist Video
by Marita Sturken. Art Journal, Fall 1985, v. 45, no. 3.
Un pont entre le vidéo d'art et le vidéoclip
by Alain Brunet. La Presse, July 28, 1985, no. 275.
The Videotapes of Tony Oursler
by John Minkowsky.
Love Stories
by Kathleen Hulser. American Film, Nov 1, 1985, v. 11, no. 2. New York: MediaBistro Inc., 1985.
The New Narrative: Video In The 80's
by Marie Morgan. Banff Letters, Winter 1984.
Manzana Por Manzana
by Jeannine Mitchell. Video Guide, Mar. 1984, v. 6, no. 2.
Norman Cohn
by René Blouin. Parachute, Mar. 1984.
Appearances,N.S.
by Ron Shuebrook. Vanguard, Apr. 1984, v. 13, no. 3.
Michéle Waquant
by Serge Murphy. Vanguard, May 1984, v. 13, no. 4.
Television Interference
by Karen Henry. Vanguard, May 1984, v. 13, no. 4.
Television Interference
by Merike Talve. Video Guide, May 1984, v. 6, no. 3.
Street Culture
by Merike Talve. Video Guide, Aug. 1984, v. 6, no. 4.
Vera Frenkel
by Bruce Grenville. Parachute, Fall 1984, no. 36.
Mythologies and Militarism: "Just Some Women Trying to Change History"
by Lisa Steele. Fuse, Fall 1984, v. 8, no. 3.
Vidéo 84
by Christine Ross. Parachute, Winter 1984, no. 37.
The Balance of Convenience
by Barbara Daniel. Parallelogramme, 1984, v. 9, no. 5.
Introduction
by Jane Wright. British/Canadian Video Exchange '84, 1984. Toronto: A Space, 1984.
Video in Canada: Process and Production
by Renée Baert. Video '84, - Recontres Vidéo Internationales de Montreal, 1984, v. sept.
Tapes by a Tribe of Storytellers: New Work Show evidence that...
by John Bentley Mays. The Globe and Mail, Sept. 1, 1984.
Performance in Moment'Homme
by Colin Campbell. Moment'Homme, 1984. Montreal: Tangente Danse Actuelle, 1984.
La Vidéo canadienne et les procédés de l'ironie
by Jean Gagnon. 24 Images, Fall 1984, no. 22.
Frenkel's video fantasy a stunning achievement
by John Bentley Mays. The Globe and Mail, June 4, 1984.
Vera Frenkel
by Jennifer Oille. Vanguard, Oct. 1984, v. 13, no. 8.
Going Public - three evenings of videotapes by women
by Unknown. Going Public - three evenings of videotapes by women, 1984.
The Case of the Missing "Flying Toilet": An All-Out Search for a...
by Dianne MacDougall. Centre Letters, Aug. 31, 1984, v. 5, no. 18.
Vera Frenkel
by Michael Tooby. The Last Screening Room: A Valentine, 1984. Glasgow: Third Eye Centre, 1984.
Portrait of a revolution: Something about Nicaragua warms artists'...
by John Bentley Mays. The Globe and Mail, Feb. 22, 1984.
New Video: 'Defending reconstruction in Nicaragua'
by Jon Hillson. The Militant, Apr. 27, 1984, v. 48, no. 15.
Learning To See
by Peggy Gale. Norman Cohn : Portraits, 1984. Toronto: Art Gallery of Ontario, 1984.
Norman Cohn=Conscious Attention
by Peggy Gale. 2nd International Video Demonstration, In Montbelliard, France, 1984.
The Use of the Self to Structure Narrative
by Peggy Gale. Musee d'Art Contemporain, 1984.
Naughty Video Art Fascinating
by Christopher Hume. The Toronto Star, Apr. 23, 1984.
Video too explicit , VAG cancels show
by John Bentley Mays. The Globe and Mail, Feb. 23, 1984.
Dutch Treat: Amsterdam's Luminous Image
by Shelley Rice. The Independent, Dec. 1984, v. 7, no. 11.
Interview: Barb Daniel Interviews Alan Wood for Issue
by Barb Daniel. Issue, Mar. 1984, no. 5.
Interview: Barb Daniel Interviews Paul Wong for Issue
by Barb Daniel. Issue, Mar. 1984, no. 5.
The Young and Restless Talk Sex
by John Bentley Mays. The Globe and Mail, Apr. 21, 1984.
Production and the Axis of Sexuality
by Barbara Fischer and Anna Gronau. Production and the Axis of Sexuality, July 31, 1984. Banff: The Banff Centre, 1984.
Video Installation 1983: November 5-December 2
by Shelley Rice. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Analogs: Barbara Buckner
by Barbara Buckner. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Knowing with Televsion: Tony Conrad
by Tony Conrad. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Machinery for the Re-education of a Delinquent Dictator: Doug Hall
by Doug Hall. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Progress (Memory): Margia Kramer
by Margia Kramer. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Belief Sandwich Relief Gauntlet: Bill Stephens
by Bill Stephens. Afterimage, Summer 1984, v. 12, no. 1 & 2.
From the Center: Eugenia Balcells
by Eugenia Balcells. Afterimage, Summer 1984, v. 12, no. 1 & 2.
A Jury of One's Peers: Terry Berkowitz
by Terry Berkowitz. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Shifts: Richard Bloes
by Richard Bloes. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Double You (and X, Y, Z.): Peter D'Agostino
by Peter D'Agostino. Afterimage, Summer 1984, v. 12, no. 1 & 2.
It's Time to Turn the Record Over: Gary Hill
by Gary Hill. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Black Holes/Heavenly Bodies: Nora Ligorano and Marshall Reese
by Nora Ligorano and Marshall Reese. Afterimage, Summer 1984, v. 12, no. 1 & 2.
Raster Masters: Review of Video Art: A History
by Lucinda Furlong. Afterimage, Mar. 1984, v. 11, no. 8.
Designer video: The AFI National video festival
by Christine Tamblyn. Afterimage, Dec. 1984, v. 12, no. 5.
Story of the eye
by Blaine Allan. Afterimage, Oct. 1984, v. 12, no. 3.
Manhattan Shortcuts: Recent Acquisitions at the MOMA, New York
by Ann-Sargent Wooster. Afterimage, Nov. Winter 1984, v. 12, no. 4.
Atomic Reactions
by Patricia Thomson. Afterimage, Apr. 1984, v. 11, no. 9.
An Interview With George Stoney
by Marita Sturken. Afterimage, Jan. 1984, v. 11, no. 6.
Under The Influence: AFI's National Video Festival
by Lauren Glenn Davitian. Afterimage, Jan. 1984, v. 11, no. 6.
Cuts and Sketches
by Valerie Ellis. Afterimage, Jan. 1984, v. 11, no. 6.
The Luminous Image: Video Installations at the Stedelijk Museum
by Shelley Rice. Afterimage, Dec. 1984, v. 12, no. 5.
A Tower of Babel: 'Video 84' in Montreal
by Patricia Thomson. Afterimage, Dec. Winter 1984, v. 12, no. 5.
Cultures of Silence, Cultures of Visibility: Notes on Cinema and...
by Julianne Burton. Forbidden Films, 1984.
More is Better: British and U.S. Features at Filmex
by Peter Broderick. Afterimage, Nov. 1984, v. 12, no. 4.
An Interview with Vito Acconci: Video Works 1970-78
by Florence Gilbard. Afterimage, Nov. 1984, v. 12, no. 4.
REVIEWS: Poor America
by Lydia Iacono. Afterimage, Nov. 1984, v. 12, no. 4.
Angleterre: The Resistible Rise of Video Art in the British Isles;...
by Mick Hartney. Video 84, 1984.
Ordinary People
by Patricia Thomson. Afterimage, Oct. Fall 1984, v. 12, no. 3.
Barbara Latham, 1947-1984
by Christine Tamblyn. Afterimage, Oct. 1984, v. 12, no. 3.
Canada (cont.)
by Unknown. Video 84, 1984.
Angleterre (cont.)
by Unknown. Video 84, 1984.
Allemagne: Tentatives de suppression de cette maudite caisse; ou...
by Unknown. Video 84, 1984.
Belgique
by Unknown. Video 84, 1984.
France: Petite histoire de l'art video en France
by Dany Bloch. Video 84, 1984.
France (cont.)
by Unknown. Video 84, 1984, no. 1.
Hollande
by Unknown. Video 84, 1984.
Italie (cont.)
by Unknown. Video 84, 1984.
Japon: A History of Japanese Video Art
by Norio Nishijima. Video 84, 1984.
Japon (cont.)
by Unknown. Video 84, 1984.
Suisse: Voir a voir: Les debuts de l'art videographique en Suisse
by Jacques Monnier-Raball. Video 84, 1984.
Suisse (cont.)
by Unknown. Video 84, 1984.
USA
by Marita Sturken. Video 84, Sept. 1984.
Yogoslavia (cont)
by Jesa Denegri. Video 84, Sept. 1984.
Future for video bright, despite fuzzy picture
by Bart Testa. The Globe and Mail, Nov. 5, 1984.
Interview with Merata Mita
by Pascale Lamche and Merata Mita. Framework, 1984, no. 25.
Ruling expected as video artist seeks injunction
by Mark Budgen. The Globe and Mail, Feb. 27, 1984.
Artist fails to get injunction
by Mark Budgen. The Globe and Mail, Feb. 28, 1984.
No one can win gallery - Wong dispute
by Max Wyman. The Province, Feb. 28 Winter, 1984.
Sex Video Artist Defends his Work
by Douglas Sagi. The Sun, Feb. 28 Winter, 1984.
Artist Takes Fight to Court
The Globe and Mail, Feb. 25 Winter, 1984.
TV Exhibit not art, court told
by Miguel Moya and Dave Smith. The Sun, Feb. 25 Winter, 1984.
Morality vs. Art
by Editorial. The Sun, Feb. 25 Winter, 1984.
Introduction
by Renée Baert. Video Refractions, 1984. London: London Regional Art Gallery, 1984.
Artist Fails to Get Injunction
by Mark Budgen. The Globe & Mail, Feb. 28, 1984.
Wong's Video Show Won't Be Seen Here
by Max Wyman. The Province [Vancouver], Feb. 28, 1984.
Artist Appeals to Court
by Doug Todd. The Sun, Feb. 24, 1984.
Gallery Faces Court Fight
by Max Wyman. The Province, Feb. 24, 1984.
Artist's request on hold
by Staff Reporter. The Province, Feb. 26, 1984.
Artists Call
by Charlotte Townsend-Gault. Vanguard, Apr. 1984, v. 13, no. 3.
Norman Cohn: Portraits: Garry Neill Kennedy, Norman Cohn,...
by Peggy Gale. 49th Parallel, 1984. New York: 49th Parallel, 1984.
Garry Neill Kennedy, Norman Cohn, Krzysztof Wodiczko: Krzysztof...
49th Parallel, 1984. New york: 49th Parallel Centre for Contemporary Canadian Art, 1984.
Collection demonstrates flexibility of film
by Fred Haeseker. Calgary Herald, Dec. 10, 1984.
Collection demonstrates flexibility of film
Video Guide, 1984.
Artist's Markings in the TV Landscape
by Renee Baert. Prime Time Video, 1984. Saskatoon: Mendel Art Gallery, 1984.
Last Call for the Ithaca Video Festival
Afterimage, Feb. 1984, v. 11, no. 7.
Talk, talk: When Words Become Works Video Program at the...
by Helen De Michiel. Afterimage, Feb. 1984, v. 11, no. 7.
...It's How You Play the Game: The 1984 Los Angeles Olympic Arts...
by David Trend. Afterimage, Apr. 1984, v. 11, no. 9.
Video Interruptus
by Rebecca Lewis. Afterimage, Apr. 1984, v. 11, no. 9.
TV as a creative medium: Howard Wise and Video Art
by Marita Sturken. Afterimage, May 1984, v. 11, no. 10.
Venetian shortcuts: Video Installations at the Venice Biennale...
by Ann-Sargent Wooster. Afterimage, Dec. 1984, v. 12, no. 5.
Introduction
by Renee Baert. Television Interference, Mar. 1984. Vancouver: Presentation House Gallery, 1984.
Under 5
by Karen Knights. Video Guide, Oct. 1984, v. 6, no. 5.
Modern Times: A Review
by Kim Tomczak. Video Guide, Oct. 1984, v. 6, no. 5.
Fujiko Nakaya
by Michael Goldberg. Video Guide, Oct. 1984, v. 6, no. 5.
The Videopioneer
by Michaela-Elisabeth Buscher. Video Guide, Oct. 1984, v. 6, no. 5.
Clear about Confused
by Sara Diamond. Video Guide, Mar. 1984, v. 6, no. 2.
Artists Call: Against U.S. Intervention in Latin America
by Jeannine Mitchell. Video Guide, Mar. 1984, v. 6, no. 2.
The New Work Show
by Victor Coleman. Vanguard, Nov. 1984, v. 13, no. 9.
Sax Island: Eric Metcalfe/Frank Bull
by Stokely Seip. Issue, Summer 1984, v. 1, no. 8.
Going Public - Three Evenings of Videotapes by Women
by Lisa Steele. Toronto: N/A, 1984.
Video as Art
by Bill Viola. Journal of Film and Video, 1984, v. 36, no. 1.
The New Work Show
by B.D. Hershorn. Toronto: Litho Offset, 1984.
Void Space New Media (Out of Context)
by Paul Wong. Video Guide, Winter 1983, v. 5, no. 5.
Wallflower Order
by Merike Talve. Video Guide, 1983, v. 5, no. 2.
Video Roma
by Michael Goldberg. Video Guide, Apr. 1983, v. 5, no. 2.
Tom Sherman Presenting Text: animals, weather, car crashes and...
by Phillip Monk. Parachute, Mar. 1983.
In Video is Canada Invisible?
by Jean Tourrageau. Vanguard, Sept. 1983, v. 12, no. 7.
Peter Wronski: Rodney Werden
by Jennifer Oille. Vanguard, Nov. 1983, v. 12, no. 9.
Tom Sherman
by Trevor Gould. Parachute, Fall 1983, no. 32.
Video Culture for the Masses
by James Marck. Now, Oct. 27, 1983, v. 3, no. 8.
Rodney Werden
by Andrew Paterson. Parachute, Winter 1983, no. 33.
Capturing Desire's Prisoners
by John Bentley Mays. The Globe and Mail, Sept. 17, 1983.
Erotic Amateurs, Part Two: The Lives of Rodney Werden
by Gene Youngblood. Video Magazine, Winter 1983.
Exhibition examines shifting viewpoints
by Nancy Tousley. Calgary Herald, July 14, 1983.
Tribal T.V.: New Video and Democracy on the Praries after Modernism
by A. Rushton. Arts Manitoba, Summer 1983, v. 2, no. 3.
The Good Humor Men: "Video/TV:Humor/Comedy" exhibit at Mandeville
by Rona Mu. Hiatus Magazine, Jan. 1983.
Vital videos in a sensory salad
by Mark Nicholson. The Charlatan, June 9, 1983.
Taking apart rock-video
by Evelyn Erskine. The Ottawa Citizen, June 3, 1983.
Notes Toward a History of Image-Processed Video: Steina and Woody...
by Lucinda Furlong. Afterimage, Dec. 1983, v. 11, no. 5.
The Whitney Museum and the Shaping of Video Art: An Interview with...
by Marita Sturken. Afterimage, May 1983, v. 10, no. 10.
Bringing the Truth back home
by Valerie Ellis. Afterimage, Summer 1983, v. 11, no. 1&2.
Some Contemporary Documentary
by Martha Rosler. Afterimage, Summer 1983, v. 11, no. 1&2.
Video Politics: Early Feminist Projects
by Martha Gever. Afterimage, Summer 1983, v. 11, no. 1&2.
Independents on Television
by Pat Thomson. Afterimage, Summer 1983, v. 11, no. 1&2.
Notes towards a history of image-processed video: Eric Siegel,...
by Lucinda Furlong. Afterimage, Summer 1983, v. 11, no. 1&2.
Through A Screen, Dimly: "...Some of the video at MOMA is...
by Larson Kay. The New York Times, Sept. 12, 1983.
Stayin' Alive: Independents Prepare For A Showdown with Public TV
by Marita Sturken. Afterimage, Dec. 1983, v. 11, no. 5.
Out of Sync
by Marita Sturken. Afterimage, Nov. 1983, v. 11, no. 4.
The Aesthetics of the Subject: James Byrne's Video Projects
by Marita Sturken. Afterimage, Apr. 1983, v. 10, no. 9.
A Manner of Speaking: An Interview with Gary Hill
by Furlong Lucinda. Afterimage, Mar. 1983, v. 10, no. 8.
Wnet Loss? TV Lab Suspends Operations in Dispute with New York...
by David Trend. Afterimage, Summer 1983, v. 11, no. 1&2.
Tina Keane: Demolition/Escape - gallery two 14 - 18 september
by Jean Fisher. Artforum, May 1983.
The Making of 'Who Killed Colin Roach': Experiences
by Isaac Julien. Independent Video, Nov. 1983, no. 23 & 24.
The World Between Subject and Object
by Sarah Murphy. CSIF Film Video Journal, Summer 1983, v. 1, no. 1.
Meet the Press: On Paper Tiger Television
by Martha Gever. Afterimage, Nov. 1983, v. 11, no. 4.
Video Makes Gains in the Art World
by John Bentley Mays. The Globe & Mail, Aug. 20, 1983.
Capturing Desire's Prisoners
by John Bentley Mays. The Globe & Mail, Sept. 17, 1983.
Angels rush to give video a lift
by Bart Testa. The Globe and Mail, Nov. 5, 1983.
Rodney Werden
by Andrew Paterson. Parachute, Winter 1983, no. 33.
Choregraphies d'Artistes
by Stephen Schofield. Vanguard, Mar. 1983, v. 12, no. 2.
Video culture bridges gap between art, culture: Canadian artists...
by Adrian Iwachiw. Excalibur, Nov. 1983, v. 18, no. 10.
On becoming media literate
by Peter Blue McLaren. NEWS, Dec. 1, 1983.
Art is an Excuse: An Interview with Felipe Ehrenberg
by Martha Gever. Afterimage, Apr. 1983, v. 10, no. 9.
Choreography of Cinema: An Interview with Shirley Clarke
by Lauren Rabinovitz. Afterimage, Dec. 1983, v. 11, no. 5.
If the Vision is intense enough, everything is grist for the mill:...
by Scott MacDonald. Afterimage, Oct. 1983, v. 11, no. 3.
Manhattan short cuts: Lawrence Weiner/Plowman's Lunch and Passage...
Afterimage, Summer 1983, v. 11, no. 1, 2.
Manhattan short cuts: Robert Wilson/Video 50, at the Kitchen, New...
by Ann-Sargent Wooster. Afterimage, Feb. 1983, v. 10, no. 7.
Video Pool Inc.
by Andrea Philp. Video Guide, Winter 1983, v. 5, no. 5.
Women Speak Out:: Amelia Productions 3 Labour Issues
by Karen Henry. Video Guide, Jan. 1983, v. 5, no. 1.
Visual Music
by Michael Greenhouse. Videography, Dec. 1983, v. 8, no. 12.
Drawing The Lines: A Videotape by Andy Harvey
by Daryl Lacey. Video Guide, 1982, v. 4, no. 4.
Changeless Channels: As video artists clean up their act, they're...
by Lisa Steele. Fuse, Jan. 1982, v. 5, no. 10.
Video Art's Guru
by D.C. Denison. New York Times Magazine, Apr. 25, 1982.
Hummer Sisters
by Chris Dewdney. Vanguard, Apr. 1982, v. 11, no. 3.
Vera Frenkel
by Victor Coleman. Vanguard, May 1982, v. 11, no. 4.
Patsi McMurchy
by Ellen Thompson. Vanguard, May 1982, v. 11, no. 4.
Vidéo Du Québec
by Jean Touangeau. Parachute, Summer 1982, no. 27.
Vera Frenkel
by Bruce Grenville. Parachute, Summer 1982, no. 27.
Randy and Berenicci
by Don Stanley. Vanguard, Sept. 1982, v. 11, no. 7.
Colour Video/Vulgar Potential
by Peggy Gale. Parachute, Sept. Winter 1982, no. 25.
Media And The Means: Muntadas
by Ronald Christ. ArtsCanada, Nov. 1982, v. 39, no. 4.
Sophisticated N.Y. Video Artists Babes From High-Tech Toyland
by John Bentley Mays. Globe, Feb. 19, 1982.
Graham Smith
by Michael Ethan Brodzky. Vanguard, Sept. 1982, v. 11, no. 7.
La vidéo, un art engagé
by Jean Tourangeau. La Presse, Jan. 9, 1982.
Historique de la vidéo au Québec
by Andrée Duchaine. O Kanada, 1982. Toronto: Canada Council for the Arts, 1982.
Intervention
by Clive Robertson. O Kanada, 1982. Toronto: Canada Council for the Arts, 1982.
Colin Campbell
by Colin Campbell. Mannersm A Theory of Culture; Mannerism: A Theory of Culture, 1982. Vancouver: The Vancouver Art Gallery, 1982.
Colin Campbell: Margaret Dragu
by Irene Szylinger. Vanguard, Sept. 1982, v. 11, no. 7.
An Ordering Madness: The 40th Venice Biennale
by Vera Frenkel. Vanguard, Dec. 1982, v. 11, no. 9 & 10.
John Greyson
by Scott Watson. Vanguard, Dec. 1982, v. 11, no. 9/10.
Introduction
by Louise Dompierre. Likely Stories; Works by Vera Frenkel, 1982. Kingston: Agnes Eterington Art Centre, 1982.
Prime Time Video bears the look of acceptance
by Liam Lacey. The Globe and Mail, Sept. 17, 1982.
Temporal Interventions: The videotapes of Bill Viola
by Marita Sturken. Afterimage, Summer 1982, v. 10, no. 1&2.
An Armoury of Mirrors: Juan Downey's 'Looking Glass'
by Wooster Ann-Sargent. Afterimage, Summer 1982, v. 10, no. 1&2.
A Mixed Blessing: 1981 San Francisco International Travelling...
by Lucinda Furlong. Afterimage, May 1982, v. 9, no. 10.
Video to salvage TV Wasteland
by John Bentley Mays. The Globe and Mail, Sept. 10, 1982.
Mythic Space: The Video Installations of Rita Meyers
by Shelley Rice. Afterimage, Jan. 1982, v. 9, no. 6.
State of the Art Scan:: The Ithaca Video Festival
by Lucinda Furlong. Afterimage, Jan. 1982, v. 9, no. 6.
Tale Spins
by Marita Sturken. Afterimage, Nov. 1982, v. 10, no. 4.
Artists Making the News: Artists Re-making the News
by Micki Mcgee. Afterimage, Nov. 1982, v. 10, no. 4.
Tomczak bashes the senses
by Tibor Kolley. The Globe and Mail, Jan. 9 Winter, 1982.
Art
by Lisa Balfour Bowen. The Toronto Star, Jan. 16 Winter, 1982.
Grants supporting disgusting exhibits
by Lorrie Goldstein. The Toronto Sun, June 23 Spring, 1982.
York mayor takes on arts: Avant garde art debate
by Stephen Dale. NOW, July 1, 1982, v. 1, no. 42.
Art arbiter
by Unknown. The Globe and Mail, Oct. 22, 1982.
A more elevated sort of ordure
by Les Bewley. Vancouver Sun, Nov. 20, 1982.
Metro withholds funds from four arts groups
by Unknown. The Globe and Mail, June 12, 1982.
Art watchdogs
by Chris Temple. The Globe and Mail, Nov. 1, 1982.
NEIL ARMSTRONG: Videotapes. May 12.
by G.S.W. Jones. Parallelogramme, Aug. 1982, v. 7, no. 6.
Agit.Prop: Walter Philips Gallery / Banff / July 9 to 25
by Leila Surji. Vanguard, Oct. Fall 1982.
Photo Sampler Immature
by John Bentley Mays. The Globe and Mail, Sept. 17, 1982.
New Canadian Photography
by Jeanne Randolph. Parachute, Winter 1982, no. 29.
Video Video: See what's being Said
by Bruce Kirkland. The Toronto Sun, Sept. 2, 1982.
Demain soir à Radio-Québec, c'est "Tous les jours..."
by Yves Bernier. Le Soleil, Mar. 3, 1982.
Le harcèlement sexuel: comment riposter: <
by Hélène de Billy. Le Devoir, Mar. 4, 1982.
Video in Canada: A Context of Production
by René Baert. O Kanada, 1982. Toronto: Canada Council for the Arts, 1982.
Kim Tomczak: Paradise Lost
by Jennifer Oille. Vanguard, Dec. 1982, no. 9/10.
Living Video
by Christopher Hume. The Toronto Star, Sept. 11, 1982.
I don't go to the movies anymore: An interview with Bruce Conner
by Scott Macdonald. Afterimage, Summer 1982, v. 10, no. 1 & 2.
An Armory of Mirrors: Juan Downey's 'Looking Glass'
by Ann-Sargent Wooster. Afterimage, Summer 1982, v. 10, no. 1 & 2.
Temporal Interventions: The videotapes of Bill Viola
by Marita Sturken. Afterimage, Summer 1982, v. 10, no. 1 & 2.
Color my world: Chicago Video
by Lucinda Furlong. Afterimage, Oct. 1982, v. 10, no. 3.
Pomp and Circumstance: The Coronation of Nam June Paik
by Martha Gever. Afterimage, Oct. 1982, v. 10, no. 3.
Manhattan Short Cuts
by Ann-Sargent Wooster. Afterimage, May 1982, v. 9, no. 10.
Mary Lucier's Elemental Investigations
by Martha Gever. Afterimage, Feb. 1982, v. 9, no. 7.
"I Never understood Anything about Cowboys": an interview with...
by Scott MacDonald. Afterimage, Feb. 1982, v. 7, no. 9.
Francesc Torres: The Tyranny of the Past
by Shelley Rice. Afterimage, Dec. 1982, v. 10, no. 5.
New York Council on the Arts Revokes Rochester's TV Workshop Funding
by Lucinda Furlong. Afterimage, Jan. 1982, v. 9, no. 6.
High Tech in Lower Manhattan
by Claudia Blaine. Video Guide, 1982, v. 4, no. 20.
New Imagery: At the Museum of Modern Art, New York
by Lori Zippay. Video Guide, 1982, v. 4, no. 20.
Introduction: Transmissions
by Elke Town. Transmissions, 1982. Cambridge: Cambridge Library/Art Center, 1982.
Paikvision
by Bruce Kurtz. Artforum, Oct. 1982, v. 21, no. 2.
California Video: Art or Television
by Mary Stofflet. Studio International, June 1982, v. 195, no. 995.
Phantasmagoria of the Media
by Craig Owens. Art in America, May 1982, v. 70, no. 5.
Vidéo Femmes et le harcèlement sexuel
by unknown. Le Peuple, Mar. 3, 1982.
"Waiting For Lancelot" by Lisa Steele
by Claire Gravel. Circuits Video/Art Magazine, Winter 1981, no. 1.
General Idea Le "Conte" Du Temps
by Johanne Lamoureux. Parachute, Winter 1981, no. 25.
The Raymonds Documentary Video & Film
by Paul Wong. Video Guide, Mar. 1981, v. 3, no. 4.
Television By Artists
by Martha Fleming. Video Guide, Mar. 1981, v. 3, no. 4.
Ed Mowbray: Excerpts and Euphoria
by Paul Wong. Video Guide, 1981, v. 4, no. 1.
Vancouver's Feminist Art Gallery: Sacrificial Burnings
by Julie Healey. Video Guide, 1981, v. 4, no. 2.
Television By Artists
by Philip Monk. Canadian Forum, May 1981, v. 61, no. 709.
Identification In Difference: German Performance
by Martha Fleming. Vanguard, May 1981, v. 10, no. 4.
Less Medium, More Message: Marcia Pitch. Adrian Piper
by Russell Keziere. Vanguard, May 1981, v. 10, no. 4.
Max Dean
by Max Dean. Impressions, June 1981.
Tom Sherman
by Barbara Daniel. Vanguard, Oct. 1981, v. 10, no. 8.
Byron Black
by Andrea Kunard. Vanguard, Nov. 1981, v. 10, no. 9.
A Question of Place 2
by Jennifer Oille. Vanguard, Nov. 1981, v. 10, no. 9.
VIDEO/VIDEO: If this event was a dry run for PAY-TV, one must view...
by Clive Robertson. Fuse, Nov. 1981, v. 5, no. 8 & 9.
Test Tube: Some General Instructions for Media Artists
by Virginia Wilde. Parallelogramme, Dec. 1981, v. 7, no. 2.
Paul Wong Can't Be All Wrong: A Tonge in Cheek Review
by Lulu Keating. Parallelogramme, Dec. 1981, v. 7, no. 2.
Labour Struggle: A history of de-development in the Maritimes and...
by Kenneth Coutts-Smith. Fuse, Mar. 1981, v. 5, no. 2 & 3.
Oppositional Television: Instead of a 'balanced story' these are...
by Lisa Steele. Fuse, Mar. 1981, v. 5, no. 2+3.
Feminist Film and Video: Women at this international conference...
by Nancy Johnson. Fuse, Aug. 1981, v. 5, no. 6 & 7.
In View Of Feminism: LA/London Lab's film and video: Hitchcockian...
by Tony Whitfield. Fuse, Nov. 1981, v. 5, no. 8 & 9.
LA/London Lab: The long-distance symbiosis didn't materialize, and...
by Tony Whitfield and Lisa Liebman. Fuse, Nov. 1981, v. 5, no. 8+9.
Harding's Fish and Salads; An Ironic Commentary
by John Bentley Mays. The Globe and Mail, June 12, 1981.
Fromer aims to project talent onto buidings all over town
by Vicky Sanderson. The Globe and Mail, Aug. 29, 1981.
Persona
by Lynn Gumpert and Ned Rifkin. Persona, 1981. New York: The New Museum, 1981.
Discontinuous Notes on and After a Meeting of Critics, By One of...
by Vera Frenkel. artscanada, Mar. 1981, no. 240.
Colin Campbell, 'Peripheral Blur'
by Martha Fleming. Artforum, Jan. 1981, v. 19, no. 5.
Stranger in a Strange Land: Vera Frenkel
by Vera Frenkel. VISOR Impressions, 1981.
Vera Frenkel: Interview by Elizabeth Chitty
by Elizabeth Chitty. Vancouver Guide, 1981.
Videotape reaches beyond the senses
by Carole Corbeil. The Globe and Mail, Mar. 21, 1981.
Sleepless Nights
by Jonathan Buchsbaum. Millennium Film Journal, 1981, no. 10/11.
The Past Restructured: Bruce Conner and Others
by Warren Bass. Journal of the University Film Association, Spring 1981, v. 33, no. 2.
An Interview with Martha Rosler
by Martha Gever. Afterimage, Oct. 1981, v. 9, no. 3.
Festival aims to put video into the pay-TV picture
by Carole Corbeil. The Globe and Mail, Sept. 12, 1981.
Joyan Saunders: Forest City Gallery
by Goldie Rans. Vanguard, Summer 1981.
The Exhibition
by David Nasby. Realism: Structure & Illusion Towards a Definition of Representational Art, 1981. Burlington: Burlington Cultural Centre, 1981.
Barbara Steinman
by Martha Fleming. Vanguard, Feb. 1981, v. 12, no. 1.
Minimal Exercise: William Anastasi/Coincidents
by Maria Sturken. Afterimage, Mar. 1981, v. 8, no. 8.
An Interview with Joyce Wieland
by Lauren Rabinovitz. Afterimage, May 1981, v. 8, no. 10.
Snow Screened
Afterimage, Summer 1981, v. 9, no. 1 & 2.
Curatorial Quirks and the Camera Arts: 1981 Biennial Exhibition at...
by Marita Sturken. Afterimage, Summer 1981, v. 9, no. 1 & 2.
All the Faces are Us: An Interview with Tom Chomont
by Scott Macdonald. Afterimage, Summer 1981, v. 9, no. 1 & 2.
State-of-the-art Marketing for Artists' Video
by Peter Mitchell. Afterimage, Mar. 1981, v. 8, no. 8.
AFI Frames the Field: The National Video Festival
by Cindy Furlong. Afterimage, Oct. 1981, v. 9, no. 3.
The Long and Short of It: Some Thoughts on Film Length
by Scott Macdonald. Afterimage, Mar. 1981, v. 8, no. 8.
(Another) National Video Festival
Afterimage, Nov. 1981, v. 9, no. 4.
Recipes For Television: theory creams practice at the Kitchen
by Cindy Furlong. Afterimage, Jan. 1981, v. 8, no. 6.
Against The Frame: George Griffin's Alphabet of Anti-Animation
by Marita Sturken. Afterimage, Feb. 1981, v. 8, no. 7.
Interview with Martha Rosler
by Martha Rosler and Jane Weinstock. October, Summer 1981, v. 17.
Paul Wong: Prime Cuts
by Julie Healey and Elizabeth Chitty. Video Guide, 1981, v. 4, no. 3.
Vera Frenkel
by Elizabeth Chitty. Video Guide, 1981, v. 4, no. 2.
Marshalore
by Elizabeth Chitty. Video Guide, 1981, v. 4, no. 1.
Introduction
by Clive Robertson. Fuse, Jan. 1980, v. 4, no. 2.
Modern Love
by Kerri Kwinter. Fuse, Jan. 1980, v. 4, no. 2.
On Video Distribution
by Lisa Steele. Fuse, May 1980, v. 4, no. 4.
Chaperons Rouge: vidéo primé par le Second Annual Canadian Video...
by Andrée Duchaine. Parachute, Spring 1980, no. 18.
Tour De 4
by Barbara Shainbaum. Video Guide, Summer 1980, v. 3, no. 1.
A Crime Against Women
by Jillian Ridington. Video Guide, Summer 1980, v. 3, no. 1.
Biennale 1980: A View from Venice
by Theodore Allen Heinrich. Vanguard, Oct. 1980, v. 9, no. 8.
222 Warehouse
by Judith Doyle. Parachute, Fall 1980, no. 20.
11e Biennale De Paris: Les Canadiens
by Unknown. Parachute, Fall 1980, no. 20.
On the Screen of Influence
by Tony Whitfield. Fuse, July 1980, v. 4, no. 5.
Noel Harding
by Jane Perdu. Parachute, Fall 1980, no. 20.
Kim Tomczak
by Andrea Anderson. Vanguard, Summer 1980, v. 9, no. 5/6.
B-84: Work and Wages
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Mr. Klein: Mother Daughter Mother Daughter
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
The Secret Life of Cornelia Lumsden: Automaton 79
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
The Canamama Lectures: Juan Geuer: The Unknown as Function of Time...
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Blue Sky Dialogue: Tape Produced at CBC Television Vancouver
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Echoes of Eden: Convicted But Not Convicted
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Pirhana Farms: Winding Down
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Long Playing: Liquid Legs
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Pesticides:The Hidden Assassins: Ars Gratis Artis
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Secret Action: Digit Recalls the Future
by Lisa Steele. Fuse, January 1980, v. 4, no. 2.
No Masters Yet: Very Delicate Invasion
by Lisa Steele. Fuse, Jan. 1980, v. 4, no. 2.
Introduction: Colin Campbell
by Bruce Ferguson. Canada Video, 1980. Ottawa: The National Gallery of Canada, 1980.
Colin Campbell: Peripheral Blur
by Colin Campbell. Performance Text(e)s & Documents, 1980. Montreal: Parachute, 1980.
Hetero-geneous: L'histoire d'une ville dessinée
by Lutgart Reynen. Anna R., June 1980, no. 1.
Video Art in Germany/in the USA
by Wulf Herzogenrath. GERMAN VIDEO AND PREFORMANCE, 1980. Toronto: Type A, 1980.
Marcel OdenBach
by Marcel Odenbach. Germany Video and Performance, 1980.
Video art exhibit compelling but botched
by John Bently Mays. The Globe and Mail, May 3, 1980.
Art Against Incest: Feminist Artists Challenge the Conspiracy of...
by Terry Wolverton. Fuse, July 1980, v. 4, no. 5.
Access to Public Television?
by Cinétracts. Fuse, May 1980, v. 4, no. 4.
Reel Life-from Us to Us: This Halifax women's media collective...
by Jay Maclean. Fuse, May 1980, v. 4, no. 4.
Developing Feminist Resources: The Work of Carolee Schneeman &...
by Jane Springer. Fuse, Jan. 1980, v. 4, no. 2.
Video show off to promising start
by John Bentley Mays. The Globe and Mail, Mar. 19, 1980.
Introduction
by Bruce Ferguson. University of Chicago Press, Aug. 1980.
James Byrne's Video Environments
by Marie Cieri. Afterimage, Feb. Winter 1980, v. 7, no. 7.
An interview with Carolee Schneemann
by Scott MacDonald. Afterimage, Mar. 1980, v. 7, no. 8.
Media independents push for access
by Marita Sturken. Afterimage, Apr. 1980, v. 7, no. 9.
FILMMAKER'S EXPO: animation, documentaries shine
by Scott MacDonald. Afterimage, Apr. 1980, v. 7, no. 9.
Discovering Pure Cinema: avant-garde film in the 20's
by Jan-Christopher Horak. Afterimage, Summer 1980, v. 8, no. 1 & 2.
CAPS Video: Brady, Cohen, DeWitt, Levine, Gusella, Buckner,...
by Janis Croft-Williams et al. Afterimage, Dec. 1980, v. 8, no. 5.
Susan Britton: New Tapes: Bakunin Meets British Vogue
by Lisa Steele. Centerfold, Feb. 1979, v. 3, no. 3.
Mediart: Notes From Graz and Barcelona
by Jo-Anne Birnie Danzker. Vanguard, Mar. 1979, v. 8, no. 2.
Explaining Pictures To Dead Air: The Robertson/Beuys Admixture
by Peggy Gale. Parachute, Spring 1979, no. 14.
Fabio Mauri
by Rene Blouin. Parachute, Spring 1979, no. 14.
Susan Britton
by Andrew Scott. Vanguard, Apr. 1979, v. 8, no. 3.
Modern Love
by Tim Guest. Centerfold, Apr. 1979, v. 3, no. 4.
Susan Britton
by Kim Tomczak. Video Guide, June 1979, v. 2, no. 2.
Fantasia Video Plastica: 10,000 viewers at Festival in Caracas
by Tom Sherman. Centerfold, June 1979, v. 3, no. 5.
Lisa Steele: recent tapes: The novel, the science report and the...
by Clive Robertson. Centerfold, June 1979.
A Room With A View
by John Noel Chandler. artscanada, Aug. 1979, v. 36, no. 2.
Orwell Lost In Videocab Staging
by Kathleen Fleming. Centerfold, Aug. 1979, v. 3, no. 6.
The Nine Tape Test: New Videos at Pumps, Vancouver
by Kim Todd. Centerfold, Aug. 1979, v. 3, no. 6.
Re-Visions at the Whitney: Schwartz, Snow,: Watts, Behrman,...
by John Locke. Parachute, Fall 1979, no. 16.
Antoni Muntadas: Personal/Public Information
by Niloufer Marker. Vanguard, Sept. 1979, v. 8, no. 7.
Video from Tokyo to Fukui and Kyoto: Kyoto/Canada Video Exchange Show
by Andrew Scott. Vanguard, Oct. 1979, v. 8, no. 8.
Miniature Theatre: Nancy Nicol
by John Greyson. Centerfold, Oct. 1979, v. 4, no. 1.
Untitled
by Margaret Dragu. Video Guide, 1979, v. 2, no. 4.
In Gory Detail
by Martha Fleming. Centerfold, Oct. 1979, v. 4, no. 1.
Automatons/Auto Morons
by AA Bronson. Performance By Artists, 1979. Toronto: Art Metropole, 1979.
Ithaca Video: Margine Notes on A movable Feast
by Victor Ancona. Videography, Sept. 1979.
But is it art?
by John Bentley Mays. Maclean's, Nov. 5, 1979.
Video Lunch
by Susan Britton. International Video Art Symposium - Queen's University, Mar. 5, 1979.
Introduction:: International Video Art Symposium
by Linda J. Milrod. International Video Art Symposium - Queen's University, Mar. 5, 1979.
Video Art: Verboe,shallow or just plain tinkering with gadgets?
by Brian Hoey and Wendy Brown. Artists Video: An Alternative Use of The Medium, 1979. Tyne & Wear: Biddick Farm Arts Centre, 1979.
Review: Kate Craig's Delicate Issue
by Margaret Dragu. Video Guide, 1979, v. 2, no. 4 & 5.
Paul Wong at the Vancouver Art Gallery
Art Magazine, May Spring 1979.
A princess visits Briarwood
by Jeanette Tremblay Burley. News & Chronicle, May 24, 1979.
Video of the Seventies in Japan
by Fujiko Nakaya. Video from Tokyo to Fukui and Kyoto, 1979. New York: Museum of Modern Art, 1979.
Film und Foto: Towards a language of silent film
by Jan-Christopher Horak. Afterimage, Dec. 1979, v. 7, no. 5.
Heroic Jounrey: Seven Events Illustrating a Heroic Journey
by Jeanne R. Forstenzer. Afterimage, Dec. 1979, v. 7, no. 5.
Sheeler and Strand's "Manhatta": a neglected masterpiece
by Scott Hammen. Afterimage, Jan. 1979, v. 6, no. 6.
CAPS VIDEO:: Wegman, Hill, Koplan, Lucier
by Janis Croft Williams et al. Afterimage, Nov. 1979, v. 7, no. 4.
Samuel Beckett's "Ghost Trio"
by Peter Gidal. Artforum, May 1979, v. 17, no. 9.
John Baldessari's "Blasted Allegories"
by Hal Foster. Artforum, Oct. 1979, v. 18, no. 2.
Aesthetics, Video Art and Television
by Curtis L. Carter. Leonardo, Fall 1979, v. 12, no. 4.
Re-visions: Whitney Museum
by Jonathan Crary. Flash Art, Oct. 1979, no. 92-3.
James Byrne
by Marie Cieri. Design Quarterly, 1979, no. 111.
Test-Tube Television: Imagination Gets Free Rein at WNET's Workshop
by Debra Weiner. American Film Institute, Mar. 1979, v. 4, no. 5.
BARBARA BUCKNER: Psychic Poetry Exemplified
by Victor Ancona. Videography, Aug. 1979.
Vibeke Sorensen: Demystifying video technology
by Victor Ancona. Videography, Feb. 1979, v. 4, no. 2.
Introduction
by John Stuart Katz. Autobiography: Film/Video/Photography, Sept 1978. Toronto: Art Gallery of Ontario, 1978.
I Am Here, This Is Real
by Peggy Gale. Autobiography: Film/Video/Photography, 1978. Toronto: Art Gallery of Ontario, 1978.
Fifth Network, Cinquiéme Réseau: Conférence Vidéo à Toronto
by Andrée Duchaine. Parachute, Winter 1978, no. 13.
The 1978 Canadian Video Open
by Lisa Steele. Centerfold, Apr. 1978, v. 2, no. 4.
Women In And Out Of Focus
by Petra Robinson. Vanguard, Nov. 1978, v. 7, no. 8.
Networks And The Eternal Frame
by Andrew Scott. Vanguard, Nov. 1978, v. 7, no. 8.
Daniel Dion and Daniel Guimond: Valeur Extra Regle/Extra Rule
by Paul Wong. Centerfold, Dec. 1978, v. 3, no. 1.
Randy and Berneche: Centre of a Tension
by Clive Robertson. Centerfold, Dec. 1978, v. 3, no. 1.
Video In Vancouver: Pumps on Cable 10
by Russell Keziere. Centerfold, Dec. 1978, v. 3, no. 1.
We All Sing The Same Song
by Glenn Lewis. Video Guide, Nov. 1978.
Vancouver Video Works At The VAG
by Ross Gentleman. Video Guide, Nov. 1978, v. 1, no. 1.
Fabio Mauri
by Carol Hackett. Video Guide, Nov. 1978.
Télé-performances/ Toronto
by Rober Racine. Parachute, Winter 1978, no. 13.
The alternative to the tube
by Ray Conlogue. Fanfare, Sept. 6, 1978.
Video: The Martini of the Visual Arts: Notes on the newest (and...
by Jay Scott. The Globe and Mail, Apr. 19, 1978.
Lies & Truths
Vanguard, May 1978.
As the world burns
by Carl Loeffler. Centerfold, June 1978, no. 5.
Ernest Gusella: Pleasing Artists and Public Alike
by Victor Ancona. Videography, Feb. 1978.
The Use of Music in Video Art
by Larry Kucharz. Ear Magazine, 1978, v. 4, no. 7.
The End of Video: White Vapor
by Douglas Davis. New Artist Video: A Critical Anthology, 1978. New York: E.P Dutton, 1978.
This Time Don't Call it the Boob Tube
by Jay Scott. The Globe and Mail, Jan. 31, 1978.
Juan Downey's recent videotapes
by Deirdre Boyle. Afterimage, Summer 1978, v. 6, no. 1&2.
The Videotape Collection at Media Study/Buffalo: a report
by John Minkowsky. Afterimage, Feb. 1978, v. 5, no. 8.
Hollis Frampton's "Hapax Legomena"
by Scott MacDonald. Afterimage, Jan. 1978, v. 5, no. 7.
Independent film: where's the audience?
by Scott MacDonald. Afterimage, Mar. 1978, v. 5, no. 9.
In visual anthropolgy, objectivity is still the question
by Marita Sturken. Afterimage, Apr. 1978, v. 5, no. 10.
The films of Taka Iimura
by Scott MacDonald. Afterimage, Apr. 1978, v. 5, no. 10.
Video Reviews: tapes by CAPS recipients
by Arthur Tsuchiya et al. Afterimage, Apr. 1978, v. 5, no. 10.
Larry Gottheim's "webs of subtle relationships": an interview
by Scott MacDonald. Afterimage, Nov. 1978, v. 6, no. 4.
Peter Watkins's "The Trap": dealing with problems that won't go away
by Scott MacDonald. Afterimage, Dec. 1978, v. 6, no. 5.
Menage A Trois
by General Idea. Toronto: Art Metropole, 1978.
Art, Love and Politics; a preamble
by Vera Frenkel. ArtsCanada, Jan 24, 1977, v. 34, no. 2.
Quelques Réflections sur le Régionalism
by Morin France. Parachute, Spring 1977, no. 6.
Time and a Birthday
by Ann-Sargent Wooster. SoHo Weekly, Mar. 3, 1977.
Vidéo: regard introspectif: Toronto Video: Looking Inward
by Peggy Gale. vie des arts, Spring 1977, v. 21, no. 86.
Definitly New Work in "A Different Kind of Romance"
by Avis Lang Rosenberg. Criteria, Feb. 1977, v. 3, no. 1.
Film shorts to return to movie theatres
by Marita Sturken. Afterimage, Dec. 1977, v. 5, no. 6.
Whatever happens between the pictures
by David S. Lenfest and Werner Nekes. Afterimage, Nov. Fall 1977, v. 5, no. 5.
Preview program started for independent film, video
by Fran Keenan. Afterimage, Feb. 1977, v. 4, no. 8.
Video artists, PBS stations: getting the twain to meet.
by Martha Gever. Afterimage, Jan. 1977, v. 4, no. 7.
Chicago: "The Chicago Connection," E.B. Crocker Art Gallery,...
by C.L Morrison. Artforum, Feb. 1977, v. 15, no. 6.
"Earth, Mars, Moon and Jupiter," The Kitchen; POPPY JOHNSON, Leo...
by Ross Skoggard. Artforum, Mar. 1977, v. 15, no. 7.
Video Art:: A medium discovering itself
by Jonathan Price. Artnews, Jan. 1977, v. 76, no. 1.
About Faces: The New Work of Peter Campus
by Roberta Smith. Art in America, Mar. 1977, v. 65.
Video From Outside: M. L. D'Arc Gallery, New York
by Barbara Cavaliere. Arts Magazine, Feb. 1977, v. 51, no. 6.
Nancy Holt: Whitney Museum of American Art, New York
by Carrie Rickey. Arts Magazine, Nov. 1977, v. 52, no. 3.
Shigeko Kubota: René Block Gallery, New York
by Richard Lorber. Arts Magazine, Feb. 1977.
Colin Campbell - Windows and Mirrors
by Peggy Gale. Video by Artists, 1976. Toronto: Art Metropole, 1976.
Pablum For The Pablum Eaters
by A.A. Bronson. Video by Artists, 1976. Toronto: Art Metropole, 1976.
Lisa Steele: Looking very closely
by Peggy Gale. Video by Artists, 1976. Toronto: Art Metropole, 1976.
Dan Graham: Sperone Westwater Fischer Gallery
by Barbara Baracks. Artforum, May 1976, v. 14, no. 9.
Canadian Film Development Corporation
by Michael Spencer. Criteria, Feb. 1976, v. 2, no. 1.
A Producer's View
by Chalmers Adams. Criteria, Feb. 1976, v. 2, no. 1.
N.F.B.
by Peter Jones. Criteria, Feb. 1976, v. 2, no. 1.
A.C.P.A.V
by Jean-Guy Nöel. Criteria, Feb. 1976, v. 2, no. 1.
Joyce Wieland
by Joyce Wieland. Criteria, Feb. 1976, v. 2, no. 1.
A Distributor's View (New Cinema Enterprises)
by Linda Beath. Criteria, Feb. 1976, v. 2, no. 1.
Canadian Film Institute
by Frederick Manter. Criteria, Feb. 1976, v. 2, no. 1.
Advising the Secretary of State on Film
by John Boundy. Criteria, Feb. 1976, v. 2, no. 1.
Dennis Oppenheim, M.L. D'Arc Gallery; Barry Leva, Sonnabend...
by Nancy Foote. Artforum, Apr. 1976, v. 14, no. 8.
Ace Space's electronic vaudeville show
by Laddy Kite. Afterimage, Feb. 1976, v. 3, no. 8.
On Jona Mekas' "Diaries, Notes, and Sketches"
by Scott Hammen. Afterimage, Feb. 1976, v. 3, no. 8.
Howard Guttenplan's "New York Diary"
by Scott Hammen. Afterimage, Mar. 1976, v. 3, no. 9.
Visual Anthropology meets in Philadelphia
by Elsa Voelcker. Afterimage, Apr. 1976, v. 3, no. 10.
Bienal politics: Vetoed video and the American protest
by Owen Findsen. Art News, Feb. 1976, v. 75, no. 2.
The Mona Lisa without a mustache: Art in the media age
by Harold Rosenberg. Art News, May 1976, v. 75, no. 5.
The Ins and Outs of Video
by Jeff Perrone. Artforum, June 1976, v. 14, no. 10.
Video Report
by David Hall. Studio International, Jan. 1976.
Video Report
by David Hall. Studio International, Mar. 1976, v. 191, no. 980.
Video Report
by David Hall. Studio International, July 1976, v. 192, no. 982.
Video Report
by David Hall. Studio International, Sept. 1976, v. 193, no. 983.
Art vidéo: création et culture
by Dominique Darzacq. Connaissance des arts, Mar. 1976, no. 289.
Video: The Distinctive Features of the Medium
by David Antin. Video Art: An Anthology, 1976.
Chris Burden
by Robert Horvitz. Artforum, May 1976, v. 14, no. 9.
Doris Chase
by Richard Lorber. Arts Magazine, Sept. 1976, v. 51, no. 1.
Peter Campus: Leo Castelli downtown gallery
by Nancy Grove. Arts Magazine, May 1976, v. 50, no. 9.
Nam June Paik: René Block and Bonino Galleries and WNET-TV
by Nancy Grove. Arts Magazine, May 1976, v. 50, no. 9.
Dan Graham: Apperearing in Public
by Eric Cameron. Artforum, Nov. 1976, v. 15, no. 3.
Video Art in Canada: Four Worlds
by Peggy Gale. Studio International, May 1976, v. 191, no. 981.
René Bauermeister
by René Bauermeister. Studio International, June 1976, v. 191, no. 981.
James Byrne: with excerpts from an interview with the artist by...
by Lisa Lyons. Studio International, June 1976, v. 191, no. 981.
NAM JUNE PAIK: Portrait of the Electronic Artist
by Victor Ancona. Videography, July Summer 1976, v. 1, no. 4.
True Confessions: A Description of Recent Videotapes
by Ernest Gusella. Video Art: An Anthology, 1976. New York; London: Harcourt Brace Jovanovich, 1976.
Video Star Talks on Telephone
by Ilene Segalove. Video Art: An Anthology, 1976. New York; London: Harcourt Brace Jovanovich, 1976.
Video Gets a One
by Russell Connor. Video Art: An Anthology, 1976. New York; London: Harcourt Brace Jovanovich, 1976.
Colin Campbell: La belle histoire d'Art Star: Colin Campbell: The...
by Eric Cameron. vie des arts, Spring 1975, v. 20, no. 78.
Video at VSW: a workshop with John Randolph Carter
by Laddy Kite. Afterimage, Jan. 1975, v. 2, no. 7.
Long Beach: Going to a restaurant and eating the menu
by Melinda Wortz. Art News, Oct. 1975, v. 74, no. 8.
Wilde About Harry
by Peter Plagens. Artforum, Apr. 1975, v. 13, no. 8.
Notes on William Wegman
by Maud Lavin. Artforum, Mar. 1975, v. 13, no. 7.
Dan Graham and Mowry Baden, Otis Art Institute, Los Angeles
by Peter Plagens. Artforum, Dec. 1975, v. 14, no. 4.
Television: Video's Frightful Parent: Part 1
by David Antin. Artforum, Dec. 1975, v. 14, no. 4.
The Video Show
by David Hall. Art and Artists, May 1975, v. 10, no. 110/2.
La vidéographie dans un contexte d'art
by Eric Cameron. Vie des arts, Fall 1975, v. 20, no. 80.
Crónica de Milán
by Pedro Fiori. Goya Revista de Arte, May 1975, no. 126.
Bruce Nauman: The Center of Yourself
by Jan Butterfield. Arts Magazine, Feb. 1975, v. 9, no. 6.
Four Artists of Sensuality
by Cindy Nemser. Arts Magazine, Mar. 1975, v. 49, no. 7.
In Time, of Time
by Hermine Freed. Arts Magazine, June 1975, v. 49, no. 10.
Roger Welch and the Sculpture of Memory
by Philip Smith. Arts Magazine, Oct. 1975, v. 50, no. 2.
Video Against Video
by Jole de Sanna. Domus, Feb. 1975.
Story Art
by Barbara Radice and Rodney Stringer. Data, Aug. 1975.
Video Show
by Glyn Davies. Architectural Design, July 1975, v. 45, no. 7.
Videotape & The University Art Programme
by Eric Cameron. Studio International, June 1974, v. 187, no. 967.
The Technologies of Vision: A Survey of the Artist's Encounter...
by Richard Hill. Art Magazine, Fall 1974, v. 6, no. 19.
Leacock at M.I.T.
by Louis Marcorelles. Sight and Sound, Spring 1974, v. 43, no. 2.
James Herbert: Visions of the Nude
by Scott Hammen. Afterimage, Feb. 1974, v. 1, no. 10.
The TV Aesthetic
by Toni del Renzio. Art and Artists, Nov. 1974, v. 9, no. 8.
Video Politic
by Jennifer Oille. Art and Artists, Nov. 1974, v. 9, no. 8.
The Withering Away of the State of Art
by Hollis Frampton. Artforum, Dec. 1974, v. 13, no. 4.
Letters: Douglas David and Allan Kaprow
by Douglas Davis and Allan Kaprow. Artforum, Nov. 1974, v. 13, no. 3.
Video Art: Old Wine, New Bottle
by Allan Kaprow. Artforum, June 1974, v. 12, no. 10.
Reviews: Hannah Wilke, Keith Sonnier, Douglas Davis, Peter Campus,...
by James Collins et al. Artforum, June 1974, v. 12, no. 10.
Reviews: William Wegman and Dennis Oppenheim
by Roberta Smith. Artforum, May 1974, v. 12, no. 9.
Joan Jonas: Making the Image Visible
by Noel Carroll. Artforum, Apr. 1974, v. 12, no. 8.
Reviews: Nam June Paik, Al Hansen, and Dennis Oppenheim
by Robert Pincus-Witten and Alan Moore. Artforum, Apr. 1974, v. 12, no. 8.
Project '74
by Charles Harrison and Lynda Morris. Studio International, Nov. 1974, v. 188, no. 969.
Abstract Time: Nam June Paik
by Paul Schimmel and Nam June Paik. Arts Magazine, Dec. 1974, v. 49, no. 4.
Children's Tapes
by Terry Fox. Arts Magazine, Dec. 1974, v. 49.
The Grammar of the Video Image
by Eric Cameron. Arts Magazine, Dec. 1974, v. 49, no. 4.
Douglas Davis: Video Against Video
by David Ross. Arts Magazine, Dec. 1974, v. 49, no. 4.
Video and Abstract Expressionism
by Hermine Freed. Arts Magazine, Dec. 1974, v. 49, no. 4.
Video Time in Walter
by Bob Wiegand and Ingrid Wiegand. Arts Magazine, Dec. 1974, v. 49, no. 4.
The Video Window of Davidson Gigliotti
by Russel Connor. Arts Magazine, Dec. 1974, v. 49, no. 4.
Difference and Resemblance: Precis for Track/Trace, a Video Work...
by Frank Gillette. Design Quarterly, 1974, no. 90.
Public Service Video
by Joyce Klepp et al. Design Quarterly, 1974, no. 90.
Xll Bienal de Sao Paulo: A prototype for Vaudeville
by Regina Cornwell. Studio International, Mar. 1974, v. 187, no. 964.
Artvideotape: Does it Work?
by Jole de Sanna. Domus, May 1974.
The Form and Sense of Video
by Robert Arn. artscanada, Oct. 1973, v. 30, no. 4.
Japan - VIDEO HIROBA
by Fujiko Nakaya. artscanada, Oct. 1973, v. 30, no. 4.
Video Activity of N.E THING Co. Ltd.
by Joyce Zemans. artscanada, Oct. 1973, v. 30, no. 4.
W.O.R.K.S A Conceptographic Reading of Our World Thermometer
by Paul Woodrow. artscanada, Oct. 1973, v. 30, no. 4.
Paik, Gillette, Downey: Process and Ritual
by David Ross. artscanada, Oct. 1973, v. 30, no. 4.
Women and Video: an introduction to the community of video
by Carol Zemel. artscanada, Oct. 1973, v. 30, no. 4.
Two Women in Personal Space
by Redon Xrist. Ethos, June 28, 1973, v. 7, no. 3.
New York Letter: Videocassettes Exhibited at Leo Castelli Gallery
by April Kingsley. Art International, Jan. 1973, v. 17, no. 1.
Reviews: Lynda Benglis, Paula Cooper Gallery
by Bruce Boice. Artforum, May 1973, v. 11, no. 9.
Hybrid...: a collaborative video piece
by Gary Lee-Nova and Al Razutis. artscanada, Oct. 1973, v. 30, no. 4.
Video at NSCAD
by Gary Neill Kennedy. artscanada, Oct. 1973, v. 30, no. 4.
Explorations in Video
by Gregory Battcock. Art and Artists, Feb. 1973, v. 7, no. 11.
Video is being invented
by Bruce Kurtz. Arts Magazine, Jan. 1973, v. 47, no. 3.
Fields: Peter Campus
by Bruce Kurtz. Arts Magazine, May 1973, v. 47, no. 7.
Gerry Schum
by Georg Jappe and John Wheelwright. Studio International, May 1973, v. 185, no. 955.
Visons: Twenty Four Frames going into video-tape distribution, The...
by Malcolm Le Grice. Studio International, May 1973, v. 185, no. 955.
Vision: Opus II, III, and IV, Gavin Bryars - Steve Dwoskin - Music Now
by Malcolm Le Grice. Studio International, Apr. 1973, v. 185, no. 954.
Vision: Arts Council Film Tour, Gilbert and George, Roger...
by Malcolm Le Grice. Studio International, Jan. 1973, v. 185, no. 951.
Idea demonstrations: body art and 'video freaks' in Sydney
by Donald Brook. Studio International, Nov. 1973, v. 185, no. 956.
Para-television daydreams
by John Perreault. The Village Voice, Oct. 11, 1973, no. 41.
Joan Jonas: Organic Honey's Vertical Roll
by Constance de Jong. artsmagazine, Mar. 1973, v. 47, no. 5.
Video
by Jasia Reichardt. Architectural Design, May 1973, v. 43, no. 5.
Man Ray, Do You Want To...: An Interview with William Wegman
by Lisa Béar. Avalanche, Winter 1973, no. 7.
Exchange '73: From A Videotape by Robert Morris
by Robert Morris. Avalanche, Summer 1973, no. 8.
"Video is Being Invented"
by Bruce Kurtz. Arts Magazine, Dec. 1973, v. 47, no. 3.
The Other Channel
by Jan Dawson. Sight and Sound, Fall 1972, v. 41, no. 4.
Video Obscura
by Douglas Davis. Artforum, Apr. 1972, v. 10, no. 8.
Keith Sonier:: Video and Film as Colour- Field
by Robert Pincus Witten. Artforum, May 1972, v. 10, no. 9.
Video Artists
by Klaus U. Reinke. Studio International, Feb. 1972, v. 183, no. 941.
Video Revolution: Patricia Sloane discusses the work of Nam June Paik
by Patricia Sloane. Art and Artists, Mar. 1972, v. 6, no. 12.
Books: Guerilla Television, by Michael Shamberg & Raindance...
by David Zack. Art and Artists, July 1972, v. 11.
People Spaced - Performing Myself Through Another Agent
by Vito Acconci. Avalanche, Fall 1972, no. 6.
Rumbles
by Willoughby Sharp and Liza Bear. Avalanche, Spring 1972, no. 4.
Concentration-Container-Assimilation
by Vito Acconci. Avalanche, Fall 1972, no. 6.
TV as Art as TV
by Fred Barzyk. Print, Jan. 1972, v. 26, no. 1.
Body as Place-Moving in on Myself, Performing Myself
by Vito Acconci. Avalanche, Fall 1972, no. 6.
Occupied Zone-Moving in, Performing on Another Agent
by Vito Acconci. Avalanche, Fall 1972, no. 6.
Video Pioneers: From banality to beauty: TV as a new form of...
by Jonathan Price. Harper's Magazine, June 1972, v. 244, no. 1465.
Eight Pieces by Dan Graham: 1966-72
by Dan Graham. Studio International, 1972, v. 183, no. 944.
Keith Sonnier:: Video and Film as Color-Field
by Robert Pincus-Witten. Artforum, May Spring 1972, v. 10, no. 9.
Dutch artists on television
by Carel Blotkamp. Studio International, June 1971, v. 181, no. 934.
Los Angeles
by Melinda Terbell. Arts Magazine, Apr. 1971, v. 45, no. 6.
Subject-Object Body Art
by Cindy Nemser. Arts Magazine, Sept. 1971, v. 46, no. 1.
Statements: On Frame, On Color-aid
by Richard Serra. Artforum, Sept. 1971, v. 10, no. 1.
A Computer Art for the Video Picture Wall
by John H. Whitney. Art International, Sept. 1971, v. 15, no. 7.
Keith Sonnier At The Modern
by Kenneth Baker. Artforum, Oct. 1971, v. 10, no. 2.
Kunstkritisches Tagebuch XVII: Identifikationen: Gerry Schums...
by Klaus Jürgen-Fischer. das kunstwerk, Jan. 1971, v. 24, no. 1.
Film: Videotape Program at Whitney
by Roger Greenspun. The New York Times, Dec. 10, 1971, no. 41593.
Bruce Nauman
by San Jose State College. Avalanche, Winter 1971, no. 2.
Terry Fox
Avalanche, Winter 1971, no. 2.
"Shocked and outraged as I was, it was nice seeing you again.'
by William Wegman. Avalanche, Winter 1971, no. 2.
Los Angeles: Keith Sonnier: Exhibition at Ace Gallery
by Peter Plagens. Artforum, Oct. 1970, v. 9, no. 2.
PheNAUMANNology
by Marcia Tucker. Artforum, Dec. 1970, v. 9, no. 4.
Nauman Interview
by Willoughby Sharp. Arts Magazine, Mar. 1970, v. 44, no. 5.
Los Angeles: Bruce Nauman Exhibition at the Nicholas Wilder Gallery
by Joseph Young. Art International, Summer 1970, v. 14, no. 6.
TV as a Creative Medium: at Howard Wise
by Jud Yalkut. Arts Magazine, Sept. 1969, v. 44, no. 1.
For Immediate Release
by Les Levine. Art and Artists, May 1969, v. 4, no. 2.
Videotape and Special Education
by Paul Ryan. Audiovisual Instruction, Nov. 1969, v. 14, no. 9.
TV - The Next Medium
by John S. Margolies. Art in America, Sept. 1969, v. 57, no. 5.
Art in the Electric Age
by John Chandler. Art International, Feb. 1969, v. 13, no. 2.
Computer Sculpture:: Six Levels of Cybernetics
by Robert Mallary. Artforum, May 1969, v. 7, no. 9.
Art and Technology of Nam June Paik
by Jud Yalkut. Arts Magazine, Apr. 1968, v. 42, no. 6.
Mother, turn off the picture
by Otto Piene. artscanada, June 1968, v. 25, no. 2.
A conversation on electronics and Black TV
by Aldo Tambellini et al. artscanada, Apr. 1968, v. 25, no. 1.
Art & Technology- The New Combine
by Douglas Davis. Art in America, Jan. 1968, v. 56, no. 1.
Art & Technology- Conversations: Gregory Kepes: Searcher in the...
by Douglas M. Davis. Art in America, Jan. 1968, v. 56, no. 1.
Art & Technology- Conversations: James Seawright: From Electronic...
by Douglas M. Davis. Art in America, Jan. 1968, v. 56, no. 1.
Warhol as Filmmaker
by David Bourdon. Art in America, Jan. 1968, v. 56, no. 1.
Electromedia: a movement
by Elsa Tambellini. artscanada, Nov. 1967, v. 24, no. 10.
Black
by Aldo Tambellini et al. artscanada, Oct. 1967, v. 24, no. 9.
The Way-Out West: Interviews with 4 San Francisco Artists: Nauman
by Joe Raffaele and Elizabeth Baker. Art News, Summer 1967, v. 66, no. 4.
Notes on Sculpture
by Robert Morris. Art Journal, Feb. 1966, v. 4, no. 6.
She sang up a swim pool for her village
by Anon. Sault Daily Star, Jan. 4, 1965.
La vie quotidienne d'une prisonnière à la Maison Gomin
by Serge Drouin.
La vie quotidienne d'une prisonnière à la Maison Gomin
La vie quotidienne d'une prisonnière à la Maison Gomin
by Author of article. Publication name.
ESSAY: Question
by Bill Horrigan.
VideoGuide Interviews Paul Wong
by Video Guide and Paul Wong. Video Guide, Nov..
Kenneth Doren
by Zoe Williams.
How Woman Changed the World: Or, How the Feminist Revolution...
by Lynn Mitges. The Province, Oct. 2 Fall.
AIDS Media: Counter-Representations
by Lucinda Furlong. The New American Film and Video Series - Whitney Museum of American Art, Jan..
Mo' Better News: A Discussion on Media Education
by Diana Agosta. Afterimage, Nov., v. 18, no. 4.
Karla Berry and Mark Resh: Video Installations at Chicago Filmmakers
by Jamirte Trott. Video Guide, v. 7, no. 4.
Karla Berry and Mark Resh: Video Installations at Chicago Filmmakers
Visions Urbanes: Cicle de Vídeo Creació. Barcelona: Centre de Cultura Contemporània de Barcelona.
Colin Campbell
by Elizabeth Chitty. Video Guide, Mar., v. 3, no. 4.
"Are We Going Backwards?": Producer David Tuff in conversation...
by Ken Mann. Video Guide, Fall, v. 10, no. 48.
C'est pas parce que c'est un château, qu'on est des princesses
by S. L..
Lois Andison
by Ashley Johnson. Canadian Art, Spring, v. 27, no. 1.
Sharp Focus on Zacharias Kunuk
by Jerry White. New Internationalist, Apr., no. 344.
Synthetic Pleasures
by Gogo Begonia. CyberStage, Winter, v. 2, no. 2.
DNA Sluts: VNS Matrix
by Gogo Begonia. CyberStage, Winter, v. 2, no. 2.
Kenneth Anger Me
by Jon Davies. C Magazine, Spring, no. 93.
Making a Scene with Live Video
by Laura U. Marks. The Independent.
Accessing Other Dimensions: Paul Pfeiffer
by Brian Curtin. ArtAsianPacific, July, no. 64.
Destination: Montreal
by Cheryl Simon and Fred McSherry. C Magazine, Jan., no. 60.
Her Dagestan: Taus Makhacheva
by Stephanie Bailey. Art AsiaPacific, Mar/Apr, no. 87.
The Making Of...: Sophia al-Maria
by Stephanie Bailey. Art AsiaPacific, Sept/Oct, no. 90.
A History of Vidding
by Morgan Dawn.
Spaces video exhibits pair masterful Bridget Moser performances...
by Steven Litt.
The Canadian Cree Artist Remixing History in the Met's Great Hall
by Jarrett Earnest. Vulture, Sept 11.
Like Mangoes in July: The Work of Richard Fung
by Helen Lee and Kerri Sakamoto. Insomiac Press.